A Bizarre Kind of Executive Action: The Suppression of Epochal Documentaries

Watching this riveting documentary, one cannot but be deeply impressed with a side of John Kennedy few know – his hatred of oppression, colonialism, imperialism, war, and his love of freedom for all people. . . . And one is left asking: why then has this film (and its predecessor about the right-wing witch hunt and crackdown on dissent in the 1950s) not been released to the public at a time when nothing could be more timely?

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Everybody Knows: Do They?

The electorate continually puts its hope in the performers that the spectacle’s producers put up to front for their interests, failing to grasp that the rulers’ interests are not theirs.  Arguing and anguishing over certain policy differences between Democratic and Republican presidential candidates, they fail to see that both exist to serve global capital, not regular people, that exchanging presidents is a counterfeiter’s con-game with the voters the scammers’ marks.

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Patrick’s Endgame When Words Fall on Deaf Ears

Wherever you go in the United States, you can see on people’s faces the strain of waiting for some absurd fear to become a reality, while things they should be fearing are repressed. You can almost feel them holding their breaths in nervous anticipation. It keeps people occupied as they await every presidential election that is “the most important one in your lifetime.”

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