Agata della Pietà: Difference between revisions
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{{short description|Italian composer}} |
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'''Agata della Pietà''' ( |
'''Agata della Pietà''' (24 March 1712 - 17 October 1769) was an Italian [[composer]], singer, and teacher of music at the Venetian charitable institution known as the [[Ospedale della Pietà]]. |
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A [[foundling]] admitted in infancy to the [[Ospedale della Pietà]] in [[Venice]], she received thorough musical training |
A [[Child abandonment|foundling]] admitted in infancy to the [[Ospedale della Pietà]] in [[Venice]], she received thorough musical training starting in her childhood through the instruction of an older woman named Apollonia, who was also top soprano vocalist for the Ospedale. After years of training, Agata became a performing member in the institution's musical ensembles, called the ''coro''; she later became a [[soprano]] soloist, singing teacher, and administrator. She is known to have been the soloist in [[motet]]s commissioned from [[Giovanni Porta]] and [[Andrea Bernasconi]], in whose manuscripts she is mentioned by name; she is also mentioned in an [[Anonymity|anonymous]] verse tribute to musicians of the Pietà ''cori'' which dates to around 1740. |
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Agata della Pietà is known to have written several musical compositions, including a setting of [[Psalm 134]] ''Ecce nunc'' for [[compline]]. Harpsichordist, Elizabeth Anderson completed a reconstruction of this work in 2022 and it was first performed by the Australian Chamber Choir in Melbourne in May 2022.<ref>{{Cite web |last=Zwartz |first=Barney |date=2022-04-26 |title=Six-fingered orphan's lost masterpiece to debut in Melbourne after centuries |url=https://www.theage.com.au/culture/music/the-story-of-the-six-fingered-venetian-orphan-and-her-lost-masterpiece-20220426-p5ag58.html |access-date=2023-01-15 |website=The Age |language=en}}</ref> Other known compositions are two Marian antiphons ''Regina Caeli'' and ''Salve Regina'' in the style of solo motets, as well as a solo motet titled ''[[Novo aprili]]'' in F (inscribed to one "Louisa"); only parts of these compositions survive today, although they demonstrate that Agata knew standard levels of composition in her time, including advanced techniques and professional levels of musicianship that equaled her contemporaries. |
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Only two motet settings by della Pietà, a ''[[Novo aprili]]'' in F (inscribed to one "Louisa Della Sga Agnatta") and a setting, also in F, of [[Psalm 134]] for [[compline]], survive; only the instrumental bass part to the latter survives. In addition, she produced a [[pedagogical]] text, ''Regali per Gregoria'', for one of her pupils, an alto soloist named Gregoria known to have been active between 1746 and 1777. |
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Along with [[Michielina della Pietà|Michielina]] and [[Santa della Pietà]], della Pietà was one of three foundlings of the Ospedale known to have become a composer. |
Along with [[Michielina della Pietà|Michielina]] and [[Santa della Pietà]], Agata della Pietà was one of at least three foundlings of the Ospedale known to have become a composer. Agata was held at high esteem within the Ospedale della Pietà until the end of her life. She helped maintain the institution's musical collections, she taught several younger women to high levels of music, and she was eventually raised to the position of Prioress (''Priora''), or head of the women's section of the institution, in her fifties. She died at the age of 56, on 7 October 1769.<ref>Vanessa Tonelli, "Le Figlie di Coro: Women's Musical Education and Performance at the Venetian Ospedali Maggiori," (PhD Dissertation, Northwestern University, 2022), 244-257.</ref> |
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==References== |
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*Bertil van Boer, Historical Dictionary of Music of the Classical Period Scarecrow Press, 2012, p. 155 |
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* Vanessa Tonelli [https://www.academia.edu/77001227/Le_Figlie_di_Coro_Womens_Musical_Education_and_Performance_at_the_Venetian_Ospedali_Maggiori_1660_1740 "Le Figlie di Coro: Women's Musical Education and Performance at the Venetian Ospedali Maggiori."] PhD Dissertation. Northwestern University, 2022. |
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[[Category:Italian women classical composers]] |
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[[Category:Musicians from the Republic of Venice]] |
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[[Category:18th-century Italian composers]] |
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Latest revision as of 15:11, 5 August 2024
Agata della Pietà (24 March 1712 - 17 October 1769) was an Italian composer, singer, and teacher of music at the Venetian charitable institution known as the Ospedale della Pietà.
A foundling admitted in infancy to the Ospedale della Pietà in Venice, she received thorough musical training starting in her childhood through the instruction of an older woman named Apollonia, who was also top soprano vocalist for the Ospedale. After years of training, Agata became a performing member in the institution's musical ensembles, called the coro; she later became a soprano soloist, singing teacher, and administrator. She is known to have been the soloist in motets commissioned from Giovanni Porta and Andrea Bernasconi, in whose manuscripts she is mentioned by name; she is also mentioned in an anonymous verse tribute to musicians of the Pietà cori which dates to around 1740.
Agata della Pietà is known to have written several musical compositions, including a setting of Psalm 134 Ecce nunc for compline. Harpsichordist, Elizabeth Anderson completed a reconstruction of this work in 2022 and it was first performed by the Australian Chamber Choir in Melbourne in May 2022.[1] Other known compositions are two Marian antiphons Regina Caeli and Salve Regina in the style of solo motets, as well as a solo motet titled Novo aprili in F (inscribed to one "Louisa"); only parts of these compositions survive today, although they demonstrate that Agata knew standard levels of composition in her time, including advanced techniques and professional levels of musicianship that equaled her contemporaries.
Along with Michielina and Santa della Pietà, Agata della Pietà was one of at least three foundlings of the Ospedale known to have become a composer. Agata was held at high esteem within the Ospedale della Pietà until the end of her life. She helped maintain the institution's musical collections, she taught several younger women to high levels of music, and she was eventually raised to the position of Prioress (Priora), or head of the women's section of the institution, in her fifties. She died at the age of 56, on 7 October 1769.[2]
References
[edit]- ^ Zwartz, Barney (2022-04-26). "Six-fingered orphan's lost masterpiece to debut in Melbourne after centuries". The Age. Retrieved 2023-01-15.
- ^ Vanessa Tonelli, "Le Figlie di Coro: Women's Musical Education and Performance at the Venetian Ospedali Maggiori," (PhD Dissertation, Northwestern University, 2022), 244-257.
- Berdes, Jane L. "Della Pietà, Agata (fl Venice, c. 1800). Italian singer, teacher and composer." The Norton/Grove Dictionary of Women Composers. Julie Anne Sadie and Rhian Samuel, eds. New York; London: W. W. Norton & Company, 1995. p. 138.
- Bertil van Boer, Historical Dictionary of Music of the Classical Period Scarecrow Press, 2012, p. 155
- Vanessa Tonelli "Le Figlie di Coro: Women's Musical Education and Performance at the Venetian Ospedali Maggiori." PhD Dissertation. Northwestern University, 2022.