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{{short description|2001 French film directed by Coline Serreau}}
{{Infobox film
{{Infobox film
| name = Chaos
| name = Chaos
Line 10: Line 11:
| cinematography = Jean-François Robin
| cinematography = Jean-François Robin
| editing = Catherine Renault
| editing = Catherine Renault
| distributor = [[StudioCanal]]
| distributor = [[StudioCanal]]<br>[[BAC Films]]
| released = {{film date|2001|10|3|df=y}}
| released = {{film date|2001|10|3|df=y}}
| runtime = 109 minutes
| runtime = 109 minutes
| country = France
| country = France
| language = French
| language = French
| budget = $8.6 million<ref>{{cite web|url=http://www.jpbox-office.com/fichfilm.php?id=2115|title=Chaos (2001)- JPBox-Office|first=|last=JP|website=www.jpbox-office.com}}</ref>
| budget = $8.6 million<ref>{{cite web|url=http://www.jpbox-office.com/fichfilm.php?id=2115|title=Chaos (2001)- JPBox-Office|last=JP|website=www.jpbox-office.com}}</ref>
| gross = $6.2 million<ref>{{cite web|url=http://www.boxofficemojo.com/movies/default.htm?id=chaos.htm|title=Chaos (2003) - Box Office Mojo|website=www.boxofficemojo.com}}</ref>
| gross = $6.2 million<ref>{{cite web|url=http://www.boxofficemojo.com/movies/default.htm?id=chaos.htm|title=Chaos (2003) - Box Office Mojo|website=www.boxofficemojo.com}}</ref>
}}
}}


'''''Chaos''''' is a 2001 French [[drama]] film written and directed by [[Coline Serreau]].<ref>[https://www.cnc.fr/professionnels/visas-et-classification/90446 Centre National du Cinéma et de l’image animée page for Chaos], accessed 1 April 2024.</ref> It was Serreau's ninth film, about a Parisian woman who befriends an Algerian prostitute after witnessing an accident, changing both their lives.<ref>[https://nymag.com/movies/articles/03/01/chaos.htm NY mag Movies - Chaos] accessed 1 April 2024.</ref>
'''''Chaos''''' is a 2001 French [[comedy-drama]] film written and directed by [[Coline Serreau]].

Currently, a remake of this movie in [[English language|English]], to star [[Miss Universe 1994]] [[Sushmita Sen]] and [[Barbara Streisand]], is planned.<ref>{{cite news|title=Chaos over 'Chaos' | first=Subhash K | last=Jha | date=2004-08-24 | url=http://sify.com/movies/bollywood/fullstory.php?id=13550979 | publisher=Sify.com | accessdate=2008-03-31}}</ref>


== Plot ==
== Plot ==
Paul and Hélène, a wealthy Parisian couple, are preparing to go out for the evening. While driving, they see three men chasing a prostitute down the street. She begs them to save her by letting her into the car, but Paul locks the doors and drives away as the men savagely beat her, leaving her unconscious in the street. He refuses to let Hélène phone an ambulance, afraid of being charged with not helping a person in danger.


Hélène cannot forget the incident, and next day goes to the hospital, and finds the prostitute, Noémie, in a coma. Hélène stops work and leaves her family responsibilities to stay with Noémie throughout her recovery, aiding her as she regains mobility and speech. When one of the pimps returns and threatens Noémie, Hélène follows him out of the hospital and knocks him unconscious with a plank, leaving him for the police to find.
Paul and Hélène, a wealthy Parisian couple, are preparing to go out for the evening. While driving, they see three men chasing a prostitute down the street. She begs them to save her by letting her into the car, but Paul locks the doors and drives away as the three men savagely beat her, leaving her unconscious in the street. He refuses to let Hélène phone an ambulance, afraid of being charged with not helping a person in danger (which is a crime in France).


Meanwhile, Paul and Hélène's son Fabrice, a university student, is cheating on his girlfriend with a girl, who is pregnant. When his girlfriend discovers the truth, she trashes his apartment and he moves back to Paul's apartment just as Hélène moves out; the two girls follow him, much to Paul's chagrin.
Hélène cannot forget the incident, and the next day she goes to the hospital, where she finds the prostitute, Noémie, in a coma. Moved, Hélène stops work and leaves her family responsibilities to stay with Noémie throughout her recovery, aiding her as she regains mobility and helping her to communicate since she can't yet speak. When one of the pimps returns to threaten and beat Noémie again into submission, Hélène follows him out of the hospital, knocks him unconscious with a wooden plank, and leaves him for the police to find.


When Hélène returns home for a day, one of Noémie's pimps goes to the hospital and removes her under the pretense of being a relatives taking her for a walk. Noémie, who still cannot speak, is unable to protest. Realising what has happened, Hélène follows them, accosts the pimps on the street, and takes her to Paul's mother's house in the country. There, Noémie recovers her ability to talk, and explains her life story:
Meanwhile, Paul and Hélène's son Fabrice, a university student, is cheating on his girlfriend with another girl, who is pregnant. When his girlfriend discovers the truth, she destroys his apartment. He moves into Paul's apartment just as Hélène moves out, and the two girls follow him, much to Paul's chagrin.


Her name is actually Malika, the child of poor French-Algerian immigrants. At 17, her father attempted to sell her into an arranged marriage and she fled. She was picked up by a pimp, named Touki, and sold into sexual slavery getting her hooked on heroin. She convinced Touki to move to Paris to speak to her step-mother and retrieve her passport. Her family kicked her out, and she formed plans to leave her life of forced prostitution behind. She got off drugs and opened up an account with her sister, Zora's passport to put some money behind. She tried going to [[SOS Racisme]] for help, but was dismissed. She moved to [[Geneva]] and seduced a rich man and got him to give her all of his money and jewelry, just before he died. She and Touki returned to Paris with the money. However, the man's family went to the press claiming that their money was stolen from the bank. Her pimps found out that she laundered the money for herself and beat her into signing a proxy. She escaped, with Touki and the other two pimps chasing after her, which was when Hélène and her husband came across her one evening.
When Hélène returns home for a day, one of Noémie's pimps goes to the hospital with a friend and removes Noémie under the pretense that they are relatives taking her for a walk. Noémie, who still cannot speak, is unable to protest. Realising what has happened, she accosts the pimps on the street and takes Noémie to Paul's mother's house. There, Noémie recovers her ability to talk, and explains her life story:


The two women plan Malika's freedom and revenge on her abusers. Hélène tells Malika that her husband was the one who locked the doors of their car during her attack, but Malika doesn't care. Later, she manages to distract Paul at the Basel airport, while looking for Hélène, and has sex with him. All three manage to get on the same flight back to Paris, with Malika keeping her distance, to avoid the police. Hélène finally stands up to the selfishness of her husband and son. Paul falls madly in love with Malika, going frantic when she doesn't call. Fabrice also falls in love with her.
Her name is actually Malika, and she is a child of poor French-Algerian immigrants. At 17, her father attempted to sell her into an arrange marriage and she fled. She was picked up by a pimp, named Touki, on the street and he subsequently sold her into sexual slavery and had her hooked on heroin. She convinced Touki to move to Paris to speak to her step-mother and retrieve her passport. Her family kicked her out, and she formed plans to leave her life of forced prostitution behind. She sobered up and opened up an account with her sister, Zora's passport to put some money behind. She tried going to [[SOS Racisme]] for help, but she was dismissed. She moved to [[Geneva]] and seduced a rich man and conned him into giving her all of his money and jewelry, just before he died. She and Touki returned to Paris with the money. However, the rich man's family went to the press with claims that their money was stolen from the bank. Her pimps found out that she laundered the money for herself and beat her into signing a proxy. She escaped, with Touki and the other two pimps chasing after her, which was when Hélène and her husband came across her in their car at the beginning.


Hélène and Malika set up the pimps and their gang to be arrested by the police. Touki is shot trying to escape. Malika returns to her estranged family and tells her sister, Zora, that she will be forced into marriage as soon as she's old enough, just as Malika was at her age. To save her, she begs her sister to come with her to live in freedom, but she refuses, saying she loves them.
The two women plan Malika's freedom and revenge on her abusers. Hélène tells Malika that her husband was the one who locked the doors of their car during her attack, but Malika doesn't care. Later, she manages to distract Paul at the Basel airport, who looking for his Hélène, and has sex with him. All three manage to get on the same flight back to Paris, with Malika keeping her distance, in order to avoid the police. Hélène finally stands up to the selfishness of her husband and son. Paul falls madly in love with Malika, going insane when she doesn't call. Fabrice also meets and falls in love with her.


Malika meets up with Paul again and she takes him to his mother's house. When Zora is beaten by her brothers, her father reveals that she will indeed be married to an older man soon. Malika and Hélène rush to Marseilles and stop Malika's father from sending Zora off to a forced marriage. Her father curses her and she replies that it is the first time he has ever given her anything. The film ends with Malika, Hélène, Zora and Paul's mother sitting on a bench gazing at the sun.
Hélène and Malika set up the pimps and their gang to be arrested by the police. Touki is shot after trying to escape. Malika returns to her estranged family and tells her sister, Zora, that she will be forced into marriage as soon as she's old enough, just as Malika was at her age. To save her from a life of patriarchal misery, she begs her sister to come with her to live in freedom, but she refuses, saying she loves them.

Malika meets up with Paul again and she takes him to his mother's house. When Zora is beaten by her sexist brothers, her father reveals that she will indeed be married to an older man soon. Malika and Hélène rush to Marseilles and stop Malika's father from sending Zora off to a forced marriage. Her father curses her and she replies that it is the first time he has ever given her anything. The film ends with Malika, Hélène, Zora and Paul's mother sitting on a bench gazing at the sun.


==Cast==
==Cast==
* [[Vincent Lindon]] as Paul
* [[Vincent Lindon]] as Paul Vidal
* [[Catherine Frot]] as Hélène
* [[Catherine Frot]] as Hélène Vidal
* [[Rachida Brakni]] as Noémie/Malika
* [[Rachida Brakni]] as Noémie/Malika
* [[Line Renaud]] as Mamie, Paul's mother
* [[Line Renaud]] as Mamie, Paul's mother
* [[Aurélien Wiik]] as Fabrice, son of Hélène and Paul
* [[Aurélien Wiik]] as Fabrice, son of Hélène and Paul
* [[Ivan Franek]] as Touki
* [[Ivan Franek]] as Touki
* [[Michel Lagueyrie]] as Marsat
* Michel Lagueyrie as Marsat
* [[Wojciech Pszoniak]] as Pali (as Wojtek Pszoniak)
* [[Wojciech Pszoniak]] as Pali
* [[Éric Poulain]] as The young policeman
* Éric Poulain as the young policeman
* [[Omar-Echériff Attalah]] as Tarek
* Omar-Echériff Attalah as Tarek, father of Malika
* [[Hajar Nouma]] as Zora
* Hajar Nouma as Zora, younger sister of Malika
* [[Chloé Lambert]] as Florence
* [[Chloé Lambert]] as Florence
* [[Marie Denarnaud]] as Charlotte
* [[Marie Denarnaud]] as Charlotte
* Vincent Branchet as Raoul
* [[Jean-Marc Stehlé]] as Blanchet
* Jean-Marc Stehlé as Blanchet
* [[Léa Drucker]] as Nicole
* [[Léa Drucker]] as Nicole
* [[Valérie Benguigui]] as The Medecin
* [[Valérie Benguigui]] as a doctor
* Gilles Cohen as a doctor
* Marc Prin as the Blanchet boy
* Vincent Pannetier as a customer at L'Horloge café

==Background==
One reviewer notes "''Chaos'' reconfigures the parameters of identity for both Hélène and Noémie in a nearly mythic tale of female solidarity and triumph".<ref>Henschel, Whitney. Cherchez la Femme - France’s Identity Crisis in Colonial and Post-Colonial Contexts. In: Spectator vol.23 no.2, Autumn 2003, p53-61.</ref> The fast-moving, hard-hitting beginning sets the pace for the rest of the film, with little respite between "twists in the plot and polemic arguments".<ref name="videau"/> After the film has focused on the "tragic fate of Malika", the elements of thriller continue, but never disconnected from reality.<ref name="videau"/> The domestic chaos of the Vidal family members matches that of the centre of their attention, and is mirrored in the deliberate style of direction, leading, both cheerfully and fiercely, to a state of order at the end.<ref name="videau"/>

Brakni, in her first leading film role (who was rehearsing for ''[[Ruy Blas]]'' at the [[Comédie-Française]] at the time of the film),<ref name="videau">Videau André. Chaos, Film français de Coline Serreau. In: ''Hommes et Migrations'', n°1234, novembre-décembre 2001. France, terre d'Asie. pp. 137-138.</ref> is described as athletic, "lithe, gorgeous and possessed of a penetrating intelligence" and the development "from bookish young student to the sophisticated but hard-as-nails prostiute" was praised.<ref name="variety">[https://variety.com/2001/film/reviews/chaos-3-1200553273/#! Nesselson, Lisa. Chaos - film review. Variety, 19 October 2001] accessed 1 April 2024.</ref> Loudon had appeared previously in two Serreau films, ''[[La Crise]]'' in 1992 and ''[[La Belle Verte]]'' in 1996.

The jazz-based soundtrack is by [[St Germain (musician)|St Germain]] (Ludovic Navarre), although the film closes with the Air from the [[Goldberg Variations]] in a two-piano arrangement. Locations were in Paris, Marseille and Geneva.<ref>Final credits of the film.</ref>


==Awards and honors==
==Awards and honors==
* [[César Award]] for Most Promising Actress (Rachida Brakni) and nominations for Best Film, Best Writing, Best Actress, and Best Actress in a Supporting Role (Line Renaud) in 2002.
* [[César Award]] for Most Promising Actress (Rachida Brakni) and nominations for Best Film, Best Writing, Best Actress, and Best Actress in a Supporting Role (Line Renaud) in 2002.
* Lumière prize for Most Promising Actress (Rachida Brakni) in 2002.
* [[Lumières Award for Best Female Revelation|Lumières]] prize for Most Promising Actress (Rachida Brakni) in 2002.
* People's Choice and Critic's Choice at the [[Norwegian International Film Festival]] 2002.
* People's Choice and Critic's Choice at the [[Norwegian International Film Festival]] 2002.


== Reception ==
== Reception ==
The film is described as "a moral fable" by a reviewer in ''Femme Actuelle'', "radical, bright, very moving but not without humour" by ''Le Journal de Dimanche'', "a defiant and upsetting storm" by ''Ciné Live'' and a "black comedy, drama and thriller all in one" by ''Télé Loisirs''.<ref>Leaflet accompanying DVD 196 579-2, 2002.</ref> The film was shot on digital video, and one critic noted that "while the medium may have facilitated the film-making process, the video “look” contributes absolutely nothing to an otherwise carefully made venture".<ref name="variety"/>
On review aggregation website [[Rotten Tomatoes]], the film has an approval rating of 85% based on 52 reviews.<ref name="rt">{{cite web|url=https://www.rottentomatoes.com/m/chaos2001/reviews/|title= Chaos - Movie Reviews|work=[[Rotten Tomatoes]]|publisher=[[Flixster]] |accessdate=September 21, 2018}}</ref> Review aggregator [[Metacritic]] gave the film a score of 81 out of 100 based on 15 critics, indicating "universal acclaim".<ref>{{cite web|url=https://www.metacritic.com/movie/chaos-2003-1 | title= Chaos|publisher=[[Metacritic]]|accessdate=September 21, 2018}}</ref> Stephen Holden of ''[[The New York Times]]'' described the film as "gripping feminist fable with a savage comic edge".<ref>{{cite news| url=https://www.nytimes.com/2003/01/29/movies/film-review-sexist-pigs-skewered-over-a-flamethrower.html | work=The New York Times | title=FILM REVIEW; Sexist Pigs Skewered Over a Flamethrower | first=Stephen | last=Holden | date=2003-01-29}}</ref>

The film was shown in 40 screens in Paris and in 433 cinemas in France with over a million entries recorded.<ref>[http://cinema.encyclopedie.films.bifi.fr/index.php?pk=75477 Ciné-Ressources - Chaos (2000) Coline Serreau, exploitation], accessed 1 April 2024.</ref>

On review aggregation website [[Rotten Tomatoes]], the film has an approval rating of 85% based on 52 reviews.<ref name="rt">{{cite web|url=https://www.rottentomatoes.com/m/chaos2001/reviews/|title= Chaos - Movie Reviews|work=[[Rotten Tomatoes]]|publisher=[[Flixster]] |accessdate=September 21, 2018}}</ref> Review aggregator [[Metacritic]] gave the film a score of 81 out of 100 based on 15 critics, indicating "universal acclaim".<ref>{{cite web|url=https://www.metacritic.com/movie/chaos-2003-1 | title= Chaos|publisher=[[Metacritic]]|accessdate=September 21, 2018}}</ref> Stephen Holden of ''[[The New York Times]]'' described the film as "gripping feminist fable with a savage comic edge".<ref>{{cite news| url=https://www.nytimes.com/2003/01/29/movies/film-review-sexist-pigs-skewered-over-a-flamethrower.html | work=The New York Times | title=FILM REVIEW; Sexist Pigs Skewered Over a Flamethrower | first=Stephen | last=Holden | date=2003-01-29}}</ref> The film was included in the Berlinale in 2002.<ref>[https://www.berlinale.de/en/2002/programme/20022791.html Berlinale Archive - Chaos Panorama 2002], accessed 1 April 2024.</ref> In 2007 several ''[[Sight and Sound]]'' critics included ''Chaos'' in a list of 75 hidden gems of "familiar, cool, but forgotten" films.<ref>[https://collections-search.bfi.org.uk/web/Details/ChoiceFilmWorks/150574025 Chaos articles/books in the Collections search of the British Film Institute website.], accessed 1 April 2024</ref>

The DVD 9 of the film was issued in 2002 by [[StudioCanal|Studio Canal]], including a 'making-of' feature, filmographies of the five leading actors, and a filming notebook by the director.


==References==
==References==
Line 76: Line 91:


[[Category:2001 films]]
[[Category:2001 films]]
[[Category:2000s comedy-drama films]]
[[Category:2001 drama films]]
[[Category:French films]]
[[Category:French drama films]]
[[Category:French comedy-drama films]]
[[Category:2000s French-language films]]
[[Category:French satirical films]]
[[Category:French-language films]]
[[Category:2000s feminist films]]
[[Category:2000s feminist films]]
[[Category:Films about prostitution in Paris]]
[[Category:Films about prostitution in Paris]]
[[Category:Films set in Paris]]
[[Category:Films set in Paris]]
[[Category:Films set in Marseille]]
[[Category:Films set in Marseille]]
[[Category:Films set in Geneva]]
[[Category:Films directed by Coline Serreau]]
[[Category:Films directed by Coline Serreau]]
[[Category:Films produced by Alain Sarde]]
[[Category:Films produced by Alain Sarde]]
[[Category:2000s satirical films]]
[[Category:2000s French films]]

Latest revision as of 15:58, 19 August 2024

Chaos
Film poster
Directed byColine Serreau
Written byColine Serreau
Produced byChristine Gozlan
Alain Sarde
StarringVincent Lindon
Catherine Frot
Rachida Brakni
CinematographyJean-François Robin
Edited byCatherine Renault
Music bySaint Germain
Distributed byStudioCanal
BAC Films
Release date
  • 3 October 2001 (2001-10-03)
Running time
109 minutes
CountryFrance
LanguageFrench
Budget$8.6 million[1]
Box office$6.2 million[2]

Chaos is a 2001 French drama film written and directed by Coline Serreau.[3] It was Serreau's ninth film, about a Parisian woman who befriends an Algerian prostitute after witnessing an accident, changing both their lives.[4]

Plot

[edit]

Paul and Hélène, a wealthy Parisian couple, are preparing to go out for the evening. While driving, they see three men chasing a prostitute down the street. She begs them to save her by letting her into the car, but Paul locks the doors and drives away as the men savagely beat her, leaving her unconscious in the street. He refuses to let Hélène phone an ambulance, afraid of being charged with not helping a person in danger.

Hélène cannot forget the incident, and next day goes to the hospital, and finds the prostitute, Noémie, in a coma. Hélène stops work and leaves her family responsibilities to stay with Noémie throughout her recovery, aiding her as she regains mobility and speech. When one of the pimps returns and threatens Noémie, Hélène follows him out of the hospital and knocks him unconscious with a plank, leaving him for the police to find.

Meanwhile, Paul and Hélène's son Fabrice, a university student, is cheating on his girlfriend with a girl, who is pregnant. When his girlfriend discovers the truth, she trashes his apartment and he moves back to Paul's apartment just as Hélène moves out; the two girls follow him, much to Paul's chagrin.

When Hélène returns home for a day, one of Noémie's pimps goes to the hospital and removes her under the pretense of being a relatives taking her for a walk. Noémie, who still cannot speak, is unable to protest. Realising what has happened, Hélène follows them, accosts the pimps on the street, and takes her to Paul's mother's house in the country. There, Noémie recovers her ability to talk, and explains her life story:

Her name is actually Malika, the child of poor French-Algerian immigrants. At 17, her father attempted to sell her into an arranged marriage and she fled. She was picked up by a pimp, named Touki, and sold into sexual slavery getting her hooked on heroin. She convinced Touki to move to Paris to speak to her step-mother and retrieve her passport. Her family kicked her out, and she formed plans to leave her life of forced prostitution behind. She got off drugs and opened up an account with her sister, Zora's passport to put some money behind. She tried going to SOS Racisme for help, but was dismissed. She moved to Geneva and seduced a rich man and got him to give her all of his money and jewelry, just before he died. She and Touki returned to Paris with the money. However, the man's family went to the press claiming that their money was stolen from the bank. Her pimps found out that she laundered the money for herself and beat her into signing a proxy. She escaped, with Touki and the other two pimps chasing after her, which was when Hélène and her husband came across her one evening.

The two women plan Malika's freedom and revenge on her abusers. Hélène tells Malika that her husband was the one who locked the doors of their car during her attack, but Malika doesn't care. Later, she manages to distract Paul at the Basel airport, while looking for Hélène, and has sex with him. All three manage to get on the same flight back to Paris, with Malika keeping her distance, to avoid the police. Hélène finally stands up to the selfishness of her husband and son. Paul falls madly in love with Malika, going frantic when she doesn't call. Fabrice also falls in love with her.

Hélène and Malika set up the pimps and their gang to be arrested by the police. Touki is shot trying to escape. Malika returns to her estranged family and tells her sister, Zora, that she will be forced into marriage as soon as she's old enough, just as Malika was at her age. To save her, she begs her sister to come with her to live in freedom, but she refuses, saying she loves them.

Malika meets up with Paul again and she takes him to his mother's house. When Zora is beaten by her brothers, her father reveals that she will indeed be married to an older man soon. Malika and Hélène rush to Marseilles and stop Malika's father from sending Zora off to a forced marriage. Her father curses her and she replies that it is the first time he has ever given her anything. The film ends with Malika, Hélène, Zora and Paul's mother sitting on a bench gazing at the sun.

Cast

[edit]

Background

[edit]

One reviewer notes "Chaos reconfigures the parameters of identity for both Hélène and Noémie in a nearly mythic tale of female solidarity and triumph".[5] The fast-moving, hard-hitting beginning sets the pace for the rest of the film, with little respite between "twists in the plot and polemic arguments".[6] After the film has focused on the "tragic fate of Malika", the elements of thriller continue, but never disconnected from reality.[6] The domestic chaos of the Vidal family members matches that of the centre of their attention, and is mirrored in the deliberate style of direction, leading, both cheerfully and fiercely, to a state of order at the end.[6]

Brakni, in her first leading film role (who was rehearsing for Ruy Blas at the Comédie-Française at the time of the film),[6] is described as athletic, "lithe, gorgeous and possessed of a penetrating intelligence" and the development "from bookish young student to the sophisticated but hard-as-nails prostiute" was praised.[7] Loudon had appeared previously in two Serreau films, La Crise in 1992 and La Belle Verte in 1996.

The jazz-based soundtrack is by St Germain (Ludovic Navarre), although the film closes with the Air from the Goldberg Variations in a two-piano arrangement. Locations were in Paris, Marseille and Geneva.[8]

Awards and honors

[edit]
  • César Award for Most Promising Actress (Rachida Brakni) and nominations for Best Film, Best Writing, Best Actress, and Best Actress in a Supporting Role (Line Renaud) in 2002.
  • Lumières prize for Most Promising Actress (Rachida Brakni) in 2002.
  • People's Choice and Critic's Choice at the Norwegian International Film Festival 2002.

Reception

[edit]

The film is described as "a moral fable" by a reviewer in Femme Actuelle, "radical, bright, very moving but not without humour" by Le Journal de Dimanche, "a defiant and upsetting storm" by Ciné Live and a "black comedy, drama and thriller all in one" by Télé Loisirs.[9] The film was shot on digital video, and one critic noted that "while the medium may have facilitated the film-making process, the video “look” contributes absolutely nothing to an otherwise carefully made venture".[7]

The film was shown in 40 screens in Paris and in 433 cinemas in France with over a million entries recorded.[10]

On review aggregation website Rotten Tomatoes, the film has an approval rating of 85% based on 52 reviews.[11] Review aggregator Metacritic gave the film a score of 81 out of 100 based on 15 critics, indicating "universal acclaim".[12] Stephen Holden of The New York Times described the film as "gripping feminist fable with a savage comic edge".[13] The film was included in the Berlinale in 2002.[14] In 2007 several Sight and Sound critics included Chaos in a list of 75 hidden gems of "familiar, cool, but forgotten" films.[15]

The DVD 9 of the film was issued in 2002 by Studio Canal, including a 'making-of' feature, filmographies of the five leading actors, and a filming notebook by the director.

References

[edit]
  1. ^ JP. "Chaos (2001)- JPBox-Office". www.jpbox-office.com.
  2. ^ "Chaos (2003) - Box Office Mojo". www.boxofficemojo.com.
  3. ^ Centre National du Cinéma et de l’image animée page for Chaos, accessed 1 April 2024.
  4. ^ NY mag Movies - Chaos accessed 1 April 2024.
  5. ^ Henschel, Whitney. Cherchez la Femme - France’s Identity Crisis in Colonial and Post-Colonial Contexts. In: Spectator vol.23 no.2, Autumn 2003, p53-61.
  6. ^ a b c d Videau André. Chaos, Film français de Coline Serreau. In: Hommes et Migrations, n°1234, novembre-décembre 2001. France, terre d'Asie. pp. 137-138.
  7. ^ a b Nesselson, Lisa. Chaos - film review. Variety, 19 October 2001 accessed 1 April 2024.
  8. ^ Final credits of the film.
  9. ^ Leaflet accompanying DVD 196 579-2, 2002.
  10. ^ Ciné-Ressources - Chaos (2000) Coline Serreau, exploitation, accessed 1 April 2024.
  11. ^ "Chaos - Movie Reviews". Rotten Tomatoes. Flixster. Retrieved September 21, 2018.
  12. ^ "Chaos". Metacritic. Retrieved September 21, 2018.
  13. ^ Holden, Stephen (2003-01-29). "FILM REVIEW; Sexist Pigs Skewered Over a Flamethrower". The New York Times.
  14. ^ Berlinale Archive - Chaos Panorama 2002, accessed 1 April 2024.
  15. ^ Chaos articles/books in the Collections search of the British Film Institute website., accessed 1 April 2024
[edit]
  • Chaos at IMDb
  • ‹The template AllMovie title is being considered for deletion.› Chaos at AllMovie
  • New York Times review