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[[File:Four Dango by Jun Kaneko, all 2001, --Honolulu Academy of Arts--.jpg|thumb|right|382px|Four Dango by Kaneko, all 2001, [[Honolulu Museum of Art]]]]
[[File:Four Dango by Jun Kaneko, all 2001, --Honolulu Academy of Arts--.jpg|thumb|right|382px|Four Dango by Kaneko, all 2001, [[Honolulu Museum of Art]]]]


{{nihongo|'''Jun Kaneko'''|金子 潤|Kaneko Jun|born 1942}} is a Japanese-born American ceramic artist known for crating large scale ceramic [[sculpture]].<ref name="SAAMbio" /> Based out of a studio warehouse in [[Omaha, Nebraska]], Kaneko primarily works in clay to explore the effects of repeated abstract surface motifs by using [[ceramic glaze]].<ref>{{Cite news|url=https://www.nytimes.com/2007/01/14/arts/design/14kimm.html|title=Giants of the Heartland|last=Kimmelman|first=Michael|date=2007-01-14|newspaper=The New York Times|issn=0362-4331|access-date=2016-04-19}}</ref>
{{nihongo|'''Jun Kaneko'''|金子 潤|Kaneko Jun|born 1942}} is a Japanese-born American ceramic artist known for creating large scale ceramic [[sculpture]].<ref name="SAAMbio" /> Based out of a studio warehouse in [[Omaha, Nebraska]], Kaneko primarily works in clay to explore the effects of repeated abstract surface motifs by using [[ceramic glaze]].<ref>{{Cite news|url=https://www.nytimes.com/2007/01/14/arts/design/14kimm.html|title=Giants of the Heartland|last=Kimmelman|first=Michael|date=2007-01-14|newspaper=The New York Times|issn=0362-4331|access-date=2016-04-19}}</ref>


== Early life and education==
== Early life and education==

Revision as of 17:52, 1 November 2022

Jun Kaneko
Kaneko in Charlotte, North Carolina on January 19, 2013
BornJuly 1942 (age 82)[1]
Nagoya, Japan
Alma materChouinard Art Institute
AwardsHonorary Doctorate from the Royal College of Art in London
Websitewww.junkaneko.com
Four Dango by Kaneko, all 2001, Honolulu Museum of Art

Jun Kaneko (金子 潤, Kaneko Jun, born 1942) is a Japanese-born American ceramic artist known for creating large scale ceramic sculpture.[2] Based out of a studio warehouse in Omaha, Nebraska, Kaneko primarily works in clay to explore the effects of repeated abstract surface motifs by using ceramic glaze.[3]

Early life and education

In 1942 he was born in Nagoya, Japan, where he studied painting during his high school years. He came to the United States in 1963 to continue those studies at Chouinard Art Institute when his focus was drawn to sculptural ceramics through his introduction to Fred Marer. He studied with Peter Voulkos, Paul Soldner, and Jerry Rothman in California during the time now defined as the contemporary ceramics movement.

Career

The following decade, Kaneko taught at various U.S. art schools, including Scripps College, Cranbrook Academy of Art and Rhode Island School of Design.

Kaneko established his third studio in Omaha, Nebraska, in 1990 where he primarily works. He has also created work in several experimental studios including European Ceramic Work Center, Otsuka Omi Ceramic Company, Fabric Workshop, Bullseye Glass Co., and A.S.A.P. He created series of large-scale sculptures from 1982-1983 at his Omaha Project, from 1992-1994 at his Fremont Project in California and currently at his Mission Clay Project in Kansas. He produced a large Dango series of ceramic pieces resembling vases without openings. (Dango means "dumpling" or "closed form" in Japanese.) The Honolulu Museum of Art has four of these dango permanently installed in a courtyard. His prolific roster of diverse work appears in numerous international solo and group exhibitions annually.

Kaneko's technique involves the use of masking tape and colored slips, which he uses to cover free-standing ceramic forms and wall-hung pieces with graphic motifs and markings. He frequently favors the large oval plate as one of his sculptural formats, which serves as a canvas for arrangements of straight, curving, and spiraling lines, creating an interplay of abstract imagery on a three-dimensional surface.[2]

He also designed sets and costumes for opera performances: Opera Omaha's Madama Butterfly (2006) and a co production of the San Francisco Opera, Opera Omaha, Opera Carolina and the Washington National Opera, The Magic Flute (2012).

His work is included in more than forty museum collections including the Hawaii State Art Museum, the Honolulu Museum of Art, the Los Angeles County Museum of Art, the Museum of Arts and Design (New York City), the Museum of Nebraska Art, the Sheldon Museum of Art, the Philadelphia Museum of Art, Scripps College, the Shigaraki Ceramics Museum (Shigaraki, Japan), and the Smithsonian American Art Museum.[4] His most recent collected works is Water Plaza at Bartle Hall in Kansas City, Missouri. Kaneko has realized over twenty-five public art commissions around the world. He has been honored with national, state and organization fellowships and an honorary doctorate from the Royal College of Art in London.

Major permanent commissions

References

  1. ^ "Oral history interview with Jun Kaneko, 2005 May 23- 24". Archives of American Art. Smithsonian Institution. Retrieved 19 July 2013.
  2. ^ a b "Jun Kaneko". Smithsonian American Art Museum. Retrieved 19 July 2013.
  3. ^ Kimmelman, Michael (2007-01-14). "Giants of the Heartland". The New York Times. ISSN 0362-4331. Retrieved 2016-04-19.
  4. ^ Chang, Gordon H., Mark Dean Johnson, Paul J. Karlstrom & Sharon Spain, Asian American Art, a History, 1850-1970, Stanford University Press, ISBN 9780804757515, p. 346

Sources

  • Chang, Gordon H., Mark Dean Johnson, Paul J. Karlstrom & Sharon Spain, Asian American Art, a History, 1850-1970, Stanford University Press, ISBN 9780804757515, pp. 346–347
  • Honolulu Museum of Art, Spalding House Self-guided Tour, Sculpture Garden, 2014, p. 3
  • Kaneko, Jun, “Jun Kaneko, selected works, 1989-2005, edited by Iwai Mieko”, Osaka, Japan, Kokuritsu Kokusai Bijutsukan, 2005.
  • Morse, Marcia and Allison Wong, 10 Years: The Contemporary Museum at First Hawaiian Center, The Contemporary Museum, Honolulu, 2006, ISBN 1888254076, p. 56
  • Peterson, Susan, “Jun Kaneko / Susan Peterson, foreword by Arthur C. Danto”, London, Laurence King, 2001.
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