Angus MacPhail: Difference between revisions
No edit summary |
No edit summary |
||
Line 10: | Line 10: | ||
}} |
}} |
||
'''Angus MacPhail''' (8 April 1903 – 22 April 1962) was an [[England|English]] [[screenwriter]], active from the late 1920s, who is best remembered for his work with [[Alfred Hitchcock]].<ref name=screnonline> |
'''Angus MacPhail''' (8 April 1903 – 22 April 1962) was an [[England|English]] [[screenwriter]], active from the late 1920s, who is best remembered for his work with [[Alfred Hitchcock]].<ref name=screnonline>{{cite web|url=http://www.screenonline.org.uk/people/id/447569/index.html|title=Angus McPhail|work=Screenonline}}</ref> |
||
He was born in [[London]] and educated at [[Westminster School]] and [[Trinity Hall, Cambridge]] where he studied English and edited ''[[Granta]]''. He first worked in the film business in 1926 writing [[subtitles]] for [[silent films]]. He then began writing his own scenarios for [[Gaumont British]] Studios and later [[Ealing Studios]] under Sir [[Michael Balcon]]. During [[World War II]] he made films for the [[Ministry of Information (United Kingdom)|Ministry of Information]]. |
He was born in [[London]] and educated at [[Westminster School]] and [[Trinity Hall, Cambridge]] where he studied English and edited ''[[Granta]]''. He first worked in the film business in 1926 writing [[subtitles]] for [[silent films]]. He then began writing his own scenarios for [[Gaumont British]] Studios and later [[Ealing Studios]] under Sir [[Michael Balcon]]. During [[World War II]] he made films for the [[Ministry of Information (United Kingdom)|Ministry of Information]]. |
||
One of Alfred Hitchcock’s favourite devices for driving the plots of his stories and creating suspense was what he called the |
One of Alfred Hitchcock’s favourite devices for driving the plots of his stories and creating suspense was what he called the [[MacGuffin]]. [[Ivor Montagu]], who worked with Hitchcock on several of his British films, attributes the coining of the term to MacPhail.<ref>{{cite web|url=http://explore.bfi.org.uk/4e85e2047df93|title=Working with Hitchcock|work=[[BFI]]|author=Montagu, Ivor|publisher=''[[Sight & Sound]]''|volume=49|date=1980}}</ref> |
||
== Filmography == |
== Filmography == |
Revision as of 22:06, 15 November 2015
Angus MacPhail | |
---|---|
Born | April 8, 1903 London, England, United Kingdom |
Died | April 22, 1962 Sussex, England, United Kingdom | (aged 59)
Occupation | Screenwriter |
Alma mater | Westminster School Trinity Hall, Cambridge |
Genre | Screenwriting, film |
Angus MacPhail (8 April 1903 – 22 April 1962) was an English screenwriter, active from the late 1920s, who is best remembered for his work with Alfred Hitchcock.[1]
He was born in London and educated at Westminster School and Trinity Hall, Cambridge where he studied English and edited Granta. He first worked in the film business in 1926 writing subtitles for silent films. He then began writing his own scenarios for Gaumont British Studios and later Ealing Studios under Sir Michael Balcon. During World War II he made films for the Ministry of Information.
One of Alfred Hitchcock’s favourite devices for driving the plots of his stories and creating suspense was what he called the MacGuffin. Ivor Montagu, who worked with Hitchcock on several of his British films, attributes the coining of the term to MacPhail.[2]
Filmography
- Balaclava (1928)
- A Light Woman (1928)
- A South Sea Bubble (1928)
- The Return of the Rat (1929)
- The Crooked Billet (1929)
- The Wrecker (1929)
- Taxi for Two (1929)
- City of Play (1929)
- Their Son (1929)
- Symphony in Two Flats (1930)
- A Warm Corner (1930)
- The Sport of Kings (1931)
- Third Time Lucky (1931)
- The Ringer (1931)
- Night in Montmartre (1931)
- The Man They Couldn't Arrest (1931)
- Hindle Wakes (1931)
- The Ghost Train (1931)
- The Calendar (1931)
- Michael and Mary (1931)
- Sunshine Susie (1931)
- Love on Wheels (1932)
- Marry Me (1932)
- Lord Babs (1932)
- The Frightened Lady (1932)
- White Face (1932)
- The Faithful Heart (1932)
- Love on Wheels (1932)
- Channel Crossing (1933)
- The Good Companions (1933)
- I Was a Spy (1933)
- A Yank at Oxford (1938)
- Kicking the Moon Around (1938)
- Trouble Brewing (1939)
- The Four Just Men (1939)
- Return to Yesterday (1940)
- Busman's Honeymoon (1940)
- Let George Do It! (1940)
- Saloon Bar (1940)
- Sailors Three (1940)
- The Ghost of St. Michael's (1941)
- The Big Blockade (1942)
- The Black Sheep of Whitehall (1942)
- The Next of Kin (1942)
- The Foreman Went to France (1942)
- The Goose Steps Out (1942)
- Went the Day Well? (1942)
- Go to Blazes (1942, short)
- My Learned Friend (1943)
- Bon Voyage (1944, short)
- Aventure Malgache (1944, short)
- The Halfway House (1944)
- Fiddlers Three (1944)
- Champagne Charlie (1944)
- Dead of Night (1945)
- Spellbound (1945)
- The Captive Heart (1946)
- The Loves of Joanna Godden (1947)
- Frieda (1947)
- It Always Rains on Sunday (1947)
- Whisky Galore! (1949)
- Train of Events (1949)
- The Wrong Man (1956)
References
- ^ "Angus McPhail". Screenonline.
- ^ Montagu, Ivor (1980). "Working with Hitchcock". BFI. Sight & Sound.
{{cite web}}
: Italic or bold markup not allowed in:|publisher=
(help)
External links
- Angus MacPhail at IMDb
- Angus MacPhail at the BFI's Screenonline