The Mysteries is a version of the medieval English mystery plays presented at London's National Theatre in 1977. The cycle of three plays tells the story of the Bible from the creation to the last judgement.
It is based largely on the Wakefield cycle of plays (but incorporating some scenes from the York, Chester and Coventry canons) and adapted by poet Tony Harrison, working with the original cast, into three parts: Nativity, The Passion and Doomsday. Directed by Bill Bryden, it was first performed on Easter Saturday 1977 on the terrace of the National Theatre building on the South Bank, London. It then went into the repertoire in the Cottesloe Theatre (part of the South Bank complex) later (in 1985) transferring to the Lyceum Theatre—then in use as a ballroom and so without seating.
Harrison's concept was to present the original stories as "plays-within-plays", using as his characters the naïve but pious craftsmen and guild members, to some extent modernised to represent the trades of today—God, for example, created the world with the help of a real fork-lift truck—acting out the parts of the story that their mediaeval counterparts would have done. At the start of each performance actors dressed as tradesmen welcomed the audience. This allowed him to tell the stories in a simple but direct and compelling way and allowed the modern audience to relate to the devout and impassioned spirit of the original players. The performance was a promenade one, with the audience mingling with the actors and making up the crowd at such scenes as the last judgement. The Evening Standard reported witnessing "An extraordinary experience... no wonder the end of it all saw an explosion of communal joyousness with everybody, actors, musicians, and audience alike, cheering and clapping and singing and dancing."
The Mysteries is an album composed by John Zorn and performed by Bill Frisell, Carol Emanuel and Kenny Wollesen which as recorded in New York City in December 2012 and released on the Tzadik label in March 2013. The album is the second by the trio following 2012's The Gnostic Preludes.
Allmusic said "The Mysteries is another facet of this fine trio's persona as they elegantly yet inquisitively interpret these beautiful pieces by the composer. Their interplay is at such a high level, it feels nearly instinctive". Martin Schray stated "The Mysteries is a very exciting follow-up to The Gnostic Preludes, particularly in its details. And again it is pure joy listening to the outstanding interplay of these master musicians".
All compositions by John Zorn
Mary Anne Atwood (née South), (1817–1910), was an English writer on hermeticism and spiritual alchemy.
Born in Gosport, Hampshire, to Thomas South, a researcher into the history of spirituality, she assisted and collaborated with her father from her youth. Mary Anne married the Anglican Reverend Alban Thomas Atwood in 1859, and moved to his parish near Thirsk in North Yorkshire where she spent the rest of her life. She continued private correspondence with several influential Theosophists until her death in 1910. Her final words, "I cannot find my centre of gravity."
She is buried at Leake Church, in Yorkshire.
Mary Anne's first publication, Early Magnetism in its higher relations to humanity (1846) was issued pseudonymously as the work of Θυος Μαθος (Gk. thuos mathos), an anagram of Thomas South.
Mary Anne wrote A Suggestive Inquiry into the Hermetic Mystery (1850) at her father's request, and in parallel with his own composition of a lengthy poem on the same subject. Thomas South paid for the book to be published anonymously in 1850, but without having read it, trusting his daughter's judgement. Reading it after publication, he believed Mary Anne had revealed many hermetic secrets that were better left unpublished, and therefore bought up the remaining stock and, with his daughter, burnt them, along with the unfinished manuscript of his poem. Only a few copies of the book survived.
The name Alfred may refer to:
Alfred is a heroic opera in three acts by the Czech composer Antonín Dvořák. It was Dvořák's first opera and the only one he composed to a German text. The libretto, by Karl Theodor Korner, had already been set by Friedrich von Flotow (as Alfred der Große) and is based on the story of the English king Alfred the Great. Composed in 1870, Alfred was never performed during Dvořák's lifetime. It received its premiere (in Czech translation) at the City Theatre, Olomouc on 10 December 1938.
The opera was performed for the first time with its original German libretto on 17 September 2014, in Prague.
Alfred was a medieval Bishop of Sherborne.
Alfred was consecrated between 932 and 934. He died between 939 and 943.
Mysteries may refer to:
As a gleam appearing far away in the landscape, the
time has come
As if this flame was the visual rendering of my
sensations,
As a presence which keeps my senses awaken, the process
is on
As if something should happen here now, my reason has
gone
As I would penetrate my own soul, I feel in my own
stomach
It's the moment which unfolds toward the infinite
It's the moment that should have happened,
That explains all the others,
That's always been there, which is the cause, the
instant and the destination
It's the moment when the curtain falls, it's the moment
when you face what you are
We run naked in the forest, our heads are trimmed with
antlers
Everything is now no more but an explosion of wailings
It's ultimate animal frenzy, forest's spirits tongue
Bodies move around and torn in a boundless violence
Que l'esprit des ancêtres prenne possession de moi,
Qu'il me dirige et que rien d'autre ne soit
The tribe moves as an ensemble
Gesticulations are triggered by the same pulse
It's the time when the setting reverses
Spirits become everything and people dissolve into
intangibles
It's the face of the forest's spirit which makes an
appearance
This incantation fills the whole universe
Cause we're the children of the moon, the animal
totally assumed
Cause we're the children of the moon, She's the mirror
in which christians don't dare to look