Natalie George Art

"Midcentury Blocks" is an abstract contemporary monoprint by Texas artist Roberta E. Laine. In this one-of-a-kind print, layers of mulberry papers have been run through an etching pr...

Danny McCaw's (US based) "Red Symphony" is an original, handmade oil painting with impasto brushstrokes that depicts two ambiguous human figures of white and grey sitting in an inter...

Medium Sized Abstract Geometric Oil Painting on Canvas. BIO: Carrie Johnson was born in Kansas City, Missouri, and grew up in the Chicago suburbs. She received a B.A. in Fine Arts f...

Pocket Juicy Plum 2c is an original oil painting by Dani Humberstone as part of her Pocket painting series featuring small scale realistic oil paintings, with a nod to baroque still ...

Brilliantly-colored collage with various texts and butterfly prints. Oil on canvas measures 20 x 24, presented in a modern frame with white linen liner; frame measures 26 5/8 x 30 5/...

Jim’s of Lambertville is proud to offer this artwork by: James Lechay (1907 – 2001) Born in the Bronx in 1907, James Lechay spent most of his childhood in Brooklyn before moving to Joilet, Illinois at age 13 to live with his uncle after his mother passed away. In 1928, he received his B.A. in psychology from the University of Illinois. The next year, he attended one week of graduate school before leaving to study under his brother, the painter Myron Lechay, in New York. At his brother’s studio, James began to associate with other artists of the time such as Milton Avery, Mark Rothko, Arshile Gorky, William Zorach, and Raphael and Moses Soyer. From Myron, James Lechay learned to train his eye to observe natural forms and developed a philosophy dependent upon the relationship built between the artist and the subject. Lechay became engaged in the social and political issues of Depression-era New York and even joined the social realism movement for a brief time in the 1930s. He operated as the leader of the Artists Union while employed by the Works Progress Administration (WPA). With the WPA, Lechay traveled to Las Vegas, New Mexico, where he established a gallery and exhibited the works of Milton Avery, Max Weber, and other WPA artists. Despite his association with many artists and artistic communities in New York in the 1930s and 40s, Lechay opposed adopting a style due to its popularity and commercial success. His use, however, of large brushstrokes from Abstract Expressionism, the flattened plane of Modernism, and the simple compositions of early Abstraction created a combination of styles completely his own. A painter of a vast range of subjects, including still lifes, portraits, and landscapes, Lechay was known to reduce these forms to their visual essentials. Lechay often did not date his paintings as he frequently reworked them, even after they were exhibited, calling his pieces, “finished at all stages and never finished”. In 1945, Lechay was hired by the University of Iowa’s art department, where he worked alongside Mauricio Lasansky, Humbert Albrizio, Carl Fracassini, and Byron Burford...

Danny McCaw's (US based) "RAdiance" is an original, handmade oil painting with impasto brushstrokes that depicts an ambiguous figure of white and grey sitting in an interior of grey ...

Bernhard Zimmer has created a positive stir at major international art fairs (Art Basel, Kunst Köln, etc.). His lively and mysterious compositions pique the taste of the serious art ...

"The Space Between I" is an abstract contemporary monoprint by Texas artist Roberta E. Laine. In this one-of-a-kind print layers of mulberry papers have been run through an etching p...

"The art I make does not tell a direct story, but prompts one to find things truly unseen. The works develop through intuitive improvisations, actions upon surface, and lines perpetu...

Elegant mid-century modern floral abstract in blues and earth tones with impasto paint application by unknown artist, Rawlins (American, 20th century)....

The Light Within is an original landscape by Helen Howells. The Light Within was inspired during lockdown, and through emotional brushstrokes the arti...