Richard Kalina Art

Milton Glaser Sony Tape, Full Color Sound poster 1980: Vintage original 1980s Milton Glaser poster designed by Glaser for the world-recognized brand Sony. A classic Milton Glaser advertising design featuring the profile of a 19th-century music listener silhouetted against music liner paper. Offset lithographic poster in colors. 30 x 45 inches. Very good overall vintage condition with the exception of perhaps some minor signs of handling. Vintage original print. Milton Glaser printed signature upper left; from an edition of unknown. Literature: Milton Glaser Posters, Glaser, pg. 251. Legendary graphic designer, illustrator, and art director Milton Glaser created some of the most recognizable iconography in America today —including the iconic I ♥ N Y logo —and countless posters and ad campaigns. Glaser changed the face of commercial art in the 1960s and ’70s, breaking with the conventions of modernism and drawing inspiration from a wide variety of art-historical and pop-cultural sources, from Art Nouveau to comic illustration...

Signed and numbered in pencil Color lithograph on wove paper Condition: In Excellent condition

Signed in graphite, lower right, 'Inman' for Robert Inman (American, 1927–2016) and painted circa 1985. Robert Inman first studied at Occidental College ...

Artist: (after) Jasper Johns (American, 1930-) Title: "Flag III" Series: Facsimile Catalogue of Jasper Johns Prints *Issued unsigned Year: 1975 Med...

Lithograph and screenprint with collage (silver foil) Prints are different sizes: 36 1/2 x 68 inches (92.7 x 172.7 cm) and 36 5/8 x 64 inches (93 x 162.6 cm) Published by Multiples...

JAMES ROSENQUIST "Ten Days, from The New York Collection for Stockholm" Lithograph in colors on paper,1973 9 x 12 inches (22.9 x 30.5 cm) (sheet) Ed. 114/300 Signed, numbered, and d...

Signed lower left, 'Inman' for Robert Inman (American, 1927–2016) and dated, lower right, outside of design, '79'. Retaining original, card, mat and backi...

Milton Glaser Newport Jazz Festival at The Russian Tea Room: The Russian Tea Room is an iconic restaurant in NYC located next to New York's Carne...

Artist : Katherine Bello Title : Valentine Materials : Acrylic and paper on board Date : 1/2020 Dimensions : 18"x18"x.75" Signed and Dated by Hand COA Provided Katherine Bello's aim as an artist is to capture a sense of place, a moment of time, or a feeling - to evoke a sense of wonder. Bello loves paint and paint brushes; bold, gestural mark-making and the interplay of color. She is influenced by light and landscape, poetry, history and science. Formerly educated in Chemical Engineering and Interior Design, Bello is drawn to the process of creating Something out of Nothing. Abstract, sbstract art...

This large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...

Bill Graham revisited his old Bronx neighborhood in August, 1986 and, appalled to see that the drug culture had effectively wiped out the local culture, f...

Signed lower right, 'Inman' for Robert Inman (American, 1927–2016) and dated, lower right, '79'. Retaining original, card, mat and backing boards. Titled on board, 'City Dwellings #2...