The document provides instructions for drawing in two point perspective. It begins with an overview of what two point perspective is and the benefits of mastering the technique. It then provides some helpful hints for perspective drawing, including using a ruler and pencil, drawing lightly, being patient, and practicing. The main body of the document outlines eight steps to draw a cube in two point perspective, including drawing the horizon line, adding two vanishing points, vertical guidelines, perspective lines, vertical length and width lines, bottom perspective lines, and erasing unnecessary lines. It encourages practicing the technique to draw more cubes and objects in two point perspective.
This document provides instructions for drawing in one point and two point perspective. It begins with an introduction to perspective and helpful hints. It then walks through 8 steps to draw a cube in one point perspective, including drawing the horizon line, adding a vanishing point, drawing perspective lines, and erasing extras. Additional steps are provided to add a roof, windows, and doors. The document then introduces two point perspective and provides 8 similar steps to draw a cube, including adding two vanishing points and drawing bottom perspective lines. Practice worksheets are included to have students draw boxes in one and two point perspective.
The document discusses the history and techniques of one-point perspective in art. It explains that early Egyptian art did not emphasize depth and perspective. During the 15th century, European artists began experimenting with perspective but did not yet have a systematic approach. During the Renaissance, artists developed linear perspective using mathematics and observation to create the illusion of three-dimensional depth on a two-dimensional surface. The key elements of one-point perspective are the vanishing point, horizon line, and orthogonal lines that converge to create the sense of distance and space.
Leonardo da Vinci described three aspects of perspective in painting: 1) the size of objects diminishing with distance (linear perspective), 2) colors changing farther from the eye (atmospheric perspective), and 3) less detailed finishing of distant objects (atmospheric perspective). Filippo Brunelleschi is credited with developing linear perspective around 1425 using a single vanishing point. Perspective techniques include the horizon line, vanishing points, orthogonal and transversal lines, diminution, foreshortening, one-point, two-point, and three-point perspectives, and atmospheric perspective to convey depth.
This document discusses one-point perspective in Renaissance art. It explains that during the Renaissance, artists became interested in making two-dimensional artwork appear three-dimensional. Artists used mathematics and close observation to develop linear perspective techniques. One-point perspective involves drawing orthogonal lines that converge at a single vanishing point, making distant objects appear smaller to create the illusion of depth on a flat surface. The document provides instructions for how to draw a simple one-point perspective scene using a horizon line and vanishing point.
This document provides instructions for drawing a two point perspective. It begins with an overview stating that two point perspective shows an angle rather than a face-on view, with most lines being vertical or drawn to two vanishing points. It then outlines nine steps to follow a tutorial for drawing a two point perspective, including turning the paper landscape, drawing a horizon line and two vanishing points, connecting lines to the points to form orthogonals, and adding vertical lines and details between the orthogonals.
The document discusses one-point perspective in Renaissance art. During this time period, artists became interested in creating the illusion of three-dimensional depth in two-dimensional paintings. They used mathematics and observation to develop the technique of linear perspective, which uses vanishing points and orthogonal lines to trick the eye into seeing depth on a flat surface. One-point perspective involves drawing all lines to converge at a single vanishing point located on the horizon line, creating the illusion of objects receding into the distance.
During the Renaissance, artists became interested in making their two-dimensional artwork appear three-dimensional. To achieve this effect, artists studied mathematics and observation of how objects appear to the eye. They developed linear perspective techniques which use orthogonal lines converging at a single vanishing point on the horizon line to create the illusion of depth on a flat surface. One-point perspective involves drawing objects face-on with most lines oriented vertically, horizontally, or drawn orthogonally to a single vanishing point. This allows the artist to systematically depict how objects appear smaller in the distance.
This document discusses different techniques for technical drawing, including oblique projections, exploded diagrams, and constituent parts diagrams. It focuses on using one-point and two-point perspective to represent three-dimensional objects in two-dimensional drawings. Specific techniques are described for drawing boxes using one-point and two-point perspective, including placing vanishing points and drawing lines that converge on those points to indicate depth and dimensions. Examples are provided to illustrate these concepts.
This document discusses two point perspective and how to draw objects using this technique. [1] Two point perspective involves objects having sides that vanish toward two vanishing points on the horizon, while vertical lines have no perspective. [2] It allows drawings to have more depth and for objects to appear more natural and dimensional compared to one point perspective. [3] The document provides instructions for how to draw a box in two point perspective including placing vanishing points and drawing lines that recede toward them.
The document discusses the key elements of design including line, figure and ground, scale and proportion, texture and pattern, rhythm and repetition, direction, weight, balance, and the rule of thirds. These elements are the fundamental building blocks that designers use to create unified compositions and deliver effective visual messages to audiences. When used successfully together, these elements create design harmony.
This document provides instruction on how to create a two-point perspective drawing. It defines key terms like horizon line, vanishing point, and orthogonal line. The steps outlined are to first draw the horizon line where the sky meets the ground, then select two vanishing points on the horizon line where parallel lines appear to converge. Orthogonal lines are then drawn from corners of an object to the vanishing points to establish perpendicular lines going into the distance. Students are assigned to complete a two-point perspective cityscape drawing with labeled horizon line and vanishing point including at least 4 buildings, windows, and doors.
A still life is a drawing or painting of inanimate objects arranged by the artist. Setting up an effective still life composition requires choosing a location with good lighting, including architectural elements for direction, and selecting interesting objects to demonstrate value and composition skills. When creating a still life drawing or painting, artists should plan the arrangement of objects, sketch the composition lightly, add value gradually to define shapes rather than using hard lines, and aim for a full range of tones. Proper drawing position and taking time to plan the composition before rendering details are also important tips for developing still life works.
Two-point perspective can be used to draw objects from different angles, with one vanishing point for each set of parallel lines. It allows for more viewing points than one-point perspective. The document provides examples of boxes drawn in two-point perspective, with the vanishing points placed in different positions, sometimes within and sometimes outside the picture plane. It also includes student drawings applying two-point perspective to architectural subjects, with feedback on effective and less effective uses of techniques like ink wash, details, and complex spaces.
The document discusses the elements and principles of design. The elements are the basic materials used in design, such as line, shape, color, value, texture, size, and space. The principles are rules for organizing the elements, including contrast, repetition, alignment, and proximity. Contrast uses difference to make elements stand out, repetition creates unity and patterns, alignment connects elements visually, and proximity groups related items together.
There are three main types of perspective discussed in the document: one-point perspective, two-point perspective, and anamorphosis. One-point perspective uses a single vanishing point and is useful for room layouts. Two-point perspective uses two vanishing points and makes objects look more natural. Anamorphosis involves distorting an image that then appears normal when viewed through a special device from a specific angle.
This document introduces different types of drawing techniques, including blind contour drawing where the artist only looks at the subject and not the paper, modified contour drawing where the artist looks mostly at the subject and briefly at the paper, and cross-contour lines that show the three-dimensional form of a subject across its shapes. It also discusses gesture drawings that capture movement through quick sketches, and using value, or light and dark shades, to convey form in two-dimensional drawings. Famous artists like da Vinci, Rembrandt, Picasso, and Escher employed various techniques.
This document discusses linear perspective techniques used during the Renaissance to create the illusion of three-dimensional space on a two-dimensional surface. It explains that Renaissance artists developed mathematical and observational methods like establishing a horizon line and single or double vanishing points. Lines converging on the vanishing point make distant objects appear smaller to trick the eye into seeing depth. The document provides instructions for creating a basic two-point perspective drawing and encourages practicing the technique to build fantasy cityscapes using boxes, buildings, and other forms.
Positive space refers to the area occupied by an object, while negative space is the space around the object. The document discusses how artists use positive and negative space, giving examples of bottles where the positive space is what the bottles occupy and the negative space is the area around them. Artists can manipulate objects by deliberately leaving certain spaces white or adding patterns to trick the viewer's eyes.
Linear perspective is a technique used in drawings to depict three-dimensional depth on a two-dimensional surface. It was developed in the 15th century and deals with the orientation and location of shapes in space. Key terms in linear perspective include the horizon line, vertical lines, horizontal lines, orthogonal lines that meet at a vanishing point, and the types of perspective drawings which vary based on the number of vanishing points used.
Line, contour line, and observation drawingAmanda Woodard
Here are the key points about lines from the document:
- A line is the path of a moving point in space and is one-dimensional.
- Contour lines follow the outlines and interior details of a subject using continuous lines without picking up the drawing tool. They help show form.
- Line quality, by varying the thickness of lines, can imply shadows and add detail to suggest form.
- Cross contour lines, when added to contour lines, further communicate the three-dimensional form of a subject by indicating planes, contours, and shadows.
In this presentation, an introduction to Perspective Drawing has been given. All terms related to the topic has been defined and explained. And step by step procedure to draw One Point Perspective and Two Point Perspective is given at the end.
The document defines various artistic elements and concepts used in visual art including:
- Line: Different types of lines including outlines, contours, expressive, sketch, and calligraphic lines. Characteristics of lines like width, length, direction, focus, and feeling.
- Shape: Geometric, organic, positive, negative, static, and dynamic shapes.
- Color: Primary, secondary, tertiary colors. Analogous, complementary, monochromatic, warm, and cool colors.
- Space: Positive and negative space, picture plane, composition, and focal point.
- Perspective: Linear and nonlinear perspective using techniques like size variation, overlapping, and convergence of lines.
- Texture: Real
This document provides an overview of perspective drawing techniques. It defines perspective as a method of representing three-dimensional objects on a two-dimensional surface in a way that appears realistic. The key elements of perspective include the observer's eye, the object, and the plane of projection. There are three main types of perspective: one-point, two-point, and three-point. One-point perspective involves lines converging to a single vanishing point and is illustrated through examples and step-by-step instructions for drawing a room.
Three point perspective should be used when drawing a building from close up by looking up or down at it, as it introduces a third vanishing point allowing the artist to depict a bird's-eye or worm's-eye view. To draw in three point perspective, an artist places vertical lines converging to three vanishing points situated on the horizon line. Examples of works that effectively employ three point perspective include da Vinci's Last Supper, Caillebotte's Paris Street; Rainy Day, and Escher's Tower of Babel. The document instructs the reader to create their own cityscape using three point perspective.
This document discusses watercolor painting techniques. It defines watercolors as pigments suspended in a water-soluble medium that interact with water and paper. Some basic techniques are washes, wet-on-wet, and dry brush. Washes allow for solid or faded effects, wet-on-wet uses a wet brush on wet paper for undefined marks, and dry brush drags dry paint for crisp contrasts. Examples where these techniques are used include landscapes, still lifes, portraits, and abstracts.
Value refers to the lightness and darkness of a color, which is achieved through shading techniques like stippling, hatching, cross-hatching, and blending. Value scales can be used for shading practice and to determine if the correct values are used in an artwork. Good art incorporates a variety of values, ranging from black to white. The document discusses value and provides examples of common shading techniques.
This document discusses one-point and two-point perspective techniques in art. One-point perspective uses a single vanishing point to draw lines converging to create the illusion of depth. Two-point perspective uses two vanishing points, with lines drawn from shapes to each point. The document provides step-by-step instructions for creating basic one-point and two-point perspective drawings, explaining how to place shapes, draw orthogonal lines to vanishing points, and add parallel lines and shading to depict three-dimensional forms.
Romantics stressed the individual creativity and the freedom to innovate. Romanticism focussed on the use of creative imagination and the importance of myth and symbolism
This document discusses different techniques for technical drawing, including oblique projections, exploded diagrams, and constituent parts diagrams. It focuses on using one-point and two-point perspective to represent three-dimensional objects in two-dimensional drawings. Specific techniques are described for drawing boxes using one-point and two-point perspective, including placing vanishing points and drawing lines that converge on those points to indicate depth and dimensions. Examples are provided to illustrate these concepts.
This document discusses two point perspective and how to draw objects using this technique. [1] Two point perspective involves objects having sides that vanish toward two vanishing points on the horizon, while vertical lines have no perspective. [2] It allows drawings to have more depth and for objects to appear more natural and dimensional compared to one point perspective. [3] The document provides instructions for how to draw a box in two point perspective including placing vanishing points and drawing lines that recede toward them.
The document discusses the key elements of design including line, figure and ground, scale and proportion, texture and pattern, rhythm and repetition, direction, weight, balance, and the rule of thirds. These elements are the fundamental building blocks that designers use to create unified compositions and deliver effective visual messages to audiences. When used successfully together, these elements create design harmony.
This document provides instruction on how to create a two-point perspective drawing. It defines key terms like horizon line, vanishing point, and orthogonal line. The steps outlined are to first draw the horizon line where the sky meets the ground, then select two vanishing points on the horizon line where parallel lines appear to converge. Orthogonal lines are then drawn from corners of an object to the vanishing points to establish perpendicular lines going into the distance. Students are assigned to complete a two-point perspective cityscape drawing with labeled horizon line and vanishing point including at least 4 buildings, windows, and doors.
A still life is a drawing or painting of inanimate objects arranged by the artist. Setting up an effective still life composition requires choosing a location with good lighting, including architectural elements for direction, and selecting interesting objects to demonstrate value and composition skills. When creating a still life drawing or painting, artists should plan the arrangement of objects, sketch the composition lightly, add value gradually to define shapes rather than using hard lines, and aim for a full range of tones. Proper drawing position and taking time to plan the composition before rendering details are also important tips for developing still life works.
Two-point perspective can be used to draw objects from different angles, with one vanishing point for each set of parallel lines. It allows for more viewing points than one-point perspective. The document provides examples of boxes drawn in two-point perspective, with the vanishing points placed in different positions, sometimes within and sometimes outside the picture plane. It also includes student drawings applying two-point perspective to architectural subjects, with feedback on effective and less effective uses of techniques like ink wash, details, and complex spaces.
The document discusses the elements and principles of design. The elements are the basic materials used in design, such as line, shape, color, value, texture, size, and space. The principles are rules for organizing the elements, including contrast, repetition, alignment, and proximity. Contrast uses difference to make elements stand out, repetition creates unity and patterns, alignment connects elements visually, and proximity groups related items together.
There are three main types of perspective discussed in the document: one-point perspective, two-point perspective, and anamorphosis. One-point perspective uses a single vanishing point and is useful for room layouts. Two-point perspective uses two vanishing points and makes objects look more natural. Anamorphosis involves distorting an image that then appears normal when viewed through a special device from a specific angle.
This document introduces different types of drawing techniques, including blind contour drawing where the artist only looks at the subject and not the paper, modified contour drawing where the artist looks mostly at the subject and briefly at the paper, and cross-contour lines that show the three-dimensional form of a subject across its shapes. It also discusses gesture drawings that capture movement through quick sketches, and using value, or light and dark shades, to convey form in two-dimensional drawings. Famous artists like da Vinci, Rembrandt, Picasso, and Escher employed various techniques.
This document discusses linear perspective techniques used during the Renaissance to create the illusion of three-dimensional space on a two-dimensional surface. It explains that Renaissance artists developed mathematical and observational methods like establishing a horizon line and single or double vanishing points. Lines converging on the vanishing point make distant objects appear smaller to trick the eye into seeing depth. The document provides instructions for creating a basic two-point perspective drawing and encourages practicing the technique to build fantasy cityscapes using boxes, buildings, and other forms.
Positive space refers to the area occupied by an object, while negative space is the space around the object. The document discusses how artists use positive and negative space, giving examples of bottles where the positive space is what the bottles occupy and the negative space is the area around them. Artists can manipulate objects by deliberately leaving certain spaces white or adding patterns to trick the viewer's eyes.
Linear perspective is a technique used in drawings to depict three-dimensional depth on a two-dimensional surface. It was developed in the 15th century and deals with the orientation and location of shapes in space. Key terms in linear perspective include the horizon line, vertical lines, horizontal lines, orthogonal lines that meet at a vanishing point, and the types of perspective drawings which vary based on the number of vanishing points used.
Line, contour line, and observation drawingAmanda Woodard
Here are the key points about lines from the document:
- A line is the path of a moving point in space and is one-dimensional.
- Contour lines follow the outlines and interior details of a subject using continuous lines without picking up the drawing tool. They help show form.
- Line quality, by varying the thickness of lines, can imply shadows and add detail to suggest form.
- Cross contour lines, when added to contour lines, further communicate the three-dimensional form of a subject by indicating planes, contours, and shadows.
In this presentation, an introduction to Perspective Drawing has been given. All terms related to the topic has been defined and explained. And step by step procedure to draw One Point Perspective and Two Point Perspective is given at the end.
The document defines various artistic elements and concepts used in visual art including:
- Line: Different types of lines including outlines, contours, expressive, sketch, and calligraphic lines. Characteristics of lines like width, length, direction, focus, and feeling.
- Shape: Geometric, organic, positive, negative, static, and dynamic shapes.
- Color: Primary, secondary, tertiary colors. Analogous, complementary, monochromatic, warm, and cool colors.
- Space: Positive and negative space, picture plane, composition, and focal point.
- Perspective: Linear and nonlinear perspective using techniques like size variation, overlapping, and convergence of lines.
- Texture: Real
This document provides an overview of perspective drawing techniques. It defines perspective as a method of representing three-dimensional objects on a two-dimensional surface in a way that appears realistic. The key elements of perspective include the observer's eye, the object, and the plane of projection. There are three main types of perspective: one-point, two-point, and three-point. One-point perspective involves lines converging to a single vanishing point and is illustrated through examples and step-by-step instructions for drawing a room.
Three point perspective should be used when drawing a building from close up by looking up or down at it, as it introduces a third vanishing point allowing the artist to depict a bird's-eye or worm's-eye view. To draw in three point perspective, an artist places vertical lines converging to three vanishing points situated on the horizon line. Examples of works that effectively employ three point perspective include da Vinci's Last Supper, Caillebotte's Paris Street; Rainy Day, and Escher's Tower of Babel. The document instructs the reader to create their own cityscape using three point perspective.
This document discusses watercolor painting techniques. It defines watercolors as pigments suspended in a water-soluble medium that interact with water and paper. Some basic techniques are washes, wet-on-wet, and dry brush. Washes allow for solid or faded effects, wet-on-wet uses a wet brush on wet paper for undefined marks, and dry brush drags dry paint for crisp contrasts. Examples where these techniques are used include landscapes, still lifes, portraits, and abstracts.
Value refers to the lightness and darkness of a color, which is achieved through shading techniques like stippling, hatching, cross-hatching, and blending. Value scales can be used for shading practice and to determine if the correct values are used in an artwork. Good art incorporates a variety of values, ranging from black to white. The document discusses value and provides examples of common shading techniques.
This document discusses one-point and two-point perspective techniques in art. One-point perspective uses a single vanishing point to draw lines converging to create the illusion of depth. Two-point perspective uses two vanishing points, with lines drawn from shapes to each point. The document provides step-by-step instructions for creating basic one-point and two-point perspective drawings, explaining how to place shapes, draw orthogonal lines to vanishing points, and add parallel lines and shading to depict three-dimensional forms.
Romantics stressed the individual creativity and the freedom to innovate. Romanticism focussed on the use of creative imagination and the importance of myth and symbolism
The document discusses several aspects of ancient Egyptian art including architecture, sculptures, hieroglyphics, and mummy cases. It describes how Imhotep designed the first pyramid tomb and how the Great Pyramid at Giza is made of over 2 million stone blocks. Famous sculptures mentioned include the Sphinx at Giza and a statue of Nefertiti. Hieroglyphics were used to represent words and sounds on pyramids and tombs. Mummy cases were carefully decorated with hieroglyphics and images of gods.
The document discusses the concept of "art for art's sake". It originated in the 19th century French slogan "l'art pour l'art", meaning that art should be valued intrinsically and not serve any didactic, moral or utilitarian function. The phrase is associated with the English Aesthetic Movement of the late 19th century led by figures like Walter Pater who believed art needed only to be beautiful and should not convey moral messages. They rejected views that art should be useful or moral. Adherents felt life should imitate art and that nature lacked the design of art. The concept was influential for Oscar Wilde's novel The Picture of Dorian Gray.
Egyptian art from 3100 BC to 30 BC focused on assuring comfort in the afterlife through pyramids, tombs, and burial art. The unchanging art over 3000 years coincided with Egyptians' obsession with immortality and providing rulers, viewed as gods, with comfortable afterlives. Art included tomb paintings telling the stories of the deceased and statues as alternative dwelling places for spirits if the body deteriorated. The Great Pyramid of Giza, built for the pharaoh Khufu over 23 years using over 2 million stones, each weighing about 2.5 tons, was hauled into place by log rollers and brick ramps.
I describe naturalism in literature, art and the whole movement of naturalism. I also compare naturalism to other movements, and I hope you find my information helpful to you! I will also be talking about Emile Zola, and Benjamin Franklin Norris Jr: they are two of the leading naturalist authors.
The document outlines the history of Roman art from the Republican to Late Empire periods, noting their adoption and adaptation of Greek styles in sculpture, architecture, and other mediums. Major Roman innovations included concrete construction, which allowed for large structures like the Colosseum and Pantheon, as well as triumphal arches and aqueducts. As the empire declined, art took on new Christian influences and a return to archaic styles under Emperor Constantine.
The document summarizes an art workshop facilitated by Doug Shaw to foster creativity in the workplace using artistic practice. The workshop encouraged participants to draw without fear of judgment by having drawings thrown away after. Participants explored doodling, mark making and using a variety of art materials to generate ideas. They challenged themselves by drawing on a large roll of paper and made postcards to recall ideas later. The workshop provided an abundance of ideas to make work better and helped participants realize their ability to draw through exploring new creative outlets.
Realism in art attempts to represent subjects truthfully without artistic conventions or supernatural elements. In the mid-19th century, artists felt they should portray everyday political and social issues realistically rather than romanticized views. This included depicting familiar scenes as they actually appeared. Realist works often celebrated the working class through realistic situations and paintings done plein air. Gustave Courbet is credited with leading the Realism movement in France by depicting life as it was, not ideally. Other notable realist artists included Jean-Francois Millet, Honore Daumier, and Edward Hopper who sought to objectively capture ordinary scenes and subjects.
The document discusses scale and proportion in design. Scale refers to the size of an object relative to another, often compared to the human body. Proportion is the relative size of parts within an object. In design, scale and proportion are important for layout, composition, and conveying depth and movement. The task is to create a poster for an event using principles of scale and proportion to communicate the key details of the event title, location, date, and time through visual elements and composition.
Romanticism was a cultural movement that started in Europe in the late 18th century as a reaction to the Industrial Revolution. It emphasized emotions, nature, and the individual. Romantic art from this period often featured dramatic landscapes and emotions. Some notable Romantic artists mentioned included Caspar David Friedrich, Francisco Goya, J.M.W. Turner, Frederic Church, and Thomas Cole, who was a founder of the Hudson River School of landscape painting in America.
This document provides an overview of Expressionism in art. It describes two key Expressionist groups that formed in Germany in the early 20th century: Die Brucke and Der Blaue Reiter. Expressionist art was a revolt against Impressionism, featuring distorted subjects, bold colors, and emotional content intended to connect with viewers. Key artists discussed include Kirchner, Kandinsky, Marc, Munch, and Van Gogh, whose work influenced Expressionism through use of color, brushstrokes, and subject matter to express inner feelings and dreams. Expressionism also impacted literature, drama, film, and music through experimental approaches.
Realism was an art movement that aimed to depict realistic representations of common people and scenes in a plain, straightforward manner, in contrast to the exaggerated emotions of Romanticism. It began in France in the 1850s and focused on everyday subjects painted in a detailed, factual style. Jean-Francois Millet was a famous realist painter known for his scenes of peasants working in the fields, rendered with careful attention to textures, shading, and facial expressions to achieve realistic effects.
Impressionism was an artistic movement that developed in France in the late 19th century. Artists such as Monet, Pissarro, Renoir, and Degas broke from traditional techniques to focus on capturing the effects of light and color through loose brushwork. Monet's painting Impression, Sunrise gave the movement its name. Key characteristics included painting outdoors and using dabs of color and optical mixing on the canvas. Post-Impressionism emerged later in the century as artists sought to combine Impressionism's techniques with more traditional composition and design.
Neoclassical art flourished in Europe and North America from the mid to late 18th century as artists sought to replace the frivolity of Rococo with a more logical and solemn style. In architecture, the model was Ancient Rome and Greece, as seen in the works of architects like Ledoux, Percier and Fontaine. In sculpture, artists like Canova and Thorvaldsen emulated Classical Greek ideals using white marble. Painting centered in Rome, with artists like Jacques-Louis David creating grand historical works with simplified compositions inspired by mythology.
Eugene Delacroix's painting Liberty Leading the People, painted in 1830, depicts a symbolic scene from the French July Revolution of 1830, with Liberty leading the people forward over the bodies of the fallen, holding the flag of the French Revolution in one hand and a bayoneted musket in the other. The painting promotes the ideals of liberty, republicanism, and resistance to tyranny.
Romanticism was a literary and artistic movement that emerged in the late 18th century in reaction to the Enlightenment and the Industrial Revolution. It valued emotion, nature, imagination, the supernatural, the simple life, and the past. Some key characteristics included an interest in nature, exaltation of imagination, and increased faith in the worth of the individual. Some outstanding figures of the Romantic movement in Britain included poets Robert Burns, William Blake, William Wordsworth, and Samuel Taylor Coleridge, as well as Percy Bysshe Shelley, John Keats, and Lord Byron.
The document provides information about Roman art from 200 BCE to 400 CE. It discusses that Roman art was heavily influenced by Greek art and was used to celebrate and showcase the power of the Roman Empire and its emperors. Specific art forms discussed include sculpture of Roman leaders that were realistic and placed in public spaces, coins with images of emperors, relief sculptures on architecture, and massive public buildings like the Colosseum and Pantheon that demonstrated the empire's might.
UNIT 1 (INTRODUCTION TO COMMUNITY HEALTH NURSING)laxmiraju7744
Community health nursing, also known as public health nursing, focuses on promoting and protecting the health of populations. It's a specialized nursing practice that combines public health principles with traditional nursing care to address the health needs of individuals, families, and communities. Community health nursing aims to promote and preserve population health by focusing on the broader needs of a community, not just individuals. It emphasizes health promotion, disease prevention, and recognizing the unique needs of the community. This includes activities like health education, screening, and home care, while also considering social, ecological, and economic factors that influence health. In essence, community health nursing aims to improve the health and well-being of the community as a whole, by addressing the social, economic, and environmental factors that influence health, and by empowering individuals and families to take an active role in their own health.
“Community health nursing is a synthesis of nursing practice applied in promoting and preserving the health of the population. Community health implies integration of curative, preventive and promotional health services. The aim of community diagnosis is the identification of community health problems. Remarkable development in public health was successful control of many communicable diseases. Nursing and medical services were strengthened to promote positive health. Now a days more emphasis is focused on the sick to the well person, from the individual to the community. To attain Health For All through Primary Health Care led to the restructuring of the rural health services. At present Public health nurses are called as Community health nurses who are registered nurses (RN) trained to work in public health settings. It includes nursing services in all phase of health services which is organized for the welfare of the community. In 1958 Indian Nursing Council has integrated Community health into basic curriculum in nursing.
Outline:
Introduction
Learning outcomes
Importance of a search strategy in systematic reviews
Key Steps in developing a search strategy
Conducting the Search – practical session
Managing & documenting the search process
Q&A session
Group assignment
Conclusion
Prelims of the India Quiz hosted by Ripesh Ghosh , Harit Jain and Sameer Upadhyay at Hindu Quizzing Championship 2025 for Manthan - The Quizzing Society of Hindu College
This presentation was provided by Simon Holt of Elsevier, during the third session of the NISO training series "Accessibility Essentials." Session Three: An Introduction to Accessible Publishing, was held April 17, 2025.
B.Ed. First Year Semester IA. Meaning, Concept, Nature & ScopeProfDrShaikhImran
Geography can be called as an ancient subject, it can be related to the Greeks who gave immense importance to it. Greeks were the early voyagers known for their sea faring skills, they were the early explorers travelling the length and breadth of Mediterranean sea for trade. Returning back from the expeditions, these voyagers use to narrate details of their observation and experiences to the local people. In this way gradually Geography took shape as a discipline.
Diode Demystified: From Ideal Assumptions to Specialty ApplicationsGS Virdi
In this concise, example‑driven presentation, Dr. G.S. Virdi (Former Chief Scientist, CSIR‑Central Electronics Engineering Research Institute) explores the world of diodes—from the textbook “ideal” model to the nuances of real‑life performance, and on to a showcase of special‑purpose diodes. You’ll discover:
Ideal vs. Practical Diodes: What happens when you assume zero resistance and zero voltage drop—and why real diodes always deviate
Practical Considerations: Forward‑bias resistance, power dissipation limits, reverse‑bias breakdown
Special‑Purpose Diode Gallery: Zener, LEDs, photodiodes, varactors, tunnel, Schottky & Shockley diodes—what sets each apart and where to use them
Perfect for electronics students, hobbyists, and design engineers looking to solidify their understanding of semiconductor fundamentals.
#Diodes #SemiconductorDevices #ElectronicsFundamentals #CircuitDesign
Introduction- Quorum Sensing (QS) is a cell-to-cell communication mechanism used by bacteria to regulate gene expression in response to population density.
Historical background - Kenneth Nealson, Terry Platt, and J. Woodland Hastings (1970) - Discovered density-dependent bioluminescence in Aliivibrio fischeri
Bonnie Bassler -Discovered Autoinducer-2 (AI-2), a universal quorum sensing molecule that enables interspecies bacterial communication.
Mechanism of quorum sensing-
Signal Production
Signal Accumulation
Signal Detection
Gene Activation
Types of quorum sensing systems-
Gram-Negative Bacteria
Gram-Positive Bacteria
Autoinducer-2 (AI-2) System
Applications
Case study
A measles outbreak originating in West Texas has been linked to confirmed cases in New Mexico, with additional cases reported in Oklahoma and Kansas. 61 individuals have required hospitalization, and 3 deaths, 2 children in Texas and 1 adult in New Mexico. These fatalities mark the first measles-related deaths in the United States since 2015 and the first pediatric measles death since 2003.
The YSPH Virtual Medical Operations Center Briefs (VMOC) were created as a service-learning project by faculty and graduate students at the Yale School of Public Health in response to the 2010 Haiti Earthquake. Each year, the VMOC Briefs are produced by students enrolled in Environmental Health Science Course 581 - Public Health Emergencies: Disaster Planning and Response. These briefs compile diverse information sources – including status reports, maps, news articles, and web content– into a single, easily digestible document that can be widely shared and used interactively. Key features of this report include:
- Comprehensive Overview: Provides situation updates, maps, relevant news, and web resources.
- Accessibility: Designed for easy reading, wide distribution, and interactive use.
- Collaboration: The “unlocked" format enables other responders to share, copy, and adapt it seamlessly.
The students learn by doing, quickly discovering how and where to find critical information and presenting it in an easily understood manner.
How To Open The Form View Of Many2many Clicking Tag In Odoo 18Celine George
This slide outlines how to open the form view of a many2many field by clicking a tag in Odoo 18. We can enhance the functionality of the many2many field by allowing users to open the form view of a tag with a simple click.
The anarchy that spread in northern India after Harsha's death also affected Bengal. After Shashank's death, no powerful king emerged in Bengal for a long time. As a result, there was political instability in Bengal for about 100 years. The Khalimpur inscription reveals that during this period, Matsyanyaya was prevalent there under which the strong were oppressing the weak. Frightened by this anarchy, the people of Bengal made a commander named Gopal their king. This is an important example of the election of a king by the people. Gopal ended the anarchy in Bengal and laid the foundation of a new dynasty. This dynasty is famous by the name of Pala.
The 90's Filler Quiz hosted by Shubham Mourya and T. GaneshKrishna at Hindu Quizzing Championship 2025 for Manthan - The Quizzing Society of Hindu College