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1668 novel by H. J. C. von Grimmelshausen From Wikipedia, the free encyclopedia
Simplicius Simplicissimus (German: Der abenteuerliche Simplicissimus Teutsch) is a picaresque novel of the lower Baroque style, written in five books by German author Hans Jakob Christoffel von Grimmelshausen published in 1668, with the sequel Continuatio appearing in 1669. Inspired by the events and horrors of the Thirty Years' War which devastated Germany from 1618 to 1648, it is regarded as the first adventure novel in the German language and the first German novel masterpiece.
Frontispiece of the first edition | |
| Author | Samuel Greifnsohn vom Hirschfelt or German Schleifheim von Sulsfort,[a] really H. J. C. von Grimmelshausen |
|---|---|
| Original title | Der abentheuerliche Simplicissimus Teutsch |
| Language | German |
| Series | Simplician scriptures |
| Genre | Picaresque novel |
| Set in | 1618 to 1648 Thirty Years' War in Holy Roman Empire |
| Publisher | Johann Fillion,[a] really Wolff Eberhard Felßecker |
Publication date | 1668,[a] really 1669 |
| Publication place | Holy Roman Empire |
The full subtitle is "The account of the life of an odd vagrant named Melchior Sternfels von Fuchshaim: namely where and in what manner he came into this world, what he saw, learned, experienced, and endured therein; also why he again left it of his own free will."
The work Simplicius Simplicissimus consists of five books nominally published 1668, with a sequel Continuatio appearing in 1669. Each book is in turn divided into chapters.[1][2][a] The Continuatio is considered the sixth book of the same cycle by scholars, though Grimmelshausen altogether produced ten titles which he claimed belong to the same set.[2]
The English translation by Alfred Thomas Scrope Goodrick (1912)[3] included the five books and selected chapters from the continuation.[4] The full translation by Monte Adair (1986–2012) includes the continuation as Book Six.[5]
Simplicius Simplicissimus was published as the work of Samuel Greifnsohn vom Hirschfelt (Hirschfeld), with German Schleifheim von Sulsfort as its supposed author, but these have been deduced to be anagrammatical pseudonyms[b] of the real author, Hans Jakob Christoffel von Grimmelshausen, whose name is only disclosed in initials "H.I.C.V.G." in an advertisement (or rather Beschluss, "postscript" to the Continuatio) near the end of the published work.[6][4]
The first edition pretends to have been printed at Mompelgart (Mömpelgart, present-day Montbéliard, France) by "Johann Fillion", but in fact they were printed in Nürnberg by Wolff Eberhard Felßecker, and though the colophon gave 1669 as the date, the publication already appeared in 1668.[7]
The novel is told from the perspective of its protagonist Simplicius, a rogue or picaro typical of the picaresque novel, as he traverses the tumultuous world of the Holy Roman Empire during the Thirty Years' War. Raised by a peasant family, he is separated from his home by foraging dragoons and is adopted by a hermit living in the forest, who teaches him to read and introduces him to religion. The hermit also gives Simplicius his name because he was so simple that he did not know what his own name was.[8] After the death of the hermit, Simplicius must fend for himself. He is conscripted at a young age into service, and from there embarks on years of foraging, military triumph, wealth, prostitution, disease, bourgeois domestic life, and travels to Russia, France, and to an alternate world inhabited by mermen. The novel ends with Simplicius turning to a life of hermitage himself, denouncing the world as corrupt.
Much has been written on the frontispiece copperplate drawing (fig. top right) depicted an enigmatic winged monster holding an illustrated book.[9][11]
It has been described as a composite creature (a chimera) with the features of a goat, fish, bird, human,[12] though "Satyr-head" (Satyrkopf, rather thang goat/human) on a Chimera body,[13] may be more apt, since the satyr is a wordplay of the "satirical" nature of the work,[14] though the label "chimera",[15] has been criticized as strictly incorrect, as it does not match the classical (Homeric) chimera of the lion-goat-serpent variety.[9]
The creature is arguably identifiable as the "phoenix copper" (German: Phönix-Kupfer), an embodiment of "the purpose of the book".[12] There is an accompanying poem about the phoenix copper written in couplets[16] which should provide some clue as to its meaning.[12] The author of a monograph on the subject shuns the identification with the phoenix,[19]
The creature has also been interpreted as representing the true author himself (or his narrative work), with the book and the sword serving as mundane objects straightforwardly defining his identity, while the additional parts such as the wings (alluding to air) and the fins and fishtail (water) are allusive hints. This man has enacted many roles (indicated by the masks scattered on the floor), but presently is donning the mask of the "satirical actor" in order to perform the task of explaining the world to his audience while pointing-gesturing his book. The creature exists as a whole though made up of odd disparate parts, hence the title copperplate etching is an emblem that serves to preserve the "unity of the narrative about the I(ego)".[20]
The notion that the frontispiece portrays shapeshifting Baldanders maintained by writer Jorge Luis Borges,[21] is also refuted.[9]
The novel is considered by some to contain autobiographic elements, inspired by Grimmelshausen's experience in the war.[22] It has been reported that as a child Grimmelshausen was kidnapped by Hessian and Croatian troops where he eventually served as a musketeer.[23] The historian Robert Ergang, however, draws upon Gustav Könnecke's Quellen und Forschungen zur Lebensgeschichte Grimmelshausens to assert that "the events related in the novel Simplicissimus could hardly have been autobiographical since [Grimmelshausen] lived a peaceful existence in quiet towns and villages on the fringe of the Black Forest and that the material he incorporated in his work was not taken from actual experience, but was either borrowed from the past, collected from hearsay, or created by a vivid imagination."[24]
The adventures of Simplicissimus became so popular that they were reproduced by authors in other European countries. Simplicissimus was recreated in French, English, and Turkish. A Hungarian Simplicissimus (Ungarischer oder Dacianischer Simplicissimus) was published in 1683.[25][26] The author remained anonymous but is now generally considered to be Breslau-born Daniel Speer.[25][27]
Johann Strauss II composed an operetta based on the novel.
20th-century composer Karl Amadeus Hartmann wrote the anti-war opera Simplicius Simplicissimus for chamber orchestra in the mid-1930s, with contributions to the libretto by his teacher Hermann Scherchen.[28] It opens:
In A.D. 1618, 12 million lived in Germany. Then came the great war. ... In A.D. 1648 only 4 million still lived in Germany.
It was first performed in 1948; Hartmann scored it for full orchestra in 1956. The chamber version (properly Des Simplicius Simplicissimus Jugend) was revived by the Stuttgart State Opera in 2004.[29]
Des Christoffel von Grimmelshausen abenteuerlicher Simplizissimus, a historically dramatised TV series based on the book was produced by ZDF in 1975.[30]
The story was adapted into a newspaper comic strip by Raymond Lavigne and Gilbert Bloch in 1954.[31]
The Hunter of Soest (German: Der Jäger von Soest) is one of the aliases Simplicius uses in the novel. The city of Soest developed this into the local mascot Das Jägerken von Soest (the little hunter of Soest) in 1976. Every year a citizen is selected, who then gets to represent the town and charitable projects of his choice in costume.[32]
The Simplicissimus-Haus is a museum in the town of Renchen. It opened in 1998 and focuses on the reception of Grimmelshausen's works in modern art.
Right in front of it stands a 1977 bronze statue by Giacomo Manzù, showing Simplicius in his Hunter of Soest character.[33]
Grimmelshausen's Simplicissimus is used throughout John le Carré's novel A Perfect Spy (1986) as Magnus Pym's permanent key for one-time pad coding. More importantly, Pym's own life is represented as a picaresque: a boy dragged along in his father's career of frauds, and a man in the British intelligence service, making up lies and exaggerations about his life.
Grimmelshausen was used in other Le Carré novels as well. Le Carré was a medieval German scholar (as was his character George Smiley). Smiley sold a prized Grimmelshausen first edition at the beginning of Tinker Tailor Soldier Spy (in a fit of pique, because Ann had spent most of his pension check on an excursion with her latest lover).
Gunter Grass uses Grimmelshausen as a character in his book The meeting at Telgte.
English translations include:
{{cite book}}: CS1 maint: bot: original URL status unknown (link)
The German text is publicly available through Project Gutenberg: Simplicius Simplicissimus.
PDFs of the original German-language edition, bearing the date 1669 but probably published already in 1668,[7] may be downloaded from the Badische Landesbibliothek Karlsruhe and from the Herzog-August Bibliothek Wolfenbüttel.
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