Kintsugi (album)

2015 studio album by Death Cab for Cutie From Wikipedia, the free encyclopedia

Kintsugi (album)

Kintsugi is the eighth studio album by American indie rock band Death Cab for Cutie, released on March 31, 2015, on Atlantic Records. Recorded at Eldorado Recording Studios, in Burbank, California, Kintsugi is produced by Rich Costey, and is the first Death Cab for Cutie album to feature an outside producer. The album was nominated for Best Rock Album at the 58th Grammy Awards.[1]

Quick Facts Studio album by Death Cab for Cutie, Released ...
Kintsugi
Thumb
Studio album by
ReleasedMarch 31, 2015 (2015-03-31)
Recorded2014
Genre
Length45:00
Label
ProducerRich Costey
Death Cab for Cutie chronology
Codes and Keys
(2011)
Kintsugi
(2015)
Thank You for Today
(2018)
Singles from Kintsugi
  1. "Black Sun"
    Released: January 26, 2015
  2. "The Ghosts of Beverly Drive"
    Released: March 8, 2015
  3. "Good Help (Is So Hard to Find)"
    Released: April 8, 2016
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During the production of the album, lead guitarist and founding member Chris Walla announced that he was leaving the band, though he continued contributing to the recording and creative process as a full member until the album's completion.[2]

Production

The band first hinted that they were working on a follow-up to 2011's Codes and Keys by posting several photos of their studio and recording equipment to Instagram in October 2013.[3][4] In October 2014, the band spoke to Stereogum about their then-untitled eighth album, their experience working with an outside producer, and Walla's departure.[5]

The album title is derived from kintsugi, a type of Japanese art involving fixing broken pottery, and as a philosophy of treating breakage and repair as part of the history of an object, rather than something to disguise.

Composition

On the album, Gibbard returns to an evocative, revealing writing style he had avoided on prior albums,[6] and frequently refers to places versus people: "Culver City, Beverly Drive, "the cliffs of the Palisades" — each serves as a clearly defined setting on an album that looks beyond Gibbard's divorce to ponder the larger systems of power and privilege at work in L.A.," observed writer Mikael Wood. "No Room in Frame" addresses in general terms a decaying love, which widely interpreted as inspired by Gibbard's divorce from actress Zooey Deschanel.[7][8] "The Ghosts of Beverly Drive" was written early on,[9] and focuses on Gibbard's time living in Los Angeles. In the song's chorus, Gibbard finds himself "return[ing] to the scene of these crimes, where the hedgerows slowly wind."[10] "Little Wanderer" expresses hope for a love across distance, ending with an embrace in an airport.[11] Walla was reportedly not a fan of the acoustic "Hold No Guns", and suggested it should be withheld from the album, but was overruled.[6]

Gibbard based the celebrity critique "Good Help (Is So Hard to Find)" on an amalgam of individuals he met living in Hollywood.[7][12]

Release

The album's title, track listing, and artwork were revealed via social media on January 12, 2015, with the song "Black Sun" to be released as the lead single from the album.[13] The songs "Black Sun", "The Ghosts of Beverly Drive", and "No Room in Frame", received their live debut during a performance at The Crocodile in Seattle on January 20, 2015, two months prior to the album's release. Black Sun was officially released on January 26, 2015, following several weeks of snippets of lyrics being posted on various social media sites and the official website.

Critical reception

Summarize
Perspective
More information Aggregate scores, Source ...
Professional ratings
Aggregate scores
SourceRating
AnyDecentMusic?6.4/10[14]
Metacritic67/100[15]
Review scores
SourceRating
AllMusic[16]
The A.V. ClubB+[17]
Chicago Tribune[18]
Entertainment WeeklyB−[19]
The Guardian[20]
Mojo[21]
Pitchfork5.5/10[22]
Q[23]
Rolling Stone[24]
Spin6/10[25]
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Kintsugi has received mostly positive reviews from music critics. At Metacritic, which assigns a rating determined by a "weighted average" of reviews from mainstream critics, the album received a score of 67 out of 100, based on 30 reviews, indicating "generally favorable reviews".[15]

In a three and a half out of five star review, Stephen Thomas Erlewine of AllMusic claims: "Most of Kintsugi shimmers upon a gloss constructed out of new wave remnants and faded memories of yacht rock."[16] Writing for Consequence of Sound and giving the album a "C−" rating, Philip Cosores states: "There are moments of radio-ready bliss, a few songs with lyrics that slowly become affecting, a handful of forgettable diversions, and some expected trite, misguided nonsense."[26] Lanre Bakare of The Guardian gave the album three stars out of five and writes: "Sometimes it's too overwrought and wanders into clichéd territory."[20] Writing for Exclaim!, James Smith felt that "Kintsugi...is a return to form for the band," citing an extra dimension added by blending "lush arrangements...with electronic flourishes" though "the band takes these new elements too far, with underwhelming results."[27]

Accolades

More information Year, Association ...
Year Association Category Result
2016 Grammy Awards[1] Best Rock Album Nominated
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Track listing

All songs written by Benjamin Gibbard, except where noted.

More information No., Title ...
No.TitleWriter(s)Length
1."No Room in Frame"Gibbard, Harmer4:05
2."Black Sun" 4:49
3."The Ghosts of Beverly Drive" 4:04
4."Little Wanderer" 4:19
5."You've Haunted Me All My Life" 4:08
6."Hold No Guns" 3:03
7."Everything's a Ceiling" 3:41
8."Good Help (Is So Hard to Find)" 4:47
9."El Dorado" 3:38
10."Ingénue"Gibbard, McGerr, Walla4:31
11."Binary Sea" 4:05
Total length:45:00
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Personnel

Credits adapted from AllMusic:[28]

Death Cab for Cutie
Production
  • Christopher Possanza – producer
  • Martin Cooke – engineer
  • Rich Costey – engineer, mixing, producer
  • Nicolas Fournier – engineer
  • Mario Borgatta – assistant engineer
  • Bob Ludwigmastering
  • Josh Rosenfeld – producer
  • Joe Rudko – cover art

Commercial performance

Kintsugi debuted at No. 8 on the US Billboard 200 chart, selling 56,000 copies in its first week. It's the fourth Death Cab for Cutie album to enter the Billboard 200's top 10.[29] In Canada, the album debuted at No. 5 on the Canadian Albums Chart, selling 4,800 copies.[30]

Charts

More information Chart (2015), Peak position ...
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Release history

Source: Amazon.com[45]

More information Region, Date ...
Region Date Format(s) Label
United States March 31, 2015
Atlantic
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References

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