Roy Aubrey Kelvin Heath (13 August 1926 – 14 May 2008) was a Guyanese writer who settled in the UK, where he lived for five decades, working as a schoolteacher as well as writing. His 1978 novel The Murderer won the Guardian Fiction Prize. He went on to become more noted for his "Georgetown Trilogy" of novels, consisting of From the Heat of the Day (1979), One Generation (1980), and Genetha (1981), which were also published in an omnibus volume as The Armstrong Trilogy, 1994. Heath said that his writing was "intended to be a dramatic chronicle of twentieth-century Guyana".

This article contains too many or overly lengthy quotations. (September 2022)

Roy Heath was born and grew up in Georgetown in what was then British Guiana,^[2] and "had African, Indian, European and Amerindian blood running through his veins".^[3] He was the second son and youngest of the four children of Melrose Arthur Heath (d. 1928), head teacher of a primary school, and his wife, Jessie de Weever (d. 1991), music teacher.^[4] Educated at Central High School, Georgetown, Heath worked as a Treasury clerk (1944–51) before leaving for the UK in 1951.

He attended the University of London (1952–56), earning a B.A. Honours degree in Modern Languages. He also studied law and was called to the bar at Lincoln's Inn in 1964 (and to the Guyana bar in 1973), although he never practised as a lawyer, pursuing a career since 1959 as a writer and a schoolteacher in London, where he lived until his death at the age of 81. In his later years he had suffered from Parkinson's disease.^[1]

Rohan Heath, founder of the band Urban Cookie Collective, is his son.^[5]

Although Heath left British Guiana in 1951, "it never left him. He only ever wrote about his mother's land, never his adopted home."^[3] As Mark McWatt notes: "Guyana is always the setting for his fiction, and its capital and rural villages are evoked in the kind of powerful and minute detail that would seem to require the author's frequent visits."^[6] However, "Although [Heath's] fiction has fed richly upon his obsessive and meticulous memories of Georgetown and the coastland, his novels cannot be called celebrations of the place and its people. They seem to reveal instead the failures and shameful inadequacies of individual and community."^[7]

His short story "Miss Mabel's Burial" was published in 1972 in the Guyanese journal Kaie; another story, "The Wind and the Sun", appeared in the Jamaican journal Savacou two years later.^[8]

Heath's first novel, A Man Come Home, was published in 1974 by Longman, where Anne Walmsley was Caribbean publisher, with a limited focus on the local educational market. When Heath completed his next book, Walmsley "urged him to look elsewhere for a firm that could bring his work the acclaim, the wide sales, that it deserved. Who better than the then fledgling Allison and Busby?"^[9] Taken on by A&B, with Margaret Busby as editor, Heath's next novel, published in 1978, was The Murderer, which that same year won the Guardian Fiction Prize and was described by The Observer as "mysteriously authentic, and unique as a work of art". The Murderer was also listed in 1999's The Modern Library: 200 Best Novels in English since 1950 by Carmen Callil and Colm Tóibín.^[1]

Heath's next three novels were From the Heat of the Day (1979), One Generation (1980) and Genetha (1981), eventually published in a single volume under the title The Armstrong Trilogy. His other published novels are Kwaku; or, The Man Who Could Not Keep His Mouth Shut (1982), Orealla (1984), The Shadow Bride (1988) and The Ministry of Hope (1997). His novels "capture the anxieties of modernity in the face of crippling economic forces and explore the burdens of the past defined by slavery, indentured labor, and Amerindian disenfranchisement."^[2]

He also wrote non-fiction, including Shadows Round the Moon: Caribbean Memoirs (1990), and plays – his Inez Combray was produced in Georgetown, Guyana, in 1972, in which year he won the Guyana Theatre Guild Award.^[2]

In 1983, during a vacation to Guyana,^[6] Heath delivered the Edgar Mittelholzer Memorial Lecture, entitled "Art and Experience",^[10] in Georgetown. In the lecture Heath stated: "The price the artist pays for his egotism is a high one. On one level egotism obliges him to create, while the same egotism threatens to destroy him. Success not only goes to his head, it remains there, creating demands he cannot hope to satisfy. I am acutely aware of all of this and therefore try to shun gratuitous publicity."^[11]

In 1989 he was awarded the Guyana Prize for Literature for his novel The Shadow Bride,^[10] which was also shortlisted for the 1991 Booker Prize,^[12] and about which Publishers Weekly said: "Heath's modest, unpretentious style undergirds a powerful realism as his subtle analysis of family conflicts builds to a tragic and moving climax."^[13]

Heath's writings have been widely acclaimed and he has been called "truly one of the most brilliant story tellers ever",^[14] with reviewers at different times comparing his work to that of such great writers as D. H. Lawrence, R. K. Narayan, Dostoevsky, Tolstoy, Graham Greene, Joseph Conrad, V. S. Naipaul and others.^[1][15][16] Described by Salman Rushdie as "a beautiful writer" and by Edward Blishen as "simply one of the most astonishingly good novelists of our time", Heath might have been better known outside literary circles had he not eschewed personal publicity, believing that his work should speak for itself.^[1]

In 2017, Aftermath of Empire: The Novels of Roy A. K. Heath, a comprehensive critique of his oeuvre, was published by Ameena Gafoor.^[17][18]

Novels

• A Man Come Home (London: Longman, 1974).
• The Murderer (London: Allison & Busby, 1978, winner of Guardian Fiction Prize; reissued 2022 by Penguin Books) and .
• From the Heat of the Day (London: Allison & Busby, 1979).
• One Generation (London: Allison & Busby, 1980).
• Genetha (London: Allison & Busby, 1981).
• Kwaku; or, the Man Who Could Not Keep His Mouth Shut (London: Allison & Busby, 1982).
• Orealla (London: Allison & Busby, 1984).
• The Shadow Bride (London: Collins, 1988; New York: Persea Books, 1995).
• The Armstrong Trilogy (New York: Persea, 1994).
• The Ministry of Hope (London: Marion Boyars, 1997).

Memoir

• Shadows Round the Moon: Caribbean Memoirs (London: Collins, 1990).

Short stories

• "Miss Mabel's Burial," in Kaie (Georgetown, Guyana), 1972.
• "The Wind and the Sun," in Savacou (Kingston, Jamaica), 1974.
• "The Writer of Anonymous Letters," in Firebird 2, edited by T. J. Binding (London: Penguin Books, 1983).
• "Sisters," in London Magazine, September 1988.
• "The Master Tailor and the Lady's Skirt", in Colours of a New Day: Writing for South Africa, edited by Sarah LeFanu and Stephen Hayward (London: Lawrence & Wishart, 1990)
• "According to Marx", in So Very English, edited by Marsha Rowe (London: Serpent's Tail, 1991).

Lecture

• Art and Experience – Eighth series, Edgar Mittelholzer Memorial Lectures (Georgetown, Guyana, Department of Culture, Ministry of Education, Social Development and Culture, 1983; 31 pp).

• 1972: Guyana Theatre Guild Award
• 1978: Guardian Fiction Prize for The Murderer
• 1989: Guyana Prize for Literature
• 1991: Booker Prize shortlist for The Shadow Bride