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Reviews
494 posts
‘Fight or Flight’ Review: Josh Hartnett Soars in This Blood-Soaked Action Movie
Josh Hartnett is flying high (on many levels) in James Madigan's feature debut.
‘Thunderbolts*’ Review: Not-So-Superheroes Lead the MCU’s Return to Team-Up Glory
"We can't call ourselves that!"
‘The Walking Dead: Dead City’ Season 2 Review: Is This Necessary?
In a time where fans are spoiled with incredible post-apocalyptic content, The Walking Dead universe seems mostly set in its old ways.
‘Doctor Who’ Season 2 Episode 3 Review: The Doctor’s Greatest Fear Returns
After a groundbreaking episode, "The Well" returns to the horrors of 'Doctor Who'.
‘Andor’ Season 2 Review: A Tale of Two Seasons
Season 2 is still a triumph compared to recent hit or miss Star Wars television.
‘Sinners’ Review: Ryan Coogler Helms a Visionary Feast To Bite Into
'Sinners' is more than just a vampire movie. It's a cultural event film that will stand the test of time.
‘Doctor Who’ Season 2 Episode 2 Review: Russell T Davies Delivers a Groundbreaking Episode
After a slow start to the season, "Lux" uses a new storytelling device to expand the franchise.
‘Doctor Who’ Season 2 Episode 1 Review: Not the Greatest Start to Ncuti’s Second Season
It's no "Space Babies," but that doesn't mean "The Robot Revolution" is the best improvement we could've gotten.
‘The Last of Us’ Season 2 Review: Mazin and Druckmann Deliver an Imperfectly Lovable Sequel
Season 2 of the Max hit series begins adapting the 2020 Game of the Year winning installation, 'The Last of Us' Part 2.
‘Warfare’ Review: A24’s Star-Studded War Movie Is Brutal and Unforgiving
This isn’t some “Rah-Rah, America” film pushing Bush-era politics, it sets out to show just how unforgiving and evil war gets.
‘Snow White’ Review: Rachel Zegler Shines in an Otherwise Uninspired Retelling
Despite a script that falls flat, the clear highlight of the film is Rachel Zegler's magical performance.
‘The Studio’ Review: Seth Rogen’s Hollywood Satire Is Sure To Delight Movie-Lovers Everywhere
'The Studio' rides the line between being a farce and an ode to cinema itself.