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Galapagos: A Novel (Delta Fiction) Paperback – January 12, 1999
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Galápagos takes the reader back one million years, to A.D. 1986. A simple vacation cruise suddenly becomes an evolutionary journey. Thanks to an apocalypse, a small group of survivors stranded on the Galápagos Islands are about to become the progenitors of a brave, new, and totally different human race. In this inimitable novel, America’ s master satirist looks at our world and shows us all that is sadly, madly awry–and all that is worth saving.
Praise for Galápagos
“The best Vonnegut novel yet!”—John Irving
“Beautiful . . . provocative, arresting reading.”—USA Today
“A satire in the classic tradition . . . a dark vision, a heartfelt warning.”—The Detroit Free Press
“Interesting, engaging, sad and yet very funny . . . Vonnegut is still in top form. If he has no prescription for alleviating the pain of the human condition, at least he is a first-rate diagnostician.”—Susan Isaacs, Newsday
“Dark . . . original and funny.”—People
“A triumph of style, originality and warped yet consistent logic . . . a condensation, an evolution of Vonnegut’s entire career, including all the issues and questions he has pursued relentlessly for four decades.”—The Philadelphia Inquirer
“Wild details, wry humor, outrageous characters . . . Galápagos is a comic lament, a sadly ironic vison.”—St. Louis Post-Dispatch
“A work of high comedy, sadness and imagination.”—The Denver Post
“Wacky wit and irreverent imagination . . . and the full range of technical innovations have made [Vonnegut] America’s preeminent experimental novelist.”—The Minneapolis Star and Tribune
- Print length336 pages
- LanguageEnglish
- PublisherDial Press Trade Paperback
- Publication dateJanuary 12, 1999
- Dimensions5.24 x 0.7 x 8 inches
- ISBN-100385333870
- ISBN-13978-0385333870
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“[A] desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time). | “A free-wheeling vehicle . . . an unforgettable ride!”—The New York Times | “Marvelous . . . [Vonnegut] wheels out all the complaints about America and makes them seem fresh, funny, outrageous, hateful and lovable.”—The New York Times | “[Kurt Vonnegut’s] best book . . . He dares not only ask the ultimate question about the meaning of life, but to answer it.”—Esquire | “Vonnegut is George Orwell, Dr. Caligari and Flash Gordon compounded into one writer . . . a zany but moral mad scientist.”—Time | “[Vonnegut] at his wildest best.”—The New York Times Book Review |
Editorial Reviews
Review
“Beautiful . . . provocative, arresting reading.”—USA Today
“A madcap genealogical adventure . . . Vonnegut is a postmodern Mark Twain.”—The New York Times Book Review
“A satire in the classic tradition . . . a dark vision, a heartfelt warning.”—The Detroit Free Press
“Interesting, engaging, sad and yet very funny . . . Vonnegut is still in top form. If he has no prescription for alleviating the pain of the human condition, at least he is a first-rate diagnostician.”—Susan Isaacs, Newsday
“Dark . . . original and funny.”—People
“A triumph of style, originality and warped yet consistent logic . . . a condensation, an evolution of Vonnegut’s entire career, including all the issues and questions he has pursued relentlessly for four decades.”—The Philadelphia Inquirer
“Wild details, wry humor, outrageous characters . . . Galápagos is a comic lament, a sadly ironic vison.”—St. Louis Post-Dispatch
“A work of high comedy, sadness and imagination.”—The Denver Post
“Wacky wit and irreverent imagination . . . and the full range of technical innovations have made [Vonnegut] America’s preeminent experimental novelist.”—The Minneapolis Star and Tribune
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
The Thing Was:
One million years ago, back in 1986 A.D., Guayaquil was the chief seaport of the little South American democracy of Ecuador, whose capital was Quito, high in the Andes Mountains. Guayaquil was two degrees south of the equator, the imaginary bellyband of the planet after which the country itself was named. It was always very hot there, and humid, too, for the city was built in the doldrums--on a springy marsh through which the mingled waters of several rivers draining the mountains flowed.
This seaport was several kilometers from the open sea. Rafts of vegetable matter often clogged the soupy waters, engulfing pilings and anchor lines.
. . .
Human beings had much bigger brains back then than they do today, and so they could be beguiled by mysteries. One such mystery in 1986 was how so many creatures which could not swim great distances had reached the Galápagos Islands, an archipelago of volcanic peaks due west of Guayaquil--separated from the mainland by one thousand kilometers of very deep water, very cold water fresh from the Antarctic. When human beings discovered those islands, there were already geckos and iguanas and rice rats and lava lizards and spiders and ants and beetles and grasshoppers and mites and ticks in residence, not to mention enormous land tortoises.
What form of transportation had they used?
Many people were able to satisfy their big brains with this answer: They came on natural rafts.
. . .
Other people argued that such rafts became waterlogged and rotted to pieces so quickly that nobody had ever seen one out of sight of land, and that the current between the islands and the mainland would carry any such rustic vessel northward rather than westward.
Or they asserted that all those landlubberly creatures had walked dry-shod across a natural bridge or had swum short distances between stepping-stones, and that one such formation or another had since disappeared beneath the waves. But scientists using their big brains and cunning instruments had by 1986 made maps of the ocean floor. There wasn't a trace, they said, of an intervening land mass of any kind.
. . .
Other people back in that era of big brains and fancy thinking asserted that the islands had once been part of the mainland, and had been split off by some stupendous catastrophe.
But the islands didn't look as though they had been split off from anything. They were clearly young volcanoes, which had been vomited up right where they were. Many of them were such newborns out there that they could be expected to blow again at any time. Back in 1986, they hadn't even sprouted much coral yet, and so were without blue lagoons and white beaches, amenities many human beings used to regard as foretastes of an ideal afterlife.
A million years later, they do possess white beaches and blue lagoons. But when this story begins, they were still ugly humps and domes and cones and spires of lava, brittle and abrasive, whose cracks and pits and bowls and valleys brimmed over not with rich topsoil of sweet water, but with the finest, driest volcanic ash.
. . .
Another theory back then was that God Almighty had created all those creatures where the explorers found them, so they had had no need for transportation.
. . .
Another theory was that they had been shooed ashore there two by two--down the gangplank of Noah's ark.
If there really was a Noah's ark, and there may have been--I might entitle my story "A Second Noah's Ark."
Chapter Two
There was no mystery a million years ago as to how a thirty-five-year-old American male named James Wait, who could not swim a stroke, intended to get from the South American continent to the Galápagos Islands. He certainly wasn't going to squat on a natural raft of vegetable matter and hope for the best. He had just bought a ticket at his hotel in downtown Guayaquil for a two-week cruise on what was to be the maiden voyage of a new passenger ship called the Bahía de Darwin, Spanish for "Darwin Bay." This first Galápagos trip for the ship, which flew the Ecuadorian flag, had been publicized and advertised all over the world during the past year as "the Nature Cruise of the Century."
Wait was traveling alone. He was prematurely bald and he was pudgy, and his color was bad, like the curst on a pie in a cheap cafeteria, and he was bespectacled, so that he might plausibly claim to be in his fifties, in case he saw some advantage in making such a claim. He wished to seem harmless and shy.
He was the only customer now in the cocktail lounge of the Hotel El Dorado, on the broad Calle Diez de Agosto, where he had taken a room. And the bartender, a twenty-year-old descendant of proud Inca noblemen, named Jesús Ortiz, got the feeling that this drab and friendless man, who claimed to be a Canadian, had had his spirit broken by some terrible injustice or tragedy. Wait wanted everybody who saw him to feel that way.
Jesús Ortiz, who is one of the nicest people in this story of mine, pitied rather than scorned this lonesome tourist. He found it sad, as Wait had hoped he would, that Wait had just spent a lot of money in the hotel boutique--on a straw hat and rope sandals and yellow shorts and a blue-and-white-and-purple cotton shirt, which he was wearing now. Wait had had considerable dignity, Ortiz thought, when he had arrived from the airport in a business suit. But now, at great expense, he had turned himself into a clown, a caricature of a North American tourist in the tropics.
The price tag was still stapled to the hem of Wait's crackling new shirt, and Ortiz, very politely and in good English, told him so.
"Oh?" said Wait. He knew the tag was there, and he wanted it to remain there. But he went through a charade of self-mocking embarrassment, and seemed about to pluck off the tag. But then, as though overwhelmed by some sorrow he was trying to flee from, he appeared to forget all about it.
. . .
Wait was a fisherman, and the price tag was his bait, a way of encouraging strangers to speak to him, to say in one way or another what Ortiz had said: "Excuse me, Senor, but I can't help noticing--"
Wait was registered at the hotel under the name on his bogus Canadian passport, which was Willard Flemming. He was a supremely successful swindler.
Ortiz himself was in no danger from him, but an unescorted woman who looked as though she had a little money, and who was without a husband and past childbearing, surely would have been. Wait had so far courted and married seventeen such persons--and then cleaned out their jewelry boxes and safe-deposit boxes and bank accounts, and disappeared.
He was so successful at what he did that he had become a millionaire, with interest-bearing savings accounts under various aliases in banks all over North America, and he had never been arrested for anything. For all he knew, nobody was even trying to catch him. As far as the police were concerned, he reasoned, he was one of seventeen faithless husbands, each with a different name, instead of a single habitual criminal whose real name was James Wait.
. . .
It is hard to believe nowadays that people could ever have been as brilliantly duplicitous as James Wait--until I remind myself that just about every adult human being back then had a brain weighing about three kilograms! There was no end to the evil schemes that a thought machine that oversized couldn't imagine and execute.
So I raise this question, although there is nobody around to answer it: Can it be doubted that three-kilogram brains were once nearly fatal defects in the evolution of the human race?
A second query: What source was there back then, save for our overelaborate nervous circuitry, for the evils we were seeing or hearing about simply everywhere?
My answer: There was no other source. This was a very innocent planet, except for those great big brains.
Chapter Three
The Hotel El Dorado was a brand-new, five-story tourist accommodation--built of unadorned cement block. It had the proportions and mood of a glass-front bookcase, high and wide and shallow. Each bedroom had a floor-to-ceiling wall of glass looking westward--toward the waterfront for deep-draft vessels dredged in the delta three kilometers away.
In the past, that waterfront had teemed with commerce, and ships from all over the planet had delivered meat and grain and vegetables and fruit and vehicles and clothing and machinery and household appliances, and so on, and carried away, in fair exchange, Ecuadorian coffee and cocoa and sugar and petroleum and gold, and Indian arts and crafts, including "Panama" hats, which had always come from Ecuador and not from Panama.
But there were only two ships out there now, as James Wait sat in the bar, nursing a rum and Coca-Cola. He was not a drinker, actually, since he lived by his wits, and could not afford to have the delicate switches of the big computer in his skull short-circuited by alcohol. His drink was a theatrical prop--like the price tab on his ridiculous shirt.
He was in no position to judge whether the state of affairs at the waterfront was normal or not. Until two days before, he had never even heard of Guayaquil, and this was the first time in his life he had ever been below the equator. As far as he was concerned, the El Dorado was no different from all the other characterless hostelries he had used as hideouts in the past--in Moose Jaw, Saskatchewan, in San Ignacio, Mexico, in Watervliet, New York, and on and on.
He had picked the name of the city where he was now from an arrivals-and-departures board at Kennedy International Airport in New York City. He had just pauperized and deserted his seventeenth wife--a seventy-year-old widow in Skokie, Illinois, right outside Chicago. Guayaquil sounded to him like the last place she would ever think of looking for him.
This woman was so ugly and stupid, she probably never should have been born. And yet Wait was the second person to have married her.
And he wasn't going to stay at the El Dorado very long, either, since he had bought a ticket for "the Nature Cruise of the Century" from the travel agent who had a desk in the lobby. It was late in the afternoon now, and hotter than the hinges of hell outside. There was no breeze outside, but he did not care, since he was inside, and the hotel was air conditioned, and he would soon be away from there anyway. His ship, the Bahía de Darwin, was scheduled to sail at high noon on the very next day, which was Friday 28, 1986--a million years ago.
. . .
The bay for which Wait's means of transportation was named fanned south from the Galápagos Island of Genovesa. Wait had never heard of the Galápagos Islands before. He expected them to be like Hawaii, where he had once honeymooned, or Guam, where he had once hidden out--with broad white beaches and blue lagoons and swaying palms and nut-brown native girls.
The travel agent had given him a brochure which described the cruise, but Wait hadn't looked inside it yet. It was supine on the bar in front of him. The brochure was truthful about how forbidding most of the islands were, and warned prospective passengers, as the hotel travel agent had not warned Wait, that they had better be in reasonably good physical condition and have sturdy boots and rough clothing, since they would often have to wade ashore and scramble up rock faces like amphibious infantry.
. . .
Darwin Bay was named in honor of the great English scientist Charles Darwin, who had visited Genovesa and several of its neighbors for the five weeks back in 1835--when he was a mere stripling of twenty-six, nine years younger than Wait. Darwin was then the unpaid naturalist aboard Her Majesty's Ship Beagle, on a mapping expedition that would take him completely around the world and would last five years.
In the cruise brochure, which was intended to delight nature-lovers rather than pleasure-seekers, Darwin's own description of a typical Galapagos Island was reproduced, and was taken from his first book, The Voyage of the Beagle:
"Nothing could be less inviting than the first appearance. A broken field of black basaltic lava, thrown into the most rugged waves, and crossed by great fissures, is everywhere covered by stunted, sun-burnt brushwood, which shows little signs of life. The dry and parched surface, being heated by the noon-day sun, gave to the air a close and sultry feeling, like that from a stove: we fancied even that the bushes smelt unpleasantly."
Darwin continued: "The entire surface . . . seems to have been permeated, like a sieve, by the subterranean vapours: here and there the lava, whilst soft, had been blown into great bubbles; and in other parts, the tops of caverns similarly formed have fallen in, leaving circular parts with steep sides." He was vividly reminded, he wrote, ". . . . of those parts of Staffordshire, where the great iron foundries are most numerous."
. . .
There was a portrait of Darwin behind the bar at the El Dorado, framed in shelves and bottles--an enlarged reproduction of a steel engraving, depicting him not as a youth in the islands, but as a portly family man back home in England, with a beard as lush as a Christmas wreath. That same portrait was on the bosom of T-shirts for sale in the boutique, and Wait had bought two of those. That was what Darwin looked like when he was finally persuaded by friends and relatives to set down on paper his notions of how life forms everywhere, including himself and his friends and relatives, and even his Queen, had come to be as they were in the nineteenth century. He thereupon penned the most broadly influential scientific volume produced during the entire era of great big brains. It did more to stabilize people's volatile opinions of how to identify success or failure than any other tome. Image that! And the name of his book summed up its pitiless contents: On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life.
. . .
Wait had never read the book, nor did the name Darwin mean anything to him, although he had successfully passed himself off as an educated man from time to time. He was considering claiming, during "the Nature Cruise of the Century," to be a mechanical engineer from Moose Jaw, Saskatchewan, whose wife had recently died of cancer.
Actually, his formal education had stopped after two years of instruction in automobile repair and maintenance at the vocational high school in his native city of Midland City, Ohio. He was then living in the fifth of a series of foster homes, essentially an orphan, since he was the product of an incestuous relationship between a father and a daughter who had run away from town, forever and together, soon after he was born.
When he himself was old enough to run away, he hitchhiked to the island of Manhattan. A pimp there befriended him and taught him how to be a successful homosexual prostitute, to leave price tags on his clothes, to really enjoy lovers whenever possible, and so on. Wait was once quite beautiful.
When his beauty began to fade, he became an instructor in ballroom dancing at a dance studio. He was a natural dancer, and he had been told back in Midland City that his parents had been very good dancers, too. His sense of rhythm was probably inherited. And it was at the dance studio that he met and courted and married the first of his seventeen wives so far.
. . .
All though his childhood, Wait was severely punished by foster parents for nothing and everything. It was expected by then that, because of his inbred parentage, he would become a moral monster.
So here that monster was now--in the Hotel El Dorado, happy and rich and well, as far as he knew, and keen for the next test of his survival skills.
. . .
Like James Wait, incidentally, I, too, was once a teenage runaway.
Product details
- Publisher : Dial Press Trade Paperback; Reissue edition (January 12, 1999)
- Language : English
- Paperback : 336 pages
- ISBN-10 : 0385333870
- ISBN-13 : 978-0385333870
- Item Weight : 2.31 pounds
- Dimensions : 5.24 x 0.7 x 8 inches
- Best Sellers Rank: #32,003 in Books (See Top 100 in Books)
- #406 in Fiction Satire
- #1,122 in Classic Literature & Fiction
- #2,840 in Literary Fiction (Books)
- Customer Reviews:
About the author

Kurt Vonnegut was a writer, lecturer and painter. He was born in Indianapolis in 1922 and studied biochemistry at Cornell University. During WWII, as a prisoner of war in Germany, he witnessed the destruction of Dresden by Allied bombers, an experience which inspired Slaughterhouse Five. First published in 1950, he went on to write fourteen novels, four plays, and three short story collections, in addition to countless works of short fiction and nonfiction. He died in 2007.
Customer reviews
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Learn more how customers reviews work on AmazonCustomers say
Customers enjoyed the book's readability, creativity, and wit. They found the plot intriguing and thought-provoking, with an interesting perspective. The humor was described as dry, sardonic, and amusing. Readers appreciated the author's skillful wordplay and literary perspective. They also appreciated the intelligent view on Darwin's natural selection theory and criticism on mankind.
AI-generated from the text of customer reviews
Customers praise the book for its readability and engaging content. They find it a fun and thought-provoking read that is a must-read for anyone visiting the Galapagos Islands or interested in the area. The copy is of good quality, and the fiction feels realistic.
"...This copy is great quality and I cannot recommend this book more...." Read more
"...This book is no exception...." Read more
"...This does not detract from the book, but rather adds to it. A great read!" Read more
"...Nope. Never caught my fancy. So, as a Vonnegut rookie, I enjoyed this book. He tells the story from a very unique point of view...." Read more
Customers enjoy the book's creativity and unique point of view. They find the humor entertaining and thought-provoking. The plot is described as interesting, with absurd storytelling to illustrate fallacies. Readers appreciate the commentary on society and the depiction of natural selection in a great way. Overall, the book provides surprises and makes readers think.
"It was slow to start. Clever. Well written. I found only one part very funny. But I'm glad I went back to it for the third time." Read more
"...has a lot of tones of Darwinism and evolution and wow it shows humanity in different lights...." Read more
"...The story is told from the perspective of a ghost, which is pretty ingenuitive because it allows for the narrator to be all-knowing...." Read more
"...What I love about Vonnegut's books is that he uses absurd, farfetched storytelling to illustrate fallacies of American culture and consumerism...." Read more
Customers enjoy the book's wit and humor. They find it witty, sardonic, and thought-provoking. The dialogue and scenes are described as funny and interesting. Readers appreciate the author's ability to mix sarcasm and dark humor with serious topics.
"It was slow to start. Clever. Well written. I found only one part very funny. But I'm glad I went back to it for the third time." Read more
"...say anything about Vonnegut it’s that his writing style makes everything he creates very interesting. This book is no exception...." Read more
"...As always, it's full of Vonnegut's impeccable humor as well as both his subtle and not-so-subtle wit. Highly recommended." Read more
"...it showed his cynicism and misanthropy at its worst and was also poorly written...." Read more
Customers enjoy the book's humor and insights. They find the characters quirky and the book humorous with its observations on human behavior. While it is a cheerful post-apocalyptic tale, the book also has poignant moments that show humanity in different light.
"The book has funny bits and tragic bits and mostly seems like a harangue against humans - deserving or not. Especially men...." Read more
"...The characters are interesting but are not developed as deeply as he normally does. This does not detract from the book, but rather adds to it...." Read more
"It was slow to start. Clever. Well written. I found only one part very funny. But I'm glad I went back to it for the third time." Read more
"...This book was funny and interesting, but I'm not going to be rereading it each and every year...." Read more
Customers enjoy the author's skillful wordplay and well-written book. They appreciate it from a literary perspective and find the signatures by the author touching.
"...I can appreciate it from a literary perspective, as a study, but I didn’t find the story entertaining...." Read more
"...in joyful tears when he opened it and saw not one, but 2 signatures by the Great Author, which alo brought me to tears, knowing the happiness it was..." Read more
"This is one of my favorite Vonnegut books...." Read more
"Skillful word play from a beloved author. Humor mixed with the horror of a possible reality told from an intriguing perspective...." Read more
Customers enjoy the book's views on evolution and natural selection. They find it engaging and witty, with an intelligent view on Darwin's theory. The book depicts natural selection in a great way.
"...about humanity in different ways - this book has a lot of tones of Darwinism and evolution and wow it shows humanity in different lights...." Read more
"Loved his book on natural selection. He depicted natural selection in a great way. I learned a lot about this book. Really made me think." Read more
"...or points to make with this book it was to point out how humanity is self destructive without holding out a whole lot of hope except for a few..." Read more
"...I love the dry humor and characters. Enjoy the evolution of humanity and what was before flippers." Read more
Customers find the pacing of the book slow and tedious. They find the beginning meandering and the book takes too long to read. Readers describe the humor as absurd and not worth their time or money.
"...Especially men. Also it is very slow paced. Not my favorite Vonnegut so far" Read more
"...keep it markedly below Slaughterhouse is due to the occasionally glacial pacing of the book...." Read more
"...and the text was printed so closely together, I did not find it altogether pleasant to read...." Read more
"...However, when it comes to the story, it is definitely not as fast-paced or exciting as Vonnegut's other books. It is definitely worth a read, though...." Read more
Top reviews from the United States
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- Reviewed in the United States on December 5, 2024It was slow to start. Clever. Well written. I found only one part very funny. But I'm glad I went back to it for the third time.
- Reviewed in the United States on March 2, 2025The book has funny bits and tragic bits and mostly seems like a harangue against humans - deserving or not. Especially men. Also it is very slow paced. Not my favorite Vonnegut so far
- Reviewed in the United States on January 18, 2024I adore Vonnegut, and I am currently working through all of his collective works. Galapagos is my second favorite book (my first favorite being Slaughterhouse 5 - also by Vonnegut). This copy is great quality and I cannot recommend this book more. Vonnegut majored in anthropology so all his books make you think about humanity in different ways - this book has a lot of tones of Darwinism and evolution and wow it shows humanity in different lights. Also, it talks about a very rare brain disease called Huntingtons Disease which I ACTUALLY GOT DIAGNOSED WITH - because of its rarity I was not expecting for it to randomly pop up but it made me adore this book even more! All and all, if you are looking for your next read that'll make you see things in a different light and will make you think pick up Galapagos - grab Slaughterhouse 5 while you're at it ;)
- Reviewed in the United States on May 2, 2016Galapagos. Not my favorite of Kurt Vonnegut’s works. Not my least favorite either though...that honor goes to his most critically acclaimed piece, Slaughterhouse Five.
The best thing about Galapagos is how the story is told. If I can say anything about Vonnegut it’s that his writing style makes everything he creates very interesting. This book is no exception. The story is told from the perspective of a ghost, which is pretty ingenuitive because it allows for the narrator to be all-knowing. Vonnegut can introduce scenes and characters from an omniscient perspective while still keeping the story personal, like in first person perspective. In fact, it is told in first person, or should I say “first ghost.” (Haha - I just chuckled to myself with that one…)
Vonnegut gets real clever with his timelines too. It’s a part of what makes the book loosely sci-fi. That and the fact that in the book there is a worldwide pandemic that makes women infertile. But that is besides the point. The ghost is telling the story one million years in the future, which makes for interesting commentary. As asides, the narrator mocks the humans of the past...which are really the humans of today. Our “big brains” are referenced as being cause for our inevitable demise...and the comments are constant throughout the story.
Another thing I must give Vonnegut credit for is his story’s premise: the entire world has gone bankrupt. Galapagos was published in 1986, when the US economy was flourishing. At first I thought that Vonnegut might be a prophet, accurately foretelling the state of the world economies in the financial crisis of 2008...but then I did a little research. In 1982, just four years before this book was published, Mexico filed for bankruptcy. It was the beginning of the Latin American debt crisis. Countries have been going broke for centuries, apparently, but as a modern reader, and a child of the 80’s, I still give Vonnegut a whole lot of credit.
Galapagos takes place at a little, luxury hotel, on the make believe island of Santa Rosalia in the Galapagos Islands. We learn that the hotel’s guests are there for “The Nature Cruise of the Century” but that there are only five of them. The rest have cancelled their trip, due to the sudden economic downfall of the world’s economy. Country after country is going bankrupt.
We also learn which characters are going to die first. The narrator tells us and then reminds us by inserting an asterisk after the character’s name each time he/she is mentioned. The story follows the people in the hotel, on the island, and on the boat that was scheduled for the cruise.
All of those earlier compliments aside, at the end of the day, the book just didn’t grab me. I can appreciate it from a literary perspective, as a study, but I didn’t find the story entertaining. There are a lot of different philosophies on writing....I personally write to entertain, so that’s what I like to read. I also am such a fan of the author, that I really want to read everything he’s written. Being a good writer goes a long way.
So, yeah, if you want to be like me and read everything Vonnegut has written just because it was written by Vonnegut, then yes, by all means, read Galapagos. I mean, you have to.
- Reviewed in the United States on February 9, 2025Kurt Vonegut (possibly AKA Kilgore Trout) has always been one of my favorite authors. His take on political leaders. as expressed in this book, has great relevance to today's reality.
- Reviewed in the United States on July 17, 2015I'm a huge Vonnegut fan. In fact, one weekend I bought probably close to a dozen of his bizarre satirical novels on Amazon, one of which was Galapagos.
I chose to read this one because, as a student of anthropology and biology, I am very fascinated with the Galapagos islands myself. This book was not exactly what I expected, but of all the Vonnegut books I've read, I've retained more of the plot of Galapagos than almost any other Vonnegut book (besides Slaughterhouse-Five). What I love about Vonnegut's books is that he uses absurd, farfetched storytelling to illustrate fallacies of American culture and consumerism. Being very satirical and almost lewd at time, it's also very thoughtful and poignant. For this reason, when I read a Vonnegut novel I keep a pencil in handle to underline or circle certain selections that are especially observant.
Because I feel Slaughterhouse-Five is a stronger book—even if only just—I'm rating Galapagos as four stars despite my desire to give it all five. Perhaps my biggest justification for subtracting a star so as to keep it markedly below Slaughterhouse is due to the occasionally glacial pacing of the book. In short, the book is about a group of strangers who board a cruise ship that's destined to take them on nature cruise to the Galapagos; however, the ship doesn't even depart until almost three-quarters through the book because of all the backstory for each character and their interactions as they meet. In Vonnegut's defense, most interactions have a greater purpose, either contributing to the overall story or as a way to illustrate some satirical point Vonnegut is trying to make about American culture. While I can appreciate the deliberacy of his pacing, it doesn't make Galapagos the most exciting read. However, the latter part of the book somewhat redeems the slow start by containing some of Vonnegut's trademark surreal and bizarre storytelling. I won't give anything away, but that's mostly because you really need to read the book to appreciate the strangeness.
Of all Kurt Vonnegut's novels, Galapagos is definitely one of my favorites, up there with Slaughterhouse-Five, Sirens of Titan, and Breakfast of Champions. As always, it's full of Vonnegut's impeccable humor as well as both his subtle and not-so-subtle wit. Highly recommended.
Top reviews from other countries
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Valdir Medeiros JuniorReviewed in Brazil on June 13, 2019
5.0 out of 5 stars Bom
Comprei esse produto, porém achava que estava em português. Tive ótimas recomendação mas ainda não sou fluente em inglês, não pude com isso, ler.
- YeomanReviewed in the United Kingdom on July 3, 2020
5.0 out of 5 stars Science and Invention meet as Prophesy
There is much that is quite brilliant about this novel. It explores the next step in mankind's natural selection, the retrogressive one, the one we deserve for screwing up the planet with our greed, selfishness and pursuit of war.
All the hallmark characteristics of a first line *KV here; quirks a plenty, linguistic play and the wildly inventive presented as the perfectly plausible. Published in 1982 this cherry was produced during a creative high that Vonnegut enjoyed in the eighties. Within a 5 year time frame he also published 'Deadeye Dick', 'Jailbird' and, my personal favourite, 'Bluebeard'. Pluck any of these from the tree and gorge. Then reflect; while time is to be had.
- Amazon CustomerReviewed in India on August 30, 2017
5.0 out of 5 stars Five Stars
Awsome
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Bernardo todeschiniReviewed in France on December 24, 2015
5.0 out of 5 stars Excelente leitura
Kurt constroi um caminho insolito e no entanto impressionantemente realistico para refletir sobre a humanidade e seus relacionamentos com seus semelhantes e com seu ambiente. Leitura que prende do inicio ao fim.
- Paul BakerReviewed in Spain on May 31, 2014
5.0 out of 5 stars A good read
This is a short novel, and in many ways a typical Kurt Vonnegut story... but has a maturity that is immediately noticeable, and an impressive breadth of subject matter; this being our world now and in a million years time. Full of Vonnegut's unique black humour, despite it's rather dark but important message it will have you smiling throughout, and laughing out loud from time to time. If you've never read Kurt Vonnegut you could start with this, and work back through his earlier novels. He has been compared with Mark Twain, but actually it's difficult to think of another modern writer vaguely similar. A unique voice that raises science fiction into the realm of great comic literature.