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The Crime Writer Paperback – June 24, 2008

4.2 4.2 out of 5 stars 176 ratings

Drew Danner , an L.A.-based crime novelist, awakens in a hospital bed with a scar on his head, blood under his nails, and a cop by his side. Accused of murdering his ex-fiancée, Drew has no memory of the crime but reconstructs the story the only way he knows how—as a novel. As he searches the dark corridors of his life and the city he loves, another young woman is similarly murdered and Drew must confront the very real possibility of his own guilt. A thrilling piece of contemporary L.A. noir, The Crime Writer is sure to boost Hurwitz’s profile as one of the coming masters of the genre.
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About the Author

Gregg Hurwitz is the New York Times bestselling author of 16 thrillers. His novels have been shortlisted for numerous literary awards, graced top ten lists, and have been translated into 27 languages. He is also a New York Times bestselling comic book writer, having penned stories for Marvel (Wolverine, Punisher) and DC (Batman, Penguin). Additionally, he's written screenplays for or sold spec scripts to many of the major studios, and written, developed, and produced television for various networks. Hurwitz resides in Los Angeles.

Excerpt. © Reprinted by permission. All rights reserved.

The night was dark and January-sharp. People forget how cool LA can be in the winter—Pacific breeze, Santa Ana winds, angry spates of rain with half-assed lightning, like a constipated monsoon trying to find relief.

A view heals all woes. A view makes you feel as if you own something bigger than yourself, as if you own a place on the planet.

I watched the Valley twinkle in the heat below, like the ocean only prettier because it was a sea of lights, because it was movement and life, because it let me be separate but connected to a thousand people in a thousand houses with a thousand stories, many sadder than my own. The mainline of Sepulveda charging north into worsening demographics. Van Nuys, beautiful only from a distance, where Mexicans play soccer workday mornings, crossing themselves before kickoff as if God cares about the outcome of a hung-over pickup game. The 405, a curved waterfall of white headlights. Ventura moving east past the by-the-hour motels with glam studio names where johns bring broken street kids or vice versa. And around the Cahuenga pass where the city waits, an insatiable and inscrutable mistress, spread on a bed of neon with a Sphinx smile, her just-pounced paws set down on punctured dreams.

I closed my eyes, cruising through Hollywood of the hipsters and wanna-bes, the culture consumers with brand names Roman-lettered across ass velour. Drifted behind the honk-oblivious Cutlass with Arkansas plates doing five miles per hour down the Boulevard as heads inside craned on substantial Southern necks, past black kids rat-a-tat-tatting on overturned white buckets, past peeling German noses, the sticky smell of suntan lotion, intoxicating smog, silver hoops piercing bronze belly buttons, Gap billboards of pop sensations in floppy hats, and up the alleys into real Hollywood, where hookers kneel over pools of vomit and junkies stumble from doorways, scratching their shoulders, mumbling their nighttime song, gotta get well, gotta get well.

Through the run of comedy clubs, where husbands from Wichita laugh at Jesus jokes despite sideways glances from prim-mouthed housewives, where amateurs sweat through sets and maybe, just maybe, after the heard-it-all waitresses clear the second empty glass of the two-drink minimum, that big-name sitcom actor will pop in to work out some new material. Then west to Boys Town where gay couples come in shapes and sizes to defy the limited straight imagination, where soft-porn billboards overlook studded leather window treatments, glowing tarot cards, and tattoo parlors, where lovers sip coffee within scream-shot of porn palaces with purple polystyrene, and parking signs totem-pole atop one another, impervious to comprehension. Past the Urth Café, where washed-up divorcees munch organic lettuce, faces caved from pills and swollen with collagen, a war of fleshy attrition. Down the slick snake of Sunset with its old mansions, its bright and brazen Hustler store, its Carnation lights at the holidays. Through Beverly Hills' runs of palms oft-filmed but never captured, leisure suits riding Segways to Valentino, celebutantes strolling with purse dogs, agents with their invisible cell-phone earpieces mumbling solo outside restaurants and at stoplights, the nattering dispossessed.

Come Westwood, come Brentwood, where three-one-oh moms push symmetrical children in designer strollers through farmer's markets and wax dreamily about Bali hotels. Onward to the Palisades, Santa Monica Canyon, and Malibu, up the sparkling coastline reeking of exhaust and covered with seagull guano, then through the runs of canyons, deep russet pleats like streaks of ore or a woman's folds, the air startlingly crisp and tinged with salt.

My cheeks were wet with the breeze and the swell of my heart for the lights below. Los Angeles. A mirage of a town that sprang up like a cold sweat on the backs of gold diggers and railroad workers, and took form when pirate film distributors, fleeing Edison's patents, took a train and a gamble backed by East Coast muscle.

Los Angeles, land of endless promise. And endless failure. Los Angeles of the petty cruelties. Los Angeles of the instant hierarchy, the spray-on tan, the copped feel. L.A. of the bandaged, post-operative nose, the chai menu, the slander lawsuit. Of the hyphenated job title. The two-SUV garage. L.A. with its wide-open minds and well-formed opinions. L.A. of the high-octane sunset, the warm night air that leaves you drunk. L.A. of the prolonged adolescence, the slow-motion seduction, the ageless, replaceable blonde. L.A. where a porn star runs for governor and an action figure wins. L.A. where anything can happen at any time to some poor schmuck or lucky bastard. Where anything can happen to you.

Where anything had happened to me.

Product details

  • Publisher ‏ : ‎ Penguin Books; Reprint edition (June 24, 2008)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 303 pages
  • ISBN-10 ‏ : ‎ 0143113445
  • ISBN-13 ‏ : ‎ 978-0143113447
  • Item Weight ‏ : ‎ 9.6 ounces
  • Dimensions ‏ : ‎ 0.75 x 5.5 x 8.25 inches
  • Customer Reviews:
    4.2 4.2 out of 5 stars 176 ratings

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Gregg Hurwitz
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Gregg Hurwitz is the New York Times, #1 internationally bestselling author of 23 thrillers, including the Orphan X series, and two award-winning thriller novels for teens. His novels have won numerous literary awards, graced top ten lists, and have been published in 33 languages. Gregg currently serves as the Co-President of International Thriller Writers (ITW).

Customer reviews

4.2 out of 5 stars
176 global ratings

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Customers say

Customers find the book engaging and enjoyable. They appreciate the compelling story with twists and turns that keep them hooked from start to finish. The writing quality is praised as great, clever, and fast-paced. Readers also praise the well-developed characters and the ending.

AI-generated from the text of customer reviews

16 customers mention "Readability"16 positive0 negative

Customers enjoy the book's readability. They find it interesting and engaging, keeping them up late reading. The book offers everything a noir reader loves, making it another great win for Hurwitz.

"...It would make a great little film. For those of you new to Hurwitz's work, check out his Tim Rackley novels...." Read more

"...I enjoyed the little bits of humor in this book. Very good." Read more

"I loved this book...." Read more

"...Gets a little preachy at times or it would have been a five star. Worthy read." Read more

12 customers mention "Story development"12 positive0 negative

Customers enjoy the compelling story with its twists and turns. They find the book exciting and hard to put down. The story development flows smoothly and provides a refreshing viewpoint.

"...He kept me nailed to the story, rocketing along one step behind his main character as we explored the twists and turns of the events already in..." Read more

"Loved the twists. I must be figuring out the brain of Gregg Hurwitz...." Read more

"...It is a refreshing viewpoint that I have not seen in any other novel...." Read more

"Good story, quick read. No Academy Awards. I would have liked a little bit more ugly flesh to the characters and story." Read more

8 customers mention "Writing quality"8 positive0 negative

Customers enjoy the book's writing quality. They find it an easy read with a great story and engaging characters. The book is described as clever, fast-paced, and hard to put down.

"...His writing holds my interest and I have lost sleep because I read long into the night. I enjoyed the little bits of humor in this book. Very good." Read more

"...I would have enjoyed more of his wonderful writing." Read more

"Good story, quick read. No Academy Awards. I would have liked a little bit more ugly flesh to the characters and story." Read more

"Compelling story. Well written. Gets a little preachy at times or it would have been a five star. Worthy read." Read more

3 customers mention "Character development"3 positive0 negative

Customers enjoy the character development. They find the writing and story engaging, with well-developed characters.

"...All and all, this book has it all - great writing, great story, great characters, and an ending that is very satisfying...." Read more

"...This is a good story, but I don't think it's one of his best. Likeable main character, though." Read more

"...turns that will keep you at the edge of your seat, I really enjoyed the characters and plots that develop when reading this novel." Read more

Top reviews from the United States

  • Reviewed in the United States on August 30, 2008
    Bestselling author Gregg Hurwitz steps away from his US Marshal Tim Rackley series for his latest novel, THE CRIME WRITER. Hurwitz says that Andrew Danner's story insisted on being told.

    I have to admit, I was intrigued by the title and the premise. The title alone is provocative to me because I love whodunits and tough guy private eyes. In the novel, Andrew Danner wakes up in the hospital after undergoing an emergency surgery to remove a brain tumor. As a result, he doesn't remember the last few hours of his conscious life.

    The police are waiting in his hospital room and Danner quickly discovers that they believe he killed his ex-fiancé in a fit of rage. Danner knows he wasn't happy about the split, but he's also pretty sure that he wouldn't kill anyone. Except that there's that whole question of that pesky tumor and the mystery of why he was over at his ex-fiancé's house that night anyway.

    Danner, like Hurwitz, is a bestselling crime writer, and he can't let those mysteries go unsolved. Despite his release after his murder trial, he finds his life irrevocably turned upside down. He feels he has no choice except to figure out what truly happened the night his ex-fiancé was murdered.

    However, before he can get deep into his own investigation, Danner is arrested again. Another woman has been found murdered, and the clues at the murder scene once more point to the crime writer.

    Reviews over this novel seem to be mixed, and I think that's fair. Hurwitz takes liberties with his plot and the whole noir flavor of the story. If you take time to think about the various complexities of the plot, and how things fall neatly into place, you'll find that sometimes they do grind against each other.

    On the other hand, I did NOT take time to think about everything. I was consumed by this novel. Hurwitz offers a blistering, white water slalom through fanged rocks and I just couldn't turn the pages fast enough. He kept me nailed to the story, rocketing along one step behind his main character as we explored the twists and turns of the events already in motion.

    This book offers everything a noir reader loves, and I fell for it like a ton of bricks. Danner is a great first-person narrator, is constantly on the outside of the investigation banging his head against the wall to get in and clear his name, and always at the eye of the storm. Not only that, but Danner has friends he can rely on, and he meets some new enemies and supporters along the way. THE CRIME WRITER is a definite template for how these novels used to be written and how they should still be written. But only by gifted practitioners. Hurwitz is one of those.

    Hurwitz keeps a lot of balls in the air, but they all play closely to the driving plot. All the ancillary characters are there to help Danner figure out what's going on. At the same time, they're fleshed out and their relationship to Danner is revealed.

    My best advice is to block out a couple days for reading, then curl up with this book and read it straight through. Don't think about it. Just enjoy it. THE CRIME WRITER is like a good rollercoaster ride: if you go willingly, forget that you actually already know where you're going to end up and that you're going to be safe, you can enjoy the illusion and adrenaline of the stripped-down velocity.

    I'm hoping Hollywood sees this nifty little book on their radar and snaps it up for production. It would make a great little film.

    For those of you new to Hurwitz's work, check out his Tim Rackley novels. He's also writing THE PUNISHER and FOOLKILLER for Marvel Comics.
    6 people found this helpful
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  • Reviewed in the United States on February 17, 2014
    Loved the twists. I must be figuring out the brain of Gregg Hurwitz. This is the first time I figured out "who" but I had no idea "why". His writing holds my interest and I have lost sleep because I read long into the night. I enjoyed the little bits of humor in this book. Very good.
    One person found this helpful
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  • Reviewed in the United States on August 12, 2013
    I loved this book. The book is written based on the perspective of the writer of crime novels and it is interesting that his quest to find the killer is based on that perspective. It is a refreshing viewpoint that I have not seen in any other novel. I'm glad I didn't give up on Hurwitz after reading The Troubleshooter because I did not like that book and the graphic violence. In this book Hurwitz's descriptions are really wonderful so you can really see in your mind what he is describing.

    His description those who flock to Los Angeles in search of fame and fortune and often fail is superb. Just a small example from the text of the book: "L.A. is the edge of the American dream, the farthest your hopes can carry you before you topple into the Pacific, Icarus without water wings. And yet still they come. They come out and crowd the cliff edges, penguins above dangerous waters. L.A. will devour them. It will crush them into inconsequentiality, grind them into a paste and smear them through the city's forgotten alleys." That certainly is illustrative of so many who never found that dream. In contrast, he wrote also wrote some beautiful, sensitive descriptions, particularly of Caroline.

    I also was completely shocked and surprised byt who the "bad guy" was! I wish the book was a little longer. I would have enjoyed more of his wonderful writing.
    2 people found this helpful
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  • Reviewed in the United States on August 24, 2014
    Good story, quick read. No Academy Awards. I would have liked a little bit more ugly flesh to the characters and story.
  • Reviewed in the United States on November 20, 2018
    Compelling story. Well written. Gets a little preachy at times or it would have been a five star. Worthy read.
    One person found this helpful
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  • Reviewed in the United States on March 9, 2011
    We all love a great thriller and Hurwitz certainly delivers with "The Crime Writer." The harrowing story of Drew Danner is well described in other reviews. I thought that by writing it in the first person, you really can get a better sense of what Drew is thinking and feeling throughout the telling of the story. Hurwitz' writing is absolutely beautiful as he describes Los Angeles and its inhabitants in colorful detail. Telling it from Drew's point of view, he was also able to better describe the other people close to Drew, their relationships, and the emotional effects that they and the events had on him. The story, through the characters, show that real people aren't all good or all bad and that a person is capable of anything if pushed far enough. I loved the side story of him and Caroline, finding it to be a very tender relationship, the description of which humanized Drew even more when you read how he handles an exquisitely delicate situation as he and Caroline get closer. All and all, this book has it all - great writing, great story, great characters, and an ending that is very satisfying. I'm about halfway through all of Hurwitz' books and have yet to read anything by him that isn't top notch!
    3 people found this helpful
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  • Reviewed in the United States on December 25, 2015
    To me, all of Gregg Hurwitz' books are excellent! With that being said, this book was no exception. It was a little bit different than his other books because it moved a little slower than the others but then again the main character was recovering from brain surgery and had the heartache of losing his fiancee. This felt very true to life and I felt a part of the investigation. Also, I had read all of the other Hurwitz books before I read this one. I am all caught up now. I love this author and cannot wait for the highly anticipated Orphan X.
    3 people found this helpful
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  • Reviewed in the United States on March 16, 2016
    Gregg Hurwitz is always a good read! Looking forward to any new story from him.

Top reviews from other countries

  • Amazon Customer
    5.0 out of 5 stars As always, excellent writing
    Reviewed in Canada on March 21, 2017
    Parts of it made me laugh out loud...in a good way. I can't wait for his next book...and in the meantime, I'll read some of his older ones.