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Triptych: A Novel (Will Trent Book 1) Kindle Edition
“Crime fiction at its finest.”—Michael Connelly
From Atlanta’s wealthiest suburbs to its stark inner-city housing projects, a killer has crossed the boundaries of wealth and race. And the people who are chasing him must cross those boundaries, too. Among them is Michael Ormewood, a veteran detective whose marriage is hanging by a thread—and whose arrogance and explosive temper are threatening his career. And Angie Polaski, a beautiful vice cop who was once Michael’ s lover before she became his enemy. But unbeknownst to both of them, another player has entered the game: a loser ex-con who has stumbled upon the killer’s trail in the most coincidental of ways—and who may be the key to breaking the case wide open.
In this gritty, gripping firecracker of a novel, the author of the bestselling Grant County, Georgia, series breaks thrilling new ground, weaving together the threads of a complex, multilayered story with the skill of a master craftsman. Packed with body-bending switchbacks, searing psychological suspense and human emotions, Triptych ratchets up the tension one revelation at a time as it races to a shattering and unforgettable climax.
- LanguageEnglish
- PublisherDelacorte Press
- Publication dateAugust 15, 2006
- File size4.1 MB
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From the Publisher



Editorial Reviews
From Publishers Weekly
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From Booklist
Copyright © American Library Association. All rights reserved
Review
"Excellent.... Karin Slaughter is not afraid to show the absolute worst in people, as well as the best."—Ft. Lauderdale Sun-Sentinel
"[Karin Slaughter] writes with a razor...Triptych elevates her to the top of my list of favorite crime writers."—Cleveland Plain Dealer
"Volcanic heroes and villians, who act both surprisingly and logically.... Slaughter has the courage to detonate her biggest bombshells early on, keeping even the wariest readers off-balance."—Kirkus Reviews
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
February 5, 2006
Detective Michael Ormewood listened to the football game on the radio as he drove down DeKalb Avenue toward Grady Homes. The closer he got to the projects, the more tension he felt, his body almost vibrating from the strain by the time he took a right into what most cops considered a war zone. As the Atlanta Housing Authority slowly devoured itself, subsidized communities like Grady were becoming a thing of the past. The in-town real estate was too valuable, the potential for kickback too high. Right up the road was the city of Decatur, with its trendy restaurants and million-dollar houses. Less than a mile in the other direction was Georgia’s gold-encrusted capitol dome. Grady was like a worse-case scenario sitting between them, a living reminder that the city too busy to hate was also too busy to take care of its own.
With the game on, the streets were fairly empty. The drug dealers and pimps were taking the night off to watch that rarest of miracles occur: the Atlanta Falcons playing in the Super Bowl. This being a Sunday night, the prostitutes were still out making a living, trying to give the churchgoers something to confess next week. Some of the girls waved at Michael as he drove past, and he returned the greeting, wondering how many unmarked cars stopped here during the middle of the night, cops telling Dispatch they were taking a ten-minute break, then motioning over one of the girls to help blow off some steam.
Building nine was in the back of the development, the crumbling red brick edifice tagged by the Ratz, one of the new gangs that had moved into the Homes. Four cruisers and another unmarked car were in front of the building, lights rolling, radios squawking. Parked in the residents’ spaces were a black BMW and a pimped out Lincoln Navigator, its ten-thousand-dollar razor rims glittering gold in the streetlights. Michael fought the urge to jerk the steering wheel, take some paint off the seventy-thousand-dollar SUV. It pissed him off to see the expensive cars the bangers drove. In the last month, Michael’s kid had shot up about four inches, outgrowing all his jeans, but new clothes would have to wait for Michael’s next paycheck. Tim looked like he was waiting for a high tide while Daddy’s tax dollars went to help these thugs pay their rent.
Instead of getting out of his car, Michael waited, listening to another few seconds of the game, enjoying a moment’s peace before his world turned upside down. He had been on the force for almost fifteen years now, going straight from the army to the police, realizing too late that other than the haircut, there wasn’t that much difference between the two. He knew that as soon as he got out of his car it would all start up like a clock that was wound too tight. The sleepless nights, the endless leads that never panned out, the bosses breathing down his neck. The press would probably catch on to it, too. Then he’d have cameras stuck in his face every time he left the squad, people asking him why the case wasn’t solved, his son seeing it on the news and asking Daddy why people were so mad at him.
Collier, a young beat cop with biceps so thick with muscle he couldn’t put his arms down flat against his sides, tapped on the glass, gesturing for Michael to roll down his window. Collier had made a circling motion with his meaty hand, even though the kid had probably never been in a car with crank windows.
Michael pressed the button on the console, saying, “Yeah?” as the glass slid down.
“Who’s winning?”
“Not Atlanta,” Michael told him, and Collier nodded as if he had expected the news. Atlanta’s previous trip to the Super Bowl was several years back. Denver had thumped them 34–19.
Collier asked, “How’s Ken?”
“He’s Ken,” Michael answered, not offering an elaboration on his partner’s health.
“Could use him on this.” The patrolman jerked his head toward the building. “It’s pretty nasty.”
Michael kept his own counsel. The kid was in his early twenties, probably living in his mother’s basement, thinking he was a man because he strapped on a gun every day. Michael had met several Colliers in the Iraqi desert when the first Bush had decided to go in. They were all eager pups with that glint in their eye that told you they had joined up for more than three squares and a free education. They were obsessed with duty and honor, all that shit they’d seen on TV and been fed by the recruiters who plucked them out of high school like ripe cherries. They had been promised technical training and home-side base assignments, anything that would get them to sign on the dotted line. Most of them ended up being shipped off on the first transport plane to the desert, where they got shot before they could put their helmets on.
Ted Greer came out of the building, tugging at his tie like he needed air. The lieutenant was pasty for a black man, spending most of his time behind his desk basking in the fluorescent lights as he waited for his retirement to kick in.
He saw Michael still sitting in the car and scowled. “You working tonight or just out for a drive?”
Michael took his time getting out, sliding the key out of the ignition just as the halftime commentary started on the radio. The evening was warm for February, and the air-conditioning units people had stuck in their windows buzzed like bees around a hive.
Greer barked at Collier, “You got something to do?”
Collier had the sense to leave, tucking his chin to his chest like he’d been popped on the nose.
“Fucking mess,” Greer told Michael. He took out his handkerchief and wiped the sweat off his forehead. “Some kind of sick perv got ahold of her.”
Michael had heard as much when he’d gotten the call that pulled him off his living-room couch. “Where is she?”
“Six flights up.” Greer folded the handkerchief into a neat square and tucked it into his pocket. “We traced the nine-one-one call to that phone.” He pointed across the street.
Michael stared at the phone booth, a relic of the past. Everybody had cell phones now, especially dealers and bangers.
“Woman’s voice,” Greer told him. “We’ll have the tape sometime tomorrow.”
“How long did it take to get somebody out here?”
“Thirty-two minutes,” Greer told him, and Michael’s only surprise was that it hadn’t taken longer. According to a local news team investigation, response times to emergency calls from Grady averaged around forty-five minutes. An ambulance took even longer.
Greer turned back to the building as if it could absolve him. “We’re gonna have to call in some help on this one.”
Michael bristled at the suggestion. Statistically, Atlanta was one of the most violent cities in America. A dead hooker was hardly an earth-shattering development, especially considering where she was found.
He told Greer, “That’s all I need is more assholes telling me how to do my job.”
“This asshole thinks it’s exactly what you need,” the lieutenant countered. Michael knew better than to argue—not because Greer wouldn’t tolerate insubordination, but because he’d agree with Michael just to shut him up, then turn around and do whatever the hell he wanted to anyway.
Greer added, “This one’s bad.”
“They’re all bad,” Michael reminded him, opening the back door to his car and taking out his suit jacket.
“Girl didn’t have a chance,” Greer continued. “Beat, cut, fucked six ways to Sunday. We got a real sick fuck on our hands.”
Michael put on his jacket, thinking Greer sounded like he was auditioning for HBO. “Ken’s out of the hospital. Said come by and see him anytime.”
Greer made some noises about being real busy lately before trotting off toward his car, looking back over his shoulder as if he was afraid Michael would follow. Michael waited until his boss was in his car and pulling out of the lot before he headed toward the building.
Collier stood at the doorway, hand resting on the butt of his gun. He probably thought he was keeping watch, but Michael knew that the person who had committed this crime wasn’t going to come back for more. He was finished with the woman. There was nothing else he wanted to do.
Collier said, “The boss left fast.”
“Thanks for the news flash.”
Michael braced himself as he opened the door, letting the damp, dark building slowly draw him in. Whoever had designed the Homes hadn’t been thinking about happy kids coming home from school to warm cookies and milk. They had focused on security, keeping open spaces to a minimum and covering all the light fixtures in steel mesh to protect the bulbs. The walls were exposed concrete with narrow windows tucked into tight little corners, the safety wire embedded in the glass looking like uniform cobwebs. Spray paint covered surfaces that had been painted white once upon a time. Gang tags, warnings and various pieces of information covered them now. To the right of the front door, someone had scrawled, Kim is a ho! Kim is a ho! Kim is a ho!
Michael was looking up the winding staircase, counting the six flights, when a door creaked open. He turned to find an ancient black woman staring at him, her coal dark eyes peering out around the edge of the steel door.
&...
From AudioFile
Product details
- ASIN : B000JMKRAW
- Publisher : Delacorte Press (August 15, 2006)
- Publication date : August 15, 2006
- Language : English
- File size : 4.1 MB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 512 pages
- Page numbers source ISBN : 0440296617
- Best Sellers Rank: #10,007 in Kindle Store (See Top 100 in Kindle Store)
- #195 in Psychological Fiction (Kindle Store)
- #263 in Serial Killer Thrillers
- #263 in Police Procedurals (Kindle Store)
- Customer Reviews:
About the author

Karin Slaughter is the author of more than twenty instant NEW YORK TIMES bestselling novels, including the Edgar–nominated COP TOWN and standalone novels THE GOOD DAUGHTER, PRETTY GIRLS, and GIRL, FORGOTTEN. She is published in 120 countries with more than 40 million copies sold across the globe. PIECES OF HER is a #1 Netflix original series starring Toni Collette. The Will Trent Series is on ABC (and streaming on Hulu in the U.S, and Disney+ internationally). THE GOOD DAUGHTER and FALSE WITNESS are in development for film/tv. Slaughter is the founder of the Save the Libraries project—a nonprofit organization established to support libraries and library programming. A native of Georgia, she lives in Atlanta.
www.karinslaughter.com
Facebook www.facebook.com/AuthorKarinSlaughter/
Instagram www.instagram.com/karinslaughterauthor/
Twitter @SlaughterKarin
https://linktr.ee/karinslaughter
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers find the book easy to read and enjoyable. They appreciate the well-developed characters and the vivid writing style. The pacing keeps them hooked until the end. However, some find the violence graphic and harsh.
AI-generated from the text of customer reviews
Customers find the book engaging and enjoyable. They appreciate the well-written narrative with interesting characters and storylines. The research used in the novel makes the narrative realistic, and readers learn about Will Trent.
"Great book. Great writing. The author really knows how to pack a punch and keep the surprises coming. I plan on reading her other books." Read more
"...investigation procedures presented in the novel show an impressive level of research, making the narrative realistic and engrossing...." Read more
"...to the overall puzzle, and the resolution is both satisfying and thought-provoking...." Read more
"...He sure made an impact in this novel. Will is very smart. He does his job well but he has a few big vulnerabilities which only made his character..." Read more
Customers enjoy the plot. They find it interesting, suspenseful, and well-crafted with a multi-layered storyline. The dynamics are sophisticated and relatable. Readers appreciate the author's ability to build tension and suspense with impressive skill. The plot has unexpected twists and turns that keep them hooked until the end.
"This was well crafted and complex story that had me not wanting to put it down. The characters are real and relatable...." Read more
"...The author really knows how to pack a punch and keep the surprises coming. I plan on reading her other books." Read more
"...job of keeping readers on the edge of their seats with a multi-layered plot that is as much about a murder investigation as it is about the secrets,..." Read more
"...Karin Slaughter's ability to maintain tension and build suspense is impressive, and the novel's pacing is relentless, making it difficult to put down..." Read more
Customers appreciate the character development. They find the main character relatable and enjoy his awkwardness. The leads are well-developed and likable.
"...The characters are real and relatable. I am looking forward to the book in the series." Read more
"...a testament to Slaughter's strength in creating compelling and authentic characters. John Shelley, too, is a character worth noting...." Read more
"...With its compelling characters, multifaceted narrative, and intense suspense, the novel is a standout in the genre...." Read more
"...I think the other characters are well cast, and I especially like Will’s boss, Amanda. And lastly, my second favorite character is Angie...." Read more
Customers enjoy the book's writing quality. They find the descriptions vivid and clear, making them feel like they are right there. The writing is relatable, showing a deep understanding of different people. Readers appreciate the intricate stories with detailed details, some of which cause visceral reactions. Overall, the writing is smooth and easy to read, with good plots and structure that make it stand out from other books.
"...The characters are real and relatable. I am looking forward to the book in the series." Read more
"Great book. Great writing. The author really knows how to pack a punch and keep the surprises coming. I plan on reading her other books." Read more
"...is very descriptive regarding crime scenes, and there’s also flagrant language in terms of both curse words and crass colloquialisms...." Read more
"...The plot was suspenseful and engaging. The writing was smooth and detailed, painting vivid pictures that lingered long after I turned the last page. "..." Read more
Customers enjoy the book's engaging pace. They find it a page-turner that keeps them hooked until the end. The story is suspenseful and interesting, with unexpected twists that keep readers hooked until the end.
"...almost makes me feel like I can keep both separate and yet simultaneously enjoy both...." Read more
"...I found Triptych compelling, suspenseful (an) intense page turning delight. A truly good read...." Read more
"...me a bit of Silence of the Lambs, a dark, brutal story that keeps you reading, chewing your nails. I’m certainly going to continue with the series." Read more
"I enjoyed this book. It was fun and thrilling and I liked how Will was written. It was a good read all around...." Read more
Customers have mixed views on the pacing of the book. Some found the whodunit part well-paced with fast and furious action, while others felt the book was slow to start and spent too much time on a paroled sex offender's life.
"This was well crafted and complex story that had me not wanting to put it down. The characters are real and relatable...." Read more
"...Will is very smart. He does his job well but he has a few big vulnerabilities which only made his character even more interesting to me...." Read more
"...maintain tension and build suspense is impressive, and the novel's pacing is relentless, making it difficult to put down...." Read more
"...(up to 30 mins, according to my kindle), but I found that most chapters went quickly because they were interesting...." Read more
Customers have mixed opinions about the graphic content. Some find it helps build a realistic visual world, and is imaginative and raw. Others find some scenes graphic and gory, and the language flagrant.
"...The writing was smooth and detailed, painting vivid pictures that lingered long after I turned the last page. "..." Read more
"...This novel is very descriptive regarding crime scenes, and there’s also flagrant language in terms of both curse words and crass colloquialisms...." Read more
"...I also love the details about Atlanta and its neighborhoods. If you enjoy crime novels, I highly recommend Triptych...." Read more
"Great story. Such deeply flawed, fascinating characters. Very graphic and raw...." Read more
Customers find the violence in the book graphic and harsh. They find it too gory, brutal, and disturbing to read. Some readers also mention excessive profanity and violence against women.
"This is number one in the series. The violence is graphic and harsh but you know what you're getting with this author...." Read more
"...Then it picked up speed. There's much violence described in graphic and grisly detail...." Read more
"...Though the novel was predominately dark and disturbing, I still would have given 4 stars had there been more coverage on the resolve for John Shelley..." Read more
"The book is better than the show. The book is violent and lucid. But I liked the plot and how it ends...." Read more
Reviews with images

Intense!
Top reviews from the United States
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- Reviewed in the United States on February 7, 2025This was well crafted and complex story that had me not wanting to put it down. The characters are real and relatable. I am looking forward to the book in the series.
- Reviewed in the United States on October 29, 2024Great book. Great writing. The author really knows how to pack a punch and keep the surprises coming. I plan on reading her other books.
- Reviewed in the United States on May 26, 2023This is my first book by Karin Slaughter and, after finishing it, it won’t be my last. The characters felt utterly real. The plot was suspenseful and engaging. The writing was smooth and detailed, painting vivid pictures that lingered long after I turned the last page. "Triptych" takes you on a relentless journey through Atlanta’s underbelly, combining crime investigation with a keen exploration of human emotions and motives.
The protagonist, Will Trent, is a character with depth and complexity. His battle with dyslexia and the struggles he faces in his personal and professional life make him relatable and deeply human. His character is carefully crafted and is a testament to Slaughter's strength in creating compelling and authentic characters.
John Shelley, too, is a character worth noting. You experience his struggle and heartbreak while waiting for him to receive the Justice he so richly deserves.
Karin Slaughter also does an excellent job of keeping readers on the edge of their seats with a multi-layered plot that is as much about a murder investigation as it is about the secrets, lies, and personal lives of the characters involved. The plot twists are brilliantly crafted, and I found myself second-guessing my conclusions until the very end.
The detailed investigation procedures presented in the novel show an impressive level of research, making the narrative realistic and engrossing. The theme of sexual violence and its consequences is handled with sensitivity and realism, adding to the emotional weight of the
The book does not shy away from painting a grim picture of crime and its effects on individuals and society, which might be a bit too much for some. However, for those who appreciate gritty, realistic crime thrillers with a heavy dose of human drama, "Triptych" is a compelling read.
"Triptych" is a masterclass in crime thriller writing, with a layered plot, complex characters, and a perfect balance of suspense and emotion. It is a testament to Karin Slaughter's narrative prowess and understanding of the human psyche. I'm looking forward to exploring more of her work in the future.
- Reviewed in the United States on May 25, 2024The plot is meticulously crafted, with numerous twists and turns that keep the reader guessing. Karin Slaughter's ability to maintain tension and build suspense is impressive, and the novel's pacing is relentless, making it difficult to put down. Every detail, no matter how small, is carefully placed to contribute to the overall puzzle, and the resolution is both satisfying and thought-provoking.
The author skillfully introduces readers to three main characters whose lives intersect in surprising ways. Michael Ormewood, a seasoned detective with a troubled marriage, is initially assigned to the case. Angie Polaski, a former vice cop with a complex relationship with Trent, brings a raw and gritty perspective to the investigation. Trent himself is portrayed as a brilliant yet emotionally scarred investigator, whose own past is intricately tied to the unfolding mystery.
The story is a gripping and intricately plotted crime thriller that delves deep into the complexities of human nature and the darkness that can lurk beneath the surface of everyday life. With its compelling characters, multifaceted narrative, and intense suspense, the novel is a standout in the genre.
After reading this first book in the series, I have clicked Add to Cart the other 11 books in the series.
- Reviewed in the United States on April 29, 2018Triptych was so good! It had a great twist early on. One I did not see it coming.
The novel starts with the murder and rape of Aleesha Monroe, a prostitute at Grady Homes, one of Atlanta's projects. Detective Michael Ormewood is assigned the case and Leo Donnelly is another cop helping him with the investigation until a newcomer is pushed to his side. Special Agent Will Trent with the GBI (Georgia Bureau of Investigation) is designated to help Michael. Michael doesn't care for Will very much but he's forced to play nice after there's a question of other rape victims being attacked by the same perpetrator.
“I’m part of a special division of the Georgia Bureau of Investigation set up to aid local law enforcement around the state in apprehending violent criminals. My role here is purely advisory.”
Besides Michael and Will, two other characters are quite important.
The first one is Angie Polaski. She is a vice detective who's good at her job but the complete opposite in regards to her personal life. During her undercover work, she meets John Shelley. A man who was in prison for twenty years and who has been recently released. John is trying to keep his nose clean from any wrongdoing. He doesn't want to go back to prison. He would rather die than go back in.
And this is where the story becomes quite interesting and I'm afraid I can't divulge more without giving spoilers.
I was hooked after the introduction of Special Agent Will Trent with the GBI (Georgia Bureau of Investigation). He sure made an impact in this novel. Will is very smart. He does his job well but he has a few big vulnerabilities which only made his character even more interesting to me.
Will's damaged goods but so is Angie. Angie reminds me a little bit of Lena but I'm hoping I won't hate her as much as I hated Lena in the Grant series.
I was happy with the resolution of Triptych and I'm excited to learn more about Will in the next few books.
Cliffhanger: No
4/5 Fangs
Top reviews from other countries
- MazhaggisReviewed in the United Kingdom on January 15, 2025
5.0 out of 5 stars Another great read
I really enjoyed this book.
The characters were believable.
The storyline kept me reading into the small hours. I just kept thinking one more chapter lol
I have already recommended this book to my friends and family.
-
AlexReviewed in Germany on November 16, 2024
5.0 out of 5 stars Gutes Buch
Besser als die Serie
-
ernst van der lingenReviewed in the Netherlands on August 12, 2022
5.0 out of 5 stars service
Bedankt voor de snelle en vriendelijke levering.
- Kathleen CullenReviewed in Canada on November 4, 2018
5.0 out of 5 stars A Good Read, but Violent
This book wasn't advertised as part of Slaughter's Will Trent series, but he's there. He's one of my favourite literary characters, so I was pleasantly surprised when he showed up. There are a lot of twists and turns in the plot that kept me interested to the end. In fact, I would have liked one more chapter to find out just what happened next in the life of the ex-con, John. Be warned, though, there is a lot of nasty violence. I usually get turned off by that, but this was well written and interesting enough to keep me reading.
- Susan NealReviewed in Australia on August 26, 2024
5.0 out of 5 stars Brilliant novel
I originally read the latest novel in the series, and enjoyed it so much I decided to start reading at the beginning
A fabulous read