Category Archives: Lending Books

Revisit a Year of Thought-Provoking Book Talks with Internet Archive and Authors Alliance

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In 2024, the Internet Archive and Authors Alliance brought together an array of authors, scholars and thought leaders to explore critical issues at the intersection of technology, culture and information science. From the labor implications of artificial intelligence in Joanne McNeil’s Wrong Way to the evolving role of fair use in Patricia Aufderheide and Peter Jaszi’s landmark publication, Reclaiming Fair Use, these conversations covered topics shaping our information-enabled future. Here are highlights from the year’s events, offering session recordings for anyone eager to revisit—or discover for the first time—the compelling ideas shared by these influential voices.

February 29: Wrong Way

Author Joanne McNeil in conversation with author Sarah Jaffe.

McNeil & Jaffe discuss the labor implications of artificial intelligence for our first book talk about a work of fiction.

For years, Teresa has passed from one job to the next, settling into long stretches of time, struggling to build her career in any field or unstick herself from an endless cycle of labor. The dreaded move from one gig to another is starting to feel unbearable. When a recruiter connects her with a contract position at AllOver, it appears to check all her prerequisites for a “good” job. It’s a fintech corporation with progressive hiring policies and a social justice-minded mission statement. Their new service for premium members: a functional fleet of driverless cars. The future of transportation. As her new-hire orientation reveals, the distance between AllOver’s claims and its actions is wide, but the lure of financial stability and a flexible schedule is enough to keep Teresa driving forward.

Session recording: https://archive.org/details/wrong-way 

March 27: Replay

Author and game designer Jordan Mechner in conversation with historian Chris Kohler.

Jordan Mechner (creator of “Prince of Persia”) shares his story as a pioneer in the fast-growing video game industry from the 1980s to today, and how his family’s back story as refugees from war-torn Europe led to his own multifaceted 4-decade creative career. Interweaving of past and present, family transmission, exile and renewal are at the heart of his award-winning graphic novel “Replay: Memoir of an Uprooted Family.”

Session recording: https://archive.org/details/replay-jordan-mechner 

April 3: Unlocking the Digital Age

Authors Andrea I. Copland and Kathleen DeLaurenti in conversation with musician and educator Kyoko Kitamura, facilitated by music librarian Matthew Vest.

Based on coursework developed at the Peabody Conservatory, Unlocking the Digital Age: The Musician’s Guide to Research, Copyright, and Publishing by Andrea I. Copland and Kathleen DeLaurenti serves as a crucial resource for early career musicians navigating the complexities of the digital era. This guide bridges the gap between creative practice and scholarly research, empowering musicians to confidently share and protect their work as they expand their performing lives beyond the concert stage as citizen artists. It offers a plain language resource that helps early career musicians see where creative practice and creative research intersect and how to traverse information systems to share their work. As professional musicians and researchers, the authors’ experiences on stage and in academia makes this guide an indispensable tool for musicians aiming to thrive in the digital landscape. 

Session recording: https://archive.org/details/unlocking-the-digital-age 

April 18: Secret Life of Data 

Authors Aram Sinnreich & Jesse Gilbert in conversation with tech scholar Laura Denardis.

In The Secret Life of Data, Aram Sinnreich and Jesse Gilbert explore the many unpredictable, and often surprising, ways in which data surveillance, AI, and the constant presence of algorithms impact our culture and society in the age of global networks. The authors build on this basic premise: no matter what form data takes, and what purpose we think it’s being used for, data will always have a secret life. How this data will be used, by other people in other times and places, has profound implications for every aspect of our lives—from our intimate relationships to our professional lives to our political systems.

Session recording: https://archive.org/details/the-secret-life-of-data 

May 9: Big Fiction 

Author Dan Sinykin in conversation with humanities scholar Ted Underwood.

Dan Sinykin explores how changes in the publishing industry have affected fiction, literary form, and what it means to be an author. Giving an inside look at the industry’s daily routines, personal dramas, and institutional crises, he reveals how conglomeration has shaped what kinds of books and writers are published. Sinykin examines four different sectors of the publishing industry: mass-market books by brand-name authors like Danielle Steel; trade publishers that encouraged genre elements in literary fiction; nonprofits such as Graywolf that aspired to protect literature from market pressures; and the distinctive niche of employee-owned W. W. Norton. He emphasizes how women and people of color navigated shifts in publishing, arguing that writers such as Toni Morrison allegorized their experiences in their fiction.

Session recording: https://archive.org/details/big-fiction 

August 22: Governable Spaces 

Author Nathan Schneider in conversation with author Lilly Irani.

When was the last time you participated in an election for a Facebook group or sat on a jury for a dispute in a subreddit? Platforms nudge users to tolerate nearly all-powerful admins, moderators, and “benevolent dictators for life.” In Governable Spaces, Nathan Schneider argues that the internet has been plagued by a phenomenon he calls “implicit feudalism”: a bias, both cultural and technical, for building communities as fiefdoms. The consequences of this arrangement matter far beyond online spaces themselves, as feudal defaults train us to give up on our communities’ democratic potential, inclining us to be more tolerant of autocratic tech CEOs and authoritarian tendencies among politicians. But online spaces could be sites of a creative, radical, and democratic renaissance. Using media archaeology, political theory, and participant observation, Schneider shows how the internet can learn from governance legacies of the past to become a more democratic medium, responsive and inventive unlike anything that has come before.

Session recording: https://archive.org/details/governable-spaces 

September 24: Reclaiming Fair Use 

Authors & copyright scholars Patricia Aufderheide and Peter Jaszi in conversation with Dave Hansen, executive director of Authors Alliance.

In the increasingly complex and combative arena of copyright in the digital age, record companies sue college students over peer-to-peer music sharing, YouTube removes home movies because of a song playing in the background, and filmmakers are denied a distribution deal when a permissions i proves undottable. Analyzing the dampening effect that copyright law can have on scholarship and creativity, Patricia Aufderheide and Peter Jaszi urge us to embrace in response a principle embedded in copyright law itself—fair use.

Session recording: https://archive.org/details/reclaiming-fair-use 

October 10: Attack from Within

Author Barbara McQuade in conversation with Sarah Lamdan of the American Library Association’s Office for Intellectual Freedom.

American society is more polarized than ever before. We are strategically being pushed apart by disinformation—the deliberate spreading of lies disguised as truth—and it comes at us from all sides: opportunists on the far right, Russian misinformed social media influencers, among others. It’s endangering our democracy and causing havoc in our electoral system, schools, hospitals, workplaces, and in our Capitol. Advances in technology including rapid developments in artificial intelligence threaten to make the problems even worse by amplifying false claims and manufacturing credibility.

In Attack from Within, legal scholar and analyst Barbara McQuade, shows us how to identify the ways disinformation is seeping into all facets of our society and how we can fight against it.

Session recording: https://archive.org/details/attack-from-within 

November 19: The Line 

Author James Boyle in conversation with Kate Darling of the MIT Media Lab.

Chatbots like ChatGPT have challenged human exceptionalism: we are no longer the only beings capable of generating language and ideas fluently. But is ChatGPT conscious? Or is it merely engaging in sophisticated mimicry? And what happens in the future if the claims to consciousness are more credible? In The Line, James Boyle explores what these changes might do to our concept of personhood, to “the line” we believe separates our species from the rest of the world, but also separates “persons” with legal rights from objects.

Session recording: https://archive.org/details/the-line-ai-and-the-future-of-personhood 

December 3: Vanishing Culture

Authors Luca Messarra, Chris Freeland and Katie Livingston in a roundtable discussion.

In today’s digital landscape, corporate interests, shifting distribution models, and malicious cyber attacks are threatening public access to our shared cultural history. When digital materials are vulnerable to sudden removal—whether by design or by attack—our collective memory is compromised, and the public’s ability to access its own history is at risk.

Session recording: https://archive.org/details/vanishing-culture-book-talk

End of Hachette v. Internet Archive

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While we are deeply disappointed with the Second Circuit’s opinion in Hachette v. Internet Archive, the Internet Archive has decided not to pursue Supreme Court review. We will continue to honor the Association of American Publishers (AAP) agreement to remove books from lending at their member publishers’ requests. 

We thank the many readers, authors and publishers who have stood with us throughout this fight. Together, we will continue to advocate for a future where libraries can purchase, own, lend and preserve digital books.

Library Leaders Forum: Annual Gathering Highlights a ‘Critical Moment for Libraries’

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In the wake of a rapid-fire cyberattack on the Internet Archive, Brewster Kahle reassured participants at the 2024 Library Leaders Forum that the organization’s data is safe, and employees are working around the clock to fully restore services.  

WATCH THE SESSION RECORDING

“It’s been a little challenging,” said Kahle, the Internet Archive’s founder and digital librarian on being hit on October 8 with a distributed denial-of-service (DDoS) attack. “We’re taking a cautious, deliberate approach towards rebuilding and strengthening our defenses. Our priority is to ensure that the Internet Archive is stronger and more secure.”

The Internet Archive’s Wayback Machine is up and running, Kahle told those at the October 17 virtual forum. Other services are progressively coming back online—although some are in a read-only mode for now.

The Internet Archive is not alone in being the target of a malicious cyberattack: The British Library and Calgary Public Library have also been victims, said Chris Freeland, moderator of the forum and director of library services.

“This is a critical moment for libraries, including our own. As a library system, together, we are facing unprecedented challenges with book bans, defunding, and now cyberattacks,” Freeland said.

Still, the Internet Archive staff and community partners remain focused on digital preservation and providing access to needed materials that serve the public interest.

WATCH THE SESSION RECORDING

Even before the technical disruption last week, Elizabeth MacLeod said the digitization teams have a contingency plan in place so scanners can work offline until systems are operational again. MacLeod manages the Internet Archive’s seven regional scanning centers and digital operations in many partner libraries.

Mek Karpeles said the Internet Archive’s Open Library, a community catalog of book metadata run by staff and volunteers, thrives by being public and open.

“Because of this whole ecosystem, Open Library’s core services have been able to continue to run,” in the aftermath of the cyberattack, Mek said. “The data is all safe, and we’re taking this opportunity to prioritize security and ensure reader privacy for our patrons.”

The cyberattack was humbling, said Mark Graham, director of the Wayback Machine, and underscored the essential service the team provides.

The Wayback Machine adds more than 1 billion URLs a day, including every URL added to every Wikipedia article across 320 languages, and URLs shared on X, and Reddit. It has rescued more than 22 million broken links in 467 Wikis.

WATCH THE SESSION RECORDING

“We are weaving ourselves and being woven more integrally into the web itself—becoming part of the essential infrastructure for the web experience,” Graham said. “We’re helping to preserve the history of the web but make it relevant and accessible to people today and into the future.”

Focusing on at-risk information, Internet Archive works to preserve television news from 30 channels around the world, using artificial intelligence to perform transcription and translation.

“Making the web more useful and reliable is what we live for,” Graham said. “Team Wayback Machine and other projects at the Internet Archive are focused on doing more and doing better.”

The forum included an update on litigation involving the Internet Archive. In September, the U.S. Court of Appeals in New York affirmed the ruling in a lawsuit filed by four large publishers (Hachette Book Group, HarperCollins Publishers, John Wiley & Sons, and Penguin Random House), explained Peter Routhier, policy counsel for the Internet Archive. To date, the Internet Archive has removed over 500,000 books from lending on archive.org as a result of the lawsuit. On another front, some of the world’s largest record labels are suing the Great 78 Project, a community effort for the preservation, research and discovery of 78 rpm records.

The Archive posted an open letter to publishers in the lawsuit to restore access to the books that have been removed from the digital library. To date, more than 120,000 people have signed, adding heartfelt messages about what the impact of the loss has meant.

“We own these books,” Freeland said. “We just want to let readers read.”

WATCH THE SESSION RECORDING

To build public awareness and support on these issues, Jennie Rose Halperin is developing a coalition to lobby the U.S. Congress for a commemorative National Public Domain Day. She invited interested parties to join in the effort through Library Futures, the organization where she serves as executive director.

Halperin is also active in pushing for a statement of principles on library ownership of digital books. 

Some independent publishers are selling ebooks directly to libraries through BRIET, a new project of the Brick House Cooperative, David Moore, a writer and technologist, said at the forum.

Halperin is working alongside Charlie Barlow, executive director of the Boston Library Consortium, on Project ReShare to develop an open, standards-based, community-owned set of tools for digital lending.

Barlow has long been an advocate of controlled digital lending through BLC, and just released a report outlining CDL workflows and technologies for responsible sharing, he said at the forum. He also is working on a new consortium toolkit for CDL implementation. The report and resources can be downloaded at www.blc.org/cdl. 

Also at this year’s LLF, Dave Hansen, executive director of Authors Alliance, encouraged authors to review the organization’s free legal resource guides on copyright and fair use so they see their work more widely disseminated.

Lending of Digitized Books

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On Sept 4, 2024, the US Court of Appeals in New York affirmed the lower court ruling in the lawsuit filed against us by Hachette Book Group, HarperCollins Publishers, John Wiley & Sons, and Penguin Random House. While the Internet Archive is disappointed by this opinion—it was never the Internet Archive’s intention to get into a lawsuit over lending digitized books—we respect the outcome. 

To date, we have removed over 500,000 books from lending on archive.org (and therefore also openlibrary.org). While we are reviewing all available options, this judicial opinion will lead to the removal of many more books from lending. It is important for the Internet Archive and all libraries to continue to have a healthy relationship with publishers and authors.

Please be assured that millions of digitized books will still be available to those with print disabilities, small sections will be available for those linking into them from Wikipedia and through interlibrary loan, books will continue to be preserved for the long term, and other protected library uses will continue to inform digital learners everywhere.

The Internet Archive is also increasing its investment in digital books from publishers willing to sell ebooks that libraries can own and lend. While this is currently from a small number of publishers, the number is growing and we see it as a future for the long term sustainability of authors, publishers, and libraries. Encouragingly, the Independent Publishers Group recently endorsed selling ebooks to libraries. The growing number of libraries purchasing and owning digital books brings fair compensation to authors and publishers, along with permanent preservation and access to author’s works for communities everywhere.

We respect the opinion of the courts and, while we are saddened by how this setback affects our patrons and the future of all libraries, the Internet Archive remains strong and committed to our mission of Universal Access to All Knowledge. Thank you for your help and support.

Vanishing Culture: On the Importance of Remembering Forgotten Books

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The following guest post from author and editor Brad Bigelow is part of our Vanishing Culture series, highlighting the power and importance of preservation in our digital age.

In Herbert Clyde Lewis’s novel Gentleman Overboard, Preston Standish slips on a spot of grease while strolling early one morning on deck of a freighter bound for Panama and falls into the Pacific Ocean. No one notices his absence for hours, by which point any hope of rescue is lost. “Listen to me! Somebody please listen!” he cries. “But of course, nobody was there to listen,” Lewis writes, “and Standish considered the lack of an audience the meanest trick of all.”

There’s only one way to succeed as a writer: be read. A lucky few will continue to be read long after their death, earning lasting status as major or minor figures in the literary history of their time. Most, however, will be forgotten—many for good reasons, perhaps. Others, however, are forgotten due to nothing more than bad luck. Mistiming. Poor marketing. The lack of a champion. A prickly personality. Illness. Old age. War. Politics. Whatever the reason, fate often plays mean tricks on writers by taking away their audience.

Brad Bigelow, author and editor

But the same fate plays a mean trick on us as readers, too. Much of how literature is studied and taught rests on the assumption that classics are classics because they represent the best work of their time. And on the corollary that the texts that have been forgotten deserved it. After decades of searching for and celebrating the work of neglected writers, I know that neither is true.

There’s a fine line that separates the writers whose works win a place in the literary canon and the many others whose don’t, and it’s a line drawn by chance, not by the critical evaluation of any judge or jury. The difference rarely has anything to do with literary merit. Sadly, talent often matters less than connections, opportunities, good fortune, or unlucky accidents. But to discover this truth, one must look beyond literature’s well-traveled paths and discover the riches to be found in the vast landscape of forgotten books.

The Internet Archive plays an essential role in this process—indeed, it’s revolutionized our ability to discover works that have been forgotten. Let me illustrate by contrasting two books I’m currently working to bring back to print.

The first is a 1939 novel by Gertrude Trevelyan called Trance by Appointment. I learned of Trevelyan in 2018 when I read her first novel, Appius and Virginia. At the time, there were at least a dozen used copies of the book available for sale online. Within a week or so of looking for the book and at the cost of under $20, I was able to have a copy in hand. I found the book so striking in style and substance that I sought out the rest of Trevelyan’s oeuvre, eight novels in total. Although most were extremely scarce and expensive, I was able to purchase them. There were no copies, though, of her last novel, Trance by Appointment. In fact, the only copies in existence were those in the four registry libraries supporting British copyright law of the time. I was only able to read the book by traveling to London, getting a reader’s card from the British Library, and sitting with the library’s sole copy at a table in the Rare Books room. From the condition of that copy, it was apparent that no one had ever opened it since it was added to the collection. Obtaining a copy of the book for the purpose of reissuing it was even more problematic.

A few years later, I stumbled across a review of a 1940 novel by Sarah Campion titled Makeshift. Intrigued, I went looking for a used copy. There were none. Like Trance by Appointment, virtually the only library copies were in the British registry libraries. No longer living a train ride away from London, I was about to give up hope until I checked the Internet Archive. And lo, there was not only a copy of Makeshift but copies of other equally rare novels by Campion. I used the archive’s borrowing capabilities and quickly read Makeshift, gripped by its uniquely caustic narrator and her story of being caught up in the diaspora of Jews from Hitler’s Germany in the 1930s. With a little research, I was able to locate Campion’s son (her real name was Mary Coulton Alpers) and obtain permission to reissue the book as part of the Recovered Books series for Boiler House Press.

Trance by Appointment will be reissued in 2025 by from Boiler House Press (UK).

Both Trance by Appointment and Makeshift will be reissued in 2025, but the simple difference in the level of effort involved in getting access to the two books demonstrates the extraordinary value of the Internet Archive. It has, for essentially the first time in mankind’s history, made a library of material of incredible depth and richness available to the billions of people worldwide for whom Internet access has become a basic part of their lives.

The Internet Archive transforms our understanding of literature. Literature is not just the classics. I like to use the analogy of a landscape. Today, the fastest route between two places usually involves driving on some freeway—which in much of the American West is practically a straight line. But there’s so much to be seen if you get off the freeway, if you follow the two-lane roads that wind around a little more, that take you through the smaller towns, that show you features of the landscape that nobody taking the freeway ever knows about. And even more if you get out of the car and hike any of the thousands of trails that lead into the wilderness. The landscape is not just that strip you see as you rush along the freeway—in fact, most of our landscape is what you can’t see from the freeway.

And literature is like that. The canon of well-known classics, the books one can find in just about every library and bookstore, the books most commonly studied and written about, is like the freeway system of literature. These works have, until recently, been our most accessible and most heavily traveled routes through our literary landscape. With the creation of the Internet Archive and the steady incorporation of material into its collection, a huge amount of our literary landscape—by now a large share of the published material from the seventeenth century on—is just a few clicks away from over half the people in the world. I look forward to seeing many amazing forgotten books and writers get rediscovered and celebrated anew as more readers come to realize that so much of the literature that has historically been remote and inaccessible can now be found just steps from their front doors.

About the author

Brad Bigelow edits NeglectedBooks.com and the Recovered Books series from Boiler House Press (UK). He is the author of the forthcoming Virginia Faulkner: A Life in Two Acts from the University of Nebraska Press.

Vanishing Culture: Preserving African Folktales

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The following interview with African folklore scholars Laura Gibbs and Helen Nde is part of our Vanishing Culture series, highlighting the power and importance of preservation in our digital age.

Selections from Laura Gibbs’ “A Reader’s Guide to African Folktales at the Internet Archive“

Crafting and sharing folktales by word or performance is a long-standing tradition on the African continent. No one owned the stories. They were community treasures passed down through the generations.

Over time, many disappeared. The few stories that were written down enjoyed a broader audience once published. As those books were harder to find or out of print, digitized versions kept some folktales alive.

Laura Gibbs and Helen Nde are among researchers of African folktales who rely on digital collections to do their work. They maintain that digital preservation is essential for these rare cultural artifacts to remain accessible to the public.

Much of the transmission of African stories through performance has been lost. “That’s a culture that has either completely vanished or is vanishing,” said Nde, who immigrated from Cameroon to the United States.

Helen Nde, author & African folklore scholar

In her forthcoming book on African folklore by Watkins Publishing (March 2025), Nde said 70% of her references were from sources she found through the Internet Archive. The Atlanta-based folklorist uses material either in the public domain or available through controlled digital lending (CDL) for her research. She also turns to the online collection to inform writing for her educational platform, Mythological Africans.

Many books produced on the African continent by smaller publishing houses are now out of print or very expensive. Nde said without access to a library that carries these folktales, they can be forgotten.

“What’s tragic is that quite often those books that are so hard to get are the books that are written by people from within the culture, or African scholars,” Nde said. “They speak the languages and in some cases, remember the traditional ways the stories are told. They understand the stories in ways that people from outside the cultures cannot.”

“I cannot emphasize enough how important it is that these [African folklore] texts be not only preserved, but made accessible. With the recent ruling in the publishers’ lawsuit, I fear researchers, journalists, writers and other people on or from the African continent who investigate and curate knowledge for the public have lost a valuable tool for countering false narratives.”

Helen Nde, author

These authors can fill in gaps from researchers with a different perspective than those who documented the stories from outside, she said, adding that’s why digital preservation is so important. While many African folklore texts are in the public domain in the United States, much of the anthropological and historical texts with commentary from both African and non-African scholars that provide the necessary context for these folktales are not, Nde said. “In many instances, these important auxiliary texts are out of print, which means access via the Internet Archive is the best way scholars not located in the West might ever be able to access them,” Nde said. “I cannot emphasize enough how important it is that these texts be not only preserved, but made accessible. With the recent ruling in the publishers’ lawsuit, I fear researchers, journalists, writers and other people on or from the African continent who investigate and curate knowledge for the public have lost a valuable tool for countering false narratives.”

For Gibbs, online access to digitized books is critical to the volunteer work she does since retiring from teaching mythology and folklore at the University of Oklahoma. She compiled A Reader’s Guide to African Folktales at the Internet Archive, a curated bibliography of hundreds of folktale books that she has shared with the public through the Internet Archive.

Laura Gibbs, author & African folklore scholar, showing a book she owns that is no longer available on archive.org.

“For me doing my work, the Internet Archive is my library,” said Gibbs, who lives in Austin, Texas. “There are books at the Internet Archive that I can’t get at my local library or even in my local university library.  Some of these books are really obscure. There just physically aren’t that many copies out there.”

Being able to check out one digital title at a time through controlled digital lending opened up new possibilities. In her research, she can use the search function with the title of a book, name of an illustrator or some other kind of detail. Now in her digital research, she can use the search function to perform work that she couldn’t do with physical books, such as keyword searches, with speed and precision. The collection also has been helpful in her recent project at Wikipedia to fill in information on African oral literature, such as proverbs and folktales.

“Digital preservation is not only preservation, it’s also transformation. Because when things have been digitized, you can share them in different ways, explore them in different ways, connect them in different ways,” Gibbs said. “So, I connect different versions of the stories to one another, and then I can help readers connect to all those different versions of the stories. But now, because of the publishers’ lawsuit, many important African folktale collections and reference works are no longer available for borrowing at the Archive.”

What would it mean to lose digital access to these folktales?  “It would be the end of my work,” said Gibbs. “My whole goal is to make the African folktales at the Archive more accessible to readers around the world by providing bibliographies, indexes, and summaries of the stories. But now the publishers are shutting down that public access.” 

“The stories were embodied in the traditional storytellers and in their communities, and the continuity of that tradition over time has been so disrupted,” Gibbs said. “The loss is just staggering. The stories that were recorded are just a tiny fraction of the thousands of stories in the hundreds of different African languages…We can’t afford to let this kind of loss happen again in the digital world.”

Gibbs adds that just as museums are repatriating artifacts from colonized countries, the original stories of African countries need to be made available to their communities. “Digital libraries like the Internet Archive are a crucial way to make these stories available to African readers.”

Preservation of African folklore is not just important for research purposes, but also for self-exploration and reflection. When examining African folklore, Nde often asks: “What can these stories tell me about myself?” she said. “Speaking from my own experience, African folktales are an underexplored resource for understanding the cultural history of African peoples,” Nde said. “Mythology and folklore are how people make sense of themselves as people on this planet.”

Internet Archive Responds to Appellate Opinion in Hachette v. Internet Archive

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We are disappointed in today’s opinion about the Internet Archive’s digital lending of books that are available electronically elsewhere. We are reviewing the court’s opinion and will continue to defend the rights of libraries to own, lend, and preserve books. 

Take Action
Sign the open letter to publishers, asking them to restore access to the 500,000 books removed from our library: https://change.org/LetReadersRead

You can read the opinion here.

Editorial note: updated 9/5/24 to include link to appellate opinion.

Seeking Authors & Books to Feature in Our Book Talk Series with Authors Alliance

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AUTHORS & PUBLISHERS: We are looking for books (both new & classic titles) to feature in our popular book talk series.

Starting in 2023, Authors Alliance and Internet Archive have partnered on a series of virtual book talks highlighting issues of importance to the library and information communities. Last year, more than 2,000 people attended our virtual and in-person talks. You can watch those talks now at https://archive.org/details/booktalks.

Themes

We are particularly interested in highlighting books that touch on one (or more!) of the following themes:

  1. Libraries & Literacy
  2. Book Culture & the History of the Book
  3. Internet Policy
  4. Copyright & Intellectual Property Rights
  5. Artificial Intelligence & its impact
  6. Computing & Internet History
  7. Supporting Democracies

Contact

If you are an author or publisher with a book (either new or backlist) that would be a good fit for our series, please reach out to Chris Freeland, director of library services, at [email protected] today!

LISTEN: The End of Libraries as We Know Them?

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Why Is This Happening? The Chris Hayes Podcast "We're now having the judiciary starting to judge against libraries in ways that we haven't seen in 100 years." - Brewster Kahle

The publishers’ lawsuit against our library is featured in the latest episode of “Why Is This Happening? The Chris Hayes Podcast.”

Listen in as Brewster Kahle, Internet Archive’s digital librarian, talks with Chris Hayes about the future of libraries, and what the publishers’ lawsuit means for libraries & their patrons in the digital age. Chris & Brewster are joined by librarian and lawyer, Kyle K. Courtney.

Streaming now on Apple Podcasts, Spotify, & TuneIn.