A fantasy exhibition of wild imagination
MEREDITH HINCHLIFFE reviews the 2024 Objects in Motion exhibition at the Tuggeranong Arts Centre.
Craft
KERRY-ANNE COUSINS reviews Making a Creative Life, an exhibition of work by Hiroe and Cornel Swen that acknowledges both these creative artists and offers an affectionate tribute to their long productive partnership.
"While large tapestries are commissioned for buildings in the ACT, we don’t often have the opportunity to view works in a large group such as this," writes craft reviewer MEREDITH HINCHLIFFE
MEREDITH HINCHLIFFE reviews 2024 Robert Foster Metal Prize exhibition.
Craft
Queanbeyan artist wins $10,000 metal prize
Queanbeyan artist Larah Nott has been awarded the Robert Foster Metal Prize, winning $10,000.
Craft
Quilts set to poetry of the lakes
MEREDITH HINCHLIFFE reviews 2024 Poetry of the Lakes, a quilt exhibition by Dianne Firth at Belco Arts until December 1.
Craft
Festival’s aims to be a ‘joyful celebration of upcycling’
"As the buzz of excitement increases in volume at Craft + Design Canberra in the lead-up to its 10th Craft + Design Canberra Festival, there’s an even louder sound emitting from its headquarters – exultation," writes HELEN MUSA.
A gift made to King Charles during the recent royal visit on behalf of the Royal Australian Armoured Corps, puts paid once and for all to the monarch’s father’s notorious quip that Canberra was "a city without a soul”, writes HELEN MUSA.
MEREDITH HINCHLIFFE reviews The Places we Inhabit: Vessels from the Villages, an exhibition at Canberra Potters Gallery, Watson.
Retiring principal of the Bungendore Woodworks David Mac Laren is known as a formidable personality in the arts, with interests that spread well beyond wood. Arts editor HELEN MUSA explains why.
"Experienced artists exhibit with those who have recently graduated and it is always interesting to see the work of newly minted graduates." MEREDITH HINCHLIFFE reviews Craft + Design Canberra's annual members' exhibition.
At a champagne “changing-of-the-guard” ceremony held in Bungendore Woodworks’ Octagon Gallery on Saturday, retiring artistic director David MacLaren announced his successor.
MEREDITH HINCHLIFFE reviews the Longing and Belonging craft exhibition at Tuggeranong Arts Centre.
MEREDITH HINCHLIFFE reviews Tidal Threads a glass exhibition by Benjamin Edols and Kathy Elliott.
MEREDITH HINCHLIFFE reviews Materiality – but not as we know it, a major craft exhibition at Canberra Museum and Gallery, until October 20.
"Cobi Cockburn uses coloured light as a medium, much as she uses glass as a medium." writes MEREDITH HINCHLIFFE in her review of an exhibition at the Canberra Glassworks.
"Briceño is interested in the cultures of her birth country, while living and working in Australia. She brings us a new way of looking at clothing," says craft reviewer MEREDITH HINCHLIFFE of an exhibition by Peruvian artist Ximena Briceño.
In this retrospective exhibition, audiences are given little tasters of Nancy Tingey's work since 1963, including the pleasure of being able to leaf through her diaries, workbooks, albums and journals since this time.
MEREDITH HINCHLIFFE reviews an exhibition of studio glass by South Australian artist Nicole Ayliffe.
![Nestled in the heart of Narrabundah, a Christmas shop has turned its lights on for business, however there’s more than meets the eye behind the tinsel and baubles.
@reindeersretreat is a social enterprise that provides employment to domestic violence survivors as well as for people with intellectual and physical disabilities.
“We’re not a charity by any means,” says owner Adele Bullock.
“They earn every dollar, there’s no free passes here.
“We want this to be a safe space where [the employees] can engage safely, grow and learn safely.”
All funds raised go directly into the education, support, opportunities and experiences for vulnerable people.
To read on about this Christmas miracle, visit our website at citynews.com.au or tap the link in our bio! 🎅🎄💕
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