File:2nd Lieutenant H. R. H. Beauchamp photograph (1920).jpg
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Summary
[edit]Description2nd Lieutenant H. R. H. Beauchamp photograph (1920).jpg |
English: Photograph of 2nd Lieutenant Herbert Rolf Houltain Beauchamp (1920), Great War medal recipient from New Zealand.
Archives New Zealand Reference: AALZ 25044 5 / F1846 67 Part of a series of photographs obtained by the New Zealand National Museum provided by families of New Zealanders who had received a medal during the Great War. |
Date | |
Source | https://ndhadeliver.natlib.govt.nz/delivery/DeliveryManagerServlet?dps_pid=IE20639871 |
Author | Archives New Zealand |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 03:10, 23 April 2020 | 900 × 1,354 (181 KB) | HMitch17 (talk | contribs) | Uploaded a work by Archives New Zealand from https://ndhadeliver.natlib.govt.nz/delivery/DeliveryManagerServlet?dps_pid=IE20639871 with UploadWizard |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
JPEG file comment | Digitization equipment:
Copy Lighting Unit: Kaiser RB 5055 HF (AC 230V, 50Hz; 4 x fluorescent lamps of 55W each; colour temperature: 5400 K) Camera sensor: Phase One IQ180 Camera body: Phase One 645 DF Lens: Schneider Kreuznach LS 80mm f/2.8 Capture software: Capture One DB 7.2.1 (64 bit). Digitization notes: Captured in RAW and output as TIFF in Capture One. Capture was flat-fielded to correct for light falloff and lens distortion. No sharpening was applied at either the lens correction stage or in post-production. A Film Standard gamma curve was applied to the RAW image before output. A minority of items were shot under preservation-quality photographic glass due to lack of flatness. These were batched separately to allow for accurate colour correction. Colour accuracy was achieved by shooting an X-Rite Colour Checker Classic as a reference target at the start of each batch. White balance was set via the Neutral 8 square (the second-lightest grey patch, with RGB values of 200), and all conditions and settings were kept consistent to this reference shot for each batch. All RGB values in the Preservation Master are therefore accurate within the Adobe RGB (1998) colour space. Before shooting, testing was done to establish the lens and aperture that would produce the sharpest results. The Schneider Kreuznach LS 80mm f/2.8 produced better results than the Mamiya 645 Macro MF 1200mm 1:4. Some items had significant amounts of cardboard adhered to the surface of the photograph at the edges; for public viewing a cropped Modified Master was created. |
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