File:Epicteti Enchiridion Latinis versibus adumbratum (Oxford 1715) frontispiece.jpg
Original file (1,996 × 3,530 pixels, file size: 2.47 MB, MIME type: image/jpeg)
Captions
Summary
[edit]Artist |
artist QS:P170,Q18811422
artist QS:P170,Q6828935 |
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Author |
Frontispiece drawn by “Sonnem.” (?, left bottom corner) and engraved by “MB” (bottom right corner). The artist is likely William Sonmans (Sunman). The engraver is Michael Burghers. (Burghers engraved other portraits by Sonmans in this period). Image scanned by the John Adams Library at the Boston Public Library. Image slightly improved by Aristeas. |
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Description |
English: Imaginary portrait of Epictetus. Engraved frontispiece of Edward Ivie’s Latin translation (or versification) of Epictetus’ Enchiridon, printed in Oxford in 1715. Original title of the book: “Epicteti Enchiridion Latinis versibus adumbratum. Per Eduardum Ivie A. M. Ædis Christi Alumn. […] Oxoniæ, Theatro Sheldoniano, MDCCXV. […]”
The subscription is an epigram from the Anthologia Palatina (VII 676) and reads:
Deutsch: Phantasieporträt Epiktets. Radierung als Frontispiz zu Edward Ivies lateinischer Übersetzung (bzw. Versifikation) von Epiktets Enchiridon, erschienen Oxford 1715. Originaltitel des Buches: „Epicteti Enchiridion Latinis versibus adumbratum. Per Eduardum Ivie A. M. Ædis Christi Alumn. […] Oxoniæ, Theatro Sheldoniano, MDCCXV. […]“ Das als Bildunterschrift dienende griechische Epigramm stammt aus der Anthologia Palatina (VII 676) und lautet übersetzt in etwa: „Ich war der Sklave Epiktet, mit verkrüppeltem Körper, ein Iros wegen meiner Armut und der Unsterblichen Freund.“ (Iros ist der Bettler in der Odyssee.) |
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Date |
1715 date QS:P571,+1715-00-00T00:00:00Z/9 |
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Source/Photographer | https://archive.org/details/epictetienchirid00epic | ||||||||||||||||||||||||||||||||||||||||||||
Other versions |
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Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
File history
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current | 10:42, 25 January 2010 | 1,996 × 3,530 (2.47 MB) | Aristeas (talk | contribs) | {{Information |Description={{en|1=Imaginary portrait of Epictetus. Engraved frontispiece of Edward Ivie’s Latin translation (or versification) of Epictetus’ ''Enchiridon'', printed in Oxford in 1751.}} |Source=http:/ |
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- User:Aristeas/Galleries/Transferred images
- File:A verdade triunfa por sí mesma, a mentira necessita sempre de cumplices. Epiteto da Frígia, ca. 55-ca.135.svg
- File:Epicteti Enchiridion Latinis versibus adumbratum (Oxford 1715) frontispiece.jpg
- File:Epicteti Enchiridion Latinis versibus adumbratum (Oxford 1715) frontispiece (cropped).jpg
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Orientation | Normal |
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Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Software used | Adobe Photoshop CS Macintosh |
File change date and time | 11:29, 25 January 2010 |
Color space | sRGB |