default search action
Google
Google Scholar
Semantic Scholar
Internet Archive Scholar
CiteSeerX
ORCID40th ICMC 2014: Athens, Greece
- Music Technology meets Philosophy - From Digital Echos to Virtual Ethos: Joint Proceedings of the 40th International Computer Music Conference, ICMC 2014, and the 11th Sound and Music Computing Conference, SMC 2014, Athens, Greece, September 14-20, 2014. Michigan Publishing 2014
- Gérard Assayag:
Creative Symbolic Interaction. - John Chowning:
Mathews' Diagram and Euclid's Line: Fifty Years Ago. - Peter Nelson:
What Is Sound? - Jean-Claude Risset:
Sound and Music Computing Meets Philosophy. - Curtis Roads:
Rhythmic Processes in Electronic Music. - Clarence Barlow:
Chorale Synthesis by the Multidimensional Scaling of Pitches. - Cort Lippe:
Musings on the Status of Electronic Music Today. - Alan Marsden:
Echoes in Plato's Cave: Ontology of Sound Objects in Computer Music and Analysis. - Agostino Di Scipio:
The place and meaning of computing in a sound relationship of man, machines, and environment. - Makis Solomos:
Xenakis's Philosophy of Technology Through Some Interviews. - Georgia Spiropoulos:
Real-Time Composition of Sound Environments. - George Tzanetakis:
Computational ethnomusicology: a music information retrieval perspective. - Panayiotis Kokoras:
Auditory Fusion and Holophonic Musical Texture in Xenakis's Pithoprakta. - Ivan Zavada:
Chronotope: the mutual dependency of time and space in visual music. - Dariusz Jackowski, Francho Melendez, Andrzej Bauer, Pawel Hendrich, Cezary Duchnowski:
Computer Game Piece: Exploring Video Games as Means for Controlled Improvisation. - José L. Besada:
Computer, Formalisms, Intuition and Metaphors. A Xenakian and Post-Xenakian Approach. - Jeremy C. Baguyos:
Contemporary Practices in the Performance and Sustainability of Computer Music Repertoire. - François-Xavier Féron:
Could the endless progressions in James Tenney's music be viewed as sonic koans? - Kostas Paparrigopoulos:
Creativity Through Technology And Science In Xenakis. - Richard Hoadley:
December Variations (on a Theme by Earle Brown). - Jessica Aslan:
Degrees of Interpretation in Computer Aided Algorithmic Composition. - Bridget Johnson, Michael Norris, Ajay Kapur:
Diffusing Diffusion: A History of the Technological Advances in Spatial Performance. - Alexander Dupuis, Carlos Domínguez:
Digitally Extending the Optical Soundtrack. - Jonathan Weinel, Darryl Griffiths, Stuart Cunningham:
Easter Eggs: Hidden Tracks and Messages in Musical Mediums. - Danielle Sofer:
Eroticism and Time in Computer Music: Juliana Hodkinson and Niels Rønsholdt's Fish & Fowl. - Michael Musick:
Examining the Analysis of Dynamical Sonic Ecosystems: in Light of a Criterion for Evaluating Theories. - Tone Åse:
Expanding the Vocalist's Role Through the Use of Live Electronics in Real-Time Improvisation. - Oliver Hödl
, Geraldine Fitzpatrick, Simon Holland:
Experimence: Considerations for Composing a Rock Song for Interactive Audience Participation. - Lindsay Vickery:
Exploring a Visual/Sonic Representational Continuum. - Raphaël Marczak, Pierre Hanna, Jean-Luc Rouas, Jasper van Vught, Gareth Schott:
From Automatic Sound Analysis of Gameplay Footage [Echos] to the Understanding of Player Experience [Ethos]: an Interdisciplinary Approach to Feedback- Based Gameplay Metrics. - George Kosteletos, Anastasia Georgaki:
From Digital 'Echos' to virtual 'ethos': Ethical aspects of Music Technology. - Michael Clarke, Frédéric Dufeu, Peter D. Manning:
From Technological Investigation and Software Emulation to Music Analysis: An integrated approach to Barry Truax's Riverrun. - Maddalena Murari, Antonio Rodà, Osvaldo Da Pos, Sergio Canazza, Giovanni De Poli, Marta Sandri:
How blue is Mozart? Non verbal sensory scales for describing music qualities. - Alberto de Campo:
Lose control, gain influence - Concepts for Metacontrol. - Emery Schubert, Giovanni De Poli, Antonio Rodà, Sergio Canazza:
Music Systemisers and Music Empathisers - Do they rate expressiveness of computer generated performances the same? - Ivica Ico Bukvic, Cody Cahoon, Ariana Wyatt, Tracy Cowden, Katie Dredger:
OPERAcraft: Blurring the Lines between Real and Virtual. - Apostolos Loufopoulos, Georgios P. Heliades, Minas Emmanouil, Fanis Matagkos:
Realism, Art, Technology and Audiovisual Immersion into the Environment of the Ionian Islands. - Ryan Maguire:
The Ghost in the MP3. - David Hirst:
The Use of Rhythmograms in the Analysis of Electroacoustic Music, with Application to Normandeau's Onomatopoeias Cycle. - Michael Musick, Tae Hong Park:
Timbral Hauntings: An Interactive System Re-Interpreting the Present in Echoes of the Past. - Marko Ciciliani:
Towards an Aesthetic of Electronic-Music Performance Practice. - Alexis Story Crawshaw:
Towards Defining the Potential of Electroacoustic Infrasonic Music. - Georgios N. Marentakis, David Pirrò, Raphael Kapeller:
Zwischenräume - A Case Study in the Evaluation of Interactive Sound Installations. - Niklas Klügel, Andreas Lindström, Georg Groh:
A Genetic Algorithm Approach to Collaborative Music Creation on a Multi-Touch Table. - Matt McVicar, Satoru Fukayama, Masataka Goto:
AutoRhythmGuitar: Computer-aided Composition for Rhythm Guitar in the Tab Space. - Ian Whalley:
Broadening Telematic Electroacoustic Music by Affective Rendering and Embodied Real-time Data Sonification. - Andrea Agostini, Éric Daubresse, Daniele Ghisi:
cage: a high-level library for real-time computer-aided composition. - Georgia Kalodiki:
Interactive Performance Systems Conceptual interacting strategies in forming electroacoustic sound identities. - Gilberto Bernardes, Matthew E. P. Davies, Carlos Guedes, Bruce W. Pennycook:
Considering Roughness to Describe and Generate Vertical Musical Structure in Content-Based Algorithmic-Assisted Audio Composition. - Jakob Leben, George Tzanetakis:
Declarative Composition and Reactive Control in Marsyas. - Jason Cullimore, Howard Hamilton, David Gerhard:
Directed Transitional Composition for Gaming and Adaptive Music Using Q-Learning. - Dalia El-Shimy, Steve Cowan, Jeremy R. Cooperstock:
EmbodiComp: Embodied Interaction for Mixing and Composition. - Luke Keunhyoung Kim, Woon Seung Yeo:
Griddy: a Drawing Based Music Composition System with Multi-layered Structure. - Rodrigo F. Cádiz, Patricio de la Cuadra:
Kara: a BCI approach to composition. - David Johnson, Bill Z. Manaris, Yiorgos Vassilandonakis, Seth Stoudenmier:
Kuatro: A Motion-Based Framework for Interactive Music Installations. - André V. Perrotta, Flo Menezes, Luis Gustavo Martins:
Modelling the live-electronics in electroacoustic music using particle systems. - Amalia de Götzen, Nicola Bernardini, Alvise Vidolin:
Musical perspectives on composition, sonification and performace. - Stefano Alessandretti, Giovanni Sparano:
NEYMA, interactive soundscape composition based on a low budget motion capture system. - Jérémie Garcia, Philippe Leroux, Jean Bresson:
pOM: Linking Pen Gestures to Computer-Aided Composition Processes. - Ge Wang:
Principles of Visual Design for Computer Music. - Tiago Fernandes Tavares, Jônatas Manzolli:
Query-by-Multiple-Examples: Content-Based Search in Computer-Assisted Sound-Based Musical Composition. - Daichi Ando:
Real-time Breeding Composition System by means of Genetic Programming and Breeding Procedure. - Adriano Baratè, Goffredo Haus, Luca A. Ludovico:
Real-time Music Composition through P-timed Petri Nets. - Panayiotis Kokoras:
Sense: an electroacoustic composition for surround sound and tactile transducers. - Charles Nichols, Mark Lorang, Mark Gibbons, Nicole Bradley Browning, Amber Bushnell:
Sound of Rivers: Stone Drum: a Multimedia Collaboration, with Sonified Data, Computer-Processed Narration, and Electric Violin. - Maximos A. Kaliakatsos-Papakostas, Andreas Floros, Konstantinos Drossos, Konstantinos Koukoudis, Manolis Kyzalas, Achilleas Kalantzis:
Swarm Lake: A Game of Swarm Intelligence, Human Interaction and Collaborative Music Composition. - Georgios Diapoulis, Ioannis Zannos:
Tangibility and Low-Level Live Coding. - Theodoros Lotis:
The Creation and Projection of Space-Source in Electroacoustic Music. - Robert Hamilton:
The Procedural Sounds and Music of ECHO: : Canyon. - Pete Furniss, Richard Dudas:
Transcription, Adaptation and Maintenance in Live Electronic Performance with Acoustic Instruments. - Christopher Jette, Kelland Thomas, Javier Villegas, Angus Graeme Forbes:
Translation as Technique: Collaboratively Creating an Electro-Acoustic Composition for Saxophone and Live Video Projection. - Luiz Naveda, Ivani Santana:
"Topos" toolkit for Pure Data: exploring the spatial features of dance gestures for interactive musical applications. - Andrew Robertson:
Bassline Pitch Prediction for Real-Time Performance Systems. - Andrew John Lambert, Tillman Weyde, Newton Armstrong:
Beyond the Beat: Towards Metre, Rhythm and Melody Modelling with Hybrid Oscillator Networks. - Tae Hong Park, Michael Musick, Johnathan Turner, Charlie Mydlarz, Jun Hee Lee, Jaeseong You, R. Luke DuBois:
Citygram One: One Year Later ... - Cécile Le Prado, Stéphane Natkin:
Design process for interactive sound installations: the designer, the interactor and the system. - Winfried Ritsch:
ICE - towards distributed networked computermusic ensemble. - Davi Mota, Mauricio Alves Loureiro, Rafael Laboissière:
Influence of Expressive Coupling in Ensemble Performance on Musicians' Body Movement. - Nathan Bowen, David Reeder:
Mobile Phones as Ubiquitous Instruments: Towards Standardizing Performance Data on the Network. - Steven T. Kemper, Wendy F. Hsu, Carey Sargent, Josef Taylor, Linda Wei:
Movable Party: A bicycle-powered system for interactive musical performance. - Philippe Kocher:
Polytempo Network: A System for Technology-Assisted Conducting. - Diogo Cocharro, George Sioros, Marcelo F. Caetano, Matthew E. P. Davies:
Real-time Manipulation of Syncopation in Audio Loops. - Gerhard Eckel, Martin Rumori:
StiffNeck: The Electroacoustic Music Performance Venue in a Box. - Joanne L. Armitage, Kia Ng:
Tactile Composition: Configurations and communications for a musical haptic chair. - Alyssa Aska:
The Black Swan: Probable and Improbable Communcation Over Local and Geographically Displaced Networked Connections as a Musical Performance System. - Rui Dias, Carlos Guedes, Telmo Marques:
A computer-mediated Interface for Jazz Piano Comping. - Thor Kell, Marcelo M. Wanderley:
A High-Level Review of Mappings in Musical iOS Applications. - Romain Michon, Julius O. Smith III:
A Hybrid Guitar Physical Model Controller: The BladeAxe. - Joel Eaton, Duncan Williams, Eduardo R. Miranda:
Affective Jukebox: A Confirmatory Study of EEG Emotional Correlates in Response to Musical Stimuli. - Sean Soraghan:
Animating Timbre - A User Study. - Jun-qi Deng, Francis Chi-Moon Lau, Yu-Kwong Kwok:
ArmKeyBoard: A Mobile Keyboard Instrument Based on Chord-scale System and Tonal Hierarchy. - Thomas Coffy, Arshia Cont, Jean-Louis Giavitto:
AscoGraph: A User Interface for Sequencing and Score Following for Interactive Music. - Annie Luciani:
Being There & Being With: The Philosophical and Cognitive Notions of Presence and Embodiment in Virtual Instruments. - Tzu-En Ngiao:
Building a Gamelan from Bricks. - Leontios J. Hadjileontiadis:
Conceptual Blending in Biomusic Composition Space: The "Brainswarm" Paradigm. - Jan C. Schacher:
Corporeality, Actions and Perceptions in Gestural Performance of Digital Music. - Takayuki Hamano, Hidefumi Ohmura, Ryu Nakagawa, Hiroko Terasawa, Reiko Hoshi-Shiba, Kazuo Okanoya, Kiyoshi Furukawa:
Creating a Place as a Medium for Musical Communication Using Multiple Electroencephalography. - Caspar Mølholt Kjellberg, David Meredith:
CriticalEd: A Tool for Assisting with the Creation of Critical Commentaries. - Lamtharn Hantrakul, Konrad Kaczmarek:
Implementations of the Leap Motion in sound synthesis, effects modulation and assistive performance tools. - Yuri De Pra, Federico Fontana, Linmi Tao:
Infrared vs. Ultrasonic Finger Detection on a Virtual Piano Keyboard. - Martin Ritter, Alyssa Aska:
Leap Motion As Expressive Gestural Interface. - Jim W. Murphy, Dale A. Carnegie, Ajay Kapur:
Little Drummer Bot: Building, Testing, and InterfacingWith a New Expressive Mechatronic Drum System. - Israel Neuman, Charles Okpala, Cesar E. Bonezzi:
Mapping Motion to Timbre: Orientation, FM Synthesis and Spectral Filtering. - Jim W. Murphy, Ajay Kapur, Dale A. Carnegie:
Mechatronic Keyboard Music: Design, Evaluation, and Use of a New Mechatronic Harmonium. - Spencer Salazar, Ge Wang:
miniAudicle for iPad: Touchscreen-based Music Software Programming. - Alex Migicovsky, Jonah Scheinerman, Georg Essl:
MoveOSC - Smart Watches in Mobile Music Performance. - Gwendal Le Vaillant, Rudi Giot:
Multi-touch Interface for Acousmatic Music Spatialization. - Mo H. Zareei, Dale A. Carnegie, Ajay Kapur, Dugal McKinnon:
Mutor: Drone Chorus of Metrically Muted Motors. - Blake Johnston, Josh Bailey, Dugal McKinnon:
NICO: An Open-Source Interface, Bridging the Gap Between Musician and Tesla Coil. - N. J. van Nispen tot Pannerden:
NLN-live, an application for live nonlinear and interactive instrumental music. - Yuan-Yi Fan:
Organic Oscillator: Experiments using Natural Oscillation Sources from Audiences. - Zacharias Vamvakousis, Rafael Ramírez:
P300 Harmonies: A Brain-Computer Musical Interface. - Roger B. Dannenberg, Thomas P. Neuendorffer:
Scaling Up Live Internet Performance with The Global Net Orchestra. - Alberto Boem:
SCULPTON: A Malleable Tangible Interface for Sound Sculpting. - Antonio Deusany de Carvalho Junior:
Sensors2PD: Mobile sensors and WiFi information as input for Pure Data. - Avneesh Sarwate, Jeff Snyder:
SkipStep: A Multi-Paradigm Touch-screen Instrument. - Claude Cadoz, Annie Luciani, Jérôme Villeneuve, Alexandros Kontogeorgakopoulos, Iannis Zannos:
Tangibility, Presence, Materiality, Reality in Artistic Creation with Digital Technology. - Kevin Schlei:
TC-Data: Extending Multi-Touch Interfaces for Generalized Relational Control. - Joe Cantrell, Colin Zyskowski, Drew Ceccato:
The Breath Engine: Challenging Biological and Technological Boundaries through the Use of NK Complex Adaptive Systems. - Marco Marinoni:
The feature extraction based hypersampler in Il grifo nelle perle nere: a bridge between player and instrument paradigm. - Edward Jangwon Lee, Woon Seung Yeo:
Towards Touch Screen Live Instruments with Less Risk: A Gestural Approach. - Edward Kingsley Rutter, Tom Mitchell, Chris Nash:
Turnector: Tangible ControlWidgets For Capacitive Touchscreen Devices. - Keita Tsuzuki, Tomoyasu Nakano, Masataka Goto, Takeshi Yamada, Shoji Makino:
Unisoner: An Interactive Interface for Derivative Chorus Creation from Various Singing Voices on the Web. - Bridget Johnson, Michael Norris, Ajay Kapur:
tactile.motion: An iPad Based Performance Interface For Increased Expressivity In Diffusion Performance. - Martin Neukom:
Ambisonics User Defined Opcodes for Csound. - Stephen A. Pearse, David Moore:
An Agent Based Approach to Interaction and Composition. - Miguel Cerdeira Negrão:
ImmLib - A new library for immersive spatial composition. - David Wagner, Ludger Brümmer, Götz Dipper, Jochen Arne Otto:
Introducing the Zirkonium MK2 System for Spatial Composition. - Gerriet K. Sharma, Franz Zotter, Matthias Frank:
Orchestrating wall reflections in space by icosahedral loudspeaker: findings from first artistic research exploration. - Ignacio Pecino:
Spatial and Kinematic Models for Procedural Audio in 3D Virtual Environments. - Brian Hansen:
Spatial Utilization of Sensory Dissonance and the Creation of Sonic Sculpture. - Eric D. Lyon:
The Future of Spatial Computer Music. - Anne Sèdes, Pierre Guillot, Eliott Paris:
The HOA library, review and prospects. - Jan C. Schacher, Chikashi Miyama, Trond Lossius:
The SpatDIF library - Concepts and Practical Applications in Audio Software. - Fernando Lopez-Lezcano:
Towards Open 3D Sound Diffusion Systems. - John Mourjopoulos:
A Paradigm Shift for Modelling Sound Sensation. - Michael Schoeffler, Jürgen Herre:
About the Different Types of Listeners for Rating the Overall Listening Experience. - Alexander Sigman, Nicolas Misdariis:
ALARM/WILL/SOUND: Perception, Characterization, Acoustic Modeling, and Design of Modified Car Alarms. - Elena Partesotti, Tiago Fernandes Tavares:
Color and emotion caused by auditory stimuli. - Duncan Williams, Alexis Kirke, Eduardo R. Miranda, Ian Daly, Etienne B. Roesch, James Weaver, Slawomir J. Nasuto:
Evaluation Perceptual Separation in an Pilot System for Affective Composition. - Enrica Santucci, Luca A. Ludovico:
Human Perception of the Soundscape in a Metropolis through the Phenomenology of Neural Networks. - Malachy Ronan, Robert Sazdov, Nicholas Ward:
Loudness Normalisation: Paradigm Shift or Placebo for the Use of Hyper-Compression in Pop Music? - Bin Wu, Andrew Horner, Chung Lee:
Musical Timbre and Emotion: The Identification of Salient Timbral Features in Sustained Musical Instrument Tones Equalized in Attack Time and Spectral Centroid. - Kirill A. Sidorov, Robin Hawkins, Andrew Jones, A. David Marshall:
μTunes: A Study of Musicality Perception in an Evolutionary Context. - John Mourjopoulos, Charalambos Papadakos, Gavriil Kamaris, Georgios Chryssochoidis, Georgios Kouroupetoglou:
Optimal Acoustic Reverberation Evaluation of Byzantine Chanting in Churches. - Federico Fontana, Federico Avanzini, Hanna Järveläinen, Stefano Papetti, Francesco Zanini, Valerio Zanini:
Perception of Interactive Vibrotactile Cues on the Acoustic Grand and Upright Piano. - Emma Frid, Marcello Giordano, Marlon Schumacher, Marcelo M. Wanderley:
Perceptual Characterization of a Tactile Display for a Live-Electronics Notification System. - Li Su, Li-Fan Yu, Yi-Hsuan Yang, Hsin-Yu Lai:
Resolving Octave Ambiguities: A Cross-dataset Investigation. - Sonia Cenceschi, Giorgio Klauer:
Study of the Perceptual and Semantic Divergence of Digital Audio Processed by Restoration Algorithms. - Clément Poncelet Sanchez, Florent Jacquemard:
Test Methods for Score-Based Interactive Music Systems. - Chuck-jee Chau, Bin Wu, Andrew Horner:
Timbre Features and Music Emotion in Plucked String, Mallet Percussion, and Keyboard Tones. - Keiji Hirata, Satoshi Tojo, Masatoshi Hamanaka:
Algebraic Mozart by Tree Synthesis. - Zlatko Baracskai:
Algorithmic Cross-Mixing And Rhythmic Derangement. - Emilios Cambouropoulos, Maximos A. Kaliakatsos-Papakostas, Costas Tsougras:
An Idiom-independent Representation of Chords for Computational Music Analysis and Generation. - Sérgio Freire, Lucas Nézio, Anderson dos Reis:
Analysis of the Simultaneity, Voice/layer Balance, and Rhythmic Phrasing in Works for Guitar by Rodrigo, Brouwer, and Villa-Lobos. - Benjamin Luke Evans, Satoru Fukayama, Masataka Goto, Nagisa Munekata, Tetsuo Ono:
AutoChorusCreator: Four-Part Chorus Generator with Musical Feature Control, Using Search Spaces Constructed from Rules of Music Theory. - Bernd Härpfer:
Computing Musical Meter - an Approach to an Integrated Formal Description. - Ajay Srinivasamurthy, Gopala Krishna Koduri, Sankalp Gulati, Vignesh Ishwar, Xavier Serra:
Corpora for Music Information Research in Indian Art Music. - Aaron Einbond, Christopher Trapani, Andrea Agostini, Daniele Ghisi, Diemo Schwarz:
Fine-tuned Control of Concatenative Synthesis with CATART Using the BACH Library for MAX. - Niklas Klügel, Gerhard Hagerer, Georg Groh:
FugueGenerator - Collaborative Melody Composition Based on a Generative Approach for Conveying Emotion in Music. - Nadine Kroher, Emilia Gómez:
Improving accompanied Flamenco singing voice transcription by combining vocal detection and predominant melody extraction. - Tsubasa Tanaka, Kiyoshi Furukawa:
Interval Scale as Group Generators. - Sankalp Gulati, Joan Serrà, Kaustuv Kanti Ganguli, Xavier Serra:
Landmark Detection in Hindustani Music Melodies. - Marije A. J. Baalman, Till Bovermann, Alberto de Campo, Miguel Negrão:
Modality. - Hélianthe Caure, Carlos Agón, Moreno Andreatta:
Modulus p Rhythmic Tiling Canons and some implementations in Open Music visual programming language. - Maximos A. Kaliakatsos-Papakostas, Emilios Cambouropoulos:
Probabilistic harmonization with fixed intermediate chord constraints. - Christopher Trapani, José Echeveste:
Real Time Tempo Canons with Antescofo. - Dorien Herremans, Kenneth Sörensen, Darrell Conklin:
Sampling the extrema from statistical models of music with variable neighbourhood search. - Gianpaolo Evangelista:
Some perspectives in the artistic rendering of music scores. - Louis Bigo, Daniele Ghisi, Antoine Spicher, Moreno Andreatta:
Spatial Transformations in Simplicial Chord Spaces. - Emile Ellberger, Germán Toro Pérez, Johannes Schuett, Giorgio Zoia, Linda Cavaliero:
Spatialization Symbolic Music Notation at ICST. - Mattia Samory, Marcella Mandanici, Sergio Canazza, Enoch Peserico:
The Counterpoint Game: Rules, Constraints and Computational Spaces. - Raed Belhassen:
The notion of Ethos in Arabic music: computational modeling of Al-Urmawi's modes (13th Century) in Csound. - Kameron R. Christopher, Ajay Kapur, Dale A. Carnegie, Gina M. Grimshaw:
A History of Emerging Paradigms in EEG for Music. - Xiao Hu, Yi-Hsuan Yang:
A Study on Cross-cultural and Cross-dataset Generalizability of Music Mood Regression Models. - Hiroki Nishino:
An Experimental Classification of the Programming Patterns for Scheduling in Computer Music Programming. - Nadine Kroher, Emilia Gómez:
Automatic Singer Identification For Improvisational Styles Based On Vibrato, Timbre And Statistical Performance Descriptors. - Masaki Matsubara, Keiji Hirata, Satoshi Tojo:
Distance in Pitch Sensitive Time-span Tree. - Anders Elowsson, Ragnar Schön, Matts Höglund, Elias Zea, Anders Friberg:
Estimation of Vocal Duration in Monaural Mixtures. - Nikolaos Stefanakis, Yiannis Mastorakis, Athanasios Mouchtaris:
Instantaneous Detection and Classification of Impact Sound: Turning Simple Objects into Powerful Musical Control Interfaces. - Eita Nakamura, Nobutaka Ono, Yasuyuki Saito, Shigeki Sagayama:
Merged-Output Hidden Markov Model for Score Following of MIDI Performance with Ornaments, Desynchronized Voices, Repeats and Skips. - Kouhei Kanamori, Masatoshi Hamanaka, Junichi Hoshino:
Method to Detect GTTM Local Grouping Boundaries Based on Clustering and Statistical Learning. - Li Su, Yi-Hsuan Yang:
Power-Scaled Spectral Flux and Peak-Valley Group-Delay Methods for Robust Musical Onset Detection. - Tetsuro Kitahara, Yuichi Tsuchiya:
Short-term and Long-term Evaluations of Melody Editing Method based on Melodic Outline. - Andrea Salgian, Lawrence Agina, Teresa Marrin Nakra:
Teaching Robots to Conduct: Automatic Extraction of Conducting Information from Sheet Music. - Tae Hong Park, Jun Hee Lee, Jaeseong You, Min-Joon Yoo, Johnathan Turner:
Towards Soundscape Information Retrieval (SIR). - Andrew Rogers, Ian S. Gibson:
Transient Analysis for Music and Moving Images: Considerations for Television Advertising. - Wakana Nagata, Shinji Sako, Tadashi Kitamura:
Violin Fingering Estimation According to Skill Level based on Hidden Markov Model. - Michael Spicer:
A Multi-agent Interactive composing system for creating "expressive" accompaniment. - Ai Kanato, Tomoyasu Nakano, Masataka Goto, Hideaki Kikuchi:
An Automatic Singing Impression Estimation Method Using Factor Analysis and Multiple Regression. - Jakob Abeßer, Johannes Hasselhorn, Sascha Grollmisch, Christian Dittmar, Andreas Lehmann:
Automatic Competency Assessment of Rhythm Performances of Ninth-grade and Tenth-grade Pupils. - Gen Hori, Shigeki Sagayama:
HMM-Based Automatic Arrangement for Guitars with Transposition and its Implementation. - Gordan Krekovic, Davor Petrinovic:
Intelligent Exploration of Sound Spaces Using Decision Trees and Evolutionary Approach. - Kenta Okumura, Shinji Sako, Tadashi Kitamura:
Laminae: A stochastic modeling-based autonomous performance rendering system that elucidates performer characteristics. - Alexandre Donzé, Rafael Valle, Ilge Akkaya, Sophie Libkind, Sanjit A. Seshia, David Wessel:
Machine Improvisation with Formal Specifications. - Benjamin D. Smith, W. Scott Deal:
ML.* Machine Learning Library as a Musical Partner in the Computer-Acoustic Composition Flight. - Jérôme Nika, José Echeveste, Marc Chemillier, Jean-Louis Giavitto:
Planning Human-Computer Improvisation. - Shizuka Wada, Yasuo Horiuchi, Shingo Kuroiwa:
Tempo Prediction Model for Accompaniment System. - Esteban Maestre, Carlos Spa, Julius O. Smith III:
A Bowed String Physical Model Including Finite-Width Thermal Friction and Hair Dynamics. - Anderson Fraiha Machado, Marcelo Queiroz:
A flexible and modular crosslingual voice conversion system. - Juan José Burred:
A framework for music analysis/resynthesis based on matrix factorization. - Chih-Fang Huang, Wei-Gang Hong, Min-Hsuan Li:
A Research of Automatic Composition and Singing Voice Synthesis System for Taiwanese Popular Songs. - Lance Putnam:
A Method of Timbre-Shape Synthesis Based On Summation of Spherical. - Trond Lossius, Joseph Anderson:
ATK Reaper: The Ambisonic Toolkit as JSFX plugins. - Robin Gareus, Chris Goddard:
Audio Signal Visualisation and Measurement. - Edgar Berdahl:
Audio-Rate Modulation of Physical Model Parameters. - Chung Lee, Andrew Horner:
Detection of Random Spectral Alterations of Sustained Musical Instrument Tones in Repeated Note Contexts. - Federico Visi, Esther Coorevits, Eduardo R. Miranda, Marc Leman:
Effects of different bow stroke styles on body movements of a viola player: an exploratory study. - Areti Andreopoulou, Agnieszka Roginska:
Evaluating HRTF Similarity through Subjective Assessments: Factors that can Affect Judgment. - Lance Putnam:
Gamma: A C++ Sound Synthesis Library Further Abstracting the Unit Generator. - Alo Allik:
Gene expression synthesis. - Stefan Bilbao, Alberto Torin, Paul Graham, James Perry, Gordon Delap:
Modular Physical Modeling Synthesis Environments on GPU. - Nikoletta Bassiou, Constantine Kotropoulos:
Musical Audio Denoising Assuming Symmetric α-Stable Noise. - Andy M. Sarroff, Michael A. Casey:
Musical Audio Synthesis Using Autoencoding Neural Nets. - Vincent Goudard, Hugues Genevois, Lionel Feugère:
On the Playing of Monodic Pitch in Digital Music Instruments. - Katsutoshi Itoyama, Hiroshi G. Okuno:
Parameter Estimation of Virtual Musical Instrument Synthesizers. - Alexandros Kontogeorgakopoulos, Daniel Burgarth:
Sonification of Controlled Quantum Dynamics. - Stuart James:
Sound Shapes and Spatial Texture: Frequency-Space Morphology. - Fotios Kontomichos, Charalampos Papadakos, Eleftheria Georganti, Thanos Vovolis, John Mourjopoulos:
The sound effect of ancient Greek theatrical masks. - Kurt James Werner, Jonathan S. Abel, Julius O. Smith III:
The TR-808 Cymbal: a Physically-Informed, Circuit-Bendable, Digital Model. - Christof Weiß, Matthias Mauch, Simon Dixon:
Timbre-invariant Audio Features for Style Analysis of Classical Music. - Nicholas K. Suda, Owen Vallis:
Touchpoint: Dynamically Re-Routable Effects Processing as a Multi-Touch Tablet Instrument. - Tamara Smyth, Cheng-i Wang:
Toward Real-Time Estimation of Tonehole Configuration. - Julien Biral, Nicolas D'Alessandro, Adrian Freed:
Towards a Dynamic Model of the Palm Mute Guitar Technique Based on Capturing Pressure Profiles Between the Guitar Strings. - Jérôme Villeneuve, Claude Cadoz:
Understanding and Tuning Mass-Interaction Networks Through Their Modal Representation. - Giorgio Presti, Goffredo Haus, Davide A. Mauro:
Visualization and manipulation of stereophonic audio signals by means of IID and IPD. - Satoru Fukayama, Masataka Goto:
HarmonyMixer: Mixing the Character of Chords among Polyphonic Audio. - Pedro Bruel, Marcelo Queiroz:
A Protocol for creating Multiagent Systems in Ensemble with Pure Data. - Stéphane Letz, Sarah Denoux, Yann Orlarey:
Audio Rendering/Processing and Control Ubiquity ? a Solution Built Using the Faust Dynamic Compiler and JACK/NetJack. - Samer A. Abdallah, Nicolas E. Gold:
Comparing models of symbolic music using probabilistic grammars and probabilistic programming. - Sara Adhitya, Mika Kuuskankare:
Connecting SUM with computer-assisted composition in PWGL: Recreating the graphic scores of Anestis Logothetis. - Kai Lassfolk, Jari Suominen, Mikko Ojanen:
DIMI-6000: An Early Musical Microcomputer by Erkki Kurenniemi. - Steven Yi, Victor Lazzarini, Roger B. Dannenberg, John ffitch:
Extending Aura with Csound Opcodes. - Colin Clark, Adam R. Tindale:
Flocking: A Framework for Declarative Music-Making on the Web. - Valerio Velardo, Mauro Vallati:
GenoMeMeMusic: a Memetic-based Framework for Discovering the Musical Genome. - Hiroki Nishino, Naotoshi Osaka, Ryohei Nakatsu:
LC: A New Computer Music Programming Language with Three Core Features. - Trond Lossius, Théo de la Hogue, Pascal Baltazar, Timothy A. Place, Nathan Wolek, Julien Rabin:
Model-View-Controller separation in Max using Jamoma. - Hiroki Nishino, Ryohei Nakatsu:
Mostly-Strongly-Timed Programming in LC. - John MacCallum, Adrian Freed, David Wessel:
New Tools for Aspect-Oriented Programming in Music and Media Programming Environments. - Adrian Freed, David DeFilippo, Rama Gottfried, John MacCallum, Jeff Lubow, Derek Razo, David Wessel:
o.io: a Unified Communications Framework for Music, Intermedia and Cloud Interaction. - Dimitri Bouche, Jean Bresson, Stéphane Letz:
Programmation and Control of Faust Sound Processing in OpenMusic. - Dominique Fober, Yann Orlarey, Stéphane Letz:
Representation of Musical Computer Processes. - Andrea Valle, Paolo Armao, Matteo Casu, Marinos Koutsomichalis:
SoDA: A Sound Design Accelerator for the automatic generation of soundscapes from an ontologically annotated sound library. - Hanns Holger Rutz:
Sound Processes: A New Computer Music Framework. - Jan-Torsten Milde:
Using natural language to specify sound parameters. - Carmine-Emanuele Cella:
Vuza: a functional language for creative applications. - Till Bovermann, Amelie Hinrichsen, Dominik Hildebrand Marques Lopes, Alberto de Campo, Hauke Egermann, Alexander Foerstel, Sarah-Indriyati Hardjowirogo, Andreas Pysiewicz, Stefan Weinzierl:
3DMIN - Challenges and Interventions in Design, Development and Dissemination of New Musical Instruments. - Stefano Delle Monache, Stefano Baldan, Davide A. Mauro, Davide Rocchesso:
A design exploration on the effectiveness of vocal imitations. - Sinan Bökesoy:
A Recursive Mapping System for Motion and Sound in a Robot between Human Interaction Design. - Marcus Maeder:
Ambient culture: coping musically with the environment. - Amalia de Götzen:
Association of Sound movements in space to Takete and Maluma. - Jon Ram Bruun-Pedersen, Stefania Serafin, Lise Busk Kofoed:
Augmented Exercise Biking with Virtual Environments for Elderly Users: Considerations on the use of auditory. - Daichi Misawa, Kiyomitsu Odai:
Data Auditorio: Towards Intense Interaction, an Interactive Hyper-Directional Sound for Play and Ubiquity. - Damián Keller, Joseph Timoney, Leandro Lesqueves Costalonga, Ariadna Capasso, Patricia Tinajero, Victor Lazzarini, Marcelo Soares Pimenta, Maria Helena de Lima, Marcelo O. Johann:
Ecologically grounded multimodal design: The Palafito 1.0 study. - Elio Toppano, Alessandro Toppano:
Ethos in Sound Design for Brand Advertisement. - Kin Wah Edward Lin, Hans Anderson, M. H. M. Hamzeen, Simon Lui:
Implementation and Evaluation of Real-Time Interactive User Interface Design in Self-learning Singing Pitch Training Apps. - Ludvig Elblaus, Maurizio Goina, Marie-Andrée Robitaille, Roberto Bresin:
Modes of Sonic Interaction in Circus: Three Proofs of Concept. - Dominik Chapman, Mick Grierson:
N-gon Waves - Audio Applications of the Geometry of Regular Polygons in the Time Domain. - Kristian Nymoen, Arjun Chandra, Kyrre Glette, Jim Tørresen, Arve Voldsund, Alexander Refsum Jensenius:
PheroMusic: Navigating a Musical Space for Active Music Experiences. - Filipe Lopes, Paulo Rodrigues:
POLISphone: Creating and performing with a flexible soundmap. - Otso Lähdeoja, Aki Haapaniemi, Vesa Välimäki:
Sonic Scenography - Equalized Structure-borne Sound for Aurally Active Set Design. - Thomas Stoll:
SoundScapeTK: A Platform for Mobile Soundscapes. - Satoshi Nishimura:
Takt: A read-eval-play-loop interpreter for a structural/procedural score language. - Andrea Franceschini, Robin C. Laney, Chris Dobbyn:
Learning Musical Contour on a Tabletop. - Diana Siwiak, Ajay Kapur, Dale A. Carnegie:
Music Technology's Influence on Flute Pedagogy: A Survey of Their Intersection. - Berardina De Carolis, Stefano Ferilli, Nicola Orio:
Recommending Music to Groups in Fitness Classes. - Marcella Mandanici, Antonio Rodà, Sergio Canazza:
The "Harmonic Walk": an Interactive Educational Environment to Discover Musical Chords. - Sofia Stavropoulou, Anastasia Georgaki, Fotis Moschos:
The Effectiveness of Visual Feedback Singing Vocal Technology in Greek Elementary School. - Orry M. Messer, Pravesh Ranchod:
The Use of Apprenticeship Learning Via Inverse Reinforcement Learning for Generating Melodies. - Danny Holmes:
Mobile Instruments Made Easy: Creating Musical Mobile Apps with LIBPD and iOS, No Experience Necessary. - Trond Lossius, Nathan Wolek, Théo de la Hogue, Pascal Baltazar:
Demo: Using Jamama's MVC features to design an audio effect interface. - Martin Carlé:
SYSTab: A proactive real-time expert system for ancient Greek music theory and notation. - Richard Hoadley:
Making People Move: Dynamic musical notations. - Pascale Criton:
Listening Otherwise: Playing with Sound Vibration. - Mark Robert Nilsen:
Spinphony Demo. - Pascal Baltazar, Théo de la Hogue, Myriam Desainte-Catherine:
i-score, an Interactive Sequencer for the Intermedia Arts. - Stefania Serafin, Sofia Dahl, Amalia de Götzen, Cumhur Erkut, Dan Overholt, Hendrik Purwins, Bob L. Sturm:
Sound and Music Computing at Aalborg University in Copenhagen. - Cyrille Delhaye, Rodolphe Bourotte, Sharon Kanach:
The Centre Iannis Xenakis's establishment at the University of Rouen. - Aristotelis Hadjakos, Steffen Bock, Fabien Lévy:
CeMFI and Earquake: (Epi-)Centers for Experimental Music, Media and Research. - Kai Lassfolk, Mikko Ojanen:
University of Helsinki Music Research Laboratory and Electronic Music Studio - The first 50 years and beyond.
manage site settings
To protect your privacy, all features that rely on external API calls from your browser are turned off by default. You need to opt-in for them to become active. All settings here will be stored as cookies with your web browser. For more information see our F.A.Q.
last updated on 2024-11-22 19:31 CET by the dblp team
all metadata released as open data under CC0 1.0 license
see also: Terms of Use | Privacy Policy | Imprint
dblp was originally created in 1993 at:
since 2018, dblp has been operated and maintained by:
the dblp computer science bibliography is funded and supported by:
