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ORCID3. WEDELMUSIC 2003: Leeds, UK
- 3rd International Conference on WEB Delivering of Music (WEDELMUSIC 2003), 15-17 September 2003, Leeds, UK. IEEE Computer Society 2003, ISBN 0-7695-1935-0
Music Distribution
- Tom Laramee:
Laramedia Inc., an Internet distribution network for commercial audio. 3-11 - Arne Lie
, Leif Arne Rønningen:
Distributed multimedia plays with QoS guarantees over IP. 12-15 - Jaime Delgado, Isabel Gallego, Eva Rodríguez:
Use of the MPEG-21 rights expression language for music distribution. 16-19
Online Music Services
- Jürgen Nützel, Rüdiger Grimm:
Potato System and signed media format - an alternative approach to online music business. 23-26 - Pavlos A. Vlachos, Adam P. Vrechopoulos:
Key success factors in the emerging landscape of mobile music services. 27-30 - Giovanni Tummarello, Christian Morbidoni, Francesco Piazza:
Enhancement of existing Web applications to support audio and musical tools. 31-34
Music Transcription and Translation
- Ivan Bruno, S. L. Monni, Paolo Nesi:
Automatic music transcription supporting different instruments. 37-44 - David Crombie, Roger Lenoir, Neil McKenzie:
Producing accessible multimedia music. 45-48 - Jonathan Irons, Martin Schmucker:
The need of perceptual hashing techniques for music scores. 49-52
Watermarking
- Michael Arnold:
Attacks on digital audio watermarks and countermeasures. 55-62 - Tiberiu Muntean, Mohamed Najim:
Unitary approach of watermarking and attack algorithms for audio signals. 63-66 - Xianfeng Zhao, Weinong Wang, Kefei Chen:
On the spectral singularities of watermarked audio. 67-70 - Borémi Toch, David Lowe, David Saad:
Watermarking of audio signals using independent component analysis. 71-74
Music Analysis, Generation and Preservation
- Pedro P. Cruz-Alcázar, Enrique Vidal-Ruiz:
Modeling musical style using grammatical inference techniques: a tool for classifying and generating melodies. 77-84 - Frank Seifert, Wolfgang Benn:
Semantic relationship and identification of music. 85-92 - Dionysios Politis, Dimitrios Margounakis:
Determining the chromatic index of music. 93-100 - Hung-Che Shen, Chungnan Lee:
Computer-aided composition from melodic contours and tabular constraints. 101-104 - Michael O. Jewell, Mark S. Nixon, Adam Prügel-Bennett:
CBS: a concept-based sequencer for soundtrack composition. 105-108 - Bruno Bachimont, Jean-François Blanchette, Andrew Gerzso, Anne Swetland, Olivier Lescurieux, Pierre Morizet-Mahoudeaux, Nicolas Donin, Jill Teasley:
Preserving interactive digital music: a report on the MUSTICA research initiative. 109-112
Digital Rights and Metadata
- Marc Fetscherin, Matthias Schmid:
The application of digital rights management systems in the music industry - an empirical investigation. 115-121 - Cheun Ngen Chong, Ricardo Corin, Sandro Etalle, Pieter H. Hartel, Willem Jonker, Yee Wei Law:
LicenseScript: a novel digital rights language and its semantics. 122-129 - Amaury La Burthe, François Pachet, Jean-Julien Aucouturier:
Editorial metadata in the Cuidado music browser: between universalism and isolationism. 130-137 - Stephan Baumann, Oliver Hummel:
Using cultural metadata for artist recommendations. 138-141
Industrial Applications
- Eugenie Burkett, Grace Ohlenbusch:
Beyond the talking head: the Web delivery of methodology and field experience for music education. 145-150 - Maurizio Campanai, Paolo Nesi, Marius B. Spinu:
Watermarking music sheets, it is possible? 151-152 - Michael Good, Geri Actor:
Using MusicXML for file interchange. 153 - Michael Westermann:
Interactive sound player (ISP): enabling interactive sound in digital media. 154
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