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2020 – today
- 2023
[c27]David Fierro, Alain Bonardi, Atau Tanaka:
FAUST Multiplatform toolbox for Body Brain Digital Musical Instruments. NIME 2023
2010 – 2019
- 2018
- [j7]Serge Lemouton, Alain Bonardi, Laurent Pottier, Jacques Warnier:
On the Documentation of Electronic Music. Comput. Music. J. 42(4): 41-58 (2018) - [c26]Serge Lemouton, Alain Bonardi, Laurent Pottier, Jacques Warnier:
Electronic Music Documentations, Practices and Models. ICMC 2018 - 2014
- [c25]Antoine Vincent, Bruno Bachimont, Alain Bonardi:
L'intérêt des patrons dans la gestion des connaissances liées à la création sonore. IC 2014: 63-74 - 2013
- [j6]Alain Bonardi:
Copier/coller, ou recopier ? La transmission entre artistes des œuvres musicales avec dispositif numérique. Tech. Sci. Informatiques 32(3-4): 457-480 (2013) - [c24]Antoine Vincent, Bruno Bachimont, Alain Bonardi:
Prescrire une modélisation par les patrons : exemple des patrons de création pour la représentation des processus de production sonore. IC 2013: 345-347 - 2012
- [c23]Antoine Vincent, Bruno Bachimont, Alain Bonardi:
Modéliser les processus de création de la musique avec dispositif numérique : représenter pour rejouer et préserver les oeuvres contemporaines. IC 2012: 83-98 - 2010
- [j5]Alain Bonardi, Francis Rousseaux:
Interactions médiatisées sur scène. Tech. Sci. Informatiques 29(8-9): 871-898 (2010) - [c22]Jérôme Barthélemy, Yann Orlarey, Alain Bonardi, Serge Lemouton, Raffaele Ciavarella, Karim Barkati:
Toward An Organology Of Virtual Instruments In Computer Music. ICMC 2010 - [c21]Alain Bonardi, Isis Truck:
Introducing Fuzzy Logic And Computing With Words Paradigms In Realtime Processes For Performance Arts. ICMC 2010
2000 – 2009
- 2009
- [j4]Alain Bonardi, Francis Rousseaux:
Considering Stage Direction as Building Informed Virtual Environments. J. Virtual Real. Broadcast. 6 (2009) - [i4]Alain Bonardi, Francis Rousseaux:
Similarité en intension vs en extension : à la croisée de l'informatique et du théâtre. CoRR abs/0912.4879 (2009) - [i3]Alain Bonardi, Francis Rousseaux:
How Do Interactive Virtual Operas Shift Relationships between Music, Text and Image? CoRR abs/0912.4880 (2009) - [i2]Francis Rousseaux, Alain Bonardi:
Music-ripping: des pratiques qui provoquent la musicologie. CoRR abs/0912.4881 (2009) - [i1]Alain Bonardi, Francis Rousseaux:
Interagir avec un contenu opératique : le projet d'opéra virtuel interactif Virtualis. CoRR abs/0912.4882 (2009) - 2008
- [b1]Alain Bonardi:
Vers des environnements homme-machine pour ressaisir les intentions dans la création scénique. (Towards human to computer environments to re-grasp the intentions in creative performing arts). University of Reims Champagne-Ardenne, France, 2008 - [j3]Alain Bonardi, Jérôme Barthélemy, Guillaume Boutard, Raffaele Ciavarella:
Préservation de processus temps réel. Vers un document numérique. Document Numérique 11(3-4): 59-80 (2008) - [j2]Alain Bonardi, Jérôme Barthélemy:
The preservation, emulation, migration, and virtualization of live electronics for performing arts: An overview of musical and technical issues. ACM Journal on Computing and Cultural Heritage 1(1): 6:1-6:16 (2008) - [c20]Francis Rousseaux, Alain Bonardi, Benjamin Roadley:
ReCollection: a Disposal/Formal Requirement-Based Tool to Support Sustainable Collection Making. ICCS Supplement 2008: 131-138 - [c19]Jérôme Barthélemy, Alain Bonardi, Guillaume Boutard, Raffaele Ciavarella:
Our Research for lost Route to Root. ICMC 2008 - [c18]Kia Ng, Alexander Mikroyannidis, Bee Ong, Alain Bonardi, Jérôme Barthélemy, Raffaele Ciavarella:
Ontology Management for Preservation of Interactive Multimedia performances. ICMC 2008 - [c17]Francis Rousseaux, Alain Bonardi, Benjamin Roadley:
Digital Music Collections: a Place of Knowledge Emergence? ICMC 2008 - [c16]Francis Rousseaux, Alain Bonardi, Benjamin Roadley:
ReCollection: a Disposal/Formal Requirement-Based Tool to Support Sustainable Collection Making. WSPI 2008 - 2007
- [c15]Kia Ng, Tran Vu Pham, Bee Ong, Jérôme Barthélemy, Alain Bonardi, David Giaretta:
Digital Preservation of Interactive Multimedia performances. ICMC 2007 - [c14]Alain Bonardi, Christine Zeppenfeld:
Human Actors and Virtual Agents Playing Together to Transform Stage Direction Practices. IVA 2007: 358-359 - [c13]Francis Rousseaux, Alain Bonardi, Alexis Lemaire:
Taking Lessons from Cognitive Psychologists to Design our Content Browsing Tools? RCIS 2007: 455-456 - 2006
- [c12]Alain Bonardi, Isis Truck, Herman Akdag:
Towards a Virtual Assistant for Performers and Stage Directors. NIME 2006: 326-329 - 2005
- [j1]Alain Bonardi, Francis Rousseaux:
Similarité en intension versus similarité en extension. A la croisée de l'informatique et du thzâtre. Rev. d'Intelligence Artif. 19(1-2): 281-288 (2005) - 2004
- [c11]Francis Rousseaux, Alain Bonardi:
Reconcile art and culture on the web. ICEC 2004: 334-340 - [c10]Francis Rousseaux, Alain Bonardi:
A Style of Theater Production Inspired by Interactive Content Data Mining. AAAI Technical Report (7) 2004: 71-73 - [c9]Francis Rousseaux, Alain Bonardi:
Reconcile Art and Culture on the Web. WSPI 2004 - 2003
- [c8]Francis Rousseaux, Alain Bonardi:
New tools and practices for electronic music distribution. ISICT 2003: 242-248 - 2002
- [c7]Francis Rousseaux, Alain Bonardi:
Knowledge Discovery as Applied to Music: Will Music Web Retrieval Revolutionize Musicology? Discovery Science 2002: 356-363 - 2001
- [c6]Alain Bonardi, Francis Rousseaux:
Towards Interactive Operas: the Virtualis Project. ICHIM (1) 2001: 427-436 - [c5]Jérôme Barthélemy, Alain Bonardi:
Similarity in Computational Music: A Musicologist's Approach. WEDELMUSIC 2001: 107-115 - 2000
- [c4]Alain Bonardi:
IR for Contemporary Music: What the Musicologist Needs. ISMIR 2000 - [c3]Alain Bonardi, Francis Rousseaux:
Creating "Hypermusic Spaces". RIAO 2000: 1280-1287
1990 – 1999
- 1999
- [c2]Alain Bonardi, Francis Rousseaux:
Composing interactive virtual operas. Creativity & Cognition 1999: 144-147 - [c1]Alain Bonardi, Francis Rousseaux:
Towards Digital "Musical Actions". ICMC 1999
Coauthor Index
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