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ORCID10. CMMR 2013: Marseille, France
- Mitsuko Aramaki, Olivier Derrien
, Richard Kronland-Martinet, Sølvi Ystad:
Sound, Music, and Motion - 10th International Symposium, CMMR 2013, Marseille, France, October 15-18, 2013. Revised Selected Papers. Lecture Notes in Computer Science 8905, Springer 2014, ISBN 978-3-319-12975-4
Augmented Musical Instruments and Gesture Recognition
- Delphine Chadefaux, Jean-Loïc Le Carrou, Benoît Fabre, Laurent Daudet:
Investigation of the Harpist/Harp Interaction. 3-19 - Olivier Houix, Nicolas Misdariis, Patrick Susini, Frédéric Bevilacqua, Florestan Gutierrez:
Sonically Augmented Artifacts: Design Methodology Through Participatory Workshops. 20-40 - Håkon Knutzen, Tellef Kvifte, Marcelo M. Wanderley:
Vibrotactile Feedback for an Open Air Music Controller. 41-57 - Raphael Foulon, Pierre Roy, François Pachet:
Automatic Classification of Guitar Playing Modes. 58-71 - Jiuqiang Tang, Roger B. Dannenberg:
Extracting Commands from Gestures: Gesture Spotting and Recognition for Real-Time Music Performance. 72-85
Music and Emotions: Representation, Recognition, and Audience/Performers Studies
- Bob L. Sturm:
Making Explicit the Formalism Underlying Evaluation in Music Information Retrieval Research: A Look at the MIREX Automatic Mood Classification Task. 89-104 - Pauline G. Mouawad, Myriam Desainte-Catherine, Anne Gégout-Petit, Catherine Semal:
On the Perception of Affect in the Singing Voice: A Study of Acoustic Cues. 105-121 - György Fazekas, Mathieu Barthet, Mark B. Sandler:
Novel Methods in Facilitating Audience and Performer Interaction Using the Mood Conductor Framework. 122-147
The Art of Sonification
- Adam Parkinson, Atau Tanaka:
Making Data Sing: Embodied Approaches to Sonification. 151-160 - Benjamin K. Holtzman, Jason Candler, Matthew J. Turk, Daniel Peter:
Seismic Sound Lab: Sights, Sounds and Perception of the Earth as an Acoustic Space. 161-174 - Edward Braund, Eduardo Reck Miranda:
Music with Unconventional Computing: A System for Physarum Polycephalum Sound Synthesis. 175-189
When Auditory Cues Shape Human Sensorimotor Performance
- Bogdan Vera, Elaine Chew:
Intensity Shaping in Sustained Notes Encodes Metrical Cues for Synchronization in Ensemble Performance. 193-203 - Matthew W. M. Rodger, Cathy M. Craig:
Moving with Beats and Loops: The Structure of Auditory Events and Sensorimotor Timing. 204-217 - Eric O. Boyer, Quentin Pyanet, Sylvain Hanneton, Frédéric Bevilacqua:
Learning Movement Kinematics with a Targeted Sound. 218-233 - Etienne Thoret, Mitsuko Aramaki, Christophe Bourdin, Lionel Bringoux, Richard Kronland-Martinet, Sølvi Ystad:
Audio-Motor Synchronization: The Effect of Mapping Between Kinematics and Acoustic Cues on Geometric Motor Features. 234-245 - Jérémy Danna, Vietminh Paz-Villagrán, Annabelle Capel, Céline Pétroz, Charles Gondre, Serge Pinto, Etienne Thoret, Mitsuko Aramaki, Sølvi Ystad, Richard Kronland-Martinet, Jean-Luc Velay:
Movement Sonification for the Diagnosis and the Rehabilitation of Graphomotor Disorders. 246-255
Music and Sound Data Mining
- Guangyu Xia, Tongbo Huang, Yifei Ma, Roger B. Dannenberg, Christos Faloutsos:
MidiFind: Similarity Search and Popularity Mining in Large MIDI Databases. 259-276 - Berit Janssen, W. Bas de Haas, Anja Volk, Peter van Kranenburg:
Finding Repeated Patterns in Music: State of Knowledge, Challenges, Perspectives. 277-297 - Mathieu Giraud, Ken Déguernel, Emilios Cambouropoulos:
Fragmentations with Pitch, Rhythm and Parallelism Constraints for Variation Matching. 298-312 - Geoffroy Peeters, Ugo Marchand:
Predicting Agreement and Disagreement in the Perception of Tempo. 313-329
Interactive Sound Synthesis
- Jean-Claude Risset:
Music: Ars Bene Movandi. 333-345 - James Leonard, Claude Cadoz, Nicolas Castagné, Jean-Loup Florens, Annie Luciani:
A Virtual Reality Platform for Musical Creation: GENESIS-RT. 346-371 - Diemo Schwarz, Baptiste Caramiaux:
Interactive Sound Texture Synthesis Through Semi-Automatic User Annotations. 372-392 - Mailis G. Rodrigues, Marcelo M. Wanderley, Paulo Ferreira-Lopes:
Intonaspacio: A Digital Musical Instrument for Exploring Site-Specificities in Sound. 393-415
Non-stationarity, Dynamics and Mathematical Modeling
- Zdenek Prusa, Peter L. Søndergaard, Nicki Holighaus, Christoph Wiesmeyr, Péter Balázs:
The Large Time-Frequency Analysis Toolbox 2.0. 419-442 - Monika Dörfler, Ewa Matusiak:
Sparse Gabor Multiplier Estimation for Identification of Sound Objects in Texture Sound. 443-462 - Yang Zhao, David Gerhard:
Waveform-Aligned Adaptive Windows for Spectral Component Tracking and Noise Rejection. 463-480
Image-Sound Interaction
- Daniel Deshays:
Sound and Gesture. 483-493 - Fernando Bravo:
Changing the Interval Content of Algorithmically Generated Music Changes the Emotional Interpretation of Visual Images. 494-508 - Amalia de Götzen, Erik Sikström, Dannie Korsgaard, Stefania Serafin, Francesco Grani:
The Perception of Sound Movements as Expressive Gestures. 509-517 - Robert Hamilton:
Musical Sonification of Avatar Physiologies, Virtual Flight and Gesture. 518-532
Auditory Perception and Cognitive Inspiration
- Rolf Inge Godøy:
Understanding Coarticulation in Musical Experience. 535-547 - Marcelo Enrique Rodríguez-López, Anja Volk:
Symbolic Segmentation: A Corpus-Based Analysis of Melodic Phrases. 548-557 - Guillaume Lemaitre, Patrick Susini, Davide Rocchesso, Christophe Lambourg, Patrick Boussard:
Non-Verbal Imitations as a Sketching Tool for Sound Design. 558-574 - Kristoffer Jensen:
Influence of Rehearsal in an Auditory Memory Model for Audio Feature Estimation. 575-585
Modeling of Sound and Music - Computational Musicology
- Keiji Hirata, Satoshi Tojo, Masatoshi Hamanaka:
Cognitive Similarity Grounded by Tree Distance from the Analysis of K.265/300e. 589-605 - Aleksandr Diment, Padmanabhan Rajan, Toni Heittola, Tuomas Virtanen:
Group Delay Function from All-Pole Models for Musical Instrument Recognition. 606-618 - Mikus J. Grasis, Jakob Abeßer, Christian Dittmar, Hanna M. Lukashevich:
A Multiple-Expert Framework for Instrument Recognition. 619-634 - George Sioros, Carlos Guedes:
Syncopation as Transformation. 635-658 - Padi Sarala, Hema A. Murthy:
Cent Filter-Banks and its Relevance to Identifying the Main Song in Carnatic Music. 659-681
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