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ORCID21st ICMC 1995: Banff, AB, Canada
- Proceedings of the 1995 International Computer Music Conference, ICMC 1995, Banff, AB, Canada, September 3-7, 1995. Michigan Publishing 1995
- Barry Truax:
Sound in Context: Soundscape Research and Composition at Simon Fraser University. - Alessandro Cipriani:
Towards an Electroacoustic Tradition. - Sever Tipei:
For an Intelligent Use of Computers in Music Composition. - Mary Simoni:
A Survey of Gender Issues Related to Computer Music and Strategies for Change. - Kevin Jones:
The Algorithmic Muse: New Listening Paradigms and the Harmonies of Chaos. - Fernando Lopez-Lezcano:
CCRMA Studio Report. - Marcia L. Bauman, Thomas Gerwin:
The International Digital Electroacoustic Music Archive. - Tamas Ungvary, Peter Mechtler:
The Institute of Electroacoustics and Experimental Music at the Vienna University of Music. - Ivar Frounberg:
The Electro-acoustic Music Studio at the Royal Academy of Music, Copenhagen. - Mark Sullivan:
Computer Music Studios at Michigan State University. - Anna I. Katrami, Peter J. Comerford, Barry Eaglestone:
Computer Music at the University of Bradford. - Silvia Matheus, Tom Keller:
Audio Game Interactive Performance. - Marc-Pierre Verge, René Caussé, Abraham Hischberg:
A Physical Model of Recorder-Like Instruments. - Richard W. Dobson, John P. Fitch:
Experiments with Chaotic Oscillators. - Jonathan P. Mackenzie:
Chaotic Predictive Modelling of Sound. - Chris Chafe:
Adding Vortex Noise to Wind Instrument Physical Models. - Nick Porcaro, Pat Scandalis, Julius O. Smith III, David A. Jaffe, Tim Stilson:
SynthBuilder Demonstration - A Graphical Real-Time Synthesis, Processing and Performance System. - Mara Helmuth, Aladin Ibrahim:
The FCurve Sound Generator with Granular Synthesis. - Roger B. Dannenberg, Dean Rubine:
Toward Modular, Portable, Real-Time Software. - Gérard Assayag:
Visual Programming in Music. - François Déchelle, Maurizio De Cecco:
The IRCAM Real-Time Platform and Applications. - Brett Terry:
Score Views - An Object-Oriented Approach to a Graphical Computer Music Synthesis Environment. - Philippe Depalle, Stephan Tassart:
State Space Sound Synthesis and a State Space Sythensiser Builder. - Eric Incerti, Claude Cadoz:
Topology, Geometry, Matter of Vibrating Structures Simulated with CORDIS-ANIMA. Sound Synthesis Methods. - Fernando Lopez-Lezcano:
PadMaster: An Improvisation Environment for Real Time Performance. - Yushi Aono, Haruhiro Katayose, Seiji Inokuchi:
An Improvisational Accompaniment System Observing Performer's Musical Gesture. - Perry R. Cook:
A Hierarchical System for Controlling Synthesis by Phyical Modeling. - Tim Stilson:
General Wierdness with the Karplus-Strong String. - David P. Berners, Julius O. Smith III:
Super-Spherical Wave Simulation in Flaring Horns. - Steven Trautmann:
A Physical String Model with a Twist. - Juan Antonio Lleó, Andrés Loiseau Lazarte, Roger Gilabert Guerrero:
MIDIVERSO: A Virtual Reality Music Installation. - Lippold Haken, Dorothea Blostein:
A New Algorithm for Horizontal Spacing of Printed Music. - Stephan Dunkelman:
Vertically Read Notation. - David P. Chapman:
A Computer Music System for Hierarchical Sound Construction. - Steve Netherton, Gary S. Kendall:
A Software Compressor for Computer Music Applications. - Stephen Travis Pope:
Computer Music Workstations I Have Known and Loved. - Insook Choi:
On Perfoming a Listener: What is Missing, Paganini? - Hannah Bosma:
Male and Female Voices in Computer Music. - Charles Bestor:
Music, Sculpture, Light and Text: A Study in Installation Art. - Brian Evans:
Computer Music Across Disciplines in an Undergraduate Curriculum. - Brad Garton, Terence Pender, Douglas Geers:
The Cincinnati Conservatory of Music, Computer Music Studio. - Jøran Rudi:
NoTAM Studio Report. - Nicola Bernardini:
The Centro Tempo Reale. - Nicola Bernardini, Graziano Tisato, Michele Manfrin:
The POOLman Project. - Kelly Fitz, Lippold Haken:
Bandwidth Enhanced Sinusoidal Modeling in Lemur. - Kelly Fitz, Lippold Haken, Bryan Holloway:
Lemur - A Tool for Timbre Manipulation. - Lippold Haken:
Real-Time Timbre Modificiations Using Sinusoidal Parameter Streams. - Stephen Horenstein:
Interactive Works: New Problems and Potentials. - Isao Hidaka, Masataka Goto, Yoichi Muraoka:
An Automatic Jazz Accompaniment System Reacting to Solo. - Masataka Goto, Yoichi Muraoka:
A Real-Time Beat Tracking System for Audio Signals. - Miller S. Puckette:
Score Following Using the Sung Voice. - Nicola Bernardini, Alvise Vidolin:
Real-Time Sound Hybridization. - Brad Cariou:
A Demonstration of the aXiǿ Controller. - Bennett Brecht, Guy E. Garnett:
Conductor Following. - Bertrand Coüasnon, Bernard Rétif:
Using a Grammar for a Reliable Full Score Recognition System. - Bruce W. Pennycook:
Music Library of the Future: A Pilot Project. - Douglas Keislar, Thom Blum, James Wheaton, Erling Wold:
Audio Analysis for Content-Based Retrieval. - Oliver Zahorka:
PrediBase - Controlling Semantics of Symbolic Structures in Music. - Xavier Rodet:
One and Two Mass Model Oscillations for Voice and Instruments. - Andrew Horner, Ngai-Man Cheung, James W. Beauchamp:
Genetic Algorithm Optimization of Additive Synthesis Envelope Breakpoints and Group Synthesis Parameters. - Harold Foruin:
The Clavette: A Generalized Microtonal MIDI Keyboard Controller. - Russell F. Pinkston, Jim Kerkhoff, Mark McQuilken:
A Touch Sensitive Dance Floor/MIDI Controller. - Richard Orton, Ross Kirk, Andy Hunt:
Partial-Balancing Instruments with Dynamically Refreshed Wavetables. - Ian S. Gibson, David M. Howard:
Intuitive and Dynamic Control of Synthesized Sounds by Voice. - Allan S. C. Lee:
CSOUND Granular Synthesis Unit Generator. - Eduardo Reck Miranda:
Cellular Automata Synthesis of Acoustic Particles. - Nicholas Thompson, Roger B. Dannenberg:
Optimizing Software Synthesis Performance. - Belinda Thom, Roger B. Dannenberg:
Predicting Chords in Jazz. - Todd Winkler:
Composing Interactive Music: A Pedagogical Approach to Teaching Interactive Composition. - Russell Ovans, David Murphy, Timothy Bartoo:
The Infinite Delay Line: Granulation as an In-Line Effect. - Steven Trautmann:
Toward a CLM Sound Localization Instrument Employing Modified Wavefront Reconstruction. - Antonio Camurri:
Interactive Dance/Music Systems. - Roel Vertegaal, Tamas Ungvary:
The Sentograph: Input Devices and the Communication of Bodily Expression. - Hideyuki Sawada, Shin'Ya Ohkura, Shuji Hashimoto:
Gesture Analysis Using 3D Acceleration Sensor for Music Control. - Todd Winkler:
Making Motion Musical: Gesture Mapping Strategies for Interactive Computer Music. - Tsutomu Kanamori, Haruhiro Katayose, Yushi Aono, Seiji Inokuchi, Takashi Sakaguchi:
Sensor Integration for Interactive Digital Art. - Peter Otto, Miller S. Puckette:
Department of Music, University of California, San Diego. - Stephen Arnold, Celia Duffy:
An Integrated Environment for Music Education. - Christopher Dobrian:
iEAR Studios Rensselaer Polytechnic Institute. - Stephen Arnold, Derek R. Mcauley, Ken C. Sharman:
Multi-Participant Interactive Music Services. - Gary S. Kendall:
3-D Sound Demonstration: "Sex/Windows". - Igor Popovic, Ronald R. Coifman, Jonathan Berger:
Aspects of Pitch-Tracking and Timbre Separation: Feature Detection in Digital Audio Using Adapted Local Trigonometric Bases and Wavelet Packages. - Andrew Choi:
A Least-Square Algorithm for Fundamental Frequency Estimation. - Jonathan Berger, Maxim J. Goldberg, Ronald R. Coifman:
A Two-Stage Automatic Adaptive Process to Remove Noise from an Audio Signal. - Todor Todoroff, Éric Daubresse, Joshua Fineberg:
IANA: A Real-Time Environment for Analysis and Extraction of Frequency Components of Complex Orchestral Sounds and its Application within a Musical Realization. - Jean-Marc Jot, Olivier Warusfel:
A Real-Time Spatial Sound Processor for Music and Virtual Reality Applications. - Gerhard Eckel, Manuel Rocha Iturbide:
The Development of GiST, a Granular Synthesis Toolkit Based on an Extension of the FOF Generator. - Adrian Freed:
Bring Your Own Control to Additive Synthesis. - Larry Polansky, Tom Erbe:
Spectral Mutation in Soundhack: A Brief Description. - Stephen William Berkley:
QUICKMQ: A Software Tool for the Modification of Time-Varying Spectrum Analysis Files. - Todor Todoroff:
Real-Time Granular Morphing and Spatialisation of Sounds with Gestual Control within MAX/FTS. - Scott A. Van Duyne, Julius O. Smith III:
Developments for the Commuted Piano. - Vesa Välimäki, Timo I. Laakso, Jonathan P. Mackenzie:
Elimination of Transients in Time-Varying Allpass Fractional Delay Filteres with Applications to Digital Waveguide Modeling. - Julius O. Smith III, Scott A. Van Duyne:
Commuted Piano Synthesis. - David A. Jaffe, Julius O. Smith III:
Performance Expression in Commuted Waveguide Synthesis of Bowed Strings. - John A. Biles, William G. Eign:
GenJam Populi: Training an IGA via Audience-Mediated Performance. - Michael Gogins:
Gabor Synthesis of Recurrent Iterated Function Systems. - Hans G. Kaper, David Ralley, Juan Restrepo, Sever Tipei:
Additive Synthesis with DIASS_M4C on Argonne National Laboratory's IBM POWERparallel System (SP). - Hans Lunell:
An Extendible Tool for CAC. - Michael Goodwin, Alex Kogon:
Overlap-Add Synthesis of NonStationary Sinusoids. - Anna I. Katrami, Tom Ingall:
A Multimedia Environment for Computer Music. - René Caussé, Philippe Dérogis:
Radiation of Musical Instruments and Improvement of the Sound Diffusion Techniques for Synthesized, Recorded, or Amplified Sounds (Revisited). - Shuji Hashimoto, Dingding Chang:
Music Generation from Moving Image. - Georg Hajdu:
Circularity in Neural Computation and its Application to Musical Composition. - Tim Anderson, Ross Kirk:
Customisable Frameworks for Compositional Activity. - Yoichi Nagashima, Haruhiro Katayose, Seiji Inokuchi:
A Compositional Environment with Intersection and Interaction between Musical Model and Graphical Model: "Listen to the Graphics, Watch the Music". - Ian J. Taylor, B. F. Schultz:
The GRID Musical-Signal Processing System. - Robin Bargar, Bryan Holloway, Xavier Rodet, Chris Hartman:
Defining Spectral Surfaces. - Heinrich Taube, Tobias Kunze:
Capella: A Graphical Interface for Algorithmic Composition. - Richard Polfreman, John Sapsford-Francis:
A Human Factors Approach to Computer Music Systems User-Interface Design. - Insook Choi, Robin Bargar, Camille Goudeseune:
A Manifold Interface for a High Dimensional Control Space. - Peter Desain, Henkjan Honing:
Towards Algorithmic Descriptions of Continuous Modulations of Musical Parameters. - Rolf Wöhrmann, Ludger Solbach:
Preprocessing for the Automated Transcription of Polyphonic Music: Linking Wavelet Theory and Auditory Filtering. - Jonathan P. Mackenzie, Izzet Kale, Gerald D. Cain:
Applying Balanced Model Truncation to Sound Analysis/Synthesis Models. - Yoshinari Sasahira, Shuji Hashimoto:
Voice Pitch Changing by Linear Predictive Coding Method to Keep the Singer's Personal Timbre. - Naotoshi Osaka:
Timbre Interpolation of Sounds Using a Sinusoidal Model. - Simon C. Roberts, Mike Greenhough:
Rhythmic Pattern Processing Using a Self-Organising Neural Network. - Ken-ichi Ohya:
A Sound Synthesis by Recurrent Neural Network. - Axel Röbel:
Neural Networks for Modeling Time Series of Musical Instruments. - Tim Shuttleworth, Roland Wilson:
A Neural Network for Triad Classification. - Ian J. Taylor, Mike Greenhough:
Neural Network Pitch Tracking Over the Pitch Continuum. - Linda Irwin, Michael Alcorn:
CSound Tutorial. - Matthew Moller, David Zicarelli:
The Distributed Real-Time Groove Network: A System for Real-Time Musical Collaboration on the Internet. - Jeremy L. Leach, John P. Fitch:
The Application of Differential Equations to the Modeling of Musical Change. - Dan Gang, Daniel Lehmann:
An Artificial Neural Net for Harmonizing Melodies. - Brian J. Ross:
A Process Algebra for Stochastic Music Composition. - Bruce L. Jacob:
Composing with Genetic Algorithms. - Christopher Dobrian:
Algorithmic Generation of Temporal Forms: Hierarchical Organization of Stasis and Transition. - Shlomo Dubnov, Naftali Tishby:
Clustering Musical Sounds Using Polyspectral Distance Measures. - Rajmil Fischman:
A Systematic Approach to the Analysis of Music for Tape. - Christopher James Langmead:
Sound Analysis, Comparison and Modification Based on Perceptual Model of Timbre. - Daniel V. Oppenheim:
Demonstrating MMorph: A System for Morphing Music in Real-Time. - Gary S. Kendall, Lonny Chu:
The Sound of Fruits and Vegetables: Scientific Visualization with Auditory Tokens. - Andrew Horner, Lydia Ayers:
Harmonization of Musical Progressions with Genetic Algorithms. - Steffen Brandorff, Ole Caprani, Peter Møller-Nielson, Morton Lave:
Felix-The DIEM Multiple DSP Box - Still in Progress. - Toshiaki Matsushima, Rie Nagasawa:
Multimedia System for Shakuhachi Tablature. - Leonard Manzara:
Accurate Computer Simulation of Acoustic space. - Mark A. Bromwich:
A Single Performer Controlled Interface for Electronic Dance/Music Theatre. - Takebumi Itagaki, Peter D. Manning, Alan Purvis:
An Implementation of Real-time Granular Synthesis on a Multi-Processor Network. - Malcolm E. Bell:
A MAX Counterpoint Generator for Simulating Stylistic Traits of Stravinsky, Bartok, and other Composers. - Thomas Neuhaus:
PPP - A Framework or Algorithmic Composition. - Ross Kirk, Paul Whittington, Andy Hunt, Richard Orton:
Graphical Control of Unit Generator Processes on the MIDAS System: A Digital VCS-3 Demonstrator. - David Ralley:
Genetic Algorithms as a Tool for Melodic Development. - Kai Lassfolk:
Sound Processing Kit. - Haruhiro Katayose, Seiji Inokuchi:
A Model of Pattern Processing for Music. - Magnus Eldénius:
Fractal Structures and Formalized Composition. - Matti Karjalainen, Vesa Välimäki, Bertrand Hernoux, Jyri Huopaniemi:
Explorations of Wind Instruments Using Digital Signal Processing and Physical Modeling Techniques. - Tim Stilson:
Forward-Going Wave Extraction in Acoustic Tubes. - Gary P. Scavone:
Digital Waveguide Modeling of the Non-Linear Excitation of Single-Reed Woodwind Instruments. - Perry R. Cook:
Integration of Physical Modeling for Synthesis and Animation. - Forrest Tobey:
The Ensemble Member and the Conducted Computer. - Claude Cadoz, Jean-Loup Florens, Annie Luciani:
Musical Sounds, Animated Images with CORDIS-ANIMA and its Multimodal Interfaces. - Guerino Mazzola:
Inverse Performance Theory. - Paul Hudak, Jonathan Berger:
A Model Performance, Interaction and Improvisation. - Stéphane Letz, Yann Orlarey, Dominique Fober:
Real Time Functional Languages. - Andra McCartney:
Whose Playground, Which Games and What Rules?: Women Composers in the Digital Playground. - Cleve L. Scott:
Music Engineering Technology: An Undergraduate Curriculum. - James Harley, Marc Couroux:
The Residents: Musical Deconstruction of Popular Culture. - Dominique M. Richard:
Computer Music and the Pre(Anti(Post(Non(Modern)))). - Roel Vertegaal:
The Standard Instrument Space Libraries: Demonstrating the Power of ISEE. - Gary S. Kendall, Mathew D. Moller:
Spatial Sound Effects in a Software Effects Processor. - Mark Pearson, David M. Howard:
A Musicians Approach to Physical Modeling. - Martin Atkins, Tom Endrich:
The CDP Composing Environment. - Fernando Iazzetta:
A Semiotic Approach to Music Interaction. - Jason Vantomme:
An Introduction of Musical Structure Using Correlation. - Campbell D. Foster:
A Consonance Dissonance Algorithm for Intervals. - Joel Chadabe:
Interactive Performance. - Crawford Tait:
Audio Analysis for Rhythmic Structure. - Robert R. Hölderich:
An Accurate Signal Representation for Sound Resynthesis Utilizing a Time-Frequency Mapping of the DFT-Magnitude. - Ross Kirk, Andy Hunt, Richard Orton:
Audio-Visual Instruments in Live Performance. - Thomas Noll:
Fractal Depth Structure of Tonal Harmony. - Shu Matsuda, Takayuki Rai:
A Visual-to-Sound Interactive Computer Performance System 'Edge'.
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