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ORCID39th ICMC 2013: Perth, Australia
- Proceedings of the 39th International Computer Music Conference, ICMC 2013, Perth, Australia, August 12-16, 2013. Michigan Publishing 2013
- Stephen Barrass, Tim Barrass:
Cymatic synthesis of a Series of Bells. - Tim Barrass:
Mozzi: Interactive sound synthesis on the Open Source Arduino Microprocessor. - Oliver Bown, Miriama Young, Samuel Johnson:
A Java-Based Remote Live coding System for Controlling Multiple Raspberry PI Units. - Carmine-Emanuele Cella, Juan José Burred:
Advanced sound hybridizations by means of the Theory of sound-Types. - Michael Clarke, Frédéric Dufeu, Peter D. Manning:
Introducing Tacem and the Tiaals Software. - Léa Fanchon, Florent Jacquemard:
Formal Timing Analysis of mixed Music Scores. - Yuto Fukuya, Yoshinari Takegawa, Hidekatsu Yanagi:
A Piano Learning Support System considering Motivation. - Oliver Hödl, Geraldine Fitzpatrick:
Exploring the Design Space of hand-Controlled Guitar effects for Live Music. - Stuart James, Cat Hope:
2D and 3D Timbral spatialisation: Spatial motion, Immersiveness, and Notions of Space. - Zeyu Jin, Roger B. Dannenberg:
Formal Semantics for Music Notation control Flow. - Filip Korzeniowski, Florian Krebs, Andreas Arzt, Gerhard Widmer:
Tracking rests and Tempo changes: Improved Score following with Particle filters. - Chung Lee, Andrew Horner, James W. Beauchamp, Lydia Ayers:
Discrimination of Sustained Musical Instrument tones resynthesized with piecewise-linear Approximation of harmonic amplitude envelopes. - James Leonard, Nicolas Castagné, Claude Cadoz, Jean-Loup Florens:
Interactive Physical Design and Haptic Playing of Virtual Musical Instruments. - Hugh Lynch, Robert Sazdov:
An Investigation into the perception of Spatial Techniques used in Multi-channel Electroacoustic Music. - Nils Iver Holtar, Mark J. Nelson, Julian Togelius:
Audioverdrive: Exploring Bidirectional Communication between Music and gameplay. - Israel Neuman:
Generative Grammars for Interactive Composition Based on Schaeffer's TARTYP. - Hiroki Nishino, Naotoshi Osaka, Ryohei Nakatsu:
LC: a strongly-Timed Prototype-Based Programming Language for Computer Music. - Hiroki Nishino, Naotoshi Osaka, Ryohei Nakatsu:
Unit-Generators Considered Harmful (for Microsound synthesis): a Novel Programming Model for Microsound synthesis in Lcsynth. - Tae Hong Park, Johnathan Turner, Christopher Jacoby, Alex Marse, Michael Musick, Ajay Kapur, Jingyin He:
Locative Sonification: Playing the World through Citygram. - Adam Parkinson:
Embodied listening, affordances and Performing with Computers. - Mark Pedersen:
Sound Labyrinth: Exploration of the Embodied Sublime through an Immersive audio/Visual Installation. - Donya Quick, Paul Hudak:
A Temporal Generative Graph Grammar for harmonic and Metrical Structure. - Martin Ritter, Keith Hamel, Bob Pritchard:
Integrated Multimodal Score-following Environment. - Flávio Luiz Schiavoni, Marcelo Queiroz, Marcelo M. Wanderley:
Alternatives in Network transport Protocols for audio Streaming Applications. - Aaron Wyatt, Cat Hope:
Animated Music Notation on the iPad. - Andreas Weixler, Se-Lien Chuang:
Enhanced phenotype. - Roland Adeney:
Exploring movement and Music in a Grid Music System. - Monty Adkins, Julio D'Escrivàn:
Geometries of Flight - remix as nodal Practice. - Jae Hyun Ahn, Richard Dudas:
Musical Applications of Nested Comb filters for Inharmonic resonator effects. - Miriam Akkermann:
"contacts Turbulents" by David Wessel: an analytic Approach from a Musicological Point of View. - Renick Bell:
Towards Useful Aesthetic Evaluations of Live coding. - Juan José Burred:
Cross-synthesis Based on spectrogram Factorization. - Walter Cianciusi:
Max Neuhaus: Pioneer of Invisible and (Almost) Inaudible sound Installations. - W. Scott Deal, Javier Sánchez:
Integration of Machine Learning Algorithms in the Computer-acoustic Composition Goldstream variations. - Eric Hamdan, Joachim Gossmann:
Audiovisual Integration with Calvr and Libcollider. - Masatoshi Hamanaka, SeungHee Lee:
Concert Scope headphones. - Bridget Johnson, Jim W. Murphy, Ajay Kapur:
Designing gestural Interfaces for Live sound diffusion. - David Kim-Boyle:
Extended non-linear Applications and the Visual Aesthetics of Real-Time Scores. - Anton L. Fuhrmann, Johannes Kretz:
Multi Sensor tracking for Live sound Transformation. - Tsung-Ching Liu, Cheng-Han Yang, Bing-Shr Yan:
Glass tube Gamelan Design for Preparation on Installation Art Applications. - José Ignacio López Ramírez-Gastón:
Electronic Circuit Building in Peru: a Subaltern Case on Participation and Technology. - Michael Norris, Jason Post:
Spin/Drift: a Real-Time spatialized Granular synthesis Algorithm with Particle System Physics & Behaviours. - Zeyu Jin, Roger B. Dannenberg:
Formal Semantics for Music Notation control Flow. - Ignacio Pecino, Ricardo Climent:
Sonicmaps: connecting the ritual of the Concert Hall with a Locative audio Urban Experience. - James Savage:
Developing a chromatic Interface for Real-Time Digital Harmonisation of Saxophone Performance. - Wendy Suiter:
The Fuzziness of 'expression' in Relation to Algorithmic Music. - Sever Tipei:
Composing with Sieves: Structure and Indeterminacy in-Time. - Lonce Wyse, Pallav Shinghal:
Sonicbard - Storytelling with Real-Time sound control, synthesis and Processing using Emerging Browser-Based Technologies. - Michael Zbyszynski, David Zicarelli, Regina Collecchia:
Fzero~: Fundamental estimation for Max 6. - Roger Alsop:
SPEECH: creating a virtual audio-visual artwork. - Leah Barclay:
Biosphere soundscapes: the rainforests of Brazil to the coastlines of Australia. - A Bridge from Nowhere (8'44'').
- Toby Gifford, Andrew R. Brown, Robert Davidson:
Amplifying Compositional Intelligence: Creating with a Psychologically-Inspired Generative Music System. - Carlos López Charles:
Non-Real-Time transduction and its Use as a Compositional Technique for the Creation of Visual Music. - Adam Collis:
Noise and Representation. - Antonio D'Amato:
Synesthesia: Composing from Images with noise shaping synthesis. - Simon Fay, David Eagle:
Chaoticcounterpoint: an Algorithmically Assisted Improvisation. - Kerry L. Hagan:
The noise of Morphons and Bions. - Juan Parra Cancino:
From Emulation to instigation: Revising the Notion of Etude as Compositional Form in Live Computer Music. - Paulina Sundin, Monty Adkins, Adrian Gierakowski:
Beyond Pythagoras. - Rafael Valle:
Towards a Dynamic, Inclusive and Equalitarian Augmented Activity Space. - James L. Barbour:
The Equidome, a Personal Spatial Reproduction array. - Jongwoo Yim, Richard Dudas:
Studio Report: Creama - Center for Research in electro-acoustic Music and audio at Hanyang University. - Jonathan P. Forsyth, Braxton Boren, Rebecca Feynberg, Tae Hong Park:
NYU Music Technology Studio Report. - Mika Kuuskankare, Sara Adhitya:
From Musical Score to Graphic Plan: the Development of Sum as a Design Tool. - Cooper Baker, Tom Erbe:
PD spectral Toolkit. - Alba Francesca Battista, Damiano Meacci:
Luc Ferrari, Tautologos 1: the Crucial Repetition. - Bongjun Kim, Woon Seung Yeo:
Probabilistic Prediction of rhythmic characteristics in Markov Chain-Based Melodic Sequences. - Ping-Jui Huang, Yu-Chung Tseng:
Light Sensor Piano. - Ajay Kapur, Perry R. Cook, Michael Bryant:
Teaching Computer Science to Digital artists through Music and sound. - Bongjun Kim, Woon Seung Yeo:
Probabilistic Prediction of rhythmic characteristics in Markov Chain-Based Melodic Sequences. - Simon Lui:
A Music Timbre Self-Training Tool on Mobile Device using Volume Normalized Simplified spectral Information. - Charles Martin:
Integrating Mobile Music with Percussion Performance Practice. - David Medine:
Timelab: Yet, Yet Another Real-Time audio Programming System. - Jim W. Murphy, Ajay Kapur, Dale A. Carnegie:
Swivel: Analysis and Systems Overview of a New robotic Guitar. - Tsubasa Tanaka, Kiyoshi Furukawa:
Reinforcement Learning of Musical scales from Human Emotions. - Rafael Valle:
Gradual control of harmonicity in the Context of frequency modulation. - Justin Walbeck, Richard Snow:
Capacitance sensing gestural Music controller. - Mo H. Zareei, Ajay Kapur, Dale A. Carnegie:
Noise on the Grid: rhythmic pulse in Experimental and Electronic noise Music. - Josue Moreno, Vesa Norilo:
A Type-Based Approach to Generative parameter Mapping. - Naotoshi Osaka, Hiromichi Tsuda, Yoshitada Yamada:
Construction of an Electronic Timbre Dictionary in C++ for Multiple Platforms. - Takayuki Rai, Shu Matsuda, Yota Morimoto, Keitaro Takahashi, Takyuto Fukuda:
DIPS5 FOR MAX: Digital Image Processing with Sound, version 5.
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