„Denis (Cembalobauer)“ – Versionsunterschied
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[[File:Louis_Denis_chalk_signature.png|thumb|right|The red chalk signature of Louis Denis on the underside of the soundboard of the 1658 harpsichord. Picture by instrument's restorer, Reinhard von Nagel]] |
[[File:Louis_Denis_chalk_signature.png|thumb|right|The red chalk signature of Louis Denis on the underside of the soundboard of the 1658 harpsichord. Picture by instrument's restorer, Reinhard von Nagel]] |
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[[File:Denis - Traité 1650.jpg|thumb|right|The title page of the second edition of Jean Denis' II treatise, published in 1650]] |
[[File:Denis - Traité 1650.jpg|thumb|right|The title page of the second edition of Jean Denis' II treatise, published in 1650]] |
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The '''Denis''' family were [[France|French]] [[harpsichord]] makers from the mid 16th century to the beginning of the 18th century, by which time the [[Blanchet (harpsichord makers)|Blanchet]] family had superseded them as the main harpsichord building dynasty in [[Paris]]. Members of the Denis family headed the instrument makers' guild for several generations, but only four [[harpsichords]] by members of the family have survived to modern times, and three [[spinets]].<ref>A History of the Harpsichord, Kottick, E.L., 2003, Indiana University Press, pages 168-171</ref> Several of the Denis instruments are signed in red chalk under the sound board with the makers name, place of construction and date, along with three five-pointed stars<ref>Webarticle by François Badoud, published on the website of the harpsichordist Paola Erdas, [http://www.paolaerdas.it/e_clav%20denis.html]</ref> |
The '''Denis''' family were [[France|French]] [[harpsichord]] makers from the mid 16th century to the beginning of the 18th century, by which time the [[Blanchet (harpsichord makers)|Blanchet]] family had superseded them as the main harpsichord building dynasty in [[Paris]]. Members of the Denis family headed the instrument makers' guild for several generations, but only four [[harpsichords]] by members of the family have survived to modern times, and three [[spinets]].<ref>A History of the Harpsichord, Kottick, E.L., 2003, Indiana University Press, pages 168-171</ref> Several of the Denis instruments are signed in red chalk under the sound board with the makers name, place of construction and date, along with three five-pointed stars.<ref>Webarticle by François Badoud, published on the website of the harpsichordist Paola Erdas, [http://www.paolaerdas.it/e_clav%20denis.html]</ref> Instruments by the Denis family where in high regard well after their time, as witnessed by an entry in the ''Encyclopédie Methodique'' from 1785: "The best makers of ordinary harpsichords have been the [[Ruckers]] in Antwerp... and Jean Denis of Paris".<ref>A History of the Harpsichord, Kottick, E.L., 2003, Indiana University Press, page 167</ref> |
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==Known builders of the family == |
==Known builders of the family == |
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Version vom 24. Januar 2017, 07:31 Uhr
The Denis family were French harpsichord makers from the mid 16th century to the beginning of the 18th century, by which time the Blanchet family had superseded them as the main harpsichord building dynasty in Paris. Members of the Denis family headed the instrument makers' guild for several generations, but only four harpsichords by members of the family have survived to modern times, and three spinets.[1] Several of the Denis instruments are signed in red chalk under the sound board with the makers name, place of construction and date, along with three five-pointed stars.[2] Instruments by the Denis family where in high regard well after their time, as witnessed by an entry in the Encyclopédie Methodique from 1785: "The best makers of ordinary harpsichords have been the Ruckers in Antwerp... and Jean Denis of Paris".[3]
Known builders of the family
The following family members are recorded as building instruments:[4]
Robert Denis I (1520 - 1589), a builder of organs and spinets in Paris.
- Claude Denis (1544 - 1587), son of Robert I
- Robert Denis II ( died 1589), son of Robert I
- Jean Denis I (c.1549 - 1634), son of Robert I, elected as jurés of the instrument makers guild in Paris in 1601
- Thomas Denis (c.1585 - 1634), son of Jean I
- Pierre Denis I (c.1600 - 1664), son of Jean I
- Jean Denis II (1600 - 1672), son of Jean I. He was a practicing organist at the church of Saint-Barthélemy on Île de la Cité (now demolished) [5] as well as instrument maker and was elected as jurés of the instrument makers guild in Paris in1647. He published in 1643 a practical treatise on harpsichord tuning, Traité de l'accord de l'espinette, which is today one of the major sources on historic tuning practice, although it touched on several subjects ranging from choir music to bad performance habits of keyboard players. Jean II is survived by one double manual instrument, currently in Musée de l'Hospice Saint Roch, Issoudun, central France.
- Jean Denis III (c. 1630 - 1685), son of Jean II, survived by one spinet (1667)). He was nominated as jurés of the instrument makers guild, but was not elected.
- Louis Denis (1635 - 1710) son of Jean II, survived by two harpsichords (1658 and 1677) and a spinet (1681).
- Philippe Denis (died 1705) son of Jean II, survived by one harpsichord and an ottavino.
- 'Pierre Denis II (1675-after 1705), son of Philippe
See also
References
External links
- Detailed photographs, radiographs and documantation of the 1677 Louis Denis instrument preserved in Cité de la Musique, Paris.
- Photo and description of the 1658 Louis Denis harpsichord
- Photos and description of the 1674 Philippe Denis harpsichord
- ↑ A History of the Harpsichord, Kottick, E.L., 2003, Indiana University Press, pages 168-171
- ↑ Webarticle by François Badoud, published on the website of the harpsichordist Paola Erdas, [1]
- ↑ A History of the Harpsichord, Kottick, E.L., 2003, Indiana University Press, page 167
- ↑ A History of the Harpsichord, Kottick, E.L., 2003, Indiana University Press, based of a table on page 166, showing the known members of the Denis family
- ↑ The Harpsichord and Clavichord: An Encyclopedia, Kipnis I, 2013, Routledge, page 148]]