Imogen Holst
Imogen Claire Holst (* 12. April 1907 in Richmond upon Thames (Surrey); † 9. März 1984 in Aldeburgh, Suffolk) war eine englische Komponistin, Dirigentin und Musikschriftstellerin.
Leben
Holst − Tochter des Komponisten Gustav Holst und seiner Ehefrau Isobel Harrison − besuchte die St Paul's Girls School in Hammersmith und studierte am Royal College of Music in London. Während des Zweiten Weltkriegs arbeitete sie von 1941 bis 1944 als Organisatorin beim Council for the Encouragement of Music and the Arts und von 1943 bis 1951 als musikalische Leiterin beim Arts Centre in der Dartington Hall School.
1952 ging Holst als Mitarbeiterin von Benjamin Britten nach Aldeburgh und wurde 1956 künstlerische Leiterin des dortigen Festivals. 1953 gründete sie die Purcell Singers, deren Dirigentin sie bis 1967 war. Von ihren Schriften wurde vor allem die Biographie ihres Vaters bekannt. Weitere Bücher von ihr befassen sich mit mittelalterlicher Musik, Volks-, Renaissance- und Barockmusik. Außer zu ihrem Vater schrieb sie Biographien zu William Byrd, Henry Purcell, Johann Sebastian Bach und Benjamin Britten.
Als Komponistin hinterließ Imogen Holst ein umfangreiches Werk, das instrumentale, vokale und orchestrale Genres umfasst. Ebenso vielseitig arbeitete sie als Arrangeurin.
Veröffentlichungen
- Imogen Holst: Das ABC der Musik. Grundbegriffe, Harmonik, Formen, Instrumente. Mit einem Vorwort von Benjamin Britten Englischen Originalausgabe 1963, übersetzt von Meinhard Saremba, Reclam Sachbuch, 7. Auflage, ISBN 978-3-15-018681-7.
(Die folgende Liste ist der englischen Wikipedia entnommen)
- Gustav Holst: A biography. Oxford University Press, London 1938, OCLC 852118145. (Neuauflage 1969).
- The Music of Gustav Holst. Oxford University Press, London 1951, OCLC 881989. (revidierte Ausgaben 1968 und 1985, letztere mit Zusatz Holst's Music Reconsidered).
- The Book of the Dolmetsch Descant Recorder. Boosey & Hawkes, London 1957, OCLC 221221906.
- The Story of Music („The Wonderful World“ Serie). Rathbone, London, OCLC 2182017. (Coauthor Benjamin Britten).
- Heirs and Rebels: Letters Written to Each Other, and Occasional Writings on Music by Ralph Vaughan Williams and Gustav Holst. Oxford University Press, London 1959, OCLC 337514. (Coautorin Ursula Vaughan Williams).
- Henry Purcell, 1659–1695: Essays on his Music. Oxford University Press, London 1959, OCLC 602569. (Hrsg.).
- Henry Purcell: The Story of his Life and Work. Boosey & Hawkes, London 1961, OCLC 1200203.
- Tune. Faber & Faber, London 1962, OCLC 843455729..
- An ABC of Music: a Short Practical Guide to the Basic Essentials of Rudiments, Harmony, and Form. Oxford 1963, ISBN 0-19-317103-1.
- Your Book of Music. Faber & Faber, London 1964, OCLC 170598.
- Bach („Great Composers“ Serie). Faber & Faber, London 1965, OCLC 748710834.
- Britten („Great Composers“ Serie). Faber & Faber, London 1966, OCLC 243904447.
- Byrd („Great Composers“ Serie). Faber & Faber, London 1972, ISBN 0-571-09813-4.
- Conducting a Choir: a Guide for Amateurs. Oxford University Press, London 1973, ISBN 0-19-313407-1.
- Holst („Great Composers“ Serie). Faber & Faber, London 1974, ISBN 0-571-09967-X. (Neuauflage 1981)
- A Thematic Catalogue of Gustav Holst's Music. Faber Music, in conjunction with G & I Holst Ltd, London 1974, ISBN 0-571-10004-X.
Imogen Holst schrieb zwischen 1935 und 1984 auch zahlreiche Artikel, Pamphlete, Aufsätze, Einführungen und Programmeinführungen.[1]
Werkliste
(S= Sopran; A= Alt; T= Tenor; B= Bass)
1. Original Kompositionen
Genre | Jahr | Titel | Forces (instrumental und vocal) |
Bemerkungen |
---|---|---|---|---|
Kammermusik | 1918 | Sonata in D minor | Violine, Viola, Cello and Klavier | Opus 1 (nur die ersten vier Werke sind nummeriert) |
Unaccompanied tune | 1918 | Four English Christmas Carols | Opus 2 | |
Instrumental | 1918 | Duet | Viola und Klavier | Opus 3 |
Instrumental | 1920 | The Masque of the Tempest | Flöte, Klarinette, Triangel und Streicher | Opus 4 |
Choral | 1921 | Arrangement: „Resonet in Laudibus“ | Stimmen unisono und kleines Orchester | |
Choral | 1925 | An Essex Rhapsody | gemischter Chor und Orchester | |
Vocal | 1925 | Three songs (words: Walter de la Mare) | gemischte Stimmen, zwei Violinen und Cello | |
Vocal | 1926 | Two Four-part Rounds | Unbegleitete Stimmen | |
Vocal | 1926 | „Weathers“ (song) (Text: Thomas Hardy) | Stimme solo und Klavier | |
Instrumental | 1926 | Theme and variations | Klavier | |
Choral | 1927 | Mass in A minor | Chor SSATB | |
Instrumental | 1927 | Suite in F: „Allegro assai“ | Streicher | |
Orchestral | 1927 | Suite: „Moderato“ | Kleines Orchester | |
kammermusik | 1928 | Quintet | Oboe und Streicher | |
Instrumental | 1928 | Sonata in G | Violine und Klavier | |
Kammermusik | 1928 | Phantasy | Streichquartett | |
Kammermusik | 1928 | Suite | Flöte, Oboe, Klarinette, Fagott | |
Orchestral | 1929 | Overture: Persephone | Orchester | |
Blechbläser Band | 1929 | Suite: The Unfortunate Traveller | Blaskapelle | |
Instrumental | 1930 | Suite: The Unfortunate Traveller | Streicher | Arrangement einer Suite für Blaskapelle (1929) |
Choral | 1930 | „What Man is He“ | Chorus SATB und Orchestra | Text aus Wisdom IX: 13–17 |
Ballet | 1930 | Meddling in Magic | Orchester | |
Instrumental | 1930 | Suite | Viola allein | |
kammermusik | 1930 | Sonata | Violine und Cello | |
Orchestral | 1932 | Morris Suite | Kleines Orchester | |
Instrumental | 1934 | Five Short Airs on a Ground | Flöten | |
Instrumental | 1934 | Five Short Pieces | Klavier | |
Instrumental | 1934 | Six Pictures from Finland | Solo Klavier | |
Choral | 1934 | Wedding Hymn: „Father in Thine Almighty Hand“ (Worte: Eleanor Spensley) | Stimmen SATB | |
Orchestral | 1934 | Incidental music: The Song of Solomon | Orchester | Music for a Hollywood pageant |
Concertante | 1935 | Concerto for violin and string orchestra | Solo-Violine und Streicher | Basiert auf traditionellen irischen Melodien |
Instrumental | 1935 | Four Easy Pieces | Viola und Klavier | |
Orchestral | 1935 | On Westhall Hill | Kleines Orchester | |
Choral | 1935 | Carol: „My Bairn, Sleep Softly Now“ (Anon.) | Frauenstimmen (SSSAA)a capella oder Sopran und Flöten | |
Instrumental | 1936 | Canons | Gemischte Flöten | |
Vocal | 1936 | „Fly Away Over the Sea“ (Worte: Christina Rossetti) | Zwei Soprane und Klavier | |
Vocal | 1936 | Canon: „Great Art Thou, O Lord“ | Fünf gleiche Stimmen a capella | |
Vocal | 1936 | „Lady Daffadowndilly“ (words: Christina Rossetti) | gemischte Stimmen und Klavier | |
Choral | 1936 | „Now Will I Weave White Violets“ (Worte: Meleager of Gadara) | Frauenstimmen (SSA) | |
Choral | 1937 | Incidental music: Nicodemus | Chor und Orchester | |
Instrumental | 1937 | 12 Songs for Children (piano accompaniments) | Klavier | |
Vocal | 1937 | „Little Thinkest Thou, Poore Flower“ (words: John Donne) | Stimme und Klavier | |
Instrumental | 1939 | „Prelude and Dance“ | Klavier | |
Orchestral | 1939 | Eothen Suite | Kleines Orchester | |
Choral | 1940 | „The Cherry Tree Carol“ | SATB a capella | |
Instrumental | 1940 | Six Shakespeare songs | Blockflöten-Trio | |
Choral | 1940 | „A Hymne to Christ“ (words: John Donne) | Chor SATB a capella | |
Chamber | 1941 | Offley Suite | Blockflöten-Trio | |
Instrumental | 1941 | Deddington Suite | Blockflöten-Trio | |
Kammermusik | 1942 | Serenade | Flöte, Viola und Fagott | |
Instrumental | 1943 | Suite | Streichorchester | |
Choral | 1943 | Three Psalms | Chor SSAATB und Streicher | |
Instrumental | 1943 | Theme and variations | Solo Violine | |
Concertante | 1944 | Oboe concerto | Oboe und Orchester | |
Kammermusik | 1944 | First String Trio | Violine, Viola, Cello | |
Choral | 1944 | Five songs (words: Anon., Robert Herrick, John Donne) | Stimmen SSSAA | |
Vocal | 1944 | Four Songs (words: Tottel's Miscellany) | Sopran und Klavier | |
Choral | 1945 | Hierusalem (words: Tottel's Miscellany) | Achtstimiger Frauenchor | |
Oper | 1945 | Young Beichan (libretto: Beryl de Zoete) | Solisten, Chor und Orchester | Marionettenoper in sieben Szenen |
Instrumental | 1945 | Offley Suite | Streicher | Arrangement fur Klavieranfänger und Anfänger-Streicherklasse |
Instrumental | 1946 | Duet for treble recorders | Duett für gemischte Blockflöten | |
Instrumental | 1946 | Six Canons | Violinen | Übungen für Violine |
Choral | 1946 | Anthem: „How Manifold are thy Works“ | Chor, unspezifiziert | |
Choral | 1946 | Four Canons for Winsome | Female voices | Für Winsome Bartlett, Kollege von IH in Dartington[2] |
Kammermusik | 1946 | String Quartet No. 1 | Streichquartett Nr. 1 | |
Choral | 1947 | Birthday Canon for Winsome: „Open me the gates of righteousness“ | Stimmen SATB | |
Choral | 1947 | Birthday Part-Song for Winsome: „The lopped tree in time may grow again“ | Stimmen SSAA | |
Vocal | 1948 | Round: „I stand as still as any stone“ | Vier Stimmen (unspezifiziert) | |
Chamber | 1949 | String quartet No. 2 | Streichquartett Nr. 2 | |
Vocal | 1950 | Incidental music, Prometheus (words: Aeschylus) | Stimmen (unspezifiziert) und Viola | |
Choral | 1950 | Six part-songs: Welcome Joy and Welcome Sorrow | Stimmen SSA und Harfe (oder Klavier) | |
Opera | 1951 | Benedick and Beatrice | Solisten, Cchor und Orchester | Oper in einem Akt, basierend auf Figuren (Charaktere) von Shakespeare[3] |
Choral | 1955 | Motet: „Lavabo inter innocentes“ | Stimmen SSSAA | |
Instrumental | 1962 | The Fall of the Leaf: three short studies on a 16th-century tune | Cello allein | |
Choral | 1962 | „The Twelve Kindly Months“ (Worte: Thomas Tusser) | Stimmen SSA | |
Instrumental | 1962 | Variations on „Loth to Depart“ | Streichquartett und zwei Streichorchester | |
Instrumental | 1962 | String Trio No. 2 | Violine, Viola and Cello | |
Choral | 1964 | „As Laurel Leaves That Cease Not to Be Green“ (from Tottel's Miscellany) | Stimmen SSA | |
Choral | 1964 | „That Lord that Lay in Asse Stall“ | Stimmen SATB | |
Choral | 1965 | Carol: „Make Ye Merry For Him That Is To Come“ | Stimmen SSATB | |
Choral | 1965 | „Not Unto Us O Lord“ | Zwei gemischte und hohe Chöre (stimmt Übersetzung?), Orgel, optional Röhren-Glocken | |
Choral | 1965 | Cantata: The Sun's Journey | Sopran- und Altchöre, kleines Orchester (oder Klavier) | |
Orchestral | 1965 | Triannon Suite | Orchester | |
Instrumental | 1966 | Fanfare for the Grenadier Guards | Drei Trompeten, Horn, zwei Posaunen | |
Instrumental | 1966 | Fanfare for Thaxted | Zwei Trompeten, Flöte, Glocken | |
Instrumental | 1967 | Leiston Suite | Bläserquartett | |
Instrumental | 1968 | Duo | Viola und Klavier | |
Choral | 1968 | „Out of Your Sleep arise and Wake“ | Chor SSATTB a capella | |
Instrumental | 1969 | Badingham Chime | Handglocken | |
Blechbläser Band | 1969 | Theme and seven variations: The Glory of the West | Blechbläser Band | |
Orchestral | 1969 | Woodbridge Suite | Orchester | |
Instrumental | 1970 | Fantasia on Hampshire Folk Tunes | Streichorchester | |
Instrumental | 1972 | Iken Fanfare | Schul-Blaskapelle | |
Choral | 1972 | „Hallo My Fancy, Whither Wilt Thou Go“ (words: William Cleland) | SSTBB und Countertenor | |
Vocal | 1974 | „Farewell to Rod“ | Solo Stimme und Continuo | |
Concertante | 1976 | Joyce's Divertimento | Viola und Orchester | |
Orchestral | 1977 | Deben Calendar | Orchester | |
Instrumental | 1980 | February Welcome | Handglocken | |
Vocal | 1980 | A Greeting | Zwei Soprane, Mezzosopran und Klavier | |
Vocal | 1982 | „Song for a Well-Loved Librarian“ | Sopran, Mezzo-Sopran, Tenor und Bariton | Gewidmed Fred Ferry, librarian to the Britten-Pears Library[4] baritone |
Chamber | 1982 | String Quintet | Streichquintett:zwei Violinen, Viola, zwei Celli | |
Vocal | 1984 | Homage to William Morris | Bass Stimme und Streichbass | |
Instrumental | 1984 | Recorder sextet | Sopranino, zwei Diskant-, zwei gemischte- und Tenorblockflöte | |
Instrumental | 1984 | Concerto for recorder and string orchestra | ||
Instrumental | 1984 | Duett | Violine und Cello |
2. Arrangements
Genre | Jahr | Titel | Forces (instrumental und vocal) |
Bemerkungen |
---|---|---|---|---|
Instrumental | 1932 | First Book of Tunes for the Pipes | Pipes | Collected and arranged |
Instrumental | 1933 | Selected 18th Century Dances | Piano | Collected and arranged |
Instrumental | 1933 | Second Book of Tunes for the Pipes | Pipes | Collected and arranged |
Instrumental | 1933 | Two Scottish Airs | Cello and piano | |
Vocal | 1934 | Four Oxfordshire Folk Songs | Two sopranos and piano | |
Vocal | 1934 | Four Somerset Folk Songs | Two sopranos and alto | |
Orchestral | 1934 | Love in a Mist or The Blue-Haired Stranger | Orchestra | Arranged from music by Scarlatti |
Choral | 1934 | Folk song: „Nowell and Nowell“ | Mixed voices | |
Vocal | 1934 | Six Scottish Folk Songs | Voice, pipes piano | |
Orchestral | 1934 | Traditional Country Dances | Orchestra | Arranged for the Cecil Sharp House Orchestra and others |
Instrumental | 1935 | Four Folk Tunes from Hampshire | Unison violins and piano | |
Orchestral | 1935 | „Intermezzo“ from Gustav Holst's First Suite in E flat | Orchestra | Orchestral arrangement |
Choral | 1935 | Folk song: „The Virgin Unspotted“ | Unaccompanied female voices (SSA) | |
Instrumental | 1936 | Twelve Old English Dance Airs | Pipes | Arrangements, from Playford's English Dancing Master |
Choral | 1936 | „Wassail Song“ | Unaccompanied men's chorus | Arranged from Gustav Holst's setting for mixed voices |
Instrumental | 1937 | Six Old English Dances | Piano | Arrangements, from Playford's English Dancing Master |
Choral | 1937 | Folk song: „A Sweet Country Life“ | Unaccompanied SATB voices | |
Choral | 1937 | Folk song from Hampshire: „The Cobbler“ | Unaccompanied SATB voices | |
Choral | 1937 | „A Cornish Wassail Song“ | Unaccompanied SATB voices | |
Brass band | 1937 | Coronation Country Dances | Brass band | Co-arrangement with Gordon Jacob |
Instrumental | 1937 | The Rival Sisters | Strings, ad lib woodwind and percussion | Arrangements of Purcell's suite for small orchestra |
Vocal | 1938 | Pelham Humphrey: Three Songs (Pelham Humphrey) | Voice and piano | |
Vocal | 1938 | Ten Appalachian Folk Songs | Voice and piano | |
Choral | 1940 | Six Traditional Carols (first set) | SSA voices | Completed between 1940 and 1946 |
Vocal | 1940 | Pastoral scene: Nymphs and Shepherds | SSA voices, strings, optional recorders | Based on music by Purcell |
Choral | 1940 | Dorset folk carol: „Come All You Worthy People“ | SSA voices | |
Instrumental | 1940 | Pelham Humphrey: Five airs | Recorder trio | |
Vocal | 1941 | Pelham Humphrey: Song „Nature's Homily“ | Baritone and piano | |
Instrumental | 1942 | Handel's „As When the Dove“ | Continuo | |
Instrumental | 1942 | A Bach Book for the Treble Recorder | Treble recorder | Selected and edited by IH |
Vocal | 1942 | Three Carols from Other Lands | Unspecified | |
Choral | 1943 | „Of a Rosemary Branch Sent“ | SATB voices with strings | |
Choral | 1943 | Shropshire folk carol: „All Under the Leaves“ | SSA voices | Also known as „The Seven Virgins“ |
Choral | 1943 | Cornish folk-carol: „Cherry, Holly and Ivy“ | SATB voices | |
Choral | 1945 | Bach's Cantata No. 79: „God the Lord is Son and Shield“ | SSA voices | |
Instrumental | 1945 | Purcell's The Tempest | Piano, flute, descant recorder, oboe, clarinet, strings | |
Orchestral | 1945 | Three Somerset Folk Songs | Small orchestra | |
Instrumental | 1947 | British Folk Songs | Solo piano | |
Choral | 1948 | Six Traditional Carols (Second set) | SSA voices | |
Choral | 1949 | Gustav Holst: „Lullay my Liking“ | SSA voices with solo soprano | |
Choral | 1949 | Six Christmas Carols (Third set) | SSA and SSAA voices | |
Instrumental | 1950 | Purcell: Four songs | Recorder ensemble | |
Choral | 1950 | „Greensleeves“ | SSA voices | |
Instrumental | 1950 | Purcell: Seventeen songs | Piano, two violins, cello ad lib | |
Choral | 1950 | Folk song: „I Must Live All Alone“ | SSA voices | |
Instrumental | 1951 | Ten Indian Folk Tunes from the Punjab | Descant recorder | Transcribed by IH and Prabhakar Chinchore |
Choral | 1952 | Handel: L'Allegro, il Penseroso ed il Moderato | Equal voices with ad lib soprano and alto soli | |
Instrumental | 1952 | „Sellenger's Round“ | Strings | Arrangement of Byrd setting |
Vocal | 1953 | Daniel Purcell: „By What I've Seen I am Undone“ | Voice and piano | |
Vocal | 1953 | Henry Carey: Four Songs | Voice and piano | |
Orchestral | 1954 | Britten: „March from the Courtly Dances sequence in Gloriana“ | Orchestra | Orchestral arrangement |
Vocal | 1954 | Britten: Second Lute Song of Earl of Essex, from Gloriana | Voice and piano | |
Choral | 1955 | Britten: Choral Dances from Gloriana | Tenor solo and SATB chorus | |
Instrumental | 1955 | Bach: A Christmas Canon | Recorder quartet | |
Vocal | 1955 | Handel: „For Ever Blessed Be Thy Holy Name“ | Voice and piano | |
Choral | 1955 | Folk song: „O Can Ye Sew Cushions“ | SSA voices and piano | From Britten's Folk Song arrangements Vol. 1 |
Choral | 1955 | Six Scottish Songs | SSA voices unaccompanied | |
Choral | 1955 | Traditional Songs of Scotland | SSA voices unaccompanied | |
Vocal | 1955 | Arne: „Under the Greenwood Tree“ | Voice and piano | |
Vocal | 1956 | Sea shanty: „Sally Brown“ | Voices and recorders | |
Opera | 1956 | Venus and Adonis | Unspecified | From the original by John Blow: prepared for the 1956 Aldeburgh Festival[5] |
Choral | 1957 | „Singing for Pleasure“ | Female voices | Song collection |
Choral | 1958 | Six Traditional Carols (Fourth Set) | Unaccompanied SSA and SSSA voices | |
Choral | 1959 | „A Jubilee Book of English Folk Songs“ | Unison voices and piano | Song collection |
Choral | 1959 | Ten songs from John Wilson's Cheerfull Ayres and Ballads (1659) | SSA voices | |
Instrumental | 1960 | Fifty Bach tunes | Recorder | Arranged from originals |
Instrumental | 1960 | Ten Bach tunes | Recorder | Arranged from originals |
Choral | 1960 | A Yacre of Land: 16 folksongs from collection of Ralph Vaughan Williams | Unison voices and piano, or unaccompanied voices | Co-arranged by IH and Ursula Vaughan Williams |
Vocal | 1961 | Nineteen Songs from Folk Songs of Europe, ed. Maud Karpeles | Voice and piano accompaniment | |
Choral | 1961 | Tunes from Kentucky | Equal voices and junior orchestra | |
Choral | 1962 | Heinrich Schütz: The Passion According to St John | Soloists and unaccompanied chorus | Co-edited and arranged by IH and Peter Pears |
Choral | 1964 | Scottish Traditional Song: „A Wee Bird Cam' to Our Ha'Door“ | SATB voices | |
Choral | 1965 | The Passion According to St Luke | Unaccompanied voices | Edited and arranged for performance from 15thC manuscripts |
Choral | 1965 | Heinrich Schütz: The Passion According to St Matthew | Soloists and unaccompanied chorus | Co-edited and translated by IH and Peter Pears |
Vocal | 1966 | Thomas Tudway: „I Will Lift Up Mine Eyes“ | Soprano and continuo | |
Choral | 1966 | George Kirbye: „O Jesu, Look“ | SSATB voices | |
Opera | 1967 | Purcell: The Faerie Queen (shortened version) | Soloists, chorus and orchestra | Edited and prepared for concert performance by IH, Peter Pears and Benjamin Britten |
Choral | 1967 | Bach: The Passion According to St John | Soloists, chorus and orchestra | Edited by Benjamin Britten and IH; English translation by Peter Pears |
Orchestral | 1967 | Lully: Suite from Persée | Orchestra | Edited from original by IH and Emanuel Hurwitz |
Vocal | 1967 | Three Carol Arrangements | Three equal unaccompanied voices | |
Vocal | 1967 | Twenty Traditional British Folk Songs | unaccompanied voices in part song | |
Choral | 1968 | Purcell: Wedding anthem, „How Blest Are They“ | Mixed voices, soprano and bass soli | Arranged by IH and Philip Ledger |
Choral | 1969 | Purcell: „Remember Not, O Lord“ | Male chorus | |
Instrumental | 1970 | William Byrd: „Browning“ | Violin, two violas, two cellos | |
Choral | 1970 | English folk song: „Gypsy Davy“ | Unaccompanied chorus | Arranged as a ballad |
Vocal | 1978 | Pelham Humphrey and John Blow: „A Dialogue Between Two Penitents“ | Two tenors and continuo | |
Instrumental | 1981 | Seventeenth-century traditional English dance: „About Ship“ | Piano duet | |
Instrumental | 1983 | Seven tunes by Gustav Holst | piano | Arrangement for elementary piano |
3. Aufnahmen
- CD: Messe a-Moll etc, Choir of Clare College, Cambridge, The Dmitri Ensemble, Graham Ross, 2013, harmonia mundi HMH 907576.
- CD: Streichquartett Nr. 1, zusammen mit Quartetten von B. Britten u. a., 1993.
- »Phantasy«-Quartett, Aufführung BBC Proms 19. August 2013.
Weblinks
- Werke von und über Imogen Holst im Katalog der Deutschen Nationalbibliothek
Einzelnachweise
- ↑ Eine Liste ausgewählter Artikel und Programme enthält die Bibliographie von Christopher Grogan: Imogen Holst: A Life in Music S. 464/65. The Boydell Press, Woodbridge, Suffolk 2010, ISBN 978-1-84383-599-8.
- ↑ Grogan (ed.), p. 141
- ↑ Grogan (ed.) p. 142
- ↑ Grogan (ed.), p. 425
- ↑ Grogan (ed.), pp. 345–46
Personendaten | |
---|---|
NAME | Holst, Imogen |
ALTERNATIVNAMEN | Holst, Imogen Claire |
KURZBESCHREIBUNG | englische Musikschriftstellerin, Komponistin und Dirigentin |
GEBURTSDATUM | 12. April 1907 |
GEBURTSORT | Richmond (Themse), Surrey |
STERBEDATUM | 9. März 1984 |
STERBEORT | Aldeburgh |