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'''James Searle Dawley''' (October 4, 1877 &ndash; March 30, 1949) was an [[United States|American]] [[film director]], producer, [[screenwriter]], stage actor, and [[playwright]]. Between 1907 and the mid-1920s, while working for [[Edison Studios|Edison]], [[Rex Motion Picture Company]], [[Famous Players Film Company|Famous Players]], [[Fox Film|Fox]], and other studios, he directed more than 300 [[short film]]s and 56 [[Feature film|features]], which include many of the early releases of stars such as [[Douglas Fairbanks]], [[Mary Pickford]], [[Pearl White]], [[Marguerite Clark]], [[Harold Lloyd]], and [[John Barrymore]].<ref>[https://archive.org/details/filmdaily3134newy/page/n241/mode/2up "J. Searle Dawley"], career profile, ''The Film Daily'' (New York, N.Y.), June 7, 1925, p. 71. [[Internet Archive]], San Francisco, California. Retrieved July 28, 2020.</ref><ref name="Katz">Katz, Ephraim; revised edition by Fred Klein and Ronald Dean Nolan. "Dawley, J. Searle." ''The Film Encyclopedia''. New York: HarperCollins Publishers, Inc., 2001, p. 340. {{ISBN|0-06-273755-4}}.</ref> He also wrote [[screenplay|scenarios]] for many of his productions, including one for his 1910 horror film ''[[Frankenstein (1910 film)|Frankenstein]]'', the earliest known screen adaptation of [[Mary Shelley]]'s 1818 novel.<ref name="PicartSmoot2001">{{cite book|last1=Picart|first1=Caroline Joan|last2=Smoot|first2=Frank|last3=Blodgett|first3=Jayne|title=The Frankenstein Film Sourcebook|url=https://books.google.com/books?id=3f820XIzkN8C&pg=PA87|year=2001|publisher=Greenwood Publishing Group|isbn=978-0-313-31350-9|pages=86–87}}</ref> While film direction and screenwriting comprised the bulk of Dawley's career, he also had earlier working experience in theater, performing on stage for more than a decade and managing every aspect of [[stagecraft]]. Dawley wrote at least 18 plays as well for [[Repertory theatre|repertory companies]] and for several [[Broadway theatre|Broadway]] productions.<ref name="IBDB">[https://www.ibdb.com/broadway-cast-staff/j-searle-dawley-395529 "J. Searle Dawley"], [[Internet Broadway Database]] (IBDB), The Broadway League, Manhattan, New York. Retrieved July 23, 2020.</ref>
 
[[File:Grand Opera House, 8th Avenue and 23rd Street - crop.jpg |thumb|right|The Grand Opera House in Manhattan, where Dawley made his stage debut in 1895]]
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[[File:Directors meeting at Edison Studios, 1911.jpeg|thumb|200px|right|Dawley (second from left) with fellow Edison directors, 1911]]
 
By 1911, Dawley was one of four full-time directors under contract with Edison. The New York-based trade journal ''The Nickelodeon'' in its February 11 issue that year introduces the four men to its readers and highlights Dawley's speciality among his fellow directors:{{quoteblockquote|The producers of the Edison Company, by which is meant the stage directors who superintend and are responsible for the action of the picture as well as the development of the plot used, are four in number—Messrs. J. Searle Dawley, [[Ashley Miller (director)|Ashley Miller]], C. Jay Williams and [[Oscar C. Apfel]]. A producer naturally, like any other man, develops a particular aptitude for some certain line of work. Mr. Dawley, for example, has put on some of the biggest and most sumptuous productions the Edison Company has ever produced. As specimens of his work may be mentioned "The Stars and Stripes," "Through the Clouds," "The Red Cross Seal", "Eldora, the Fruit Girl," "An Eventful Evening," "The Black Bordered Letter," "The Doctor" and "The Price of Victory."<ref>[https://archive.org/stream/nickelodeon05elec#page/156/mode/2up "Producers of Edison Photoplays"], ''The Nickelodeon'', February 11, 1911, p. 157. Internet Archive. Retrieved July 30, 2020.</ref>{{efn|In the early silent era in the United States, the terms "producer" and "director" were not positions that were as clearly defined from one another as in subsequent decades. Often the terms were used synonymously and applied interchangeably in film reviews and news items about motion-picture productions. In the quoted extract from the 1911 ''Nickelodeon'' article, the writer even attempts to clarify the responsibilities of a director.}}}}
 
In 1911 and 1912, Searle relocated with a crew to the British [[Imperial fortress]] [[British Overseas Territory|colony]] of [[Bermuda]], 640 miles off North Carolina, to film [[The Relief of Lucknow (1912 film)|The Relief of Lucknow]], released in 1912. The production was based at ''"Villa Monticello"'', an estate near to [[Flatts Village, Bermuda|Flatts Village]], with filming locations scattered about the archipelago including the [[Prospect Camp, Bermuda|Prospect Camp]] Garrison Golf Links clubhouse (originally a private home built around 1700, and now a Bermuda National Trust property named ''"Palmetto House"'' due to the still-extant ornamental stand of [[Sabal bermudana|palmettos]] visible in front of it in the film),<ref>{{Cite web |access-date=2022-10-01 |title=Protected Buildings |website=Bermuda National Trust |url=https://bnt.bm/heritage/buildings_protected |location=Paget Parish, Bermuda |quote=Location: 74 North Shore Road, Devonshire NOT OPEN TO THE PUBLIC<br><br>his handsome stone house was built around 1700 by William Williams, the third or fourth of that name to own the land on which it sits. It is roughly cruciform in shape and has hipped roofs rather than the more usual gable. The welcoming arms steps, the mounting block below, the double-flue chimneys and windows tucked under the eaves, are all typical early 18th century features. Palmetto House was one of many buildings in Devonshire appropriated by the War Department. Over the years it fell into serious disrepair until 1948 when Hereward Watlington came to the rescue, reinstating the house to its former glory.}}</ref> ''"Walsingham House"'' (an historic home built in 1652 that is currently the location of the Tom Moore's Tavern restaurant),<ref>{{Cite web |access-date=2022-10-01 |title=Tom Moore's Tavern |url=https://tommoores.com |location=Walsingham, Hamilton Parish, Bermuda |quote=}}</ref> and the walled streets of [[St. George's, Bermuda|St. George's town]]. The 2nd Battalion of [[The Queen's (Royal West Surrey) Regiment]] provided extras.<ref>{{Cite news |title=RELIEF OF LUCKNOW: Dinna Ye Hear It? |date=1912-08-13 |work=The Royal Gazette |location=City of Hamilton, Pembroke, Bermuda |quote=it was created by the Edison artistes who made their headquarters last spring at Villa Monticello, Flatts.}}</ref><ref>{{Cite news |title=HUMANOPHONE COMPANY. Famous Historic Picture Shown-Relief of Lucknow|date=1912-08-17 |work=The Royal Gazette |location=City of Hamilton, Pembroke, Bermuda |quote=To Bermudians this picture has peculiar interest; for it was at Flatts while Mr. Dawley and his company were there that they produced this most remarkable picture.<br>The Highlanders, Sepoys, Artillery-men &c. who appear in the scene are men of The Queen's Regiment whose services were secured for the occasion.}}</ref><ref>{{cite web |url=https://www.youtube.com/watch?v=dzpmPHaC5A4 |title=RELIEF OF LUCKNOW (Indian Mutiny) - A mute film from The Tornos Studio's Collection |author=<!--Not stated--> |date=<!--Not stated--> |website=Youtube: tornosindia |publisher=CREDITS FOR THIS VIDEO: The Arts and Humanities Research Council, British Film Institute, The Imperial War Museum and the British Empire and Commonwealth Museum. (UK) |access-date=2022-05-01 |quote=CONTEXT: The Relief of Lucknow was produced by the Edison Company for the British market. Around 1911, Edison began to make films on specifically European themes to increase sales in Britain. The company also started sending actors and personnel to shoot films in outdoor locations, away from its New Jersey studio (Musser 1995, 49). Serle J. Dawley, director of The Relief, led several of these trips. In the year that he directed The Relief, Dawley shot The Charge of the Light Brigade in Cheyenne, Wyoming, adapting Alfred Lord Tennyson's poem to depict the Battle of Balaclava as a tale of British loyalty and sacrifice. The Relief was shot in Bermuda, which offered the advantages of tropical scenery and the presence of the 2nd Battalion of the "Queen's Own" Regiment, stationed on site}}</ref> The Imperial fortress colony of Bermuda and its [[Bermuda Garrison|garrison]] was also used as the location for another Edison film, ''[[For Valour (1912 film)|For Valour]]'', in which two army officers vie for the affections of a [[Demographics of Bermuda|Bermudian]] woman during the [[Second Boer War]].<ref>{{Cite news |title=HUMANOPHONE COMPANY. "FOR VALOUR". Beautiful Bermuda Film |date=1913-05-15 |work=The Royal Gazette |location=City of Hamilton, Pembroke, Bermuda |page=2 |quote=This evening the Humanophone Company offer as the central attraction of their moving picture exhibition at the Colonial Opera House the Edison, Bermuda film "For Valour," made while Mr. Dawley and his company were at work last year at the Villa Montecello, Flatts. The story concerns the loves of a pretty Bermuda maiden who finds herself unable to choose between two representatives of the British Army until they are on the eve of departure for the South African War. Her choice falls upon one who eventually turns out to be a mean coward. But the other undertakes to bring him back to her and fulfils the self-imposed task although the coward has won a medal for an act which his rival performed. Eventually the truth, becomes known, and the Bermuda beauty rectifies her mistake. It is a pleasing picture and, the local setting lends it a peculiar interest for Bermudians. There was a large attendance of the lovers of good moving pictures at the Town Hall, St. George's on Monday night to see the splendid exhibition given by the Humanophone Company. There are a large number of young boys and girls who regularly attend the Monday night shows and Master Arthur said on Monday night' that Mr. Kaplan might put a real funny one in for their benefit. The Humanphone Co's. pictures are of a very high class, but a little nonsense now and then is relished by the best of men. Miss Silverstone delighted the audience With her performance at the piano and the people of St. George's appreciate her playing more and more as the season advances.}}</ref>
 
===Travels to California===
In 1910 Dawley traveled to California to establish a presence for Edison Studios on the West Coast and to assess Edison's potential for expanding its operations there like other film companies. Dawley made arrangements to rent production space in [[Long Beach, California|Long Beach]] and develop plans for possible new facilities. His initial "film-plant" activities for Edison in that location should not be confused with a "huge" $10,000,000 project being built the same year in Long Beach by Edison Power Company. That company, like Edison Studios, was a subsidiary of Edison Manufacturing Company and in 1910 began construction on the largest electrical plant west of Chicago, one that would ultimately "generate 100,000 horse power" for customers in and around Long Beach.<ref>"Edison Company to Erect Huge Plant at Long Beach", ''Los Angeles Times'', January 4, 1910, section III, p. 1. ProQuest.</ref> Despite his travels back and forth to California for his own work there between 1910 and 1912, Dawley still staged and directed most of his remaining films for Edison at its Bronx studio in New York.
 
[[File:Lord and the Peasant - Die Heimkehr des Reisenden - J. Searle Dawley, 1912, Edison Manufacturing Company.webm|thumb|upright=1.2|'''PLAY''' Edison drama ''Lord and the Peasant'' (1912) directed by Dawley; a German period copy under different title, ''Die Heimkehr des Reisenden'' ("The Traveler's Homecoming"); runtime 00:08:4752.]]
 
Dawley by 1912 increasingly spent more time writing screenplays and adapting scenarios for Edison, such as ''Mary Stuart'', ''Partners for Life'', and ''Charge of the Light Brigade''.<ref name="Katz"/> For the latter film, which he did direct and complete in California, he incorporated scenic footage he took while passing through [[Cheyenne, Wyoming]], when he and his company of players and crew traveled from New York to California, meandering their way across the country on an "extensive picture making tour".<ref>[https://archive.org/stream/moviwor13chal#page/n345/mode/2up "Edison Players Go West"], ''The Moving Picture World'' (New York, N.Y.), July 27, 1912 p. 342. Retrieved July 27, 2020.</ref> It was at this time when Dawley tried to convince [[Thomas Edison]], the prolific inventor and head of the entire Edison corporation, to allow him to create longer films, to expand beyond the company's production of only one-reel pictures, which generally had maximum running times of just 15 minutes.<ref>Karin, Bruce F. ''How Movies Work''. New York: Macmillan Publishing Company, 1987, pp. 46-47.</ref>{{efn|According to the cited source by Karin, a full 1000-foot reel of film in the silent era had a maximum running time of 15 minutes. Silent films were usually projected at a "standard" speed of 16 frames per second, much slower than the 24 frames of later sound films.}} Edison, however, who apparently had little confidence in the attention span of moviegoers, brushed aside the experienced director's recommendation, and tersely replied, "'Dawley, the public won't sit through two reels.'"<ref name="GraceDawley">"Movies Were Better Than Ever to Film Pioneer's Wife: GRACE DAWLEY", ''Los Angeles Times'', February 18, 1966, p. C1. ProQuest.</ref>
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==Personal life and death==
On June 14, 1918, in Denver, Colorado, Dawley married Grace Owens Givens, a native of Illinois.<ref>"Colorado Statewide Marriage Index, 1853-2006", digital image of original typewritten card, "Marriage Record Report", Dawley to Givens, no. 69575, June 14, 1918, Division of Vital Statistics, State of Colorado; archives of The Church of Jesus Christ of Latter-day Saints, Salt Lake City, Utah. [[FamilySearch]].</ref> The couple remained together over 30 years, until Dawley's death in 1949. On March 29 that year, at age 71, Dawley died of undisclosed causes at the [[Motion Picture & Television Country House and Hospital|Motion Picture Country Home]] in [[Woodland Hills, Los Angeles|Woodland Hills]] in Los Angeles, California.<ref>"J. Searle Dawley", obituary, ''Los Angeles Times'', March 30, 1949, p. 27. ProQuest.</ref> A memorial service was held for him three days later in Los Angeles, followed by the "inurnment" of his ashes in the [[columbarium]] at the [[Chapel of the Pines Crematory]]. Silent film star and producer [[Mary Pickford]] and director [[Walter Lang]], who early in his career was an assistant to Dawley, were among those who spoke at the service.<ref>Slide, p. 50.</ref> Dawley was survived by his wife Grace and his brother Hubert "Bert" Dawley. Later in 1949, Grace Dawley donated a selection of her husband's personal papers, scrapbooks, and several of his Edison production scripts to the [[Margaret Herrick Library]] at the [[Academy of Motion Picture Arts and Sciences]] in [[Beverly Hills, California]].<ref name="OAC"/>
 
==Partial filmography==
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* ''The Nine Lives of a Cat'' (1907)
* ''[[The Trainer's Daughter; or, A Race for Love]]'' (1907)
* ''A Little Girl Who Did Not Believe in Santa Claus'' (1907)
* ''Cupid's Pranks'' (1908)
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* ''The Black Bordered Letter'' (1911)
* ''Between Two Fires'' (1911)
* ''The Three Musketeers: Part 1'' (1911)
* ''The Three Musketeers: Part 2'' (1911)
* ''The Doctor'' (1911)
* ''The Price of Victory'' (1911)
* ''[[The Battle of Trafalgar (1911 film)|The Battle of Trafalgar]]'' (1911)
* ''[[The Charge of the Light Brigade (1912 film)|The Charge of the Light Brigade]]'' (1912)
* ''Lord and the Peasant'' (1912)
* ''[[The Diamond Crown]]'' (1913)
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* ''[[The Pride of Jennico (film)|The Pride of Jennico]]'' (1914)
* ''[[Four Feathers]]'' (1915)
* ''[[Always in the Way]]'' (1915)
* ''[[Susie Snowflake]]'' (1916)
* ''[[The Rainbow Princess]]'' (1916)
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* ''[[The Death Dance]]'' (1918)
* ''[[When Men Desire]]'' (1919)
* ''[[Everybody's Business (1919 film)|Everybody's Business]]'' (1919)
* ''[[Married in Haste]]'' (1919)
* ''The Phantom Honeymoon'' (1919)<ref name="Work-How">Workman, Christopher; Howarth, Troy (2016). ''Tome of Terror: Horror Films of the Silent Era''. Midnight Marquee Press. p. 209.{{ISBN|978-1936168-68-2}}.</ref>
* ''[[The Harvest Moon]]'' (1920)
* ''[[A Virgin Paradise]]'' (1921)
* ''[[Beyond Price]]'' (1921)
* ''[[Who Are My Parents?]]'' (1922)
* ''[[Broadway Broke]]'' (1923)
* ''[[As a Man Lives]]'' (1923)
* ''[[Love's Old Sweet Song (1923 film)|Love's Old Sweet Song]]'' (1923) short film made in [[Phonofilm]]
* ''[[Abraham Lincoln (1924 film short)|Abraham Lincoln]]'' (1924) short film made in Phonofilm
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==Notes==
{{notesnotelist}}
 
==References==
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{{Commons category|J. Searle Dawley}}
* {{IMDb name|id=0205986|name=J. Searle Dawley}}
* {{ibdbIBDB name|id=395529|name=J. Searle Dawley}}
 
{{J. Searle Dawley}}
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[[Category:1949 deaths]]
[[Category:American male screenwriters]]
[[Category:American film directors]]
[[Category:American male stage actors]]
[[Category:People from Rio Grande County, Colorado]]
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[[Category:Screenwriters from Colorado]]
[[Category:Fantasy film directors]]
[[Category:SilentAmerican silent film directors]]