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{{Short description|
{{Primary sources|date=September 2021}}
{{Infobox person
| name = Gaius Cilnius Maecenas <!-- defaults to article title when left blank -->
| image = Gaius Cilnius Maecenas Roman Statesman (cropped).jpg
| alt = <!-- descriptive text for use by speech synthesis (text-to-speech) software -->
| caption = Imaginary portrait engraving (18th century)
| birth_name = <!-- only use if different from name -->
| birth_date = 13 April 68 BC<!-- {{Birth date and age|YYYY|MM|DD}} for living people supply only the year with {{Birth year and age|YYYY}} unless the exact date is already widely published, as per [[WP:DOB]]. For people who have died, use {{Birth date|YYYY|MM|DD}}. -->
| birth_place =
| spouse = [[Gens Terentia|Terentia]]
| death_date = 8 BC (age 59-60) <!-- {{Death date and age|YYYY|MM|DD|YYYY|MM|DD}} (DEATH date then BIRTH date) -->
| death_place =
| nationality = [[Roman Republic|Roman]]<!-- use only when necessary per [[WP:INFONAT]] -->
| other_names =
| occupation =
| years_active = 40–8 BC
| known_for = friend and political advisor to [[Octavian]], patron of the arts, [[Gardens of Maecenas]]
| notable_works =
}}
'''Gaius Cilnius Maecenas''' ({{IPA|la|ˈɡäːiʊs̠ ˈkɪɫ̪niʊs̠ mäe̯ˈkeːnäːs̠|}} 13 April 68 BC<ref>[[Horace]], ''[[Odes (Horace)|Odes]]'', IV 11</ref> – 8 BC) was a friend and political advisor to [[Octavian]] (who later reigned as emperor [[Augustus]]). He was also an important patron for the new generation of Augustan poets, including both [[Horace]] and [[Virgil]]. In many languages, his name is an [[eponym]] for "patron of arts".
==
Expressions in [[Propertius]]<ref>ii. I, 25–30</ref> seem to imply that Maecenas had taken some part in the campaigns of [[Battle of Mutina|Mutina]], [[Battle of Philippi|Philippi]], and [[Battle of Perugia|Perugia]]. He prided himself on his ancient [[Etruscan civilization|Etruscan]] lineage, and claimed descent from the princely house of the [[Cilnia (gens)|Cilnii]], who excited the jealousy of their townsmen by their preponderant wealth and influence at [[Arretium]] in the 4th century BC.<ref>[[Livy]] x. 3.</ref> Horace makes reference to this in his address to Maecenas at the opening of his first books of ''[[Odes (Horace)|Odes]]'' with the expression "atavis edite regibus" (descendant of kings). [[Tacitus]]<ref>Tacitus, ''[[Annals (Tacitus)|Annals]]'' 6. 11.</ref> refers to him as "Cilnius Maecenas"; it is possible that "Cilnius" was his mother's [[Roman naming conventions|nomen]] – or that Maecenas was in fact a [[cognomen]].<ref>Varro, however, specifies that the name ''Maecenas'' is a nomen based on origin like Lesas, Ufenas, etc: see
The Gaius Maecenas mentioned in [[Cicero]]<ref>''Pro Cluentio
His great wealth may have been in part hereditary, but he owed his position and influence to his close connection with the [[Roman emperor|emperor]] Augustus. He first appears in history in 40 BC, when he was employed by Octavian in arranging his marriage with [[Scribonia (wife of Augustus)|Scribonia]], and afterwards in assisting to negotiate the [[Treaty of Brundisium]] and the reconciliation with [[Mark Antony]]. As a close friend and advisor he had even acted as deputy for Augustus when he was abroad.
It was in 38 BC that Horace was introduced to Maecenas, who had before this received [[Lucius Varius Rufus]] and [[Virgil]] into his intimacy. In the "Journey to Brundisium
[[File:Terentia, spouse of Gaius Maecenas.jpg|thumb|Bust of Maecenas' wife Terentia (1st century BC)]]
During the latter years of his life as recorded by [[Suetonius]] he fell somewhat out of favour with his master.<ref>''Augustus
==Reputation==
Opinions were much divided in ancient times as to his personal character; but the testimony as to his administrative and diplomatic ability was unanimous. He enjoyed the credit of sharing largely in the establishment of the new order of things, of reconciling parties, and of carrying the new empire safely through many dangers. To his influence especially were attributed the more humane policies of Octavian after his first alliance with Antony and [[Marcus Aemilius Lepidus (triumvir)|Lepidus]].
The best summary of his character as a man and a statesman, by [[Marcus Velleius Paterculus]],<ref>ii. 88</ref> describes him as "of sleepless vigilance in critical emergencies, far-seeing and knowing how to act, but in his relaxation from business more luxurious and effeminate than a woman." Expressions in the ''[[Odes of Horace]]''<ref>ii. 17. a</ref> seem to imply that Maecenas was deficient in the robustness of fibre which Romans liked to imagine was characteristic of their city. ==''Maecenate'' (patronage)==
[[File:Bakalovich at Maecenas' reception.jpg|thumb
[[File:Page 30. — Frog; the seal-device of Mecaenas. If Isaac Taylor be right in interpreting his Etruscan, name, MAIKNE, as Frog-man (analogous to the Italian Ranuccio), the great statesman had put in his seal a rebus on his name, &c (frog).jpg|thumb|Frog on an engraved gem: the seal-device of Mecaenas.<ref>{{Cite book|last=King|first=Charles William|url=https://archive.org/details/handbookofengrav00king/page/n11/mode/2up|title=Handbook of Engraved Gems|publisher=George Bell and Sons|year=1885|edition=2nd|location=London|pages=viii}}</ref>]]
Maecenas is most famous for his support of young poets, hence his name has become the [[eponym]] for a "patron of arts". He supported [[Virgil]] who wrote the ''[[Georgics]]'' in his honour. It was Virgil, impressed with examples of [[Horace]]'s poetry, who introduced Horace to Maecenas. Indeed, Horace begins the first poem of his ''Odes'' (''Odes'' I.i) by addressing his new patron. Maecenas gave him full financial support as well as an estate in the Sabine Mountains. [[Propertius]] and the minor poets [[Varius Rufus]], [[Plotius Tucca]], [[Valgius Rufus]], and [[Domitius Marsus]] also were his protégés.▼
Maecenas is most famous for his support of young poets; hence, in most European languages, his name has become an [[eponym]] for "patron of arts": in French, ''mécène''; in Italian, ''mecenate''; in Spanish, ''mecenas''; in German, ''Mäzen''; in Polish, ''mecenas''; in Czech, ''mecenáš''; in Hungarian, ''mécenás''; in Ukrainian, Russian, and Bulgarian, ''меценат''. The eponym has been in use since at least the composition of ''Laus Pisonis'' ("Praise of Piso") by an unknown author in the first century CE. [[Edmund Spenser]]'s shepherds complain that there is no "Mecoenas" in England in the 1570s.<ref>Nora Goldschmidt, "Friends in High Places" (review of [[Emily Gowers]], ''Rome's Patron: The Lives and Afterlives of Maecenas'', Princeton, February 2024, {{ISBN|978 0 691 193144}}, 463 pp.), ''[[London Review of Books]]'', vol. 46, no. 14 (18 July 2024), pp. 33-34. (p. 33.)</ref>
▲Maecenas
His character as a munificent patron of literature – which has made his name a household word – is gratefully acknowledged by the recipients of it and attested by the regrets of the men of letters of a later age, expressed by [[Martial]] and [[Satires of Juvenal|Juvenal]]. His patronage was exercised, not from vanity or a mere [[Amateur|dilettante]] love of letters, but with a view to the higher interest of the state. He recognized in the genius of the poets of that time not only the truest ornament of the court, but the power of reconciling men's minds to the new order of things, and of investing the actual state of affairs with an ideal [[glory (religion)|glory]] and [[majesty]]. The change in seriousness of purpose between the ''Eclogues'' and the ''Georgics'' of Virgil was in a great measure the result of the direction given by the statesman to the poet's genius. A similar change between the earlier odes of Horace, in which he declares his epicurean indifference to affairs of state, and the great national odes of the [[Carminum liber tertius|third book]] has been ascribed by some to the same guidance. However, since the organization of the Odes is not entirely chronological, and their composition followed both books of ''[[Satires (Horace)|Satires]]'' and the ''[[Epodes (Horace)|Epodes]]'', this argument is plainly specious; but doubtless the milieu of Maecenas's circle influenced the writing of the Roman Odes (III.1–6) and others such as the ode to Pollio, Motum ex Metello (II.1).
Maecenas endeavoured also to divert the less masculine genius of [[Propertius]] from harping continually on his love to themes of public interest, an effort which to some extent backfired in the ironic elegies of Book III.<ref>{{Cite journal |last=Raccette-Campbell |first=Melanie |date=2013 |title=The Construction of Masculinity in Propertius |url=https://tspace.library.utoronto.ca/bitstream/1807/35931/1/Racette-Campbell_Melanie_J_201306_PhD_thesis.pdf |journal=Graduate Department of Classics University of Toronto}}</ref> But if the motive of his patronage had been merely political, it never could have inspired the [[affection]] which it did in its recipients. The great [[charisma|charm]] of Maecenas in his relation to the men of genius who formed his circle was his simplicity, cordiality and sincerity. Although not particular in the choice of some of the associates of his pleasures, he admitted none but men of worth to his intimacy, and when once admitted they were treated like equals. Much of the wisdom of Maecenas probably lives in the ''Satires'' and ''Epistles'' of Horace. It has fallen to the lot of no other patron of literature to have his name associated with works of such lasting interest as the ''Georgics'' of Virgil, the first three books of Horace's ''Odes
Two poems in the ''[[Appendix Vergiliana]]'' are [[elegiac poetry|elegies]] to him. [[Virgil]] cannot have written them, as he died eleven years before Maecenas; they may have been written by [[Albinovanus Pedo]].<ref>Duff, J. W. ''Minor Latin Poets'' (Cambridge, 1934) pp.114–5</ref>
==Works==
Maecenas also wrote literature himself in both [[prose]] and verse, which are now [[lost literary work]]. The some twenty fragments that remain show that he was less successful as an author than as a [[judge]] and patron of literature.
His prose works on various subjects – ''[[Prometheus]]
According to [[Dio Cassius]], Maecenas was also the inventor of a system of [[shorthand]].
==Gardens of Maecenas==
[[File:Esquilino - Auditorium Mecenate 01407.JPG|thumb
[[File:Goderfredus-Christianus-Leiserus-Jus-georgicum MG 1248.tif|thumb
{{main|Gardens of Maecenas}}
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==Legacy==
[[File:Maecenas Coole Park.JPG|thumb|Bust of Maecenas at [[Coole Park]], Ireland]]His name has become a byword in many languages<ref>''μαικήνας'' in Greek, ''mecenaat'' in Dutch, ''mesenaatti'' in Finnish, ''mécénat'' in French, ''Mäzen'' in German, ''mecenate'' in Italian, ''mecenat'' in Romanian, ''mecen'' in Slovenian, ''mecenas'' in Spanish, Polish, and Ukrainian, ''mecénás'' in Hungarian, and ''меценат'' in Russian and Bulgarian.</ref> for a well-connected and wealthy patron. For instance, [[John Dewey]], in his lectures ''[[Art as Experience]]'', said: "Economic [[patronage]] by wealthy and powerful individuals has at many times played a part in the encouragement of artistic production. Probably many a savage tribe had its Maecenas."<ref>{{cite book |last=Dewey |first=John |author-link=John Dewey |date=1934 |title=''[[Art as Experience]]'' |location=New York |publisher=[[Capricorn Books|G.P. Putnam's Sons]] |page=9 }}</ref>
In various languages, [[Phillis Wheatley]], the 18th-century poet and the first African-American writer to publish a book, published a poem "To Maecenas" as the first poem in her 1773 book ''Poems on Various subjects, Religious and Moral''.
In Poland and Western Ukraine, a lawyer would customarily be addressed with the honorific
In [[F. Scott Fitzgerald]]'s novel ''[[The Great Gatsby]]'', Maecenas is one of the three famous wealthy men, along with [[Midas]] and [[J. P. Morgan]],
==In other media==
Maecenas is a supporting character in [[William Shakespeare]]'s play ''[[Antony and Cleopatra]]'', in which he is presented as a level-headed and loyal lieutenant to Octavian; [[Enobarbus]] describes him as 'half the heart of Caesar'.<ref>{{Cite web|title=''Antony and Cleopatra'' at Folger|url=https://www.folger.edu/explore/shakespeares-works/antony-and-cleopatra/read/}}</ref> Maecenas was portrayed by [[Alex Wyndham]] in the second season of the 2005 [[HBO]] television series [[Rome (TV series)|''Rome'']]. He was portrayed by Russell Barr in the made-for-TV movie ''[[Imperium: Augustus]]''.<ref>{{Cite web|url=https://www.imdb.com/title/tt0340529/|title = Imperium: Augustus|website = [[IMDb]]|date = 30 November 2003}}</ref> He is also featured in one episode of the second series of ''[[Plebs (TV series)|Plebs]]'' on [[ITV (TV network)|ITV]]. In the 2021 TV series ''[[Domina (TV series)|Domina]]'', he was portrayed by [[Youssef Kerkour]].
==See also==
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===Secondary sources===
* [[Victor Gardthausen|V. Gardthausen]], ''Augustus and seine Zeit
* Nora Goldschmidt, "Friends in High Places" (review of [[Emily Gowers]], ''Rome's Patron: The Lives and Afterlives of Maecenas'', Princeton, February 2024, {{ISBN|978 0 691 193144}}, 463 pp.), ''[[London Review of Books]]'', vol. 46, no. 14 (18 July 2024), pp. 33-34. "However little we know about the real Maecenas, his shifting role as the archetypal patron of the arts – shaped by the Roman poets he supported – has defied oblivion..." (p. 34.)
* {{EB1911|wstitle=Maecenas, Gaius|volume=17|pages=296–297}}
* {{cite journal |last= André|first= Jean-Marie |date= 1967 |title= Mécène. Essai de biographie spirituelle|url= http://www.persee.fr/doc/ista_0000-0000_1967_mon_86_1|language= fr|journal= Annales littéraires de l'Université de Besançon |volume= 86 |issue= 86 |doi= 10.3406/ista.1967.1011 |isbn= 2251600868 }}
* The fragments of Maecenas' poetry have been collected and edited by J. Blänsdorf (ed.),
* Philippe Le Doze, "Mécène. Ombres et flamboyances", Paris, Les Belles Lettres, 2014.
::''Fragmenta poetarum Latinorum epicorum et lyricorum praeter Ennium et Lucilium
* S. Lyons, ''Music in the Odes of Horace'', 2010, Oxford, Aris and Phillips ({{ISBN|978-0-85668-844-7}}).
{{Augustus}}
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