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{{Short description|Subgenre of Polish science fiction}}
'''Klerykal fiction''' (rarely, '''klerykal fantasy and science fiction''',<ref name=":0">{{Cite journal |last=Dukaj |first=Jacek |year=2002 |title=SF po Lemie |url=http://nowadekada.pl/wp-content/uploads/2015/12/Dekada-Literacka-2002-nr-1-2-183-184.pdf |journal=Dekada Literacka |language=pl |volume=1–2 |pages=42–49}}</ref> '''anti-klerykal fantasy and science fiction''',{{efn|name=a|fantastyka klerykalna, fantastyka antyklerykalna. Note that Polish term "fantastyka", sometimes translated to English as [[fantastika]], encompasses both fantasy and science fiction, and arguably other speculative fiction genres<ref>{{Cite web |last=Clute |first=John |last2=Langford |first2=David |title=SFE: Fantastika |url=https://sf-encyclopedia.com/entry/fantastika |access-date=2024-08-31 |website=sf-encyclopedia.com}}</ref>}}<ref name=":1">{{Cite book |last=Krawczyk |first=Stanisław |url=https://books.google.com/books?id=rXmUEAAAQBAJ&dq=dukaj+%22z%C5%82ota+galera%22&pg=PA88 |title=Gust i prestiż: o przemianach polskiego świata fantastyki |date=11 October 2022 |publisher=Wydawnictwo Naukowe Scholar |isbn=978-83-66849-57-0 |location=Warsaw |pages=88–89 |language=pl}}</ref> or translated to English as '''
According to some definitions ({{Interlanguage link|Adam Mazurkiewicz|pl|Adam Mazurkiewicz (filolog)}}, [[Marek Oramus]]), this genre is usually [[Criticism of religion|critical of religion]] (especially organized church structures), while others ({{Interlanguage link|Natalia Budzyńska|pl|Natalia Budzyńska}}) include stories that are neutral or even positively disposed towards religion within this genre.
Formative works for the emergence of this genre are considered to be [[Jacek Dukaj]]'s short story ''{{Interlanguage link|The Golden Galley|pl|Złota Galera}}'' (1990) and [[Rafał A. Ziemkiewicz|Rafał Ziemkiewicz]]'s ''Jawnogrzesznica'' (''The Public Sinner'',
== Characteristics ==
[[File:Jacek Dukaj1.jpg|thumb|Jacek Dukaj, whose short story ''{{Interlanguage link|The Golden Galley|pl|Złota Galera}}'' is considered formative for the genre]]
This genre emerged in Poland<ref name=":2">{{Cite web |last=Zwierzchowski |first=Marcin |date=2 August 2016 |title=Fantastyka vs. polityka |url=https://lubimyczytac.pl/aktualnosci/7409/fantastyka-vs-polityka |access-date=2024-08-04 |website=lubimyczytac.pl |language=pl-PL}}</ref> at the turn of the 1980s<ref name=":3">{{Cite web |last=Orliński |first=Wojciech |date=19 September 2005 |title=Miasta pod skałą, Huberath, Marek S. - Recenzja Wojciecha Orlińskiego |url=https://wyborcza.pl/7,75517,2924191.html |access-date=2024-08-04 |website=wyborcza.pl |language=pl}}</ref> and 1990s<ref name=":4">{{Cite web |last=Budzyńska |first=Natalia |year=2002 |title=Klerykał fiction |url=https://www.przewodnik-katolicki.pl/Archiwum/2002/Przewodnik-Katolicki-50-2002/Kultura/Klerykal-fiction |access-date=2024-08-05 |website=Przewodnik Katolicki |language=pl}}</ref><ref name=":5">{{Cite journal |last=Oramus |first=Marek |year=1995 |title=Piąte piwo: Klerykal, czyli los kleryka |journal=Fenix |language=pl |volume=1 |pages=185–186}}</ref> and is a subgenre of broader religious
[[File:Rafał Ziemkiewicz Sejm 2016.jpg|thumb|Rafał Ziemkiewicz, whose short story ''The Public Sinner'' is considered formative for the genre]]
Klerykal fiction texts are often described as [[Criticism of religion|critical of religion]].<ref name=":5" /><ref name=":6" /><ref name=":7" /> In 1994, {{Interlanguage link|Tadeusz Olszański|pl|Tadeusz A. Olszański}} proposed dividing religious
Adam Mazurkiewicz, in 2006, stated that the term ''klerykal fiction'' had not yet been accepted by genre criticism and might be unnecessary,<ref name=":12" /> although in 2014, he devoted a deeper analysis to it, describing the genre as ''a phenomenon at the intersection of literature and socio-political journalism... marked by ironic distance, reflecting the specificity of the phenomenon by referring to the petrified vision of a hero associated with church structures''.<ref name=":7" /> He called works in this subgenre scandalous and aggressive,<ref name=":7" /> comparing them to [[Pasquinade|pasquinades]] ridiculing their enemies.<ref name=":7" />
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Mazurkiewicz also noted that many klerykal fiction works can be associated with [[Liberalism|liberal]]-[[Left-wing politics|left-wing]] views or environments and represent an artistic response or reaction to works from [[Neoconservatism|neoconservative]]-[[Right-wing politics|right-wing]] environments, which include ''fascination with the connections between [[fascism]] and religion'', modeled on interwar movements (mentioning authors such as Rafał Ziemkiewicz, {{Interlanguage link|Cezary Michalski|pl|Cezary Michalski}}, {{Interlanguage link|Wacław Holewiński|pl|Wacław Holewiński}}, and [[Bronisław Wildstein]]).
However, Natalia Budzyńska (1999, 2002, 2009) defines klerykal fiction as Polish fantasy and science fiction literature addressing Christian themes and includes texts that are positively disposed towards religion, ''siding with Christianity, showing authentic faith, or permeated with evangelical content, including [[Anti-abortion movements|pro-life]] themes''.<ref name=":4" /><ref name=":10" /><ref>{{Cite web |last=Budzyńska |first=Natalia |title=SF wierzy w Boga |url=https://www.przewodnik-katolicki.pl/Archiwum/2009/Przewodnik-Katolicki-23-2009/Kultura/SF-wierzy-w-Boga |access-date=2024-08-05 |website=Przewodnik Katolicki |language=pl}}</ref> Mazurkiewicz sees such works (analyzing Polish religiosity in the context of fantasy and science fiction, where ''the ideological stance of their authors is not polemically charged'') on the fringes of this trend.<ref name=":7" /> {{Interlanguage link|Tadeusz Żabski|pl|Tadeusz Żabski}} simply defined klerykal fiction as Polish fantasy and science fiction literature ''addressing faith issues''.<ref name=":9" /> Similarly, Ewa Kozak cites Marcin Zwierzchowski's definition of the subgenre as ''stories referring to matters of faith or the church''.<ref name=":2" /><ref name=":8" />
An example of classification difficulties can be some of Ziemkiewicz's works, classified as klerykal fiction, but simultaneously described as ''fervently religious in the best sense and thoroughly permeated with evangelical content''.<ref name=":4" /> They are classified as klerykal fiction because of their criticism of church institutions, but the church criticized by Ziemkiewicz is not the current church, but a warning against its degeneration into a church of [[Pharisees|pharisaism]] (false and hypocritical). Ziemkiewicz describes a ''permissivist post-church that [...] has lost faith in its Founder, agreed to the relativity of Christ's Truth, and ceased to proclaim the Good News and is no longer needed by anyone''.<ref name=":11" />
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Mazurkiewicz, as well as [[Wojciech Orliński]], considered [[Marek Huberath]] one of the most prominent representatives of this genre.<ref name=":3" /><ref name=":7" />
The genre is sometimes called historical;<ref name=":0" /><ref name=":7" /> its period of popularity is attributed to the first half of the 1990s. This period was characterized by, among other things, a decline in public trust in the church, combined with the church's entry into politics, which led to the emergence of anti-church movements.<ref name=":0" /><ref name=":1" /><ref name=":13">{{Cite book |last=Krawczyk |first=Stanisław |chapter-url=https://books.google.com/books?id=Lr1zEAAAQBAJ&dq=%22clerical+fiction%22+polish&pg=PT215 |title=Understanding Recognition: Conceptual and Empirical Studies |date=8 August 2022 |publisher=Taylor & Francis |isbn=978-1-000-62689-6 |editor-last=Kulas |editor-first=Piotr |pages=215–216 |language= |chapter=Popular Authors in Search of Recognition: On the Polish Field of Science Fiction in the 1980s and 1990s |editor-last2=Waśkiewicz |editor-first2=Andrzej |editor-mask2=Krawczyk |editor-last3=Stanisław}}</ref> In 1992, Wojciech Sedeńko, in the introduction to the religious fantasy and science fiction anthology ''Czarna msza'' (''{{Interlanguage link|Black Mass (anthology)|lt=Black Mass|pl|Czarna msza (antologia)}}''), wrote that ''the fear of clericalization of the state is quite common (certainly influenced by the church's recent spectacular successes, such as the return of religion to schools, the recovery of vast property in real estate, becoming an opinion-forming factor in many areas of life)''.<ref name=":14">{{Cite book |url=https://books.google.com/books?id=01w4AAAACAAJ&q=czarna+msza |title=Czarna msza: antologia opowiadań science fiction |date=1992 |publisher=Dom Wydawniczy Rebis |isbn=978-83-85202-66-0 |editor-last=Sedeńko |editor-first=Wojtek |edition= |location=Poznań |page=9 |language=pl |chapter=Wstęp}}</ref> After the so-called post-communist environments came to power in Poland in the mid-1990s (the [[Democratic Left Alliance (Poland)|Democratic Left Alliance]]'s victory in the [[1993 Polish parliamentary election|1993 elections]]), there was a certain restoration of trust in this institution and a simultaneous decline in the popularity of literature critical of the Church, including klerykal fiction.<ref name=":0" /><ref name=":1" /><ref name=":13" />
== Selected works ==
The classification of specific works into this subgenre is sometimes subjective.<ref name=":7" /> Among the pioneering works in this genre – Polish science fiction addressing metaphysical and religious themes – one can include, for instance, the novel ''[[His Master's Voice (novel)|His Master's Voice]]'' by [[Stanisław Lem]] from 1968, the short story ''Relacja z pierwszej ręki'' (''First-Hand Report'', 1982) by [[Janusz Zajdel]]
In 2002, Jacek Dukaj estimated this subgenre consisted of about 40 texts.<ref name=":0" />
Works classified as
* [[Marcin Wolski]], ''Agent Dołu'' (''Agent from Below'',
* {{Interlanguage link|Janusz Cyran|lt=|pl|Janusz Cyran}}, ''
* [[Jacek Dukaj]], ''{{Interlanguage link|The Golden Galley|pl|Złota Galera}}'' (short story, 1990).<ref name=":4" /><ref name=":5" /><ref name=":8" /><ref name=":11" /> Other stories by Dukaj also classified in this genre include ''Książę mroku musi umrzeć'' ''(The Prince of Darkness Must Die'') and ''Opętani'' (''Possessed'') from 1991, and many in the collection ''W kraju niewiernych'' (''{{Interlanguage link|In the Land of the Faithless|pl|W kraju niewiernych}}''
* [[Marek Huberath]], ''Kara większa'' (''{{Interlanguage link|The Greater Punishment|pl|Kara większa}}'',
* [[Rafał A. Ziemkiewicz|Rafał Ziemkiewicz]], ''Jawnogrzesznica'' (''The Public Sinner'',
* Rafał Ziemkiewicz, ''Szosa na Zaleszczyki'' (''The Road to Zaleszczyki'',
* Tomasz Kołodziejczak, ''Wstań i idź'' (''Rise and Walk'',
* Stories included in the anthology ''Czarna msza'' (''{{Interlanguage link|Black Mass (anthology)|lt=Black Mass|pl|Czarna msza (antologia)}}'') edited by {{Interlanguage link|Wojtek Sedeńko|lt=|pl|Wojtek Sedeńko}} (1992).<ref name=":0" /><ref name=":2" /> Sedeńko noted in the anthology's introduction: ''I chose [the stories] I considered the best, avoiding the pro or anti criteria like the plague'':<ref name=":14" />
** {{Interlanguage link|Grzegorz Drukarczyk|lt=|pl|Grzegorz Drukarczyk}}, ''Raj utracony'' (''Paradise Lost'')
** {{Interlanguage link|Tadeusz Oszubski|lt=|pl|Tadeusz Oszubski}}, ''Interregnum''
** [[Jacek Inglot]], ''Umieraj z nami'' (''Die with Us'')
** {{Interlanguage link|Jacek Sobota|lt=|pl|Jacek Sobota}}, ''Rzeka'' (''The River'')
** {{Interlanguage link|Andrzej Drzewiński|lt=|pl|Andrzej Drzewiński}}, ''Dopust Boży'' (''God's Act'')
** Rafał Ziemkiewicz, ''Źródło bez wody'' (''The Waterless Spring'')
** [[Eugeniusz Dębski]], ...''więc chyba to był On''... (''...so it probably was Him...'')
** Jacek Dukaj, ''Korporacja Mesjasz'' (''Messiah Corporation'')
** {{Interlanguage link|Mirosław P. Jabłoński|lt=|pl|Mirosław P. Jabłoński}}, ''Spotkanie na końcu drogi'' (''Meeting at the End of the Road'')
** [[Jarosław Grzędowicz]], ''Dom Na Krawędzi Światła'' (''House on the Edge of Light'')
** [[Jacek Piekara]], ''Dom Na Krawędzi Ciemności'' (''House on the Edge of Darkness'')
* Grzegorz Drukarczyk, ''Zabijcie Odkupiciela'' (''Kill the Redeemer'',
* {{Interlanguage link|Olgierd Dudek|lt=|pl|Olgierd Dudek}}, ''Czas siejby'' (''Time of Sowing'',
* [[Andrzej Sapkowski]], ''W leju po bombie'' (''{{Interlanguage link|In the Crater Left by a Bomb|lt=|pl|W leju po bombie}}'',
* [[Marek Oramus]], ''Święto śmiechu'' (''The Feast of Laughter'',
* {{Interlanguage link|Mirosław P. Jabłoński|lt=|pl|Mirosław P. Jabłoński}}, ''Elektryczne banany, czyli ostatni kontrakt Judasza'' (''Electric Bananas, or Judas' Last Contract'',
* Rafał Ziemkiewicz, ''Tańczący mnich'' (''The Dancing Monk'',
* Jacek Inglot, ''Quietus'' (novel, 1997)<ref name=":0" /><ref name=":4" /><ref name=":7" /><ref name=":10" />
* Aleksander Olin, ''Komusutra'' (novel, 1997)<ref name=":7" />
* Marek Huberath, ''Druga podobizna w alabastrze'' (''{{Interlanguage link|The Second Likeness in Alabaster|lt=|pl|Druga podobizna w alabastrze}}'',
* Marek Huberath, ''Maika Ivanna'' (short story, 1997)<ref name=":10" />
* {{Interlanguage link|Wojciech Szyda|lt=|pl|Wojciech Szyda}}, Psychonautka (''Psychonaut'',
* ''Cykl Inkwizytorski'' (''{{Interlanguage link|The Inquisitorial Cycle|lt=|pl|Cykl Inkwizytorski}}'') by Jacek Piekara, created since 2003<ref name=":7" />
* Marek Huberath, ''Miasta pod skałą'' (''{{Interlanguage link|Cities Under the Rock|lt=|pl|Miasta pod skałą}}'',
* Jacek Sobota, ''Głos Boga'' (''The Voice of God'',
* Jacek Piekara, ''Przenajświętsza Rzeczpospolita'' (''The Most Holy Republic'',
* Marek Oramus, ''Kankan na wulkanie'' (''Cancan on a Volcano'',
* Jacek Dukaj, ''Linia Oporu'' (''Resistance Line'',
Dukaj also classified unspecified short stories by {{Interlanguage link|Maciej Żerdziński|lt=|pl|Maciej Żerdziński}} as
== Notes ==
{{notelist}}
== References ==
<references />
[[Category:Criticism of religion]]
[[Category:Polish speculative fiction]]
[[Category:Christian literature]]
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