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{{Redirect-several|Khansa}}
{{Short description|Companion of Muhammad and Arabic poet}}
{{Lowercase title}}
{{Infobox person
| name =
| native_name = {{lang|ar|الخنساء}}
| caption = {{nowrap|1917 drawing of al-Khansa' by [[Kahlil Gibran]]}}
▲| image = الخنساء.png
| birth_date = {{c.|575}}
| birth_place = [[
| death_date = {{c.}} {{death year and age|646|575}}
| death_place = [[Najd]], [[Arabian peninsula|Arabia]] <br/>
| occupation = [[Arabic poetry|
}}
'''Tumāḍir bint ʿAmr ibn al-Ḥārith ibn al-Sharīd al-Sulamīyah''' ({{
In her time, the role of a
==Life==
Al-Khansāʾ was born and raised in the [[Najd]]
▲Al-Khansāʾ was born and raised in [[Najd]], [[Arabia]], into a wealthy family of the tribe of Sulaym, and was the daughter of the head of the al-Sharid clan.<ref name="Talhami" /> According to both contemporary as well as later judgement, she was the most powerful poetess of her time. In pre-Islamic society, the role of a female poet, such as al-Khansā’, was to compose elegies for the [[tribe]]smen who fell in the battlefield. Her extraordinary fame rests mainly on her elegiac poetry composed for her two brothers, Sakhr and Mu‘āwiya, who were killed in tribal skirmishes of Banū Sulaym with Banū Murra and Banū Asad, predating Islam.<ref name=":0" />
In 612, her brother Muʿawiyah was killed by members of another tribe. Al-Khansāʾ insisted that her brother, Ṣakhr, avenge Muʿawiyah's death, which he did. Ṣakhr was wounded in the process and died of his wounds a year later. Al-Khansāʾ mourned her two brothers' deaths in poetry, writing over a hundred elegies about the two of them alone,<ref name="Talhami" /> and began to gain fame for her elegiac compositions, especially due to her powerful recitals.<ref name="Talhami" /> The contemporary Arab poet [[al-
She was a contemporary of [[Muhammad]], and eventually converted to [[Islam]].<ref name="Talhami" /> It is said that
She was married at least twice, and had six children, all of whom were also poets and eventually converted to Islam.<ref name="Talhami" /> Four of them, Yazīd, Muʿāwiyah, ʿAmr, and ʿAmrah, were killed in the [[Battle of Qadisiyah]]. When she received the news, she allegedly said, "Praise be to God who honored me with their martyrdom. And I have hope from my Lord that he will reunite me with them in the abode of his mercy." ({{
== Poetry and importance in the history of Arabic literature ==
The poems of al-Khansā’ are short and marked by a strong and traditional sense of despair at the irrevocable loss of life. Apart from her poetical talent, her significance lies in having raised the early Arabic elegiac tradition to the level of [[qarīd]]{{what?|date=January 2023}} poetry instead of [[sadj‘]]{{what?|date=January 2023}} or [[radjaz]]{{what?|date=January 2023}}. Her style and expression, which assured her a superiority in this genre, became stereotyped in the later [[Rithā'|rithā’]] poetry. As an outstanding poet and female figure in the history of Arabic literature, the position of al-Khansā’ is unique.
==Editions and translations==
* James Montgomery, ''Loss Sings'', The Cahiers Series, 32 (Sylph Editions, 2019), {{ISBN|1909631272}}
* In 2021, it was announced that Yasmine Seale would translate al-Khansa's work for the Library of Arabic Literature series.<ref>'[https://arablit.org/2021/07/31/yasmine-seale-to-translate-al-khansa-for-lal-series/ Yasmine Seale to Translate Al-Khansa for LAL Series]', ''ArabLit Quarterly'' (31 July 2021).</ref>
==See also==
* [[Arabic poetry]]
* [[Women in Arab societies]]
* [[Women in Muslim societies]]
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