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{{More citations needed|date=August 2020}}
[[File:Stunt Pyrotechnics Luc Viatour.jpg|thumb|right|200px|[[Pyrotechnics]] stunt exhibition by "Giant Auto Rodéo", [[Ciney]], Belgium]]
A '''stunt''' is an unusual and, difficult, dramatic physical feat or anthat actmay requiringrequire a special skill, performed for artistic purposes usually for a public audience, as on television, or in theaters, or cinema. Stunts are a feature of many [[action filmsfilm]]s. Before [[computer -generated imagery]] [[special effect]]s, these effectsdepictions were limited to the use of models, false perspective and other in-camera effects, unless the creator could find someone willing to jumpcarry them out, even such dangerous acts as jumping from car to car in motion or hanghanging from the edge of a [[skyscraper]]: the [[stunt performer]] or [[stunt double]].
 
==Types of stunt effects==
===Practical effects===
One of the most-frequently used practical stunts is [[stage combat]]. Although contact is normally avoided, many elements of stage combat, such as [[sword fighting]], [[martial arts]], and [[acrobatics]] required contact between performers in order to facilitate the creation of a particular effect, such as noise or physical interaction. Stunt performances are highly choreographed and may be rigorously rehearsed for hours, days and sometimes weeks before a performance. Seasoned professionals will commonly treat a performance as if they have never done it before,{{Citation needed|date=September 2009}} since the risks in stunt work are high, every move and position must be correct to reduce risk of injury from accidents. Examples of practical effects include tripping and falling down, high jumps, [[Extreme sport|extreme sporting]] moves, acrobatics and high diving, [[Hk spin|spin]]s, gainer falls, "suicide backflips," and other [[martial arts]] stunts.{{citation needed|date=April 2015}} Stunt airbags (or "stunt mats"), large deep airbags that may be the size of a small swimming pool, are typically used by professional stunt performers to cushion their landings from staged falls from heights.{{citation needed|date=June 2017}}
[[File:Stunt 1298471366.jpg|thumb|right|200px|Freestyle & Stunt Show 2007 in [[Landrévarzec]], France]]
 
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{{See|Hong Kong action cinema}}
 
In 1982, [[Jackie Chan]] began experimenting with elaborate stunt action sequences in ''[[Dragon Lord]]'',<ref>{{cite web|title=Dragon Lord|publisher=Love HK Film|url=http://www.lovehkfilm.com/reviews_2/dragon_lord.htm|access-date=2011-04-14}}</ref> which featured a pyramid fight scene that holds the record for the most [[take]]s required for a single scene, with 2900 takes,<ref name="Amazon">{{cite web|title=Dragon Lord (DVD Description)|website=Amazon UK |date=25 August 2003|url=https://www.amazon.co.uk/Dragon-Lord-DVD-Jackie-Chan/dp/B0000A5BRV|access-date=2011-04-12}}</ref> and the final fight scene where he performs various stunts, including one where he does a back flip off a [[loft]] and falls to the lower ground.<ref>{{cite webmagazine |date=August 16, 1996 |first=David |last=Everitt |title=Kicking and Screening: ''Wheels on Meals,'' ''Armour of God,'' ''Police Story,'' and more are graded with an eye for action|workmagazine=[[Entertainment Weekly]] |url=https://ew.com/article/1996/08/16/we-grade-some-jackie-chans-best-movies/ |access-date=2020-04-02 }}</ref> In 1983, ''[[Project A (film)|Project A]]'' saw the official formation of the [[Jackie Chan Stunt Team]] and added elaborate, dangerous stunts to the fights and slapstick humor (at one point, Chan falls from the top of a clock tower through a series of fabric canopies).
 
''[[Police Story (1985 film)|Police Story]]'' (1985) contained many large-scale action scenes, including an opening sequence featuring a [[car chase]] through a [[shanty town]], Chan stopping a [[double-decker bus]] with his service revolver and a climactic fight scene in a shopping mall. This final scene earned the film the nickname "Glass Story" by the crew, due to the huge number of panes of [[sugar glass]] that were broken. During a stunt in this last scene, in which Chan slides down a pole from several stories up, the lights covering the pole had heated it considerably, resulting in Chan suffering [[Burn#Classification by degree|second-degree burns]], particularly to his hands, as well as a back injury and dislocation of his pelvis upon landing.<ref name="I Am Jackie Chan">{{cite web|url=http://www.randomhouse.com/features/iamjackiechan/excerpt_aches.html|title=Jackie's Aches and Pains: It Only Hurts When I'm Not Laughing|author=Jackie Chan|author-link=Jackie Chan|publisher=[[Random House]]|access-date=19 December 2012}}</ref> Chan performed similarly elaborate stunts in numerous other films, such as several ''[[Police Story (film series)|Police Story]]'' sequels, ''[[Project A Part II]]'', the ''[[Armour of God (film)|Armor of God]]'' series, ''[[Dragons Forever]]'', ''[[Drunken Master II]]'', and ''[[Rumble in the Bronx]]'', and the ''[[Rush Hour (franchise)|Rush Hour]]'' series, among others.
[[File:Morcycle jumping at a country fair (England) arp.jpg|thumb|Two motorbikes jump a car at a country fair, England]]
 
Other [[Hong Kong action cinema|Hong Kong action movie]] stars who became known for performing elaborate stunts include Chan's [[Peking Opera School]] friends [[Sammo Hung]] and [[Yuen Biao]], as well as "[[girls with guns]]" stars such as [[Michelle Yeoh]] and [[Moon Lee (Hong Kong actress)|Moon Lee]]. Other [[Asian cinema]] stars also known for performing elaborate stunts includinginclude Thai actor [[Tony Jaa]],;<ref>{{cite webmagazine |date=October 18, 2004 |author=Andrew Perrin |title=TIME Asia Magazine: Hitting the Big Time -- Oct. 25, 2004 |url=https://time.com/time/asia/magazine/article/0,13673,501041025-725168,00.html |websitemagazine=[[Time (magazine)|Time]] |archive-url=https://web.archive.org/web/20050113051927/https://time.com/time/asia/magazine/article/0,13673,501041025-725168,00.html |archive-date=2005-01-13 |url-status=dead}}</ref> Indonesian actors [[Iko Uwais]] and [[Yayan Ruhian]],; and Indian actors [[Jayan]], [[Akshay Kumar]], [[Vidyut Jammwal]] and [[Tiger Shroff]].
 
==Stunts that have gone wrong==
{{main|List of film and television accidents}}
 
==Recognition of stunt performers==
Films such as ''[[Hooper (film)|Hooper]]'' and ''[[The Stunt Man]]'' and the 1980s television show ''[[The Fall Guy]]'' sought to raise the profile of the stunt performer and debunk the myth that film stars perform all their own stunts. Noted stunt coordinators [[Hal Needham]], [[Craig R. Baxley]], and [[Vic Armstrong]] went on to direct the action films ''[[The Cannonball Run]]'', ''[[Action Jackson (1988 film)|Action Jackson]]'', and ''[[Joshua Tree (1993 film)|Joshua Tree]]''. [[Vic Armstrong]] became the first stuntman to win both an [[Academy Awards|Academy Award]] (for developing a descender rig as a safe alternative to airbags) and a [[BAFTA]] award (for lifetime achievement in film). But the status of stuntmen in Hollywood is still low;<ref name="Brennan" /> despite the fact that few films of any genre or type could be made without them, stunt performers are still perceived as working mainly in action films.<ref>{{cite web |last1=Sengupta |first1=Deepayan |title=Movie Stunts: Not Just For Action Films |url=https://birthmoviesdeath.com/2019/06/25/movie-stunts-not-just-for-action-films |website=Birth.Movies.Death. |date=25 June 2019}}</ref> Repeated campaigns for a "Best Stunts" Academy Award have been rejected.<ref>{{cite web |date=21 February 2013 |last=Price |first=Allan |title=Why do stuntmen not have an Oscar? |url=https://www.bbc.com/news/entertainment-arts-21460202 |website=BBC News }}</ref><ref>{{cite web |date=2 April 2018 |last=Marotta |first=Jenna |title=Helen Mirren Wants Stunt Performers to Be Eligible for Oscars |url=https://www.indiewire.com/2018/04/helen-mirren-stunt-performers-oscars/ |website=[[IndieWire]] }}</ref><ref>{{cite web |date=26 February 2016 |author=Jonathan Handel |title=Stunt Community Rallies Outside Academy Building for Oscar Recognition |url=https://www.hollywoodreporter.com/news/stunt-community-rallies-la-oscar-869342 |website=[[The Hollywood Reporter]] |archive-url=https://web.archive.org/web/20160226094425/https://www.hollywoodreporter.com/news/stunt-community-rallies-la-oscar-869342 |archive-date=2016-02-26 |quote=The rally is part of a 25-year effort to create a category for stunt coordinators at the Academy Awards.}}</ref><ref name="Brennan">{{cite web |date=2014 |last=Brennan |first=Jude |title=Stunt Actors Remain Oscar's Forgotten Heroes |url=https://www.forbes.com/sites/judebrennan/2014/02/07/stunt-actors-remain-oscars-forgotten-heroes/ |website=Forbes }}</ref>
 
In 2001, the first "[[Taurus World Stunt Awards|World Stunt Awards]]" were presented in [[Los Angeles]] by actor [[Alec Baldwin]]. The event had A-list stars presenting the statues to Hollywood's unsungstunt heroesperformers. [[Arnold Schwarzenegger]] was presented with the first "Lifetime Achievement" award. He presented the awards in 2001.<ref>{{cite web |date=24 May 2001 |last=Dore |first=Shalini |title=Kudos for crashes |url=https://variety.com/2001/scene/vpage/kudos-for-crashes-1117799973/ |website=Variety }}</ref> The awards show hands out eight awards: Best Fight, Best Fire Stunt, Best High Work, Best Overall Stunt by a Stunt Man, Best Overall Stunt by a Stunt Woman, Best Speciality Stunt, Best Work with a Vehicle and Best Stunt Coordinator or 2nd Unit Director.
 
==Equality in stunts==
 
In past Hollywood films it was common for men to double for women and [[White Americans|white American]] stunt performers to double for African American performers, in a practice known as "wigging".<ref name="Longwell" /> Veteran stunt man [[David Sharpe (actor)|Dave Sharpe]], a man of shorter than average height, often doubled for women in film serials of the 1930s and '40s. Veteran stunt performer [[Jeannie Epper]], who doubled for [[Lynda Carter]] in ''[[Wonder Woman (TV series)|Wonder Woman]]'', explained that the situation improved in the 1970's1970s as actresses did not want to be doubled by men, and could be more convincingly doubled by a woman.<ref>{{cite web |date=25 May 2007 |last=LaPorte |first=Nicole |title=Danger smashes gender barrier |url=https://variety.com/2007/film/awards/danger-smashes-gender-barrier-1117965800/ |website=Variety }}</ref> [[SAG-AFTRA]] union rules for stunt performers say that that to double an actor of a different gender or race the stunt must be so dangerous that there are no volunteers available of the appropriate gender or race.<ref name="Longwell">{{cite web |date=March 1, 2019 |last=Longwell |first=Todd |title=Hollywood's Stunt Industry Grapples With Issues of Race, Skin Color and Blackface |url=https://variety.com/2019/artisans/news/stunt-industry-affirmative-action-1203151451/ |website=[[Variety (magazine)|Variety]] |quote=stunt coordinator shall endeavor to cast qualified persons of the same sex and/or race involved.}}</ref> For example, in ''[[A View to a Kill]]'', stuntman [[B.J. Worth]] doubled for the black Jamaican actress [[Grace Jones]] whose character [[parachuting|parachuted]] off the [[Eiffel Tower]].<ref name="jb-avtak">{{cite video |people=[[Maud Adams]] |title=Inside A View to a Kill |medium=VCD/DVD |publisher=MGM Home Entertainment Inc. }}</ref>
 
==The future of stuntworkstunt work==
 
A backlash against dangerous stunts followed the fatal 42-foot backward fall of [[Sonja Davis]] off a building on the set of ''[[Vampire in Brooklyn]]''.<ref>{{cite web |date=12 February 1995 |author=Lisa Respers |title=Stuntwoman's Family Sues Over Fatal 42-Foot Fall on Set : Courts: Mother seeks $10 million, saying studio did not provide proper safety equipment. Defendants have made no comment. |url=https://www.latimes.com/archives/la-xpm-1995-02-12-me-31166-story.html |website=[[Los Angeles Times]]|quote=air bag that was to cushion Davis' fall instead reacted like a huge balloon, causing the young woman to bounce, slam into the building and hit the ground }}</ref> Despite speculation that developments in [[computer-generated imagery]] (CGI) would make stunts unnecessary and reduce stunt performers to the status of body doubles, stunt work has increasingly been made safer and enhanced by CGI effects; butnevertheless, stunt performers remain essential to provide a human quality to the action.<ref name="Verini">{{cite web |date=24 January 2008 |last=Verini |first=Bob |title=SAG recognizes stunts for first time |url=https://variety.com/2008/film/awards/sag-recognizes-stunts-for-first-time-1117979592/ |website=Variety |quote=some have found irony in recognizing a community at the exact moment when CGI advances seem destined to render that community irrelevant — or at best secondary — to creating thrilling action on film. }}</ref><ref name="maestros">{{cite web |date=25 May 2007 |last=LaPorte |first=Nicole |title=CGI meets mayhem maestros |url=https://variety.com/2007/film/awards/cgi-meets-mayhem-maestros-1117965803/ |website=Variety |quote=Would computers displace stunt work? }}</ref>
 
==See also==