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{{short description|Kenyan-born British studio potter (born 1950)}}
{{Use dmy dates|date=April 2022}}
{{Infobox artist
| honorific_prefix = [[Dame]]
| name = Magdalene Odundo<br /><small>[[Order of the British Empire|DBE]]</small>
| image = Thrown, Burnished, Reduction Fired pot by Magdalene Odundo (YORYM-2004.1.950).JPG
| imagesize =
| caption = ''Untitled'' Burnished, reduction fired pot by Magdalene Odundo from the [[William Alfred Ismay|W.A. Ismay]] collection at [[York Art Gallery]]
| birth_name = Magdalene Anyango Namakhiya Odundo
| birth_date = {{birth year and age|1950}}
| birth_place = [[Nairobi]], [[Kenya]]
| death_date =
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}}
'''Dame Magdalene Anyango Namakhiya Odundo''' {{postnominals|country=GBR|size=100%|DBE}} (born 1950) is a [[Kenya]]n-born [[United Kingdom|British]] [[Studio pottery|studio potter]], who now lives in [[Farnham]], [[Surrey]].<ref name=Observer>{{cite news|url=https://www.theguardian.com/artanddesign/2019/aug/17/magdalene-odundo-ceramicist-kenya-interview-the-journey-of-things-norwich|title=Magdalene Odundo: 'Of all mediums, clay is the most versatile, pliable and human'|first= Priya |last=Khanchandani|newspaper=[[The Observer]]|date=17 August 2019|access-date=9 July 2020}}</ref> Her work is in the collections of notable museums including the [[Art Institute of Chicago]], [[British Museum|The British Museum]], [[Metropolitan Museum of Art|The Metropolitan Museum of Art]], and the [[National Museum of African Art]].<ref>{{Cite web |title=Magdalene Odundo: Collections Online {{!}} British Museum |url=https://www.britishmuseum.org/collection/term/BIOG75811 |access-date=2022-03-18 |website=www.britishmuseum.org}}</ref><ref>{{Cite web |title=Magdalene Odundo, Untitled, 1987 |url=https://www.metmuseum.org/art/collection/search/487064 |access-date=2022-03-18 |website=The Metropolitan Museum of Art}}</ref><ref>{{Cite web |title=Magdalene Odundo |url=https://www.artic.edu/artists/68377/magdalene-odundo |access-date=2022-03-18 |website=The Art Institute of Chicago |language=en}}</ref><ref name=":0" />
She has been Chancellor of the [[University for the Creative Arts]] since 2018.<ref>{{cite web|url=https://www.uca.ac.uk/news/news-archive/2018/uca-chancellor-magdalene-odundo/|title=World-renowned ceramicist becomes Chancellor of the University for the Creative Arts|publisher=University for the Creative Arts|date=25 June 2018|access-date=9 July 2020}}</ref>
Magdalene Odundo was born in [[Nairobi]], Kenya, and received her early education in both India and Kenya. She attended the Nairobi Polytechnic in Kenya to study Graphics and Commercial Art and moved to England in 1971 follow her chosen vocation in Graphic Design and completed qualifications in foundation art and graphics at the Cambridge College of Art.<ref>{{cite book|last1=Joris|first1=Yvonne G. J. M.|title=Magdalene Odundo|date=1994|publisher=Cip-Gegevens Koninklijke Bibliotheek, Den Haag|page=68}}</ref>▼
==Early life and education==
After a while in England she discovered pottery, and in 1974–75 she visited Nigeria, visiting the Pottery Training Centre in Abuja, and Kenya to study traditional hand-built pottery techniques.<ref>{{Cite book|title=Angaza Afrika: African Art Now|last=Spring|first=Chris|publisher=Laurence King|year=2008|isbn=978-1-85669-548-0|location=London|pages=234}}</ref> She also travelled to [[San Ildefonso Pueblo, New Mexico]] to observe the making of [[black-burnished ware|blackware]] vessels. In 1976, Odundo received a BA from [[Surrey Institute of Art & Design, University College|West Surrey College of Art & Design]] (now [[University for the Creative Arts]]).<ref name=resume>[http://magdaleneodundo.com/resume.html Magdalene Odundo resumé.]</ref> She then earned a master's degree at the [[Royal College of Art]] in London. She taught at the [[Commonwealth Institute]] in London from 1976 to 1979 and at the Royal College of Art in London from 1979 to 1982, before returning to teach at [[Surrey Institute of Art & Design, University College|Surrey Institute of Art & Design]] (now University for the Creative Arts) in 1997, becoming Professor of Ceramics in 2001.<ref name=resume /> In March 2016 she was inaugurated as an Emerita Professor of UCA, with a celebration event held at the Farnham campus against the backdrop of her important work in glass, Transition II.<ref>[http://www.uca.ac.uk/news/magdalene-inauguration-ceremony/ "UCA Emerita Professorship awarded to international contemporary artist"], UAC, 4 March 2016.</ref> She lives and works in Surrey.▼
▲Magdalene Odundo was born in [[Nairobi]], Kenya, and received her early education in both India and Kenya. She attended the
▲After a while in England she discovered pottery, and in 1974–75 she visited Nigeria, visiting the Pottery Training Centre in [[Abuja]], and Kenya to study traditional hand-built pottery techniques.<ref>{{Cite book|title=Angaza Afrika: African Art Now|last=Spring|first=Chris|publisher=Laurence King|year=2008|isbn=978-1-85669-548-0|location=London|pages=[https://archive.org/details/angazaafrikaafri0000spri/page/234 234]|url=https://archive.org/details/angazaafrikaafri0000spri/page/234}}</ref> She also travelled to [[San Ildefonso Pueblo, New Mexico]], to observe the making of [[black-burnished ware|
Odundo's best-known ceramics are hand built, using a coiling technique. Each piece is burnished, covered with slip, and then burnished again. The pieces are fired in an oxidizing atmosphere, which turns them a red-orange. A second firing in an oxygen-poor (reducing) atmosphere causes the clay to turn black; this is known as reduction-firing.<ref name="source 1">{{cite book|last1=Birmingham Museum of Art |title=Birmingham Museum of Art: A Guide to the Collection |publisher=Giles |year=2010 |location=London |pages=80 |url=http://www.birminghammuseumstore.org/bmapu.html |accessdate=2011-06-24 |isbn=978-1-904832-77-5 |deadurl=yes |archiveurl=https://web.archive.org/web/20110910171150/http://www.birminghammuseumstore.org/bmapu.html |archivedate=2011-09-10 |df= }}</ref> She uses the same types of techniques used by the Ancient Greeks and Romans and likes to take inspiration from countries like China and Mexico.<ref>{{cite book|last1=Joris|first1=|title=Magdalene Odundo|date=1994|publisher=|page=7}}</ref> Her graphic design skills still remain with her as she often sketches her interest in natural forms and the design of form to help her with her ceramic creations.<ref>{{cite book|last1=Joris|first1=|title=Magdalene Odundo|date=1994|publisher=|page=45}}</ref> Many of the vessels Odundo creates are reminiscent of the human form, often following the curves of the spine, stomach, or hair.<ref name="source 1" /> Her work may be found in museum and private collections worldwide.▼
== Career ==
Odundo was awarded the African Art Recognition Award by [[Detroit Institute of Arts]] in 2008, and the African Heritage Outstanding Achievement in the Arts award in 2012, together with honorary doctorates from the [[University of Florida]] (2014) and [[University of the Arts London]] (2016).<ref>[http://www.arts.ac.uk/study-at-ual/awards-ceremonies/honorary-awards-2016/ "Honorary Awards 2016"], UAL.</ref> She was appointed an [[Officer of the Order of the British Empire]] (OBE) for services to Art in the [[2008 Birthday Honours|Queen's Birthday Honours 2008]].<ref>{{London Gazette |issue=58729 |date=14 June 2008 |page=12 |supp=y }}</ref>▼
[[File:Brooklyn Museum 1991.26 Vessel (2).jpg|thumb|Vase, 1990, [[Brooklyn Museum]]]]
▲Odundo's best-known ceramics are hand built, using a coiling technique. Each piece is burnished, covered with slip, and then burnished again. The pieces are fired in an oxidizing atmosphere, which turns them a red-orange. A second firing in an oxygen-poor (reducing) atmosphere causes the clay to turn black; this is known as reduction-firing.<ref name="source 1">{{cite book|last1=Birmingham Museum of Art |title=Birmingham Museum of Art: A Guide to the Collection |publisher=Giles |year=2010 |location=London |pages=80 |url=http://www.birminghammuseumstore.org/bmapu.html |
* Art Institute of Chicago
In 2017 it was announced that Odundo would take up the role of Chancellor of the University of the Creative Arts from June 2018.<ref>Wanjohi, John, [http://www.mwakilishi.com/article/diaspora-news/2017-09-20/prof-odundo-named-chancellor-of-univ-of-creative-arts "Kenyan-Born Prof Magdalene Odundo NamedChancellor of UK's University of Creative Arts"], mwakilishi.com, 20 September 2017.</ref>▼
* The British Museum, London
* The Metropolitan Museum of Art, New York
* [[Cooper Hewitt, Smithsonian Design Museum|Cooper-Hewitt, National Design Museum]], New York<ref>{{Cite journal|last=Berns|first=Marla C|date=28 July 2014|title=Odundo, Magdalene|url=http://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7002263776|journal=Grove Art Online|doi=10.1093/gao/9781884446054.article.T2263776|isbn=978-1-884446-05-4 }}</ref>
* National Museum of African Art, Washington DC<ref name=":0">{{Cite journal|last=Soppelsa|first=Robert T.|date=Winter 1996|title=Ceramic Gestures: New Vessels by Magdelene Odundo|journal=UCLA James S Coleman African Studies Center|volume=29|issue=1|pages=74|jstor=3337453}}</ref>
*[[Toledo Museum of Art]], Toledo, OH<ref>{{Cite web|url=https://www.toledomuseum.org/about/news/mar-6-art-minute-magdalene-odundo-untitled|title=Mar. 6 Art Minute: Magdalene Odundo, "Untitled"|date=2017-03-06|website=The Toledo Museum of Art|language=en|access-date=2019-05-02}}</ref>
[[File:Burnished_Jar_by_Odundo,_Magdalene_(YORYM_2004_1_10).jpg|alt=Burnished jar with asymmetrical mouth and neck (ridge beneath bend of neck). Black metallic finish, the result of burnishing and reduction firing.|thumb|Burnished Jar by Magdalene Odundo. From the [[William Alfred Ismay|W.A. Ismay]] Studio Ceramics Collection at [[York Art Gallery]].]]
* [[Museum für Kunst und Gewerbe Hamburg]], Hamburg
* [[The Hepworth Wakefield]], Wakefield
In 2006, her work was presented in an exhibition titled "Resonance and Inspiration" at the [[Samuel P. Harn Museum of Art]] of the [[University of Florida]]. This was her first solo exhibition in the US since 1997 and her first solo appearance in Florida. This exhibit was also the first time her drawings and sketches were presented alongside her vessels.<ref>{{Cite journal|last1=Poynor|first1=Robin|last2=Moon|first2=MacKenzie|date=Summer 2007|title=Resonance and Inspiration: New Works by Magdalene Odundo by Magdalene Odundo|journal=African Arts|volume=40|issue=2|pages=86–87|jstor=20447830|doi=10.1162/afar.2007.40.2.86|s2cid=57569614}}</ref> Her free-form drawing style replicates the same shape and form as her vessels, serving as a glimpse into how Odundo perceives her three-dimensional works in two dimensions.
In 2019 there was a major exhibition that centred on a group of more than 50 of her works, alongside other works of art that Odundo saw as relating to or influencing her work; the exhibition was titled 'The Journey of Things'.<ref name=":1">{{Cite web|url=https://www.theguardian.com/artanddesign/2019/feb/15/magdalene-odundo-the-journey-of-things-review-hepworth-wakefield|title=Magdalene Odundo review – that pot's got my nose!|last=Clugston|first=Hannah|date=15 February 2019|website=The Guardian|access-date=28 November 2019}}</ref> The show was displayed in two locations: [[The Hepworth Wakefield]], West Yorkshire and then the [[Sainsbury Centre for Visual Arts]], East Anglia.<ref name=":1" />
== Recognition and honours ==
▲Odundo was awarded the African Art Recognition Award by [[Detroit Institute of Arts]] in 2008, and the African Heritage Outstanding Achievement in the Arts award in 2012, together with honorary doctorates from the [[University of Florida]] (2014) and [[University of the Arts London]] (2016).<ref>[http://www.arts.ac.uk/study-at-ual/awards-ceremonies/honorary-awards-2016/ "Honorary Awards 2016"], UAL.</ref> She was appointed
Odundo has been recognized as a significant player in contemporary ceramics, making her name a large contributor to African Art in the US during the 1990s. As observed by [[Gus Casely-Hayford|Augustus Casely-Hayford]], "[She draws] on something of the wisdom and experience of the Leach, or a line borrowed from ancient European antiquity, to create a trans-global, trans-temporal visual system of her own; modern, yet simultaneously old, African yet resolutely European..."<ref name=":0" />
▲In 2017 it was announced that Odundo would take up the role of Chancellor of the [[University
Odundo, who in 2008 was appointed an [[Officer of the Order of the British Empire]] (OBE) for services to Art,<ref>{{cite web|url=http://www.internationalceramicsfestival.org/portfolio/magdalene_odundo/|title=Magdalene Odundo OBE (KENYA/UK)|date=8 January 2019 |publisher= International Ceramics Festival|access-date=9 July 2020}}</ref> was made a [[Dame Commander of the Order of the British Empire|Dame]] (DBE) in the [[2020 New Year Honours|Queen's 2020 New Year's Honours]].<ref>{{cite journal|url=https://www.thegazette.co.uk/notice/3454714|title=Order of the British Empire|journal=The Gazette|issue=62866|date=27 December 2019|access-date=9 July 2020}}</ref><ref>{{cite web|url=https://www.theartnewspaper.com/news/new-year-s-honours-2020-awards-for-curator-ann-gallagher-museum-chief-tim-marlow-and-artist-david-shrigley|title=UK New Year's Honours 2020: awards for ceramicist Magdalene Odundo and artist David Shrigley|work=The Art Newspaper|first=Gareth|last=Harris|date=28 December 2019|access-date=9 July 2020}}</ref><ref>{{cite web|url=https://www.uca.ac.uk/news/dame-magdalene-odundo/|title=UCA Chancellor Magdalene Odundo made a dame|publisher=University for the Creative Arts|date=3 January 2020|access-date=9 July 2020}}</ref>
In 2022 is a world famous ceramic artist and Chancellor of the University of the Creative Arts. In 2008 she received the African Art Recognition Award from the Detroit Art Institute and in 2012 the African Heritage 40 Years Anniversary Award. In 2019 she received a Lifetime Achievement Award at the International Ceramics Festival and in 2020 was appointed DBE in the Queen’s New Year’s Honours list for Services to the Arts and Arts Education. In 2022 she was awarded an Honorary Doctorate of Arts by [[Anglia Ruskin University]].
==Footnotes==
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==References==
* Berns, Marla C., ''Ceramic Gestures, New Vessels by Magdalene Odundo'', Santa Barbara: University Art Museum, University of California, 1995.
* Bonacina, Andrew, ''Magdalene Odundo: The Journey of Things'', The Hepworth Wakefield, 2019.
* Jegede, Dele, ''Contemporary African Art, Five Artists, Diverse Trends'', Indianapolis, Ind.: Indianapolis Museum of Art, 2000.
* Slayter-Ralph, Anthony, ''Magdalene Odundo'', London: Lund Humphries, 2004.
==External links==
{{commons category}}
<!--link is duplicated below* [http://www.magdaleneodundo.com http://www.magdaleneodundo.com/ website]-->
* [http://www.magdaleneodundo.com/ Magdalene Odundo] at Anthony Slayter-Ralph fine art
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[[Category:Kenyan potters]]
[[Category:
[[Category:Officers of the Order of the British Empire]]▼
[[Category:1950 births]]
[[Category:Living people]]
[[Category:African potters]]▼
[[Category:Kenyan women artists]]
[[Category:Women potters]]
[[Category:Women ceramists]]▼
[[Category:Kenyan emigrants to the United Kingdom]]
[[Category:Naturalised citizens of the United Kingdom]]
[[Category:British women artists]]
[[Category:20th-century Kenyan women]]
[[Category:Academics of the University for the Creative Arts]]
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