Afrobeats: Difference between revisions

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'''Afrobeats''', not to be confused with [[Afrobeat]] or [[Afroswing]], is an umbrella term to describe popular music from [[West Africa]] and the diaspora<ref name="Khan-2017" /><ref name="Drake-2014" /> that initially developed in [[Nigeria]], [[Ghana]], and the [[United Kingdom|UK]] in the 2000s and 2010s. Afrobeats is less of a style per se, and more of a descriptor for the fusion of sounds flowing majorly out of Nigeria and Ghana. Genres such as [[hiplife]], [[jùjú music]], [[highlife]], azonto music, and naija beats, among others, were amalgamated under the "Afrobeats" umbrella.<ref name="Karlisa-2018a">{{Cite web|url=https://www.redbull.com/gb-en/the-evolution-of-afropop|title=The Evolution of Afropop|website=Red Bull|language=en|access-date=2019-08-24|archive-url=https://web.archive.org/web/20190824115002/https://www.redbull.com/gb-en/the-evolution-of-afropop|archive-date=2019-08-24|url-status=live}}</ref><ref name="Adu-Gilmore-2015">{{Cite journal|last=Adu-Gilmore|first=Leila|date=2015|title=Studio Improv as Compositional Process Through Case Studies of Ghanaian Hiplife and Afrobeats|journal=Critical Studies in Improvisation |language=en|volume=10|issue=2|doi=10.21083/csieci.v10i2.3555|issn=1712-0624|doi-access=free}}</ref><ref name="Eyre-2013">{{Cite web|url=https://afropop.org/articles/jesse-shipley-part-1-pan-africanism-and-hiplife|title=Afropop Worldwide {{!}} Jesse Shipley, Part 1: Pan Africanism and Hiplife|website=Afropop Worldwide|language=en|url-status=live|archive-url=https://web.archive.org/web/20190825200246/https://afropop.org/articles/jesse-shipley-part-1-pan-africanism-and-hiplife|archive-date=2019-08-25|access-date=2019-08-25}}</ref><ref name="Bryan-2015">{{Cite web|url=https://www.villagevoice.com/2015/09/01/sound-culture-fests-afro-caribbean-rhythm-mission-this-goes-deep-into-roots/|title=Sound Culture Fest's Afro-Caribbean Rhythm Mission: 'This Goes Deep Into Roots'|website=www.villagevoice.com|date=September 2015|access-date=2019-08-25|archive-url=https://web.archive.org/web/20190825200240/https://www.villagevoice.com/2015/09/01/sound-culture-fests-afro-caribbean-rhythm-mission-this-goes-deep-into-roots/|archive-date=2019-08-25|url-status=live}}</ref>
 
Afrobeats is primarily produced in [[Lagos]], [[Accra]], and [[London]]. Historian and cultural critic [[Paul Gilroy]] reflects on the changing London music scene as a result of shifting demographics:<ref name="Hancox">{{Cite web|url=https://www.vice.com/en_ca/article/53azwz/its-called-afrobeats-not-afrobeat-and-its-taking-over-london|title=It's Called Afrobeats And It's Taking Over London|last=Hancox|first=Dan|website=Vice|date=28 December 2013 |url-status=live|archive-url=https://web.archive.org/web/20191209224712/https://www.vice.com/en_ca/article/53azwz/its-called-afrobeats-not-afrobeat-and-its-taking-over-london|archive-date=2019-12-09}}</ref>
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In his earlier book, ''[[The Black Atlantic]]'', Gilroy rejects the notion that Black culture and music can be bound to one geographical region.<ref>{{cite book |last1=Gilroy |title=The Black Atlantic |year=1993 |publisher=Verso |isbn=9780860916758 |pages=16}}</ref> Afrobeats exemplifies this syncretism as a transnational genre that since 2019 has received international attention.<ref name="Scher-2015" /> David Drake writes about popular Nigerian music noting it is "Picking up on trends from the U.S., Jamaica, and Trinidad, they reimagine diasporic influences and—more often than not—completely reinvent them."<ref>{{cite web |last1=Drake |title=Pop Music's Nigerian Future |website=Fader |url=https://www.thefader.com/2014/08/01/pop-musics-nigerian-future |access-date=22 August 2019 |archive-date=22 August 2019 |archive-url=https://web.archive.org/web/20190822175715/https://www.thefader.com/2014/08/01/pop-musics-nigerian-future |url-status=live }}</ref>
 
Afrobeats began to experience widespread global mainstream acclaim in the late 2010s, with artists achieving success across Africa, Europe, and North America. Between 2017-2022, Afrobeats experienced a 550% growth in streams on [[Spotify]].<ref name="Osha-2022">{{Cite web |last=Osha |first=Sanya |title=2022 Grammys: what Fela Kuti has to do with West Africa's growing pop fame |url=http://theconversation.com/2022-grammys-what-fela-kuti-has-to-do-with-west-africas-growing-pop-fame-179899 |access-date=2022-04-11 |website=The Conversation |date=31 March 2022 |language=en |archive-date=11 April 2022 |archive-url=https://web.archive.org/web/20220411024738/https://theconversation.com/2022-grammys-what-fela-kuti-has-to-do-with-west-africas-growing-pop-fame-179899 |url-status=live }}</ref><ref>https://restofworld.org/2024/spotify-afrobeats-go-global/</ref> In response, it has been referred to as one of Africa's 'biggest cultural' or 'musical' exports.<ref>{{Cite web |author=Al Jazeera Staff |title=Q&A: Afrobeats is 'one of Africa's biggest cultural exports' |url=https://www.aljazeera.com/features/2023/6/27/qa-afrobeats-is-one-of-africas-biggest-cultural-exports |access-date=2023-07-22 |website=www.aljazeera.com |language=en |archive-date=22 July 2023 |archive-url=https://web.archive.org/web/20230722182151/https://www.aljazeera.com/features/2023/6/27/qa-afrobeats-is-one-of-africas-biggest-cultural-exports |url-status=live }}</ref><ref>{{Cite web |date=2020-03-12 |title=The story behind West Africa's huge musical export |url=https://www.redbull.com/gb-en/theredbulletin/the-story-behind-afrobeats-popularity |access-date=2023-07-22 |website=Red Bull |language=en |archive-date=22 July 2023 |archive-url=https://web.archive.org/web/20230722182151/https://www.redbull.com/gb-en/theredbulletin/the-story-behind-afrobeats-popularity |url-status=live }}</ref>
 
== Characteristics ==
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In April 2021, Davido's song "Fall" became the first Nigerian afrobeats song to receive over 200 million views on YouTube.<ref>{{Cite web|date=2021-04-06|title=Davido's 'Fall' Becomes First Afrobeats Music Video to Hit 200m Views On YouTube, See His Epic Reaction » GhBase•com™|url=https://www.ghbase.com/davidos-fall-becomes-first-afrobeats-music-video-to-hit-200m-views-on-youtube-see-his-epic-reaction/|access-date=2021-07-15|website=GhBase•com™|language=en-US|archive-date=15 July 2021|archive-url=https://web.archive.org/web/20210715130943/https://www.ghbase.com/davidos-fall-becomes-first-afrobeats-music-video-to-hit-200m-views-on-youtube-see-his-epic-reaction/|url-status=live}}</ref><ref>{{Cite web|date=2021-04-06|title=Davido's 'Fall' becomes first Afrobeats song to hit 200m YouTube views|url=http://lifestyle.thecable.ng/davidos-fall-becomes-first-afrobeats-song-to-hit-200m-youtube-views/|access-date=2021-07-15|website=TheCable Lifestyle|language=en-US|archive-date=5 September 2022|archive-url=https://web.archive.org/web/20220905173002/https://lifestyle.thecable.ng/davidos-fall-becomes-first-afrobeats-song-to-hit-200m-youtube-views/|url-status=live}}</ref> In the same year, Wizkid and [[Tems (singer)|Tems]] became the first Nigerian pop artists to earn a spot on the [[Billboard Hot 100]] with their song "[[Essence (Wizkid song)|Essence]]", while Burna Boy became the first African artist to earn 100 million streams across three albums each on [[Spotify]].<ref>{{Cite web|title=Wizkid, Essence and 'Afrobeats to the world'|url=https://www.modernghana.com/nollywood/36092/wizkid-essence-and-afrobeats-to-the-world.html|access-date=2021-07-15|website=Modern Ghana|language=en|archive-date=15 July 2021|archive-url=https://web.archive.org/web/20210715130941/https://www.modernghana.com/nollywood/36092/wizkid-essence-and-afrobeats-to-the-world.html|url-status=live}}</ref><ref>{{Cite web|date=2021-05-19|title=Burna Boy Becomes First African Artist to Reach 100 Million Streams on Spotify|url=https://www.okayafrica.com/burna-boy-african-giant/|access-date=2021-07-15|website=OkayAfrica|language=en|archive-date=15 July 2021|archive-url=https://web.archive.org/web/20210715130942/https://www.okayafrica.com/burna-boy-african-giant/|url-status=live}}</ref>
 
A range of new artists, such as Rema, [[Fireboy DML]], [[Tems (singer)|Tems]], [[Joeboy]], and [[Ayra Starr]] began to gain widespread popularity around the early 2020s, with a defining sound of R&B-infused, and sometimes [[Trap music|trap]]-influenced, afrobeats music. In January 2022, Fireboy DML was the first Nigerian artist to reach the number two position on the UK Singles Chart with his "[[Peru (song)|Peru]]" remix featuring [[Ed Sheeran]].<ref>{{Cite web |title=Rema's album Rave & Roses is a milestone for Afropop's second… |url=https://theface.com/music/rema-rave-roses-album-review-moonchild-sanelly-ghetts-cruel-santino-fireboy-dml |access-date=2022-04-11 |website=The Face |date=30 March 2022 |language=en-gb |archive-date=7 April 2022 |archive-url=https://web.archive.org/web/20220407170107/https://theface.com/music/rema-rave-roses-album-review-moonchild-sanelly-ghetts-cruel-santino-fireboy-dml |url-status=live }}</ref> In addition, artists such as [[Sarz]] and [[Niniola]] incorporated [[House music|house]] influences into their music (on songs such as "Ibadi" and "Shaba").<ref>{{Cite web |last=Daniels |first=Maisie |date=2021-06-21 |title=NINIOLA; THE QUEEN OF AFRO HOUSE |url=https://www.fwordmag.com/single-post/niniola-the-queen-of-afro-house |url-status=live |archive-url=https://web.archive.org/web/20231209031828/https://www.fwordmag.com/single-post/niniola-the-queen-of-afro-house |archive-date=9 December 2023 |access-date=2023-12-09 |website=fword |language=en}}</ref> This style of music has sometimes been dubbed 'afro-house', denoting the fusion of afrobeats and house music.<ref>{{Cite web |title=What You Need To Know About Niniola The Afro-House Queen |url=https://www.bet.com/article/v73zoh/niniola-the-queen-of-afro-house-is-a-boss-in-her-own-right |url-status=live |archive-url=https://web.archive.org/web/20231209031828/https://www.bet.com/article/v73zoh/niniola-the-queen-of-afro-house-is-a-boss-in-her-own-right |archive-date=9 December 2023 |access-date=2023-12-09 |website=BET |language=en}}</ref><ref>{{Cite web |title=NINIOLA {{!}} Niniola Takes Afro-House Worldwide On Colours And Sounds |url=https://www.officialniniola.com/niniola-takes-afro-house-worldwide-on-colours-and-sounds/ |url-status=live |archive-url=https://web.archive.org/web/20231209033331/https://www.officialniniola.com/niniola-takes-afro-house-worldwide-on-colours-and-sounds/ |archive-date=9 December 2023 |access-date=2023-12-09 |language=en-US}}</ref><ref>{{Cite magazine |last=Leight |first=Elias |date=2020-02-27 |title=Niniola Almost Quit Music. Now She's the Queen of Afro House |url=https://www.rollingstone.com/music/music-features/niniola-femi-kuti-958136/ |url-status=live |archive-url=https://web.archive.org/web/20231209031828/https://www.rollingstone.com/music/music-features/niniola-femi-kuti-958136/ |archive-date=9 December 2023 |access-date=2023-12-09 |magazine=Rolling Stone |language=en-US}}</ref>
 
In September 2021, [[CKay|Ckay]] became the second Nigerian pop artist to debut on the [[Billboard Hot 100]] with his song "[[Love Nwantiti]]" which peaked at number one in India, the Netherlands, Norway and Switzerland, and gained popularity across [[TikTok]].<ref>{{Cite web|date=2021-09-27|title=Like Wizkid's 'Essence,' Ckay's 'Love Nwantiti' debuts on the Billboard Hot 100|url=https://www.pulse.ng/entertainment/music/like-wizkids-essence-ckays-love-nwantiti-debuts-on-the-billboard-hot-100/lqkz53s|access-date=2021-10-10|website=Pulse Nigeria|language=en|archive-date=15 October 2021|archive-url=https://web.archive.org/web/20211015001151/https://www.pulse.ng/entertainment/music/like-wizkids-essence-ckays-love-nwantiti-debuts-on-the-billboard-hot-100/lqkz53s|url-status=live}}</ref><ref>{{Cite magazine|last1=C.J|first1=Nelson|last2=C.J|first2=Nelson|date=2021-09-24|title=CKay's 'Love Nwantinti' Took Over TikTok -- But He's Only Now Getting Full Credit|url=https://www.rollingstone.com/music/music-features/ckay-love-nwantinti-tik-tok-1231221/|access-date=2021-10-10|magazine=Rolling Stone|language=en-US|archive-date=9 November 2021|archive-url=https://web.archive.org/web/20211109072014/https://www.rollingstone.com/music/music-features/ckay-love-nwantinti-tik-tok-1231221/|url-status=live}}</ref> [[CKay]] personally dubbed his sound 'Emo-afrobeats', noting the additional focus on emotional and romantic-focused lyricism in his music.<ref>{{Cite web |date=2021-12-04 |title=In Talks With CKay: Storytelling Is Very Key For Me, I See My Music As A Diary |url=https://www.mixtapemadness.com/blog/interviews/in-talks-with-ckay-storytelling-is-very-key-for-me-i-see-my-music-as-a-diary |access-date=2022-06-25 |website=Mixtape Madness |archive-date=4 December 2021 |archive-url=https://web.archive.org/web/20211204142058/https://www.mixtapemadness.com/blog/interviews/in-talks-with-ckay-storytelling-is-very-key-for-me-i-see-my-music-as-a-diary |url-status=live }}</ref> In the same month Wizkid's "Essence" became the first African song to be certified platinum and to reach the top ten of the Billboard Hot 100.<ref>{{Cite web|title=Wizkid ft Justin Bieber and Tems reach the Top ten of Hot 100|url=https://twitter.com/billboardcharts/status/1447626926143770627|url-status=live|access-date=2021-10-14|website=Twitter|language=en|archive-date=11 October 2021|archive-url=https://web.archive.org/web/20211011191436/https://twitter.com/billboardcharts/status/1447626926143770627}}</ref>
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== Subgenres ==
 
=== Afro-Adura ===
Afro-Adura, also known as Afro-Trenches<ref>https://www.theafricareport.com/305158/afrobeats-to-afro-adura-much-ado-about-a-sub-genre/</ref>, is a subgenre of afrobeats with a lyrical focus on spirituality and uplifting messages that emerged in 2022<ref name=":1">{{Cite web |last=Ajayi |first=Dami |date=2023-12-08 |title=The Devil Works Hard but Asake Works Harder |url=https://republic.com.ng/december-23-january-24/the-assiduous-ethic-of-asake/ |access-date=2024-12-02 |website=The Republic |language=en-GB}}</ref>, while also containing references to the harsh realities of street life and escaping poverty. Afro-adura production styles are 'energetic' and 'melancholic', while lyrics are often sung in the [[Yoruba language]]. The name is a [[Portmantuea|portmanteau]] of "afro" (from afrobeats) and "adura" (meaning "prayer" in Yoruba).<ref name=":2">https://culturecustodian.com/afro-adura-a-passing-fad-or-a-tune-that-perseveres-through-time/</ref><ref>{{Cite web |title=Can the growing presence of melancholy in Street music make it Nigeria’s foremost genre? {{!}} Pulse Nigeria |url=https://www.pulse.ng/articles/entertainment/music/examining-the-growing-presence-of-melancholy-in-street-music-2024072623061017757 |access-date=2024-12-02 |website=www.pulse.ng |language=en}}</ref><ref>{{Cite web |last=Afeez |first=Ademoye |date=2024-11-26 |title=Here are the Afrobeats Breakout Artistes of 2024 |url=https://notjustok.com/article/who-are-the-afrobeats-breakout-artistes-of-2024/ |access-date=2024-12-02 |website=NotjustOk |language=en-US}}</ref> In January 2023, [[Boomplay]] launched an official afro-adura playlist, describing the genre as "music for the street by the street with the major element being the introspective and motivational lyrics".<ref name=":3">{{Cite web |last=Olagunju |first=Doyin |date=2023-05-27 |title=Afrobeats: The birth of Afro-Adura |url=https://africanarguments.org/2023/05/afrobeats-the-birth-of-afro-adura/ |access-date=2024-12-02 |website=African Arguments |language=en-GB}}</ref>
 
Artists associated with the genre include [[Seyi Vibez]], [[Tope Alabi]], [[9ice]], [[Oritse Femi]], [[Jaywon]], [[Dotman]], [[Barry Jhay]], [[Bella Shmurda]], [[Zinoleesky]], [[MohBad]], [[Asake]], [[T.I Blaze]], [[Magicsticks]].<ref name=":2" /><ref name=":3" />
 
Afro-adura has alternatively been referred to as a subgenre of street-hop, or even as a synonym for street-hop.<ref name=":1" /><ref>{{Cite web |last=Nigeria |first=Guardian |date=2024-05-10 |title=Harteez blends melody, storytelling in new EP, ‘Milestone’ |url=https://guardian.ng/news/harteez-blends-melody-storytelling-in-new-ep-milestone/ |access-date=2024-12-02 |website=The Guardian Nigeria News - Nigeria and World News |language=en-US}}</ref> Seyi Vibez personally stated he was not aware of the term,<ref>{{Cite web |date=2024-08-19 |title=49th Exclusive: Dibs Is The New Best Thing! |url=https://the49thstreet.com/49th-exclusive-dibs-is-the-new-best-thing/ |access-date=2024-12-02 |language=en-US}}</ref> and it has been criticised as an unnecessary 'branding exercise'.<ref>{{Cite web |title=Afrobeats in 2023: Olamide, Asake, Ruger, Burna Boy… |url=https://www.theafricareport.com/281259/afrobeats-in-2023-olamide-asake-ruger-burna-boy/ |access-date=2024-12-02 |website=The Africa Report.com |language=en}}</ref>
 
=== Azonto ===
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==Fusion and derivative genres==
=== Afropiano ===
Afropiano (a [[portmanteau]] of afrobeats and amapiano), sometimes called [[Nigeria|Naija]]-Amapiano,<ref>{{Cite web |last=Staff |first=Daily Post |date=2023-04-19 |title=Top 6 Nigerian amapiano songs |url=https://dailypost.ng/2023/04/19/top-6-nigerian-amapiano-songs/ |access-date=2023-12-12 |website=Daily Post Nigeria |language=en-US |archive-date=7 January 2024 |archive-url=https://web.archive.org/web/20240107165333/https://dailypost.ng/2023/04/19/top-6-nigerian-amapiano-songs/ |url-status=live }}</ref> is a fusion of the South African genre [[amapiano]] with afrobeats.<ref>{{Cite web |title=AFROPIANO: NIGERIA'S NEW SOUND INSPIRED BY AMAPIANO – GUAP – The Home Of Emerging Creatives |url=https://guap.co.uk/afropiano-nigerias-new-sound-inspired-by-amapiano/ |access-date=2023-12-12 |language=en-US |archive-date=17 November 2023 |archive-url=https://web.archive.org/web/20231117033821/https://guap.co.uk/afropiano-nigerias-new-sound-inspired-by-amapiano/ |url-status=live }}</ref>
 
In the early 2020s, Afropiano became one of the most popular forms of afrobeats.<ref>{{Cite web |title=From Afrobeats to Amapiano, is it time for Afropiano on the global stage? |url=https://www.theafricareport.com/237541/from-afrobeats-to-amapiano-is-it-time-for-afropiano-on-the-global-stage/ |access-date=2023-12-09 |website=The Africa Report.com |language=en |archive-date=9 December 2023 |archive-url=https://web.archive.org/web/20231209013809/https://www.theafricareport.com/237541/from-afrobeats-to-amapiano-is-it-time-for-afropiano-on-the-global-stage/ |url-status=live }}</ref> One of the most well-known afropiano songs that helped popularize the style of music in its earlier days is the track "Monalisa" by [[Lojay]] and [[Sarz]]. The song entered the top 10 list of music on the [[Billboard U.S. Afrobeats Songs|Billboard U.S. Afrobeats Songs charts]] and became the most Shazamed Afrobeats song globally in 2021.<ref>{{Cite web |title=South Africa: Lojay and Sarz on the making of 'Monalisa' & their blend of Afrobeats and Amapiano |url=https://www.theafricareport.com/224967/south-africa-lojay-and-sarz-on-the-making-of-monalisa-their-blend-of-afrobeats-and-amapiano/ |access-date=2023-12-09 |website=The Africa Report.com |language=en |archive-date=9 January 2024 |archive-url=https://web.archive.org/web/20240109173221/https://www.theafricareport.com/224967/south-africa-lojay-and-sarz-on-the-making-of-monalisa-their-blend-of-afrobeats-and-amapiano/ |url-status=live }}</ref><ref>{{Cite magazine |last=Cusson |first=Michael |date=2022-03-29 |title=Billboard U.S. Afrobeats Songs |url=https://www.billboard.com/charts/billboard-u-s-afrobeats-songs/ |access-date=2023-12-09 |magazine=Billboard |language=en-US |archive-date=20 January 2024 |archive-url=https://web.archive.org/web/20240120012039/https://www.billboard.com/charts/billboard-u-s-afrobeats-songs/ |url-status=live }}</ref><ref>{{Cite web |title=Lojay's Monalisa becomes Most Shazamed Afrobeats Song Globally |url=https://www.coolfm.ng/kano/news/editorial/lojays-monalisa-becomes-most-shazamed-globally/ |access-date=2023-12-09 |website=Cool FM - Your Number One Hit Music Station ! |language=en |archive-date=17 May 2024 |archive-url=https://web.archive.org/web/20240517100157/https://www.coolfm.ng/kano/news/editorial/lojays-monalisa-becomes-most-shazamed-globally/ |url-status=live }}</ref><ref name=":0"/> Other afropiano songs include ''"Champion Sound"'' by [[Davido]], ''"Amapiano"'' by [[Asake]], ''"Go low"'' by [[L.A.X (musician)|LAX]].<ref>{{Cite web |title=African Music: Afropiano and its Cultural Significance – CultureTree |url=https://culturetree.co.uk/uncategorized/african-music-afropiano-and-its-cultural-significance/ |access-date=2024-01-12 |language=en |archive-date=12 January 2024 |archive-url=https://web.archive.org/web/20240112004305/https://culturetree.co.uk/uncategorized/african-music-afropiano-and-its-cultural-significance/ |url-status=live }}</ref><ref name=":0">{{Cite web |last=Ogunyemi |first=Ifedayo |date=2021-11-23 |title=How I pioneered Afropiano sound with L.A.X's monster record 'GO LOW' ― Hit maker, Clemzy |url=https://tribuneonlineng.com/how-i-pioneered-afropiano-sound-with-l-a-xs-monster-record-go-low-%E2%80%95-hit-maker-clemzy/ |access-date=2023-12-12 |website=Tribune Online |language=en-GB |archive-date=7 January 2024 |archive-url=https://web.archive.org/web/20240107135812/https://tribuneonlineng.com/how-i-pioneered-afropiano-sound-with-l-a-xs-monster-record-go-low-%E2%80%95-hit-maker-clemzy/ |url-status=live }}</ref>
=== Nigerian afro house===
{{Not to be confused with|text=[[Afro house]]}}
 
Nigerian afro-house is a style of music that combines [[house music]] with afrobeats. Although this style of music combines other [[Electronic dance music]]al sounds into the [[hybrid genre]], this specific style is not the same as [[Afro House]] since its main musical fusion is Afrobeats with [[House music]].<ref>{{Cite web |title=What You Need To Know About Niniola The Afro-House Queen |url=https://www.bet.com/article/v73zoh/niniola-the-queen-of-afro-house-is-a-boss-in-her-own-right |access-date=2023-12-09 |website=BET |language=en |archive-date=9 December 2023 |archive-url=https://web.archive.org/web/20231209031828/https://www.bet.com/article/v73zoh/niniola-the-queen-of-afro-house-is-a-boss-in-her-own-right |url-status=live }}</ref> This style of music is sometimes associated with [[Sarz]] but most often with [[Niniola]] especially with her earlier works such as "Ibadi" and "Shaba".<ref>{{Cite web |last=Daniels |first=Maisie |date=2021-06-21 |title=NINIOLA; THE QUEEN OF AFRO HOUSE |url=https://www.fwordmag.com/single-post/niniola-the-queen-of-afro-house |access-date=2023-12-09 |website=fword |language=en |archive-date=9 December 2023 |archive-url=https://web.archive.org/web/20231209031828/https://www.fwordmag.com/single-post/niniola-the-queen-of-afro-house |url-status=live }}</ref> This type of music which [[Niniola]] often sings in is what got her to be nick-named the "Queen of Afro-House".<ref>{{Cite web |title=NINIOLA {{!}} Niniola Takes Afro-House Worldwide On Colours And Sounds |url=https://www.officialniniola.com/niniola-takes-afro-house-worldwide-on-colours-and-sounds/ |access-date=2023-12-09 |language=en-US |archive-date=9 December 2023 |archive-url=https://web.archive.org/web/20231209033331/https://www.officialniniola.com/niniola-takes-afro-house-worldwide-on-colours-and-sounds/ |url-status=live }}</ref><ref>{{Cite magazine |last=Leight |first=Elias |date=2020-02-27 |title=Niniola Almost Quit Music. Now She's the Queen of Afro House |url=https://www.rollingstone.com/music/music-features/niniola-femi-kuti-958136/ |access-date=2023-12-09 |magazine=Rolling Stone |language=en-US |archive-date=9 December 2023 |archive-url=https://web.archive.org/web/20231209031828/https://www.rollingstone.com/music/music-features/niniola-femi-kuti-958136/ |url-status=live }}</ref>
 
=== Afrobeats and Afrohouse in Cabo Verde ===
In [[Cape Verde|Cabo Verde]], the words “afrobeats” and “afrohouse” (no relationship with [[Afro House|South African afro House]]) are used indistinguishably. The official event of [[Cabo Verde Music Awards]] has a category denominated “Best Afrobeats/Afrohouse”<ref>[Nomeados XIII Edição – CVMA https://cvma.cv/?page_id=32248]</ref>. Upon the release of their song ''“Hoje é undi da ki panha”'', the artist Tó Semedo stated that the song is an afro house<ref>[“Hoje é undi da ki panha” apresentado em Cabo Verde https://expressodasilhas.cv/exclusivo/2013/03/08/hoje-e-undi-da-ki-panha-apresentado-em-cabo-verde/35191]</ref>. [[Mayra Andrade]]’s last álbum shows afrobeats’<ref>[Cape Verdean singer Mayra Andrade embraces afrobeats https://www.france24.com/en/20190830-encore-culture-music-mayra-andrade-cape-verde-manga-cesaria-evora-afrobeats]</ref> influence. Some DJs like DJ Danny Boy<ref>[DANNY BOY (CV) · Biografia https://pt.ra.co/dj/dannyboycv/biography]</ref> or DJ Gélson<ref>[Cape Verdean Afro House Beatmaker - Dj Gelson https://www.afroconex.online/post/dj-gelson-cape-verde-afro-house]</ref> call the music they produce as “afro house”. The same happens with other Lusophone African artists like, for instance, the [[Guinea-Bissau|Guinean]] artist Buruntuma<ref>[Buruntuma — Fundação Calouste Gulbenkian https://gulbenkian.pt/agenda/buruntuma/]</ref>.
 
The genre is produced mainly by Cape Verdean artists living abroad (mainly [[Portugal]]) and it surfaced in the early 2010s, slowly gaining popularity. Musically, it comes in two defined forms, that could be considered two diferente music genres, but are both called either “afrobeats” or “afrohouse”.
 
The first one (from Nigerian origin?) has a 4/4 time signature, and tempo variable between around 92 BPM (''“Tudu k’ ’u krê”'' performed by Sónia Sousa) and around 130 BPM (''“Tenpu antigu”'' performed by Apollo G feat. Garry). It is charachterized by a bass drum on each beat and some other instrument (a sidestick (''“Terra da saudade”'' performed by Mayra Andrade), a closed hi-hat, a snare (''“Undi da ki panha”'' by TLDreamZ) or any combination of the aforementioned) performing a pattern that reminds the [[soukous]] drum pattern, a [[Bell_pattern#44_bell_patterns|bell pattern]] or a 3-2 [[Clave_(rhythm)|son clave]] pattern, but there are some exceptions (''“Ken k’ ê nôs”'' performed by Avanah). It is not necessarily an electronic music genre since acoustic and/or electric instruments are frequently used (''“Sima nôs, ka ten”'' performed by Hélio Batalha). Sometimes, the melody performed by the singer is in [[Tuplet|triplets]] (''“Nha terra”'' performed by Soraia Ramos), creating a [[polyrhythm]], which is not common in Cape Verdean folk (traditional) music. Sometimes it is another instrument which performs the triplets (''“Bóka mundu”'' performed by Max Vaz feat. Magriitoh Monster). Sometimes, a hissing percussion instrument (shaker, cabasa, tambourine, etc.) performs a pattern based on 12/8 signature creating a polyrhythm. Harmonically, there is only one chord progression throughout the whole song, which is not common in Cape Verdean folk (traditional) music.
 
The second one (from Angolan origin? [[Kuduro]]?) has a 4/4 time signature, and tempo of around 124 BPM. It is characterized by a bass drum on each beat, a clap performing a ''[[Tresillo_(rhythm)|tresillo]]'' pattern and a hissing percussion instrument (closed hi-hat, shaker, cabasa, tambourine, etc.) performing a “galloping” pattern (''“La ganza”'' performed by DJ Danny Boy). This a truly electronic music genre with analog drum machine sounds (TR-909, TR-808) and synthesizer sounds. The epithet “house” in “afrohouse” does not mean that it is musically related to [[House music|house]], rather it means that it uses '''techniques''' and stylistic elements used in EDM music genres. The song ''“MBM”'' performed by Elji Beatzkilla has [[electro house]] build-up and drop, [[Trance music|trance]] snare drum roll, [[future house]] bass, for instance. When performed live, DJs progressively add and remove musical elements similarly to [[techno]]. Harmonically, there is no chord progression, the song remains on the same chord (''“Manxeda”'' performed by Djodje), which is not common in Cape Verdean folk (traditional) music.
 
=== Afrosoca ===
Afrosoca is a fusion genre of afrobeats and [[soca music]] with some influences from [[dancehall]]. The genre was pioneered in [[Trinidad and Tobago|Trinidad & Tobago]] by Nigerian and Trinidadian artists.<ref>{{Cite web|url=https://www.caribbeanlifenews.com/stories/2018/8/q-jamaica-center-caribbean-spirit-2018-08-10-cl.html|title=Caribbean spirit: Queens denizens celebrate Island culture|last=Alexandra Simon|website=Caribbean Life|date=10 August 2018 |language=en|access-date=2019-08-28|archive-url=https://web.archive.org/web/20190828061013/https://www.caribbeanlifenews.com/stories/2018/8/q-jamaica-center-caribbean-spirit-2018-08-10-cl.html|archive-date=2019-08-28|url-status=live}}</ref><ref name="Kuwonu-2019">{{Cite web|url=https://www.thenigerianvoice.com/news/278412/african-music-on-a-round-tripfrom-cotonou-to-cuba-and-back.html|title=African music on a round trip—from Cotonou to Cuba and back|website=Nigerian Voice|access-date=2019-08-28|archive-url=https://web.archive.org/web/20190828052657/https://www.thenigerianvoice.com/news/278412/african-music-on-a-round-tripfrom-cotonou-to-cuba-and-back.html|archive-date=2019-08-28|url-status=live}}</ref> The genre has been pioneered by artists such as Olatunji, [[Machel Montano]], and [[Timaya]]. Olatunji's song "Ola" was one of the most popular songs in Trinidad's 2015 carnival season,<ref name="Kuwonu-2019" /> leading Olatunji to earn the prize "Groovy Soca Monarch" for his performance at the [[International Soca Monarch]] competition.<ref name="Serwer-2016">{{Cite web|url=https://www.thefader.com/2016/02/25/afrosoca-trinidad-carnival-olatunji|title=How Soca Is Absorbing Afrobeats To Create A New Subgenre|website=The FADER|language=en|access-date=2019-08-28|archive-url=https://web.archive.org/web/20190828061002/https://www.thefader.com/2016/02/25/afrosoca-trinidad-carnival-olatunji|archive-date=2019-08-28|url-status=live}}</ref><ref name="Serwer-2017">{{Cite web|url=https://daily.redbullmusicacademy.com/2017/03/soca-guide|title=Red Bull Music Academy Daily|website=daily.redbullmusicacademy.com|access-date=2019-08-28|archive-url=https://web.archive.org/web/20190828053628/https://daily.redbullmusicacademy.com/2017/03/soca-guide|archive-date=2019-08-28|url-status=live}}</ref> Another notable song is the remix of "Shake Your Bum Bum" by Timaya and Machel Montano released in 2014, which was a hit in Trinidad.<ref name="Serwer-2017" /><ref name="Dixon-2016">{{Cite web|url=http://www.guardian.co.tt/neo/NeoProxy.dll?app=NeoDirect&com=6%2F2%2F355161%2Fe8e3742444|title=Is Afrosoca set to dominate?|last=Dixon|first=Bo-bie-Lee|website=www.guardian.co.tt|language=en|access-date=2019-08-28|archive-date=26 July 2020|archive-url=https://web.archive.org/web/20200726183200/https://www.guardian.co.tt/neo/NeoProxy.dll?app=NeoDirect&com=6%2F2%2F355161%2Fe8e3742444|url-status=live}}</ref> By 2016, a wave of Afro Soca songs were released coinciding with the years carnival season in Trinidad. Notable songs include Olatunji's "Oh Yah" and [[Fay-Ann Lyons]] and [[Stonebwoy|Stonebwoy B's]] song "Block D Road".<ref name="Serwer-2017" /><ref>{{Cite web|url=https://www.thefader.com/2016/08/29/best-carnival-songs-playlist|title=32 Songs You Need This Carnival Season|website=The FADER|language=en|access-date=2019-08-28|archive-url=https://web.archive.org/web/20190828061003/https://www.thefader.com/2016/08/29/best-carnival-songs-playlist|archive-date=2019-08-28|url-status=live}}</ref><ref>{{Cite news|url=https://www.theguardian.com/music/2015/oct/16/playlist-reggae-dancehall-soca-sanjay-keznamdi-bunji-garlin-and-more|title=The playlist – reggae, dancehall and soca: Sanjay, Keznamdi, Bunji Garlin and more|last=MacLeod|first=Erin|date=2015-10-16|work=The Guardian|access-date=2019-08-28|language=en-GB|issn=0261-3077|archive-url=https://web.archive.org/web/20190828061006/https://www.theguardian.com/music/2015/oct/16/playlist-reggae-dancehall-soca-sanjay-keznamdi-bunji-garlin-and-more|archive-date=2019-08-28|url-status=live}}</ref>