Marina Tsvetaeva: Difference between revisions

Content deleted Content added
Added more categories.
 
(27 intermediate revisions by 17 users not shown)
Line 1:
{{Short description|Russian poet (1892–1941)}}
{{for|other people with the same surname|Tsvetayev (disambiguation)}}
 
{{Multiple issues|
{{Copy edit|for=grammar, cohesion, idiomatic translation|date=December 2023}}
{{Essay-like|date=December 2023}}
{{More citations needed|date=December 2023}}
{{Original research|date=December 2023}}
{{Unreliable sources|date=December 2023}}
}}
{{family name hatnote|Ivanovna|Tsvetaeva|lang=Eastern Slavic}}
{{Use dmy dates|date=December 2021}}
Line 22 ⟶ 16:
| occupation = Poet and writer
| spouse = {{marriage|[[Sergei Efron]]|1912}}
| children = 3, including [[Ariadna ÈfronEfron]]
| education = [[University of Paris|Sorbonne]], Paris
| movement = [[Russian symbolism]]
Line 31 ⟶ 25:
}}
 
'''Marina Ivanovna Tsvetaeva''' ({{lang-rus|Марина Ивановна Цветаева|p=mɐˈrʲinə ɪˈvanəvnə tsvʲɪˈta(j)ɪvə|links=yes}}; {{OldStyleDate|8 October|1892|26 September}}{{spaced ndash}}31 August 1941) was a Russian poet. Her work is considered among some of the greatestmost well-known in twentieth -century Russian literature.<ref name="Who">"Tsvetaeva, Marina Ivanovna" ''Who's Who in the Twentieth Century''. Oxford University Press, 1999.</ref> She lived through and wrote ofabout the [[Russian Revolution]] of 1917 and the subsequent Moscow famine that followed it. In

Marina an attemptattempted to save her daughter Irina from starvation, sheby placedplacing her in a state orphanage in 1919, where sheIrina died of hunger. Tsvetaeva left Russia in 1922 and lived with her family in increasing poverty in Paris, Berlin and Prague before returning to Moscow in 1939. Her husband [[Sergei Efron]] and their daughter [[Ariadna Èfron|Ariadna]] (Alya) were arrested on espionage charges in 1941;, when her husband was executed.

Tsvetaeva died by suicide in 1941. As a lyrical poet, her passion and daring linguistic experimentation mark her as a strikinghistorical chronicler of her times and the depths of the human condition.
 
==Early years==
Marina Tsvetaeva was born in [[Moscow]], the daughter of [[Ivan Tsvetaev|Ivan Vladimirovich Tsvetaev]], a professor of Fine Art at the [[University of Moscow]],<ref name="Who"/> who later founded the Alexander III Museum of Fine Arts (known from 1937 as the [[Pushkin Museum]]). Tsvetaeva's mother, {{ill|Maria Tsvetaeva|ru|Цветаева, Мария Александровна|lt=Maria Alexandrovna Mein}}, Ivan's second wife, was a concert pianist,<ref name="Who"/> highly literate, with German and Polish ancestry. Growing up in considerable material comfort,<ref name="ix">Feinstein (1993) pix</ref> Tsvetaeva would later come to identify herself with the Polish aristocracy.
 
Tsvetaeva's two half-siblings, Valeria and Andrei, were the children of Ivan's deceased first wife, Varvara Dmitrievna Ilovaiskaya, daughter of the historian [[Dmitry Ilovaisky]]. Tsvetaeva's only full sister, [[Anastasia Tsvetayeva|Anastasia]], was born in 1894. The children quarrelled frequently and occasionally violently. There was considerable tension between Tsvetaeva's mother and Varvara's children, and Tsvetaeva's father maintained close contact with Varvara's family. Tsvetaeva's father was kind, but deeply wrapped up in his studies and distant from his family. He was also still deeply in love with his first wife; he would never get over her. Likewise, Tsvetaeva's mother Maria had never recovered from a love affair she'd had before her marriage. Maria disapproved of Marina's poetic inclination; sheMaria wanted her daughter to become a pianist, holding the opinion that herMarina's poetry was poor.
 
In 1902, Maria contracted [[tuberculosis]]. A change in climate was recommended to help cure the disease, and so the family travelled abroad until shortly before her death in 1906, when Tsvetaeva was 14.<ref name="ix"/> They lived for a while by the sea at [[Nervi]], near [[Genoa]]. There, away from the rigid constraints of a bourgeois Muscovite life, Tsvetaeva was able for the first time to run free, climb cliffs, and vent her imagination in childhood games. There were many Russian ''émigré'' revolutionaries residing at that time in Nervi, who may have had some influence on the young Tsvetaeva.<ref>''Marina Tsvetaeva: The Woman, Her World, and Her Poetry'' (1985). Simon Karlinsky, Cambridge University Press p18 {{ISBN|9780521275743}}</ref>
Line 64 ⟶ 62:
===Berlin and Prague===
[[File:Marina Tsvetaeva 140-190 for collage.jpg|thumb|right|200px| Marina Tsvetaeva (1913)]]
In May 1922, Tsvetaeva and Ariadna left [[Russian Soviet Federative Socialist Republic|Soviet Russia]] and were reunited in [[Berlin]] with Efron, whomwho she had thought had been killed by the Bolsheviks.<ref name="OCEL">"Tsvetaeva, Marina Ivanovna" The Oxford Companion to English Literature. Edited by Dinah Birch. Oxford University Press Inc.</ref> There she published the collections ''Separation'', ''Poems to Blok'', and the poem ''The Tsar Maiden''. Much of her poetry was published in Moscow and Berlin, consolidating her reputation. In August 1922, the family moved to [[Prague]]. Living in unremitting poverty, unable to afford living accommodation in Prague itself, with Efron studying politics and sociology at the [[Charles University]] and living in hostels, Tsvetaeva and Ariadna found rooms in a village outside the city. She wrote: "We are devoured by coal, gas, the milkman, the baker... the only meat we eat is horsemeat." When offered an opportunity to earn money by reading her poetry, she had to beg a simple dress from a friend to replace the one she had been living in.<ref name="x">Feinstein (1993) px</ref>
 
Tsvetaeva began a passionate affair with {{ill|Konstantyn Rodziewicz|ru|Родзевич, Константин Болеславович}}, a former military officer, a liaison which became widely known throughout émigré circles. Efron was devastated.<ref>This is well documented and supported particularly by a letter which he wrote to Voloshin on the matter.</ref> Her break-up with Rodziewicz in 1923 was almost certainly the inspiration for her ''[[The Poem of the End]]'' and "The Poem of the Mountain".<ref name="ix"/> At about the same time, Tsvetaeva began correspondence with poet [[Rainer Maria Rilke]] and novelist [[Boris Pasternak]].<ref name="OCEL"/> Tsvetaeva and Pasternak were not to meet for nearly twenty years, but maintained friendship until Tsvetaeva's return to Russia.
Line 94 ⟶ 92:
In 1939, she and her son returned to Moscow, unaware of the reception she would receive.<ref name="OCEL"/> In [[Joseph Stalin|Stalin]]'s USSR, anyone who had lived abroad was suspect, as was anyone who had been among the intelligentsia before the Revolution. Tsvetaeva's sister had been arrested before Tsvetaeva's return; although Anastasia survived the Stalin years, the sisters never saw each other again. Tsvetaeva found that all doors had closed to her. She got bits of work translating poetry, but otherwise the established Soviet writers refused to help her, and chose to ignore her plight; [[Nikolai Aseev]], whom she had hoped would assist, shied away, fearful for his life and position.
 
Efron and Alya were arrested on espionage charges in 1941,; Efron was sentenced to death. Alya's fiancé was actually an [[NKVD]] agent who had been assigned to spy on the family. Efron was shot in September 1941; Alya served over eight years in prison.<ref name="OCEL"/> Both were exonerated after Stalin's death. In 1941, Tsvetaeva and her son were evacuated to [[Yelabuga]] (Elabuga), while most families of the [[Union of Soviet Writers]] were evacuated to [[Chistopol]]. Tsvetaeva had no means of support in Yelabuga, and on 24 August 1941 she left for Chistopol desperately seeking a job. On 26 August, Marina Tsvetaeva and poet [[Valentin Parnakh]] applied to the Soviet of Literature Fund asking for a job at the LitFund's canteen. Parnakh was accepted as a doorman, while Tsvetaeva's application for a permission to live in Chistopol was turned down and she had to return to Yelabuga on 28 August.
 
On 31 August 1941, Tsvetaeva hunghanged herself in Yelabuga.<ref>{{cite web|url=http://www.poetrymagazines.org.uk/magazine/record.asp?id=15049|title=Marina Tsvetaeva, Poet of the extreme|last=Cooke|first=Belinda|access-date=21 April 2009|archive-date=20 August 2017|archive-url=https://web.archive.org/web/20170820200941/http://www.poetrymagazines.org.uk/magazine/record.asp?id=15049|url-status=dead}}</ref> She left a note for her son Georgy ("Mur"): "Forgive me, but to go on would be worse. I am gravely ill, this is not me anymore. I love you passionately. Do understand that I could not live anymore. Tell Papa and Alya, if you ever see them, that I loved them to the last moment and explain to them that I found myself in a trap."<ref name="Feiler">Feiler, Lily (1994). ''Marina Tsvetaeva: the double beat of Heaven and Hell''. Duke University Press. p264 {{ISBN|978-0-8223-1482-0}}</ref>
 
According to the book ''The Death of a Poet: The Last Days of Marina Tsvetaeva'', the local NKVD department tried to force Tsvetaeva to start working as their informant, which left her no choice other than to die by suicide.<ref name="MLR">"The Death of a Poet: The Last Days of Marina Tsvetaeva", ''Modern Language Review'', July 2006 by Ute Stock</ref><ref>''The Death of a Poet: The Last Days of Marina Tsvetaeva''. By Irma Kudrova. Trans. by Mary Ann Szporluk. Woodstock, New York, and London: Overlook Duckworth. {{ISBN|1-58567-522-9}}. [http://tsvetaeva.synnegoria.com/WIN/kudrova/tretyaversia.html link to Russian language version]</ref>
Line 146 ⟶ 144:
 
===Music and songs===
In 1973, Soviet composer [[Dmitri Shostakovich]] set six of Tsvetaeva's poems in his ''[[Six Poems by Marina Tsvetayeva]]''. Later the Russian-Tatar composer [[Sofia Gubaidulina]] wrote an ''Hommage à Marina Tsvetayeva'' featuring her poems. Her poem "Mne Nravitsya..." ("I like that..."), was performed by [[Alla Pugacheva]] in the film ''[[The Irony of Fate]]''. In 2003, the opera ''Marina: A Captive Spirit'', based on Tsvetaeva's life and work, premiered from [[American Opera Projects]] in New York with music by [[Deborah Drattell]] and libretto by poet [[Annie Finch]]. The production was directed by [[Anne Bogart]] and the part of Tsvetaeva was sung by [[Lauren Flanigan]]. The poetry by Tsvetaeva was set to music and frequently performed as songs by [[Elena Frolova]], [[Larisa Novoseltseva]], [[Zlata Razdolina]] and other [[Bard (Soviet Union)|Russian bards]]. In 2019, American composer [[Mark Abel]] wrote ''Four Poems of Marina Tsvetaeva'', the first classical song cycle of the poet in an English translation. Soprano [[Hila Plitmann]] recorded the piece for Abel’s album ''The Cave of Wondrous Voice''.<ref>[http://gendelev52.wordpress.com/%D1%86%D0%B2%D0%B5%D1%82%D0%B0%D0%B5%D0%B2%D0%B0/ Page of Marina Tsvetaeva at Synthesis of Poetry and Music website] dedicated to [[Russian Romance]]</ref><ref>Songs by [[Elena Frolova]]: [http://elenafrolova.info/album/%D0%B8-%D0%B0%D0%BD%D0%B3%D0%B5%D0%BB-%D0%B8-%D0%BB%D0%B5%D0%B2/ Angel and lion] – Tsvetaeva, Blok and Mandelshtam, 1992; ''My Tsvetaeva'' [http://www.bard.ru/cgi-bin/disk.cgi?disk=1398 part 1] and [http://www.bard.ru/cgi-bin/disk.cgi?disk=1399 part 2]; ''[http://elenafrolova.info/album/%D0%B4%D0%B5%D0%BD%D1%8C-%D0%B1%D0%BB%D0%B0%D0%B3%D0%BE%D0%B2%D0%B5%D1%89%D0%B5%D0%BD%D0%B8%D1%8F/ Annunciation Day]'' (1995 record); ''[http://elenafrolova.info/album/%D0%B0%D0%BB%D1%8C%D0%B1%D0%BE%D0%BC-4/ El sol de la tarde]'', 2008, ''[http://elenafrolova.info/album/%D1%85%D0%B2%D0%B0%D0%BB%D1%8B%D0%BD%D1%8C-%D0%BA%D0%BE%D0%BB%D1%8B%D0%B2%D0%B0%D0%BD%D1%8C/ Khvanyn'-Kolyvan]'', 2007</ref><ref>Songs by [[Larisa Novoseltseva]]: [http://www.russiandvd.com/store/product.asp?sku=56344&genreid= Candle] {{webarchive|url=https://web.archive.org/web/20160306083656/http://www.russiandvd.com/store/product.asp?sku=56344&genreid= |date=6 March 2016 }}, poetry by [[Akhmadulina]] and [[Tsvetaeva]].</ref><ref>{{Cite web |date=10 Aug 2020 |title=From Poetry to Song: A Russian Poet's Work Makes a Debut |url=https://russianlife.com/stories/online/from-poetry-to-song-a-russian-poets-work-makes-a-debut/ |access-date=24 Aug 2022 |website=Russian Life}}</ref>
 
==Tribute==
On 8 October 2015, [[Google Doodle]] commemorated her 123rd birthday.<ref>{{cite web|url=https://wwwdoodles.google.com/doodlesdoodle/marina-ivanovna-tsvetaevas-123rd-birthday/|title=Marina Ivanovna Tsvetaeva's 123rd Birthday|date=8 October 2015}}</ref>
 
==Translations into English==
Line 195 ⟶ 193:
* [http://www.carcanet.co.uk/cgi-bin/indexer?owner_id=775 Marina Tsvetaeva biography] at [[Carcanet Press]], English language publisher of Tsvetaeva's ''Bride of Ice'' and ''Marina Tsvetaeva: Selected Poems'', translated by [[Elaine Feinstein]].
* [http://english.tsvetayeva.com/ Heritage of Marina Tsvetayeva], a resource in English with [http://www.tsvetayeva.com/ a more extensive version in Russian].
* [https://allperestroika.ru/en/tsvetaeva-biography-en.html The brief biography of Marina Tsvetaeva] (in English).
 
{{Authority control}}
Line 209 ⟶ 208:
[[Category:Suicides by hanging in the Soviet Union]]
[[Category:University of Paris alumni]]
[[Category:WomenRussian women diarists]]
[[Category:Writers from Moscow]]
[[Category:Russian LGBTLGBTQ poets]]
[[Category:20th-century Russian poets]]
[[Category:20th-century Russian diarists]]
[[Category:Soviet diarists]]
[[Category:20th-century Russian LGBTLGBTQ people]]
[[Category:Soviet women poets]]
[[Category:Female suicides]]
[[Category:Russian women poets]]
[[Category:Russian satirists]]
[[Category:Russian satirical poets]]
[[Category:FemaleWomen suicidessatirists]]