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[[Kliegl Brothers Universal Electric Stage Lighting Company]] was founded in 1896 and grew to be the largest stage lighting company in the world. The company closed in the 1990s, though members of the original Kliegl family continue to work professionally in the lighting industry to this day.{{Citation needed|reason=Cite source and specific year, not 'to this day'.|date=February 2021}}
== Alternative name ==
While the Kliegls were German-born, the "klieg light" generic name for their type of stage and film lights was never popular in Germany, which developed Europe's largest movie industry in the 1920s. "Kliegl-Leuchte" never caught on and was almost unknown, since the Kliegl Brothers company had limited business in continental Europe. Instead, the generic term was "Jupiterlicht," or literally, '''Jupiter light''', or in French "lampes Jupiter," so named after a Berlin company supplying German and European studios and theater stages. The technical brand name quickly became popular as a generic metaphor for the movies.<ref>Jeanpaul Goergen, Ludger Kaczmarek, Jörg Schweinitz, James zu Hüningen. "Jupiterlicht". ''Lexikon der Filmbegriffe'', University of Kiel. https://filmlexikon.uni-kiel.de/doku.php/j:jupiterlicht-6023 (Accessed 2023-02-24); Wolfgang Samlowski, James zu Hüningen. "Kliegl light". ''Lexikon der Filmbegriffe'', University of Kiel. https://filmlexikon.uni-kiel.de/doku.php/k:kliegllight-1650 (Accessed 2023-02-24)</ref> For example, renowned German-American cinema theorist and sociologist [[Siegfried Kracauer]] used the title "Die Jupiterlampen brennen weiter" for his 1926 critique of Sergey Eisenstein's film [[Battleship Potemkin]]; this classic text, often used in cinema studies, has been translated into English as "The Klieg Lights Stay On" but in French as "Les lampes Jupiter restent allumées".<ref>Siegfried Kracauer, "Die Jupiterlampen brennen weiter: Zur Frankfurter Aufführung des Potemkin-Films". ''Frankfurter Zeitung'', 19 May 1926, reprinted in Kracauer et al. (eds.), ''Werke''. Frankfurt, 2004, p. 234; Siegfried Kracauer, "Les lampes Jupiter restent allumées: À propos du Cuirassé Potemkine". ''Le voyage et la danse: Figures de ville et vues de films''. Ed. Philippe Despoix. Québec 2008, p. 69 https://epdf.tips/voyage-et-la-danse-figures-de-ville-et-vues-de-films.html<nowiki/>(accessed 2023-02-24); Siegfried Kracauer, "The Klieg Lights Stay On: The Frankfurt Screening of Potemkin". ''The Promise of Cinema: German Film Theory 1907-1933''. Eds. Anton Kaes, Nicholas Baer, and Michael Cowan. Berkeley 2016, p. 353. [https://books.google.de/books?id=BIyNCwAAQBAJ&lpg=PA353&ots=egIS69AwnJ&dq=%22The%20Klieg%20Lights%20Stay%20On%3A%20The%20Frankfurt%20Screening%20of%20Potemkin%22.%20The%20Promise%20of%20Cinema%3A%20German%20Film%20Theory%201907-1933&hl=de&pg=PA353#v=onepage&q=%22The%20Klieg%20Lights%20Stay%20On:%20The%20Frankfurt%20Screening%20of%20Potemkin%22.%20The%20Promise%20of%20Cinema:%20German%20Film%20Theory%201907-1933&f=false] (accessed 2023-02-24)</ref>
==See also==
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