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In Europe, others were also working on the development of sound-on-film. In 1919, the same year that DeForest received his first patents in the field, three German inventors, [[Josef Engl]] (1893–1942), [[Hans Vogt (engineer)|Hans Vogt]] (1890–1979), and [[Joseph Massolle]] (1889–1957), patented the [[Tri-Ergon]] sound system. On September 17, 1922, the Tri-Ergon group gave a public screening of sound-on-film productions—including a dramatic talkie, ''Der Brandstifter'' (''The Arsonist'') —before an invited audience at the Alhambra Kino in Berlin.<ref>Robertson (2001), p. 168.</ref> By the end of the decade, Tri-Ergon would be the dominant European sound system. In 1923, two Danish engineers, Axel Petersen and Arnold Poulsen, patented a system that recorded sound on a separate filmstrip running parallel with the image reel. Gaumont licensed the technology and briefly put it to commercial use under the name Cinéphone.<ref>Crisp (1997), pp. 97–98; Crafton (1997), pp. 419–20.</ref>
=== Advanced sound-on-disc ===
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