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Several of Osofisan's plays are adaptations of works by other writers: ''[[Women of Owu]]'' from [[Euripides]]' ''[[The Trojan Women]]'';<ref>{{Cite journal|last=Olasope|first=Olakunbi|date=2012|title=To Sack a City or to Breach a Woman's Chastity: Euripides' Trojan Women and Osofisan's Women of Owu|journal=African Performance Review, Journal of African Theatre Association UK|volume=6| issue=1 |pages=111–121}}</ref> ''Who's Afraid of Solarin?'' from [[Nikolai Gogol]]'s ''[[The Government Inspector]]''; ''No More the Wasted Breed'' from [[Wole Soyinka]]'s ''[[The Strong Breed]]''; ''Another Raft'' from [[J. P. Clark]]'s ''The Raft''; ''Tegonni: An African Antigone'' from [[Sophocles]]′ ''[[Antigone (Sophocles)|Antigone]]'',<ref>{{Cite journal|last=Olasope|first=Olakunbi|date=2002|title=Greek and Yoruba Beliefs in Sophocles' Antigone and Femi Osofisan's Adaptation, Tegonni|journal=Papers in Honour of Tekena N. Tamuno|pages=408–420}}</ref><ref>{{Cite book|url=https://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780199296101.001.0001/acprof-9780199296101-chapter-3|title=Antigone's Boat: the Colonial and the Postcolonial in Tegonni: An African Antigone by Femi Osofisan|last=Goff|first=Barbara| editor1-first=Lorna | editor1-last=Hardwick | editor2-first=Carol | editor2-last=Gillespie |date=2007-10-11|publisher=Oxford University Press|isbn=9780191712135|language=en-US|doi=10.1093/acprof:oso/9780199296101.001.0001}}</ref> and others.
Osofisan in his works also emphasizes gender: his representation of women as objects, objects of social division, due to shifting customs and long-lived traditions, and also as instruments for sexual exploitation; and his portrayal of women as subjects, individuals capable of cognition, endowed with consciousness and will, and capable of making decisions and effecting actions. His inspiration is based on his hometown and his society.{{fact|date=September 2024}}
==Selected works==
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