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*''Art and Its Shadow'', foreword by Hugh J.Silverman, translated by Massimo Verdicchio, London-New York, Continuum, 2004, ISBN 0-8264-6243-X.
*''The Sex-appeal of the Inorganic'', translated by Massimo Verdicchio, London-New York, Continuum, 2004, ISBN 0-8264-6245-6.
 
===Articles===
*“Time and time again”, ''Artforum'', (April) 1983.
*“The difference of the Italian Philosophical Culture”, ''Graduate Faculty Philosophy Journal'', New School for Social Research, New York, 1984.
*“Logic of Seduction”, ''NMA'', n 3, MAGAZINE, 1984.
*“Mimetic Art”, ''Krisis'', (Houston), 1985, n. 3-4.
*“Post-political Styles”, ''Differentia'', 1986, Autumn.
*“Venusian Charme”, “Decorum and Ceremony”. Giovanna Borradori, ed., ''Recoding Methaphysics. The New Italian Philosophy'', Evanston:Northwestern University Press, 1988.
*“Between Clothing and Nudità”, ''Zone'', 1989, n. 4.
*“Behond Postmodernity”, ''Differentia'', 1989, Spring-Autumn.
*“Beauty is like a Lightning Bolt”, ''Walter De Maria'', Stockholm, Moderna Museet, 1989.
*“Critical Reflections”, ''Artforum'', 1991, Summer.
*“Enigmas of Italian Temperament”, ''Differentia'', 1991, n. 5.
*“Primordial Graffiti”, ''Differentia'', 1991, n. 5.
*“Urban, more than urban”, ''Topographie'', Wien, 1991, and in Strata, Helsinki, 1992.
*“Excitement”, Frederikborgmuseet, 1994.
*“Rituals in Exhibition”, ''Haim Steinbach''. Catalog edited by the Galleria d'Arte del Castello di Rivoli, Milano, Charta, 1995.
*“Towards Visual Philosophy”, ''The 6th International Video Week'', Genève 1995.
*“Burri and Aesthetics”, ''Burri'', Milano, Electa 1996.
*“Style, narrative and post-history” (with Arthur Danto and Demetrio Paparoni), ''Tema celeste'', May-June, 1997.
*“Sex appeal of the Inorganic”, (with Contardi), ''Journal of European Psychoanalysis'', n. 3-4, (Spring 1996-Winter 1997).
*“An Aesthetic of the Grand Style: Guy Debord”, ''Substance'', 1999, n.90.
*“Cultural Turns in Art. Art between parasitism and admiration”, ''RES'', 41, Spring, 2002.
*“Feeling the Difference”, James Swearingen, Johanne Cutting-Gray, ed., ''Feeling the Difference, Extreme Beauty. Esthetics, Politics, Death''. New York-London, Continuum, 2002.
*“The Cultural Turn and Ritual Feeling in Catholicism”, ''Paragrana'', Berlin, 2003, n.1-2. Republished as “The Cultural Turn in Catholicism”, ''The Dialogue. Yearbook of Philosophical Hermeneutics, Reason and Reasonabless'' (Riccardo Dottori ed.), Münster, Lit Verlag, 2005. Published also in Henning Laugerud & Laura Katrine Skinnebach, eds., ''Instruments of devotion. The Practices and objects of Religiois Piety from the Late Middle Ages to the 20th Century'', Aarhus University Press, 2007, pp.45-60 ISBN 978-87-7934-200-2.
*“Remembering Derrida”, ''Substance'', (Univ. of California), 2005, n. 1, issue 106, pp.48-49.
*“The Japanese juxtaposition”, ''European Review'', 2006, vol. 14, no.1, pp.129-34.
*“New York. Vamp City”, Celant, G., & Dennison, L., (eds.), ''New York, New York. Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video'', Milan, Skira, 2006.
*“Cultural Turns in Aesthetics and Anti-Aesthetics”, ''Filozofski Vestnik'' (ed. Aleš Erjacev), vol. XXVIII, Number 2, 2007, pp. 39-51.
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