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Line 1: {{Unreferenced\|date=December ~~2010~~2009}} '''~~Po.op~~Sample- ~~unbased~~based synthesis''' is a form of ~~showing~~audio ~~Fuc# to urself~~synthesis that can be ~~[[Google Search\|googlated]]~~contrasted to either [[subtractive synthesis]] or [[additive synthesis]]. The principal difference with sample-based synthesis is that the seed waveforms are [[sample (signal)\|sample]]d sounds or instruments instead of fundamental waveforms such as [[sine]] and [[saw wave]]s used in other types of synthesis. ==History== Before [[~~Dan Middleton\|~~digital recording]] became practical, instruments such as the [[~~Dan Middleton~~Chromatic_phonogene\|phonogene]] (1950s) and the [[Mellotron]] (1960s) used analog tape decks to play back sampled sounds. When sample-based synthesis was first developed, most affordable consumer synthesizers could not record arbitrary samples, but instead formed [[timbre]]s by combining pre-recorded samples from [[Read-only memory\|ROM]] before routing the result through [[analog (signal)\|analog]] or [[Digital data\|digital]] [[electronic filter\|filters]]. These synthesizers and their more complex descendants are often referred to as [[ROMpler\|ROMplers]].

Sample-based synthesis: Difference between revisions