Gregory Peck: Difference between revisions

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[[File:Gregory Peck in Days of Glory (1944).png|thumb|left|upright|Peck in ''[[Days of Glory (1944 film)|Days of Glory]]'' (1944)]]
 
After about 50 plays in total, including three short-lived Broadway plays, four or five on road tours, and the rest during summer theater,<ref>"Circle of Concentration: Gregory Peck in an Interview with Gordon Gow" in ''Films and Filming'', September 1974. https://www.theactorswork.com/2013/04/films-and-filming-gregory-peck.html</ref> Peck was offered his first film role, the male lead in the war-romance ''[[Days of Glory (1944 film)|Days of Glory]]'' (1944), directed by [[Jacques Tourneur]], alongside top-billed ballerina [[Tamara Toumanova]].<ref name="autogenerated589"/> Peck portrayed the leader of Russian guerrillas r]esistingresisting the Germans in 1941 who stumble across a beautiful Russian dancer (Toumanova), who had been sent to entertain Russian troops, and protect her by letting her join their group.<ref name="autogenerated589"/><ref>Thompson, David (London, 1994) "A Biographical Dictionary of Film", Martin Secker and Warburg Ltd., pg. 576.</ref> The film lost money disappearing from theatres quickly<ref> https://www.tvguide.com/movies/days-of-glory/review/112333/</ref><ref>https://www.allmovie.com/movie/days-of-glory-v12658</ref> and is described by one critic as "sincere, but plodding,"<ref name="auto3">Maltin, Leonard. “Leonard Maltin’s Classic Movie Guide”, 2005.</ref> and by two others as having too many long speeches.<ref>https://www.allmovie.com/movie/days-of-glory-v12658</ref><ref>https://www.nytimes.com/1944/06/17/archives/days-of-glory-starring-tamara-toumanova-and-gregory-peck-at-palace.html?rref=collection%2Fcollection%2Fmovie-guide</ref> Despite this, Peck's star power was evident,<ref name="autogenerated589"/><ref>https://www.allmovie.com/movie/days-of-glory-v12658</ref> even if one critic considered his acting in ''Days of Glory'' a little stiff.<ref>https://www.nytimes.com/1944/06/17/archives/days-of-glory-starring-tamara-toumanova-and-gregory-peck-at-palace.html?rref=collection%2Fcollection%2Fmovie-guide</ref> Hollywood movie producers became very interested in him, but rather than signing an exclusive long-term contract with one studio, he decided to free-lance, signing non-exclusive contracts with four studios,<ref>https://www.cbsnews.com/news/gregory-peck-dead-at-87/</ref> including an unusual dual contract with 20th Century Fox and ''Gone With the Wind'' producer David O. Selznick.<ref>https://www.independent.co.uk/news/obituaries/gregory-peck-36623.html</ref> This enabled him to choose only roles that interested him and resulted in him landing roles in several big budget films over the next few years.<ref name="autogenerated589"/>
 
These films were 20th Century Fox's lavish ''[[The Keys of the Kingdom (film)|The Keys of the Kingdom]]'' (1944) and, rapidly, three movies co-starring significant female stars: ''[[The Valley of Decision]]'' (1945) with [[Greer Garson]] at the height of her career having received four straight Academy Award nominations for Best Actress, winning in 1942 for ''[[Mrs. Miniver]]''; ''[[Spellbound (1945 film)|Spellbound]]'' (1945) starring [[Ingrid Bergman]] who had just won the Academy Award for Best Actress for ''[[Gaslight]]'' (1944);<ref name="autogenerated589"/> and ''[[The Yearling]]'' (1946) with the up-and-coming [[Jane Wyman]] who had just appeared in movies with [[Cary Grant]] and with [[Ray Milland]] in [[The Lost Weekend (film)|The Lost Weekend]] for which Milland won the [[Academy Award for Best Actor]].
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His rapid success was further shown by him being nominated for the [[Academy Awards|Academy Award]] for [[Academy Award for Best Actor|Best Actor]] four times in the first six years of film career, those being for: ''[[The Keys of the Kingdom (film)|The Keys of the Kingdom]]'' (1944), ''[[The Yearling (film)|The Yearling]]'' (1946), ''[[Gentleman's Agreement]]'' (1947), and ''[[Twelve O'Clock High]]'' (1949).ref name="autogenerated589">Monush, Barry (New York, 2003), "The Encyclopedia of Hollywood Film Actors", Applause Theatre and Cinema Books, pg.589.</ref>
 
''[[The Keys of the Kingdom]]'' (1944) features Peck as a 80-year-old Roman Catholic priest looking back at his epic undertakings during over half a century spent as a determined, self-sacrificing missionary in China.<ref name="variety1944">{{cite web|url=https://variety.com/1944/film/reviews/the-keys-of-the-kingdom-1200414440/ |title=The Keys of the Kingdom |work=Variety.com |date=December 31, 1944}}</ref><ref>Thomson, David (London, 1994) "A Biographical Dictionary of Fim", Martin Secker and Warburg Ltd., pg. 576.</ref> The film shows him aging from his 20s to 80 and he is in almost every scene.<ref name="autogenerated589"/><ref>{{cite web|author=Greg Orypeck |url=https://www.classicfilmfreak.com/2018/05/31/the-keys-of-the-kingdom-1947-starring-gregory-peck-and-thomas-mitchell/ |title=The Keys of the Kingdom (1947) starring Gregory Peck and Thomas Mitchell |work=Classic Film Freak |date=May 31, 2018 |accessdate=October 8, 2019}}</ref> At the time of release, one reviewer said the movie successfully conveyed the impact of "tolerance, service, faith and godliness" and that Peck's performance was excellent.<ref name="variety1944"/> Another evaluated the script as tedious but said Peck was forceful.<ref>https://www.nytimes.com/1944/12/30/archives/keys-of-the-kingdom-from-novel-by-aj-cronin-opens-at-rivoli-rkos.html</ref> Peck received his first nomination for the [[Academy Award for Best Actor]] for his performance <ref name="auto23"/> In the twenty-first century, some critics describe the movie as overlong,<ref name="autogenerated589"/> as having stilted dialogue and dull patches,<ref>https://www.allmovie.com/movie/the-keys-of-the-kingdom-v27139/review Craig Butler, author.</ref> or as long but generally good.<ref>Maltin, Leonard. “Leonard Maltin’s Classic Movie Guide”, 2005</ref> One critic asserts the movie is simply different from what most of today's viewers are accustomed - it is "slow-moving, patient, expository, with long scenes of dialogue and character building," - and that it is inspiring with many moving scenes featuring a "sincere, believable, dynamic performance" from Peck "ranging from soft-spoken compassion to almost retaliatory loathing."<ref>{{cite web|author=Greg Orypeck |url=https://www.classicfilmfreak.com/2018/05/31/the-keys-of-the-kingdom-1947-starring-gregory-peck-and-thomas-mitchell/ |title=The Keys of the Kingdom (1947) starring Gregory Peck and Thomas Mitchell |work=Classic Film Freak |date=May 31, 2018 |accessdate=October 8, 2019}}</ref> Some other critics others agree Peck's performance is excellent.<ref>https://www.tvguide.com/movies/the-keys-of-the-kingdom/review/103109/</ref><ref>https://www.allmovie.com/movie/the-keys-of-the-kingdom-v27139/review Craig Butler, author.</ref> Peck received his first nomination for the [[Academy Award for Best Actor]] and the movie had three other nominations, including for cinematography.<ref>Kinn, Gail, and Jim Plazza (New York, 2000) "The Academy Awards: The Complete History of Oscar", Black Dog and Leventhal Publishers, pg. 92.</ref> While ''Keys of the Kingdom'' is not viewed by many movie watchers today,<ref>https://www.imdb.com/title/tt0036983/ (only 2200 votes on website)</ref> in the mid-1940s it catapulted him to stardom.<ref name="autogenerated589"/><ref>McGilligan, Patrick (New York: 2004), "Alfred Hitchcock: A Life in Darkness and Light", HarperCollins Publishers Inc., pg. 357.</ref>
 
In ''[[The Valley of Decision]]'' (1944), an extravagant, sprawling romantic drama about intermingling social classes, Peck plays the eldest son of a wealthy steel mill owner in 1870s Pittsburgh who has a romance with one of his family's maids, who is played by [[Greer Garson]].<ref name="auto"/><ref name="autogenerated589"/> Garson's character is the protagonist who tries to smooth relations between her friends and family and Peck's, which get especially tense when the mill workers strike,<ref name="auto11">{{Cite web|url=https://www.nytimes.com/1945/05/04/archives/the-screen-in-review-the-valley-of-decision-with-greer-carson-and.html|title=THE SCREEN IN REVIEW; 'The Valley of Decision,' With Greer Carson and Gregory Peck, Makes Its Appearance at the Radio City Music Hall Judy Garland Seen in 'The Clock' at Capitol--Other New Films Are Offered at the Palace and at Loew's State Theatre At the Capitol At the Palace At Loew's State|first=Bosley|last=Crowther|date=May 4, 1945|via=NYTimes.com}}</ref> and was nominated for the [[Academy Award for Best Actress]].<ref name="auto23"/> A contemporary review described the first half of the movie as formulaic and somewhat contrived, but the final section as having authority and depth, while describing Peck's performance as "quietly commanding."<ref name="auto11"/> Another review states the tale "is movingly dealt with" and that "Peck has the personality and ability to command attention in any scene."<ref>https://variety.com/1944/film/reviews/the-valley-of-decision-1200414422/</ref> In recent years, the film has been evaluated as polished<ref name="auto3"/> and above-average.<ref>{{Cite web|url=http://www.classicfilmguide.com/indexcc56.html/|title=Valley of Decision The (1945) – full review! &#124; Classic Film Guide}}</ref> Some summaries of Peck's career and comprehensive movie review books or websites do not review the movie<ref>Andrew Joseph and Maitland McDonaugh, Eds. (New York, 1998) "The Movie Guide", Berkley Publishing Group.</ref><ref name="auto1">Tookey, Christopher (London, 1994), "The Film Critics' Film Guide", Boxtree Limited.</ref><ref>https://www.allmovie.com/movie/the-valley-of-decision-v115370</ref> and the movie is not viewed much today,<ref>https://www.imdb.com/title/tt0038213/ only 1600 votes</ref> despite the fact it was North America's biggest grossing movie of 1945.<ref name="auto19"/>