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* [[National Museum of African Art]], Washington DC<ref name=":0">{{Cite journal|last=Soppelsa|first=Robert T.|date=Winter 1996|title=Ceramic Gestures: New Vessels by Magdelene Odundo|journal=UCLA James S Coleman African Studies Center|volume=29|issue=1|pages=74|jstor=3337453}}</ref>
*[[Toledo Museum of Art]], Toledo, OH<ref>{{Cite web|url=https://www.toledomuseum.org/about/news/mar-6-art-minute-magdalene-odundo-untitled|title=Mar. 6 Art Minute: Magdalene Odundo, "Untitled"|date=2017-03-06|website=The Toledo Museum of Art|language=en|access-date=2019-05-02}}</ref>
[[File:Burnished_Jar_by_Odundo,_Magdalene_(YORYM_2004_1_10).jpg|alt=Burnished jar with asymmetrical mouth and neck (ridge beneath bend of neck). Black metallic finish, the result of burnishing and reduction firing.|thumb
In 2006, her work was presented in an exhibition titled "Resonance and Inspiration" at the [[Samuel P. Harn Museum of Art]] of the [[University of Florida]]. This was her first solo exhibition in the US since 1997 and her first solo appearance in Florida. This exhibit was also the first time her drawings and sketches were presented alongside her vessels.<ref>{{Cite journal|last=Poynor|first=Robin|last2=Moon|first2=MacKenzie|date=Summer 2007|title=Resonance and Inspiration: New Works by Magdalene Odundo by Magdalene Odundo|journal=African Arts|volume=40|issue=2|pages=86–87|jstor=20447830|doi=10.1162/afar.2007.40.2.86}}</ref> Her free-form drawing style replicates the same shape and form as her vessels, serving as a glimpse into how Odundo perceives her three-dimensional works in two dimensions.
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