David Levine (photographer)

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David Levine (born 1960)[1][2] is a British music, portrait and fashion photographer. He is best known for his his 1980s work with Culture Club, ABC, Kylie Minogue and The Cure.

David Levine

David Levine
Born1960 (age 63–64)
Died
London
NationalityBritish
Occupation(s)Music, Portrait and Fashion photographer. Music Video Director and Producer
Years active1977–
Known forWork with Culture Club, ABC, The Cure, Kylie Minogue, Steve Strange and Tim Pope.
Notable workHis cover of Boy George on the "Karma Chameleon" single sleeve is one of the most regonised images of Boy George. One of his many shoots with ABC inspired the cartoons characters of the band that were used on the cover of the How to be a Zillionaire album.

Early Life and Career Beginnings

David Levine, a prominent English photographer, commenced his illustrious career in 1977 as a photographer's assistant. During this early phase, he honed his skills by capturing live performances of renowned artists, including the unforgettable Iggy Pop concert at the Music Machine in London. His journey extended to the realm of music videos, where he collaborated as a stills photographer with director Tim Pope.

Music Photography and Influential Style

Levine's ascent to prominence came through his groundbreaking work in music photography, particularly during the dynamic 1980s era. His discerning eye and distinct style led to the moniker "The Man Who Shot the 80s," solidifying his position in music history. Notable collaborations with Culture Club, ABC, The Cure, Kylie Minogue, Jermaine Jackson, 5 Star, and Siouxsie Sioux. marked his contribution to capturing the essence of the 1980s music scene. The style and work ethic he established, shooting virtually every day in the '80s, have left an enduring imprint that continues to influence contemporary photographers.

Stills and Film Career

Levine's creative prowess extended beyond still photography, as he seamlessly transitioned into film, maintaining a stylistic and gritty approach reminiscent of his stills. His dedication to his craft, filming and shooting tirelessly throughout his career, has resulted in a body of work that stands as a unique testament to his artistic vision.

Academic Contributions and Current Endeavours

In 2014, David Levine was invited to share his wealth of knowledge at the University of the Arts London, London College of Fashion.[3]. As a lecturer in Fashion Photography and Digital photography, he continues to inspire and educate emerging talents while actively pursuing his thriving careers in photography and film.

The National Portrait Gallery.[2] in London proudly holds David Levine's 2009 portrait of Paul Nicholls, a testament to his artistic impact beyond the realms of music and fashion. This recognition underscores Levine's enduring significance within the cultural and artistic landscape.

Philosophy and Personal Values

Notably, David Levine remains steadfast in his commitment to his craft, expressing a candid perspective on awards. On record, he asserts, "I don’t do this to get awards; I do it so I know I’m ok at what I do." True to his principles, Levine places friendship ahead of accolades, emphasizing the authenticity and passion that drive his creative pursuits.

Current Engagements and Continued Legacy

Presently, David Levine serves as a guest lecturer at the University of the Arts London, London College of Fashion.[3], focusing on Fashion and Digital Photography. His enduring legacy is a testament to his unwavering dedication to the artistry of photography and film, leaving an indelible mark on the past, present, and future of visual storytelling. Through his lens, David Levine continues to shape the narrative of both the artistic and academic realms.

Personal life

He is the younger brother of record producer Steve Levine.

References

  1. ^ "David Levine". Camera Press Ltd. Retrieved 2 February 2017.
  2. ^ a b "David Levine (1960-)". National Portrait Gallery. Retrieved 19 April 2012.
  3. ^ a b "David Levine". London College of Fashion. 4 October 2023.

Further reading