The Tansads

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The Tansads were an English band from Wigan, Greater Manchester who were active during the 1990s. Playing a mix of folk, punk and indie music they developed a strong following on the festival circuit and on the crusty/traveller scene but never managed to achieve a commercial breakthrough. Their ultimately unsuccessful career later became the subject of a book by former member Ed Jones.

The Tansads

History

The core members of the group throughout their career were vocalist Janet Anderton and the three Kettle brothers: John (guitarist and principal songwriter), Bob (mandolin, guitar, harmonica and jumping around) and Andrew, sometimes credited simply as "Kek" (vocalist). The band's name came from a brand of child's pushchair.[1] The band's style blended elements of folk, punk and indie with lyrics generally focusing on the vagaries of Northern working-class life. Anderton and Andrew Kettle shared lead vocals, with some tracks featuring one or other alone and others featuring the interplay of Anderton's clear voice with Kettle's raspy delivery.

The band achieved significant local success in their home town of Wigan, and in the early 1990s were supported on tour by another local band, The Verve. At the time the two acts were seen as the two big names on the local Wigan scene.[2] Other bands who supported the Tansads included Pulp, Cast and Kula Shaker. In 1991 they released their debut album Shandyland on an independent label, its title track featuring a lyric (reproduced on the album's front cover) which summed up their vision of Northern life and people: "Chips and egg would make them high/But God has poked them in the eye".

Two years later they released Up the Shirkers on the more established MusiDisc label, which had previously released the debut album by The Levellers, a band to whom the Tansads were often compared. Their chaotic, frenetic live shows were generating much interest, but they also began a series of regular line-up changes, with only Anderton and the three Kettle brothers remaining constant members. Guy Keegan, formerly of The Railway Children, was a member for one album.

In 1994 they moved to Transatlantic Records for the album Flock, from which the single Iron Man stalled just outside the top 75 of the UK singles chart,[3] the closest they ever came to a commercial breakthrough.

Change of direction

After 1995's live album Drag Down the Moon, the band went on hiatus. Three years later they returned with a stripped-down line-up featuring only Anderton and John Kettle from their heyday and a new sound which dispensed with the folk elements in favour of a more conventional indie rock sound. This line-up released the album Reason to Be on an independent label before disbanding. In 2001 there were reports that the band had reformed once again, with Anderton now replaced by a teenaged vocalist named Laura Follin, but no new recordings surfaced.

Post-split

Former bass player Ed Jones, who returned to journalism after leaving the band, wrote a book, This is Pop: The Life and Times of a Failed Rock Star, detailing his time in the band and the personality clashes which he felt caused their career to fail.[4]

John Kettle works as a producer in his own studio called Jaraf House Studios and, along with producing songs for notable local talent ranging from Witness to Moco, he has been working on new recordings with his brothers under the name "The Dregs".[5]

Band personnel

Album Line-up
Shandyland (1991)
Andrew Kettle - vocals
Bob Kettle - harmonica, mandolin, guitar
John Kettle - guitar
Janet Anderton - vocals
Ed Jones - bass
Cudo - percussion, vocals
Shrub - keyboards
Dominic Lowe - accordion, trumpet
Bug - drums
Up the Shirkers (1993)
Andrew Kettle - vocals
Bob Kettle - harmonica, mandolin, guitar
John Kettle - guitar
Janet Anderton - vocals
Ed Jones - bass
Cudo - percussion, keyboards, vocals
Dominic Lowe - accordion, trumpet
Chris Atherton - drums, programming,vocals
Flock (1994)
Andrew Kettle - vocals
Bob Kettle - harmonica, mandolin, guitar
John Kettle - guitar
Janet Anderton - vocals
Ed Jones - bass, vocals
Lee Goulding - keyboards
Guy Keegan - drums, percussion
Drag Down the Moon (1995)
Andrew Kettle - vocals
Bob Kettle - harmonica, mandolin, guitar
John Kettle - guitar
Janet Anderton - vocals
Robbie Ryan - bass, vocals
Lee Goulding - keyboards
Phillip Knight - drums
Reason to Be (1998)
John Kettle - guitar
Janet Anderton - vocals
Robbie Ryan - bass
Tim Howard - guitar
Andy Jones - drums

Discography

Albums

Shandyland (1991)

  1. "Cobbly Back Yard"
  2. "Wood in th' Hole"
  3. "Right On"
  4. "Big Wednesday"
  5. "Feed Me"
  6. "Horses"
  7. "Shandylands"
  8. "Juvenile"
  9. "No More"
  10. "London's Burning"
  11. "Spirit Move"
  12. "Big Bad Devil"


Up the Shirkers (1993)

  1. "Eye of the Average"
  2. "Camelot"
  3. "Brian Kant (yeah-yeah-yo)"
  4. "Zig Zag"
  5. "Music Down"
  6. "Waste of Space"
  7. "Chip-Pan Ocean"
  8. "The English Rover"
  9. "John John"
  10. "Reasons to Be"
  11. "Turn On, Tune Up, Drop Out, Be Late"
  12. "Up the Revolution"


Flock (1994)

  1. "A Band On the Rainbow"
  2. "Fear of Falling"
  3. "She's Not Gone"
  4. "God On a String"
  5. "Iron Man"
  6. "Waiting for the Big One"
  7. "Dance"
  8. "Sunlight In the Morning"
  9. "G Man"
  10. "Ship of Fools"
  11. "I Know I Can (But I Won't)"
  12. "Heading for the Heart"
  13. "Separate Souls"


Drag Down the Moon (1995)

  1. "Iron Man"
  2. "Where Have All the Flowers Gone"
  3. "Up the Revolution"
  4. "She's Not Gone"
  5. "A Band On the Rainbow"
  6. "John John"
  7. "Turn On, Tune Up, Drop Out, Be Late"
  8. "Spirit Move"
  9. "Sunlight In the Morning"
  10. "Reasons to Be"
  11. "The English Rover"
  12. "Waiting for the Big One"
  13. "G Man"
  14. "Fear of Falling"
  15. "Eye of the Average"
  16. "I Know I Can (But I Won't)"
  17. "Drag Down the Moon"


Reasons to Be (1998)
????

References

  1. ^ Interview with the band in Folk Roots issue 120, June 1993
  2. ^ "This is Music: A Verve History" in Record Collector issue 219, November 1997, reproduced here
  3. ^ The band's fan club newsletter claimed that the single's peak position was number 110.
  4. ^ Jones, Ed (1999). This is Pop: The Life and Times of a Failed Rock Star. Canongate Books. ISBN 0-86241-880-1.
  5. ^ Wigan Today Setting the record straight