Pashkevil

A pashkvil (Template:Lang-he pl. pashkvilim פשקווילים) is a broadside or poster that has been situated on a public wall or location in an Orthodox Jewish community, and most commonly within Hareidi enclaves.^[1]^[2] Pashkvilim are sometimes distributed anonymously; however, many are posted with rabbinic endorsements or the name of an activist group appended to the bottom.^{[citation needed]}

A pashkvil publicizing Neturei Karta's condemnation of those who associate with the “enemies of the Jewish people.” It was posted in response to the attendance of some of its members at an Iranian convened conference dedicated to Holocaust denial.

Function

Per [Samuel Heilman]], the pashkvilim:

...make clear what is virtuous or acceptable behavior and what is not. They serve as expressive media that show what those who prepare and post as well as those who allow the poster to be displayed (the latter by attending to its meaning and not removing or covering it) consider to be acceptable or worthy of notice… The informed observer can thus use such signs as a window through which to glimpse what is appropriate behavior as well as what is on the mind of the community, its interests and concerns.^[3]

Given the unique sociological insight to be garnered from their study, Israel's National Library has begun to acquire private collections of pashkvilim to be preserved in a special section available for academic research.^[4]

Controversy

The authority of pashkvilim is subject to much dispute.^{[citation needed]} The medium is frequently used as an anonymous means of publicly attacking or undermining a person or group (in violation of the Jewish laws of loshon hora), and even those that bear the names of leading Rabbis are often fraudulent.^{[citation needed]}

Etymology

A column in the Jewish Daily Forward claims the word as a Yiddish term (pashkvil) borrowed from Polish paszkwil, which itself came from the French pasquil, from the Italian pasquinatta (as does the English term "pasquinade" for a satire or lampoon).^[5] The term has also been explained as a Yiddish word mean "protest or cry for help".^[2] The word made its way "from Yiddish into the Hebrew of the Old Ashkenazi Yishuv in Jerusalem"^[6] and was consequently adopted by Modern Hebrew.

References

^ Nurit Stadler (1 January 2009). Yeshiva Fundamentalism: Piety, Gender, and Resistance in the Ultra-Orthodox World. NYU Press. pp. 100–. ISBN 978-0-8147-4114-6.
^ ^a ^b Raz Yosef; Boaz Hagin (6 June 2013). Deeper than Oblivion: Trauma and Memory in Israeli Cinema. Bloomsbury Publishing. pp. 1–. ISBN 978-1-4411-9926-3.
^ Samuel C. Heilman (2006). Sliding to the Right: The Contest for the Future of American Jewish Orthodoxy. University of California Press. pp. 212–. ISBN 978-0-520-24763-5.
^ VIN News: Israel’s National Library Acquires Largest Known Collection of Israeli Pashkvillim
^ On Language by Philologos: A Nude Who Inspired Modesty. Jewish Daily Forward, August 01, 2003.
^ The Writing on the Wall by Rena Rossner]. Jerusalem Post, 12/09/2005 01:27

External links

Pashkevil Collection], National Library of Israel Template:He icon

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[Stadler2009-1] Nurit Stadler (1 January 2009). Yeshiva Fundamentalism: Piety, Gender, and Resistance in the Ultra-Orthodox World. NYU Press. pp. 100–. ISBN 978-0-8147-4114-6.

[YosefHagin2013-2] Raz Yosef; Boaz Hagin (6 June 2013). Deeper than Oblivion: Trauma and Memory in Israeli Cinema. Bloomsbury Publishing. pp. 1–. ISBN 978-1-4411-9926-3.

[Heilman2006-3] Samuel C. Heilman (2006). Sliding to the Right: The Contest for the Future of American Jewish Orthodoxy. University of California Press. pp. 212–. ISBN 978-0-520-24763-5.

[4] VIN News: Israel’s National Library Acquires Largest Known Collection of Israeli Pashkvillim

[5] On Language by Philologos: A Nude Who Inspired Modesty. Jewish Daily Forward, August 01, 2003.

[6] The Writing on the Wall by Rena Rossner]. Jerusalem Post, 12/09/2005 01:27

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