Ulayya bint al-Mahdi (Arabic: عُلَيّة بنت المهدي, romanized: ʿUlayya bint al-Mahdī, 777–825) was an Abbasid princess, noted for her legacy as a poet and musician.
| Ulayya bint al-Mahdi عُلَيّة بنت المهدي | |||||
|---|---|---|---|---|---|
| Born | 777 Baghdad, Abbasid Empire | ||||
| Died | 825 (aged 47–48) Baghdad, Abbasid Empire | ||||
| Spouse | Musa ibn Isa ibn Musa al-Hashimi | ||||
| Children | Abbas Ishaq | ||||
| |||||
| Dynasty | Abbasid | ||||
| Father | al-Mahdi | ||||
| Mother | Maknuna | ||||
| Religion | Sunni Islam | ||||
| Occupation | Singer, composer, musician, Arabic poet | ||||
Biography
edit‘Ulayya was one of the daughters of the third Abbasid Caliph al-Mahdi (r. 775–85), who reigned from 775 to his death in 785, and was noted for promoting poetry and music in his realm.[1] Her mother was a singer and concubine called Maknūna (herself the jāriya of one al-Marwānīya). Maknunah was a songstress.[2] She was owned by Al-Marwaniyyah.[3] Al-Mahdi, while yet a prince, bought her for 100,000 silver dirhams. She found such favor with the prince that Al-Khayzuran (Al-Mahdi's wife) used to say, "No other woman of his made my position so difficult." Of course, Al-Khayzuran successfully eliminated this threat and kept her husband's unmatchable favor.[2]
It appears that, with her father dying early in her life, ‘Ulayya was brought up by her half-brother Harun al-Rashid (r. 786–809).
‘Ulayya was a princess, and, like her half-brother Ibrahim ibn al-Mahdi (779–839), a noted musician, and poet. It has been claimed that she surpassed her brother in skills and while 'not the only princess known to have composed poetry and songs', nonetheless 'the most gifted'.[4] 'Much of her poetry consists of short pieces designed to be sung; in the muḥdath style, it treats of love, friendship and longing for home, but also includes praise of Hārūn, the caliph, celebration of wine and sharp attacks on enemies.'[4]
The main source for ‘Ulayya's life is the tenth-century Kitāb al-Aghānī of Abū ’l-Faraj al-Iṣfahānī.[5] This and other sources tend to portray ‘Ulayya as an accomplished woman who could readily hold her own in court society, but who tended to shy from too prominent a role in public life. She was wealthy and clearly possessed slave-girls, and had an intimate relationship with her powerful brothers; although there is little evidence of her communing with religious scholars, 'various reports in ‘Ulayya's tarājim refer to her piety and adherence to ritual obligations'.[6]: 66–68, 74
Similar to other free Arab women known for their musical ability, Ulayya bint al-Mahdi only performed in private, chaperoned family only functions to avoid any potential impropriety, such as to be compared to the slave-qiyan, jawaris or mughanniyat, but she was referred to as a qayna as a tribute to her musical ability.[7] She once performed a duet with her brother Ibrahim ibn al-Mahdi. She also composed love poems for her sister-in-law Zubaidah bint Ja`far, which was allegedly performed by 2000 slave women singers for her brother Harun al-Rashid.[8]
Her husband Musa died before her, Various dates are given for Musa's death, including 799 (at the age of 55), 803, and 805.[9] Ulayya spend her life after becoming widow with her brothers and nephews. Ulayya died in 824 or 825.
Siblings
editUlayya was related to Abbasid house both by birth and through marriage like all other Abbasid princess. She was contemporary and related to several Abbasid caliphs, princes and princesses.
| No. | Abbasids | Relation |
|---|---|---|
| 1 | Musa al-Hadi | Half-brother |
| 2 | Harun al-Rashid | Half-brother |
| 3 | Abbasa bint al-Mahdi | Half-sister |
| 4 | Ubaydallah ibn al-Mahdi | Half-brother |
| 5 | Ali ibn al-Mahdi | Half-brother |
| 6 | Aliyah bint al-Mahdi | Half-sister |
| 7 | Mansur ibn al-Mahdi | Half-brother |
| 8 | Abdallah ibn al-Mahdi | Half-brother |
| 9 | Ibrahim ibn al-Mahdi | Half-brother |
| 10 | Banuqa bint al-Mahdi | Half-sister |
| 11 | Isa ibn al-Mahdi[10] | Half-brother |
Marriage
editUlayya married Musa ibn Isa, a prominent member of a cadet branch of the Abbasid dynasty.[11] He had an extended relation with the Abbasid dynasty, as a great-nephew of its first two caliphs al-Saffah (r. 750–754) and al-Mansur (r. 754–775).[12]
Poetry
editAs example of ‘Ulayya's poetry is:
I held back my love's name and kept repeating it to myself.
Oh how I long for an empty space to call out the name I love.[13]
Legends about her poetry
editUlayya was married to an Abbāsid prince, but 'love-poems of her addressed to two slaves have been preserved'.[4] One of the best known anecdotes about her concerns her relationship with a member of al-Rashīd's palace staff, a khādim named Ṭall, with whom she would correspond in verse. When al-Rashīd forbids her from uttering his name, she follows his order to the letter even when it precludes her from uttering a line of Sūrat al-Baqara in which the term ṭall occurs. When the caliph learns of this, he is swayed and presents Ṭall to her as a gift. In this case, her piety become the means to winning a quite worldly reward.[6]: 77
Editions
edit- al-Ṣūlī, Abū Bakr, Ash‘ār awlād al-khulafā’ wa-akhbāruhum, ed. by James Heyworth-Dunne, 3rd ed. (Beirut: Dār al-Masīra, 1401/1982), pp. 64–76.
References
edit- ^ Kilpatrick, Hilary (2005). "Mawālī and Music". In Monique Bernards; John Nawas (eds.). Patronate and Patronage in Early and Classical Islam. Leiden: Brill. pp. 326–348.
- ^ a b Abbott 1946, p. 36.
- ^ Al-Heitty, A.K. (2005). دور المرأة الشاعرة في القصر العباسي، ١٣٢-٢٤٧، ٧٥٠-٨٦١. Al Rayan. p. 185.
- ^ a b c Kilpatrick, Hilary (1998). "'Ulayya bint al-Mahdī (160–210/777–825)". In Julie Scott Meisami; Paul Starkey (eds.). Encyclopedia of Arabic Literature. Vol. II. London: Routledge. p. 791.
- ^ al-Iṣfahīnī, Abu l-Faraj, Kitāb al-aghānī, Dār al-Fikr, 21 parts and Index in 9 vols., equivalent to the edition Kairo 1322/1905–5.
- ^ a b Gordon, Matthew S. (2004). Montgomery, James E. (ed.). "The Place of Competition: The Careers of 'Arīb al-Ma'mūnīya and 'Ulayya bint al-Mahdī, Sisters in Song". 'Abbasid Studies: Occasional Papers of the School of 'Abbasid Studies, Cambridge, 6–10 July 2002. Leuven: Peeters: 61–81.
- ^ Matthew Gordon, Kathryn A. Hain: Concubines and Courtesans: Women and Slavery in Islamic History
- ^ Albrecht Classen:Pleasure and Leisure in the Middle Ages and Early Modern Age
- ^ Ibn 'Asakir 1998, p. 193; Ibn Taghribirdi 1930, p. 98.
- ^ Abbott 1946, p. 31.
- ^ Ibn Hazm 1982, p. 22; Al-Isbahani 1938, p. 185.
- ^ Yarshater 1985–2007, v. 30: p. xxv.
- ^ Abdullah al-Udhari, Classical Poems by Arab Women (London: Saqi, 1999), p. 110.
Sources
edit- Al-Isbahani, Abu al-Faraj (1938). Kitab al-Aghani (in Arabic). Vol. 10. Cairo: Dar al-Kutub al-Misriyya.
- Ibn Taghribirdi, Jamal al-Din Abu al-Mahasin Yusuf (1930). Nujum al-zahira fi muluk Misr wa'l-Qahira [Noon Stars in the Kings of Egypt and Cairo] (in Arabic). Vol. II. Cairo: Dar al-Kutub al-Misriyya.
- Ibn Hazm, Abu Muhammad ibn 'Ali ibn Ahmad ibn Sa'id al-Andalusi (1982). Harun, 'Abd al-Salam Muhammad (ed.). Jamharat Ansab al-'Arab (in Arabic) (5th ed.). Cairo: Dar al-Ma'arif.
- Yarshater, Ehsan, ed. (1985–2007). The History of al-Ṭabarī (40 vols). SUNY Series in Near Eastern Studies. Albany, New York: State University of New York Press. ISBN 978-0-7914-7249-1.
- Ibn 'Asakir, Abu al-Qasim 'Ali ibn al-Hasan ibn Hibat Allah (1998). al-'Amrawi, 'Umar ibn Gharama (ed.). Tarikh Madinat Dimashq (in Arabic). Vol. 61. Beirut: Dar al-Fikr.
- Abbott, Nabia (1946). Two Queens of Baghdad: Mother and Wife of Hārūn Al Rashīd. University of Chicago Press. ISBN 978-0-86356-031-6.
