Brown Sugar is the debut studio album by American singer, songwriter, and multi-instrumentalist D'Angelo, released on July 3, 1995, through EMI. The album was recorded during 1994 and 1995 in sessions at Battery Studios and RPM Studios in New York City and at the Pookie Lab in Sacramento. Its production, instrumentation, arrangements, and songwriting were primarily handled by D'Angelo, who employed both vintage recording equipment and modern electronic devices. The songs feature earnest lyrics about love and romance, set against a fusion of contemporary R&B and traditional soul music with elements of funk, quiet storm, and hip hop music.
| Brown Sugar | ||||
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| Studio album by | ||||
| Released | July 3, 1995 | |||
| Recorded | 1994–1995 | |||
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| Length | 53:17 | |||
| Label | EMI | |||
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| D'Angelo chronology | ||||
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| Singles from Brown Sugar | ||||
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Brown Sugar debuted at number six on the US Billboard Top R&B Albums chart, selling 300,000 copies in its first two months. With the help of its four singles, it spent 65 weeks on the Billboard 200 chart and received platinum certification within a year of its release. Brown Sugar was also met with widespread acclaim and earned D'Angelo several accolades, including four Grammy Award nominations. Regarded by music journalists as a pivotal release in neo soul, the album brought commercial exposure to the burgeoning musical movement amid the prominence of producer-driven, digitally approached R&B.
Background
editBy 1991, singer-songwriter and multi-instrumentalist Michael D'Angelo Archer had formed his native-Richmond, Virginia musical group—Michael Archer and Precise—and achieved success on the Amateur Night competition at Harlem, New York's Apollo Theater. Soon after, he dropped out of school and moved to New York City,[3] as an attempt to develop his own music career.[4] The group had previously enjoyed some notice in Richmond, evenly dividing their repertoire between soul covers and originals, while D'Angelo accumulated compositions of his own and developed his songwriting skills.[3] The group's turnout on Amateur Night resulted in three consecutive wins and a cash prize,[5] after which, upon returning home to Richmond, D'Angelo was inspired to produce his own album and began composing material.[6]
After a brief tenure as a member of the hip hop group I.D.U. (Intelligent, Deadly but Unique),[7] D'Angelo signed a publishing deal with EMI Music in 1991 after catching the attention of record executives through a demo tape, which was originally by the group.[8][9] After impressing EMI execs with a three-hour impromptu piano recital,[5] D'Angelo was signed to a recording contract in 1993.[3] A&R-man Gary Harris was primarily responsible for his signing,[10] while manager Kedar Massenburg helped negotiate the contract as well.[11] Massenburg became D'Angelo's manager after hearing of him through "the buzz on the streets".[11] He had previously managed hip hop group Stetsasonic and formed the artist management-firm Kedar Entertainment in 1991, which he diversified into production, music publishing and publicity.[11]
In 1994, his first significant success came in the form of the hit single "U Will Know".[8] D'Angelo co-wrote and co-produced the song for the all-male R&B supergroup Black Men United, which featured R&B singers such as Brian McKnight, Usher, R. Kelly, Boyz II Men, Raphael Saadiq and Gerald Levert.[12] D'Angelo composed the music for "U Will Know", while his brother, Luther Archer, wrote the lyrics.[13] Originally featured on the soundtrack to the film Jason's Lyric (1994), the single peaked at number 5 on the Hot R&B/Hip-Hop Singles & Tracks and number 28 on the Billboard Hot 100.[14] The music video for "U Will Know" featured D'Angelo as the group's choir director; he reprised the role for the live performance of the song at the Soul Train Music Awards.[12] That same year, he wrote and produced the song "Overjoyed" for the Boys Choir of Harlem,[15] which appeared on their studio album The Sound of Hope (1994).[16] The success of "U Will Know" helped build the buzz surrounding D'Angelo, which was followed by a number of highly promoted performance showcases, and added to the buzz among music industry insiders.[12]
Recording and production
edit
After his successful performance with his group Precise at the Apollo Theater in 1991, D'Angelo received a US$ 500 check for his work at the venue and used most of it to purchase a four-track recorder and a keyboard. At his mother's house in Richmond,[17] he began writing and recording most of the material that would constitute Brown Sugar during 1991 and 1992.[3] Recording for the album took place during 1994 and 1995 at Battery Studios and RPM Studios in New York City, and at the Pookie Lab studio in Sacramento, California,[18] which served as the personal recording studio of R&B musician and record producer Raphael Saadiq.[19] Additional recording took place at Back Pocket Studios in New York City for the track "Cruisin'".[18]
In contrast to the production style of contemporary R&B at the time, which featured predominant casting of well-known record producers for an artist's project, D'Angelo handled most of the album's production, as well as contributing all of the vocals.[20] While most of the production was handled by D'Angelo, other producers contributed as well, including Saadiq, Ali Shaheed Muhammad of A Tribe Called Quest and studio engineer Bob Power.[18]
D'Angelo's expertise and ability to play various instruments, including drums, saxophone, guitar, bass, and keyboards, aided him in the recording of Brown Sugar,[13] as most of the album's instrumentation and production were credited to his name.[18] In a 1995 interview, he discussed the influence that musician Prince had on his approach to recording the album, stating "I was one of those guys who read the album credits and I realized that Prince was a true artist. He wrote, produced, and performed, and that's the way I wanted to do it."[13] For the album, D'Angelo and the production personnel utilized antiquated, vintage equipment, including Wurlitzer musical instruments and dated effects boxes, as well as modern electronic devices such as drum machines and computers.[4] Notable instruments used by D'Angelo were the Fender Rhodes electric piano and the Hammond organ.[20][21] The album was later mastered by engineer Herb Powers Jr. at The Hit Factory mastering studio in New York City.[18]
Music
editBorn to a Pentecostal-minister father, D'Angelo was brought up to an early appreciation of gospel music, while his mother, a jazz enthusiast, introduced him to the musical complexities of trumpeter Miles Davis and the funk and soul music of the 1970s.[3] In addition to old gospel records,[22] these factors inspired him during the making of Brown Sugar, as D'Angelo drew upon his roots of traditional gospel and soul, and infused the sound of contemporary R&B and hip hop music to create a stylistically unique and soulful sound for the album.[13] The album has been noted by critics for its classic soul elements and influences,[20][23][24] as well as the sound of live instruments and organic grooves, which are reminiscent of the work of Stevie Wonder and Sly & the Family Stone.[5][25] Its production contrasts the producer-driven and digital approach of contemporary R&B at the time of its release.[26]
The album's sound is prominently driven by keyboards, sensual vocals, and smooth melodies,[27] while it evokes the work of such artists as Prince, Isaac Hayes, Marvin Gaye, Smokey Robinson and the Isley Brothers.[15][28] The quiet storm-love song "Cruisin'", a cover of Robinson's 1979 hit of the same name, features a predominant string section.[29] Along with the album's modern aesthetic and vintage texture,[15] Brown Sugar also encompasses the sounds of the blues, gospel and jazz in a contemporary fashion.[20] According to music journalist Peter Shapiro, "Lady" uses "the jazzy hallmarks of bohemian soul to emphasize the singer's insecurity".[29] Most of the songs on the album have a stripped-down feel, without complex orchestrations, and have heavy drum beats and bass lines, which are accompanied by electric piano riffs and minimal guitar work.[7] Music writer Robert Christgau finds Brown Sugar to be "bass-driven rather than voice-led".[30]
Vocals
editD'Angelo's singing throughout Brown Sugar is a gospel-influenced, falsetto crooning style,[21] which critics have compared the singing of Prince,[29] Al Green,[31] Donny Hathaway, and Sam Cooke.[32] Despite the album's retro influence, music writers have noted his delivery as having a hip hop approach and "swagger", as one critic described the album as a "blend of classic soul and urban attitude".[28] Another writer described the album's vibe as "sultry" and D'Angelo's vocal delivery as "sly".[33] Music journalist Jon Caramanica later called D'Angelo a "classicist, in other words, cloaked in the guise of a hip-hop roughneck."[32] Shapiro viewed the vocal production as similar to that of Prince's Sign o' the Times (1987).[29] The album's closing track "Higher" features D'Angelo's organ set to a choir of his overdubbed vocals,[20] while "Jonz in My Bonz", which compares love to an addiction, features D'Angelo's falsetto moans overdubbed in an array for effect.[29]
According to D'Angelo, the hip hop influence present on the album "came from the Native Tongues movement - Tribe Called Quest, Gang Starr and Main Source."[34] The title track features the most hip hop influence on the album, as Ali Shaheed Muhammad's co-production for the song developed a seamless integration of hip hop beats into D'Angelo's old school-influenced material.[13] The vocal delivery on the track resembles the flow of most emcees at the time.[12] In a 1995 interview, D'Angelo cited hip hop artists Rakim and KRS-One as one of his greatest influences, and explained his affinity with rapping, stating "All rap is street soul. They just have a different method."[13]
Lyrics
editWith the exception of the title track, a thinly veiled ode to smoking marijuana, most of the album's material consists of traditional romance ballads and love songs, in the style of classic soul music.[7] The lyrical content of the album closer, "Higher", combines the spiritual love of God and the carnal love of a woman, and is similar to the lyricism of Prince,[35] who has been noted by music writers for exploring the "eternal dichotomy" of spirituality and sexuality.[12] Music writers have noted the lyrical "openness" of the album, along with qualities of honesty and "earnestness" in D'Angelo's songwriting,[7][31] in comparison to most contemporary R&B at the time.[20] "Alright" deals with the consequences of a relationship and reassurance of its security.[36] "Shit, Damn, Motherfucker" was cited by Shapiro as "the nastiest cheating song since that hoary old standard of 60s rock, 'Hey Joe'",[29] It features a string of emphatic interjections (the chorus line "shit, damn, motherfucker" describes his reaction)[36] and rhetorical questions by the narrator after walking in on his wife and his best friend in bed together.[29] Music critic Christopher John Farley described the chorus as a "little like the Fuhrman tapes, with a beat",[15] while Mark Anthony Neal found the song to be "drenched with Marvin Gaye’s paranoia."[37]
Marketing and sales
editBrown Sugar was released on July 3, 1995, by EMI.[38] The album debuted at number six on the US Billboard Top R&B Albums chart in the week of July 22, 1995.[39] It ultimately peaked at number four in the week of February 24, 1996,[40] and spent a total of 54 weeks on the chart.[41] Brown Sugar also spent 65 weeks on the Billboard 200 and peaked at number 22 on the chart.[42] It sold 300,000 copies within its two months of release.[43] The album had been selling 35,000 to 40,000 copies a week through to November 1995,[44] and by January 1996, it had sold 400,000 copies.[45] With the help of its four singles, including the gold-certified, half-million-selling Billboard Hot 100 hit "Lady" and R&B top-ten singles "Brown Sugar" and "Cruisin'",[46][47][48] the album reached sales of 500,000 copies in the United States by October 1995.[44][49]
In late 1995, D'Angelo toured in promotion of the album, and his concert at The Jazz Café in London produced the 1996 live album Live at the Jazz Cafe.[50] On February 7, 1996, Brown Sugar was certified platinum by the Recording Industry Association of America, following shipments in excess of one million copies in the U.S.[49] The album was certified gold in Canada on May 9, 2000.[51] Its total sales have been estimated by several sources within the range of 1.5 million to over two million copies.[8][26][52][53][54][55][56]
Brown Sugar was re-released as a two-disc deluxe edition on August 25, 2017, by Virgin and Universal Music Enterprises. The reissue featured remastering by Russell Elevado, a 20-page booklet essayed by Nelson George, and 21 additional songs. The bonus material included instrumentals, a cappella versions, and remixes by CJ Mackintosh, Dallas Austin, King Tech, Erick Sermon, and Incognito; seven of the 21 additional songs had never been released before commercially, while the others were previously available only on vinyl.[57]
Critical reception and legacy
edit| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [23] |
| Chicago Tribune |  [58] |
| Entertainment Weekly | A[24] |
| The Guardian | [59] |
| MSN Music (Expert Witness) | A−[30] |
| NME | 9/10[60] |
| Pitchfork | 9.2/10[61] |
| Rolling Stone | [62] |
| The Rolling Stone Album Guide | [32] |
| Spin | 8/10[63] |
Brown Sugar was acclaimed by contemporary music critics.[44] Martin Johnson of the Chicago Tribune praised D'Angelo's fusing of "elements of Prince, early '70s Smokey Robinson and post-Woodstock Sly and the Family Stone".[58] NME wrote that "D'Angelo's downbeat world blurs the borders..., kicking over the traces of the genre game".[60] Time magazine's Christopher John Farley said that D'Angelo's austere sound on the album serves as a reminder of the 1970s' musical atmosphere, but updated for listeners in the 1990s.[15] In his review for Vibe, James Hunter wrote that he is "determined to give pre-hip hop forms like blues, soul, gospel, and jazz a mid-'90s vibe", and "inhabits his songs from odd angles, without non-stop Vandross-style aural showmanship."[64] Rolling Stone magazine's Cheo H. Coker praised Brown Sugar for its soulful sound and musical deviation from the New Jack-style of R&B at the time, stating:
Call him an ndegéocello (Swahili for "free as a bird"), a rebel soul... Like his fellow retrolutionaries Me'Shell NdegéOcello, Joi, Omar and Dionne Farris, he's shattering the conventional definition of "black music." It doesn't have to be a lackluster genre in which format, not content, determines heavy rotation. Brown Sugar is a reminder of where R&B has been and, if the genre is to resurrect its creative relevance like a phoenix rising from the ashes, where it needs to go.[62]
Despite calling it "lyrically a bit simple", Yahoo! Music's Jeff Watson commended D'Angelo for his musicianship and wrote that his "marvelous voice and smooth instrumentation complement his solid songwriting skills".[65] Having been lukewarm toward the record in a contemporary review for The Village Voice, Robert Christgau later wrote in MSN Music that he "wasn't surprised to have warmed to it ... D'Angelo's concentration is formidable, his groove complex yet primal."[30] The song "Brown Sugar" was nominated for the 1996 Grammy Award for Best Male R&B Vocal Performance and Best R&B Song. The album was also nominated for Best R&B Album. "Lady" was nominated for a 1997 Grammy Award for Best Male R&B Vocal Performance.[20] It was also ranked number 21 on The Village Voice's 1995 Pazz & Jop critics' poll[20] and number 12 in The Wire's annual critics' poll.[66]
Since its initial reception, the album's sound has been dubbed as "neo soul".[67] D'Angelo's commercial breakthrough with Brown Sugar has been credited by writers and music critics for providing commercial visibility to the emerging neo soul movement of the mid-1990s, as well as inspiration behind the coinage of the term neo soul.[67][68][69] The term was originally coined by Kedar Massenburg to market D'Angelo's music, as well as work by Erykah Badu, Lauryn Hill, and Maxwell.[67] In a 1996 article for the Chicago Tribune, critic Greg Kot cited Brown Sugar as "arguably where the current soul revival started".[68] USA Today's Steve Jones wrote that the album "paved the way for innovative albums by Maxwell, Tony Rich and Eric Benet".[70] Yahoo! Music's Jeff Watson wrote that the album "single-handedly revitalized the creatively-dormant R&B scene".[65] Robert Christgau has dubbed it a "modern wellspring" for neo soul.[30] Mojo ranked it number 97 on its "100 Modern Classics" list, and Rolling Stone included Brown Sugar on its list of "Essential Recordings of the 90's".[20] In 2020, Rolling Stone ranked the album at number 183 on their updated list of the 500 Greatest Albums of All Time.[71]
Track listing
edit| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Brown Sugar" | D'Angelo, Ali Shaheed Muhammad | D'Angelo, Ali Shaheed Muhammad | 4:22 |
| 2. | "Alright" | D'Angelo | D'Angelo, Bob Power | 5:13 |
| 3. | "Jonz in My Bonz" | D'Angelo, Angela Stone | D'Angelo | 5:56 |
| 4. | "Me and Those Dreamin' Eyes of Mine" | D'Angelo | D'Angelo, Bob Power | 4:46 |
| 5. | "Sh★t, Damn, Motherf★cker" | D'Angelo | D'Angelo, Bob Power | 5:14 |
| 6. | "Smooth" | D'Angelo, Luther Archer | D'Angelo, Bob Power | 4:19 |
| 7. | "Cruisin'" | William Robinson, Marvin Tarplin | D'Angelo | 6:24 |
| 8. | "When We Get By" | D'Angelo | D'Angelo | 5:44 |
| 9. | "Lady" | D'Angelo, Raphael Saadiq | D'Angelo, Raphael Saadiq | 5:46 |
| 10. | "Higher" | D'Angelo, Luther Archer, Rodney Archer | D'Angelo, Bob Power | 5:28 |
Personnel
editCredits are adapted from the album's liner notes.[18]
| # | Title | Notes |
|---|---|---|
| Brown Sugar |
All songs composed, written, arranged, performed and produced by D'Angelo, except where indicated. | |
| 1 | "Brown Sugar" |
Written by D'Angelo and Ali Shaheed Muhammed |
| 2 | "Alright" |
Written by D'Angelo |
| 3 | "Jonz in My Bonz" |
Written by D'Angelo and Angie Stone |
| 4 | "Me and Those Dreamin' Eyes of Mine" |
Written by D'Angelo |
| 5 | "Sh★t, Damn, Motherf★cker" |
Written by D'Angelo |
| 6 | "Smooth" |
Written by D'Angelo and Luther Archer |
| 7 | "Cruisin'" |
Written by William Robinson and Marvin Tarplin |
| 8 | "When We Get By" |
Written by D'Angelo |
| 9 | "Lady" |
Written by D'Angelo and Raphael Saadiq |
| 10 | "Higher" |
Written by D'Angelo, Luther Archer and Rodney Archer |
Charts
edit
Weekly chartsedit
|
Year-end chartsedit
|
Singles
edit| Year | Single | Peak positions | ||||
|---|---|---|---|---|---|---|
| US Pop[82] |
US R&B[83] |
US Dance[47] |
US R&B Airplay[47] | |||
| 1995 | "Brown Sugar" | 27 | 5 | 14 | 26 | |
| "Cruisin'" | 53 | 10 | 25 | 20 | ||
| 1996 | "Lady" | 10 | 2 | 7 | 10 | |
| "Me and Those Dreamin' Eyes of Mine" | 74 | 25 | 2 | — | ||
| "—" denotes a release that did not chart. | ||||||
Certifications
edit| Region | Certification | Certified units/sales |
|---|---|---|
| United Kingdom (BPI)[84] | Gold | 100,000^ |
| United States (RIAA)[85] | Platinum | 1,000,000^ |
|
^ Shipments figures based on certification alone. | ||
See also
editReferences
edit- ^ Pitchfork Staff (September 28, 2022). "The 150 Best Albums of the 1990s". Pitchfork. Retrieved April 26, 2023.
He crafted an idiosyncratic sound for his debut album Brown Sugar, blending jazz and soul...
- ^ "Lady [US Single] - D'Angelo | Songs, Reviews, Credits, Awards | AllMusic". AllMusic. All Media Network. Retrieved July 1, 2015.
- ^ a b c d e Oblender (2001), pp. 35–36.
- ^ a b D'Angelo: Biography. NME. Retrieved on January 28, 2009.
- ^ a b c Samuels, Allison. Pop Music: A One-Man Soul Revival. Newsweek. Retrieved on April 15, 2014.
- ^ Touré. Untitled Document: D'Angelo, May 2000. Rolling Stone. Archived from the original on April 2, 2011.
- ^ a b c d H.W. Wilson Co. (2001), pp. 36–39.
- ^ a b c Huey, Steve. D'Angelo: Biography. Allmusic. Retrieved on January 28, 2009.
- ^ D'Angelo: Artist Bio. MuchMusic. Retrieved on January 28, 2009.
- ^ Peisner, David (2008). Body & Soul. Spin, pp. 64–72.
- ^ a b c Gale Staff (1998), pp. 138–139.
- ^ a b c d e D'Angelo Signed to RCA Music Group (J Records). PRWeb. Retrieved on December 8, 2008.
- ^ a b c d e f Onnell (1997), pp. 103–105.
- ^ Jason's Lyric: Charts & Awards. Allmusic. Retrieved on January 28, 2009.
- ^ a b c d e Farley, Christopher John. Review: Brown Sugar. Time. Retrieved on February 1, 2009.
- ^ Amazon.com: The Sound of Hope. Amazon.com, Inc. Retrieved on February 1, 2009.
- ^ Biography: D'Angelo. Rolling Stone. Retrieved on January 29, 2009.
- ^ a b c d e f Track listing and credits as per liner notes for Brown Sugar album
- ^ News Review: SN&R - Full gospeldelic. Chico Community Publishing, Inc. Retrieved on February 3, 2009.
- ^ a b c d e f g h i Product Page: Brown Sugar. Muze. Retrieved on February 3, 2009.
- ^ a b Norris, Chris. "Review: Brown Sugar". New York: 81. July 17, 1995.
- ^ Shapiro (2006), p. 103.
- ^ a b Erlewine, Stephen Thomas. "Brown Sugar – D'Angelo". AllMusic. Retrieved January 29, 2009.
- ^ a b Mukherjee, Tiarra (June 30, 1995). "Brown Sugar". Entertainment Weekly. Retrieved May 12, 2020.
- ^ iTunes Store: Brown Sugar. Apple Inc. Retrieved on February 8, 2009.
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- ^ Farley (2002), pp. 56–57.
- ^ a b Barnes & Noble: Brown Sugar. Barnesandnoble.com llc. Retrieved on February 8, 2009.
- ^ a b c d e f g Shapiro (2006), p. 104.
- ^ a b c d Christgau, Robert (February 24, 2012). "Al Green/D'Angelo". MSN Music. Retrieved February 25, 2012.
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- ^ a b c Jon Caramanica et al. Hoard (2004), p. 210.
- ^ Vibe.com: VIBE 150 R&B. Vibe Media Group, Inc. on February 8, 2009.
- ^ Farber, Jim (January 23, 2000). "Body & Soul: Sexy D'Angelo practices a little 'Voodoo' and spins a hit". Daily News. New York.
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- ^ PopMatters: D'Angelo - Voodoo. PopMatters.com. Retrieved on February 1, 2009.
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- ^ Chart History: D'Angelo - R&B/Hip-Hop Albums. Billboard. Retrieved on May 9, 2010.
- ^ Chart History: D'Angelo - Billboard 200. Billboard. Retrieved on May 9, 2010.
- ^ Coker, Cheo H. "Is D'Angelo the Heir to Throne of Soul Music? 21-Year-Old Newcomer Has Fans Swooning Over Voice as Sweet as `Brown Sugar'[dead link]". Chicago Tribune: 1. August 18, 1995.
- ^ a b c Ayers, Anne. "D'Angelo Cruisin' Through His First Tour. USA Today: 14.D. November 1, 1995.
- ^ Phillips, Chuck. "The New Payola // Record Companies Use Perks To Gain Ear of Radio Stations The New Payola // Record Companies Use Perks To Gain Ear of Radio Stations". Chicago Sun-Times: 1. January 3, 1996.
- ^ "Best-Selling Records of 1996". Billboard. Vol. 109, no. 3. BPI Communications Inc. January 18, 1997. p. 61. ISSN 0006-2510. Retrieved May 8, 2015.
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- ^ "American certifications – D%27Angelo". Recording Industry Association of America.
- ^ a b Gold & Platinum - Searchable Database: Brown Sugar Archived October 19, 2015, at the Wayback Machine. Recording Industry Association of America. Retrieved on May 9, 2010.
- ^ "The Summer Heat of Miles, the Early Cool of D'Angelo". The New York Times. March 28, 2014. Retrieved April 15, 2014.
- ^ Search Certification Database: Brown Sugar Archived November 15, 2011, at the Wayback Machine. Canadian Recording Industry Association. Retrieved on May 9, 2010.
- ^ Staff. D'Angelo Reportedly Moving To J Records. SoundSlam. Retrieved on May 9, 2010.
- ^ Columnist. "Soul Survivor". Miami Herald: 1M. May 27, 2001.
- ^ Burch, Audra D.S. "Neo-Soul: Past Future Perfect". Richmond Times: H.2. June 3, 2001.
- ^ Webster, Nicholas. "A Little Sugar: Follow-Up Albums Is a Good Listen If Not a Market Hit[dead link]". Winston-Salem Journal: 2. February 7, 2000.
- ^ Infantry, Ashante. "Doing Voodoo; D'Angelo's Sophomore Album Has a Lot to Live Up To, After the Massive Success of Brown Sugar". Toronto Star: 1. January 25, 2000.
- ^ "D'Angelo's Neo-Soul Masterpiece, 'Brown Sugar,' Remastered and Expanded for New Deluxe Edition" (Press release). PR Newswire. Retrieved October 8, 2017.
- ^ a b Johnson, Martin (August 17, 1995). "D'Angelo: Brown Sugar (EMI)". Chicago Tribune. p. 6. Retrieved January 29, 2009.
- ^ Mulholland, Garry (July 7, 1995). "Pop CD of the week: Is D'Angelo the new Prince?". The Guardian.
- ^ a b "D'Angelo: Brown Sugar". NME. July 22, 1995. p. 50.
- ^ Moore, Marcus J. (August 26, 2017). "D'Angelo: Brown Sugar". Pitchfork. Retrieved September 1, 2017.
- ^ a b Coker, Cheo H. (September 7, 1995). "Brown Sugar". Rolling Stone. Retrieved November 27, 2008.
- ^ Powers, Ann (October 1995). "D'Angelo: Brown Sugar". Spin. Vol. 11, no. 7. p. 116. Retrieved July 9, 2009.
- ^ Hunter, James. "Review: Brown Sugar". Vibe: 125. August 1995.
- ^ a b Watson, Jeff. Review: Brown Sugar. Yahoo! Music. Retrieved on July 9, 2009.
- ^ "Blessed Releases: Records of the Year". The Wire. No. 143. London. January 1996. p. 32 – via Exact Editions. (subscription required)
- ^ a b c Shapiro (2006), p. 105.
- ^ a b Kot, Greg. "Dusting of Old King Soul". Chicago Tribune: 1. July 21, 1996.
- ^ Mitchell, Gail. "Soul Resurrection: What's So New About Neo-Soul?". Billboard: 30, 36. June 1, 2002.
- ^ Jones, Steve. Gangsta Rap Still Hanging Tough. USA Today. Retrieved on July 18, 2009.
- ^ "The 500 Greatest Albums of All Time". Rolling Stone. September 22, 2020. Archived from the original on September 22, 2020. Retrieved December 27, 2020.
- ^ "Dutchcharts.nl – D'Angelo – Brown Sugar" (in Dutch). Hung Medien. Retrieved February 12, 2023.
- ^ "Charts.nz – D'Angelo – Brown Sugar". Hung Medien. Retrieved February 12, 2023.
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- ^ Chart History: D'Angelo - R&B/Hip-Hop Songs. Billboard. Retrieved on May 9, 2010.
- ^ "British album certifications – D'Angelo – Brown Sugar". British Phonographic Industry. Retrieved April 15, 2014.
- ^ "American album certifications – D'Angelo – Brown Sugar". Recording Industry Association of America. Retrieved April 15, 2014.
Bibliography
edit- Christopher John Farley (2002). Aaliyah: More Than a Woman. Simon and Schuster. ISBN 0-7434-5566-5.
- D'Angelo (1995). Brown Sugar. (CD liner notes). EMI Records, 1290 Avenue of the Americas, New York, NY 10104.
- Thomson Gale Staff (1998). Contemporary Black Biography: Profiles Form the International Black Community. Vol. 13. Gale Research Inc. ISBN 0-7876-3247-3.
- Ashyia N. Henderson; David G. Oblender (2001). Contemporary Black Biography: Profiles Form the International Black Community. Vol. 27. Gale Group. ISBN 0-7876-4618-0.
- Stacy A. Onnell (1997). Contemporary Musicians. Vol. 20. Gale Research. ISBN 0-7876-1177-8.
- Maxine Block; Anna Herthe Rothe; Marjorie Dent Candee; Charles Moritz (2001). Current Biography Yearbook. Vol. 62, No. 5. The H.W. Wilson Company. ISBN 0-8242-1016-6.
- Nathan Brackett; Christian Hoard, eds. (2004). The New Rolling Stone Album Guide. Completely Revised and Updated 4th Edition. Simon and Schuster. ISBN 0-7432-0169-8.
- Todd Boyd (2007). The Notorious Ph.D.'s Guide to the Super Fly '70s. Random House, Inc. ISBN 978-0-7679-2187-9.
- Peter Shapiro, Al Spicer (2006). The Rough Guide to Soul and R&B. Rough Guides. ISBN 1-84353-264-6.
External links
edit- Brown Sugar at Discogs (list of releases)
