The Dark Past: Difference between revisions
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{{Short description|1948 film by Rudolph Maté}} |
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{{Infobox film |
{{Infobox film |
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| name = The Dark Past |
| name = The Dark Past |
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| director = [[Rudolph Maté]] |
| director = [[Rudolph Maté]] |
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| producer = [[Buddy Adler]] |
| producer = [[Buddy Adler]] |
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| screenplay = [[Philip MacDonald]]<br>[[Michael Blankfort]]<br>Albert Duffy |
| screenplay = [[Philip MacDonald]]<br />[[Michael Blankfort]]<br />Albert Duffy |
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| writer = [[Malvin Wald]]<br>[[Oscar Saul]] |
| writer = [[Malvin Wald]] (adaptation)<br />[[Oscar Saul]] (adaptation) |
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| based_on = {{based on|''Blind Alley''<br />1935 play|James Warwick}} |
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| starring = [[William Holden (actor)|William Holden]]<br>[[Nina Foch]]<br>[[Lee J. Cobb]] |
| starring = [[William Holden (actor)|William Holden]]<br />[[Nina Foch]]<br />[[Lee J. Cobb]] |
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| music = [[George Duning]] |
| music = [[George Duning]] |
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| cinematography = Joseph Walker |
| cinematography = [[Joseph Walker (cinematographer)|Joseph Walker]] |
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| editing = [[Viola Lawrence]] |
| editing = [[Viola Lawrence]] |
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| color_process = [[Black and white]] |
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| studio = [[Columbia Pictures]] |
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| released = {{Film date|1948|12|22|[[New York City]]}} |
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| released = {{Film date|1948|12|22|New York City|}} |
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| runtime = 74 minutes |
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| country = United States |
| country = United States |
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| language = English |
| language = English |
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}} |
}} |
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'''''The Dark Past''''' is a 1948 |
'''''The Dark Past''''' is a 1948 American [[film noir]] [[psychological thriller]] film starring [[William Holden]], [[Nina Foch]], and [[Lee J. Cobb]]. Directed by [[Rudolph Maté]], the [[Columbia Pictures]] release is a remake of ''[[Blind Alley (film)|Blind Alley]]'' (1939), also released by Columbia, and based on a play by American dramatist James Warwick.<ref>{{IMDb title|id=0040270|title=The Dark Past}}.</ref> |
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==Plot== |
==Plot== |
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Police psychiatrist Dr. Andrew Collins tells a detective that he believes that he can help to turn a young suspect away from crime. Through an extended flashback he illustrates his claim with the story of how he came to work for the police. |
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A psychoanalyst and his young family and some friends are taken hostage by a gang led by an escaped killer, Al Walker. The doctor gets the killer to talk to him in an attempt to find out the killer's unconscious motivation for his evil ways. |
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While Collins (at the time a college professor), his wife, and son head to their vacation cabin, prison escapee and convicted murderer Al Walker and his small gang flee towards the very same secluded cove. Along the way Walker gratuitously shoots the warden he had held hostage in the back, raising eyebrows around him. |
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Walker relates a dramatic dream he's been having since childhood. Eventually, his crimes are traced back to his childhood and lack of parental guidance, and by the end of the night the doctor has calmed the killer's murderous rage and prevented any further killings. |
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Collins is entertaining three guests when Walker, his girlfriend Betty, and two gunmen break in and hold everyone hostage while waiting for a pickup by boat. With the servants tied in the basement and the others upstairs guarded by Betty and the gangmen, Collins observes Walker's behavior downstairs closely, explaining that his profession has trained him to cure. |
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When Fred Linder, a colleague of Collins, comes to deliver a hunting rifle, he tells Collins about the prison escape but notices that someone is hiding behind a curtain. Pretending to leave, Linder grabs the rifle, but Walker struggles with him, wounding Linder. Throughout, Collins has repeatedly noticed that Walker, an extremely unintelligent, volatile man, is nonetheless drawn to some of his books on [[psychoanalysis]] and the [[subconscious]]. Betty, who is told to watch Collins while Walker fitfully sleeps, tells the professor that Walker is prone to nightmares (visualized in [[Negative (photography)|negative film]] images) where he is standing under a leaking umbrella with a paralyzed hand and trapped behind bars. |
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Walker awakens Collins to suggest analyzing his dreams, and Walker agrees. With Collins' guidance, Walker remembers a scene from his childhood where he hid under a table in a bar and witnessed his father being shot to death by police. The trauma was intensified because the young Walker had told the police where to find him, and because the boy's hand was covered with his father's blood, which leaked through the table above him. Collins tells Walker that recovering the lost memory means that his nightmares will not return and that he will no longer be able to kill. |
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Meanwhile, one of the servants managed to escape and notify the police. The cabin is surrounded. Walker seems ready to shoot it out, but finds that he cannot pull the trigger, even though his fingers are no longer paralyzed. |
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The flashback ends and the police detective agrees to let Collins analyze the young suspect they had been discussing. |
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==Cast== |
==Cast== |
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* [[Robert Osterloh]] as Pete |
* [[Robert Osterloh]] as Pete |
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* [[Kathryn Card]] as Nora |
* [[Kathryn Card]] as Nora |
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* [[Ellen Corby]] as Agnes |
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==Reception== |
==Reception== |
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===Critical response=== |
===Critical response=== |
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When the film was released the film critic at ''[[The New York Times]]'' gave the film a positive review writing |
When the film was released the film critic at ''[[The New York Times]]'' gave the film a positive review writing: "William Holden is excellent as the dream-shackled gunman, who is at once ruthless, nervous and explosively dangerous but who grudgingly complies with the doctor's 'screwball' tactics. As counterpoint is Lee J. Cobb's equally fine portrait of the unflustered scientist who is dedicated to 'curing people not killing them.' And, Nina Foch does a competently restrained job as the gangster's moll, who learns he's suffering from an Oedipus complex. The doctor's house guests, including Steven Geray, Adele Jergens and [[Wilton Graff]], and their captors, especially Berry Kroeger, give unobtrusive but neat characterizations. Neat, too, is the word for this small but well-made Christmas package."<ref>[https://movies.nytimes.com/movie/review?res=9C05E7DC103EE03BBC4B51DFB4678383659EDE ''The New York Times''], film review, "William Holden Plays Gangster in ''The Dark Past'', Columbia Film at Ambassador", December 23, 1948. Accessed: July 9, 2013.</ref> |
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In 2001, film critic Dennis Schwartz gave the film a mixed review stating the film was well acted, but called the film "pure Hollywood hokum."<ref>[http://homepages.sover.net/~ozus/darkpast.htm Schwartz, Dennis]. ''Ozus' World Movie Reviews'', film review, April 16, 2001. Accessed: July 9, 2013.</ref> |
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==References== |
==References== |
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{{Commons category|The Dark Past}} |
{{Commons category|The Dark Past}} |
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* {{IMDb title|id=0040270|title=The Dark Past}} |
* {{IMDb title|id=0040270|title=The Dark Past}} |
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* {{ |
* {{AllMovie title|id=12259|title=The Dark Past}} |
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* {{ |
* {{TCMDb title|id=72311|title=The Dark Past}} |
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* {{AFI film|id=25894|title=The Dark Past}} |
* {{AFI film|id=25894|title=The Dark Past}} |
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* [http://www.dvdbeaver.com/film3/dvd_reviews54/the_dark_past.htm ''The Dark Past''] informational site and DVD review at DVD Beaver (includes images) |
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* {{YouTube|VUcj4m1Sjrg|''The Dark Past'' introduction}} by [[Robert Osborne]] |
* {{YouTube|VUcj4m1Sjrg|''The Dark Past'' introduction}} by [[Robert Osborne]] |
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{{DEFAULTSORT:Dark Past, The}} |
{{DEFAULTSORT:Dark Past, The}} |
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[[Category:1948 films]] |
[[Category:1948 films]] |
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[[Category:1940s thriller films]] |
[[Category:1940s thriller films]] |
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[[Category:American black-and-white films]] |
[[Category:American black-and-white films]] |
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[[Category:Columbia Pictures films]] |
[[Category:Columbia Pictures films]] |
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[[Category:Film noir]] |
[[Category:Film noir]] |
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[[Category:Films scored by George Duning]] |
[[Category:Films scored by George Duning]] |
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[[Category: |
[[Category:Remakes of American films]] |
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[[Category:Films about psychiatry]] |
[[Category:Films about psychiatry]] |
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[[Category:Films directed by Rudolph Maté]] |
[[Category:Films directed by Rudolph Maté]] |
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[[Category:American films based on plays]] |
[[Category:American films based on plays]] |
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[[Category:American thriller films]] |
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Latest revision as of 17:55, 19 June 2024
The Dark Past | |
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Directed by | Rudolph Maté |
Written by | Malvin Wald (adaptation) Oscar Saul (adaptation) |
Screenplay by | Philip MacDonald Michael Blankfort Albert Duffy |
Based on | Blind Alley 1935 play by James Warwick |
Produced by | Buddy Adler |
Starring | William Holden Nina Foch Lee J. Cobb |
Cinematography | Joseph Walker |
Edited by | Viola Lawrence |
Music by | George Duning |
Color process | Black and white |
Production company | |
Distributed by | Columbia Pictures |
Release date |
|
Running time | 74 minutes |
Country | United States |
Language | English |
The Dark Past is a 1948 American film noir psychological thriller film starring William Holden, Nina Foch, and Lee J. Cobb. Directed by Rudolph Maté, the Columbia Pictures release is a remake of Blind Alley (1939), also released by Columbia, and based on a play by American dramatist James Warwick.[1]
Plot
[edit]Police psychiatrist Dr. Andrew Collins tells a detective that he believes that he can help to turn a young suspect away from crime. Through an extended flashback he illustrates his claim with the story of how he came to work for the police.
While Collins (at the time a college professor), his wife, and son head to their vacation cabin, prison escapee and convicted murderer Al Walker and his small gang flee towards the very same secluded cove. Along the way Walker gratuitously shoots the warden he had held hostage in the back, raising eyebrows around him.
Collins is entertaining three guests when Walker, his girlfriend Betty, and two gunmen break in and hold everyone hostage while waiting for a pickup by boat. With the servants tied in the basement and the others upstairs guarded by Betty and the gangmen, Collins observes Walker's behavior downstairs closely, explaining that his profession has trained him to cure.
When Fred Linder, a colleague of Collins, comes to deliver a hunting rifle, he tells Collins about the prison escape but notices that someone is hiding behind a curtain. Pretending to leave, Linder grabs the rifle, but Walker struggles with him, wounding Linder. Throughout, Collins has repeatedly noticed that Walker, an extremely unintelligent, volatile man, is nonetheless drawn to some of his books on psychoanalysis and the subconscious. Betty, who is told to watch Collins while Walker fitfully sleeps, tells the professor that Walker is prone to nightmares (visualized in negative film images) where he is standing under a leaking umbrella with a paralyzed hand and trapped behind bars.
Walker awakens Collins to suggest analyzing his dreams, and Walker agrees. With Collins' guidance, Walker remembers a scene from his childhood where he hid under a table in a bar and witnessed his father being shot to death by police. The trauma was intensified because the young Walker had told the police where to find him, and because the boy's hand was covered with his father's blood, which leaked through the table above him. Collins tells Walker that recovering the lost memory means that his nightmares will not return and that he will no longer be able to kill.
Meanwhile, one of the servants managed to escape and notify the police. The cabin is surrounded. Walker seems ready to shoot it out, but finds that he cannot pull the trigger, even though his fingers are no longer paralyzed.
The flashback ends and the police detective agrees to let Collins analyze the young suspect they had been discussing.
Cast
[edit]- William Holden as Al Walker
- Nina Foch as Betty
- Lee J. Cobb as Dr. Andrew Collins
- Adele Jergens as Laura Stevens
- Stephen Dunne as Owen Talbot
- Lois Maxwell as Ruth Collins
- Berry Kroeger as Mike
- Steven Geray as Prof. Fred Linder
- Wilton Graff as Frank Stevens
- Robert Osterloh as Pete
- Kathryn Card as Nora
- Ellen Corby as Agnes
Reception
[edit]Critical response
[edit]When the film was released the film critic at The New York Times gave the film a positive review writing: "William Holden is excellent as the dream-shackled gunman, who is at once ruthless, nervous and explosively dangerous but who grudgingly complies with the doctor's 'screwball' tactics. As counterpoint is Lee J. Cobb's equally fine portrait of the unflustered scientist who is dedicated to 'curing people not killing them.' And, Nina Foch does a competently restrained job as the gangster's moll, who learns he's suffering from an Oedipus complex. The doctor's house guests, including Steven Geray, Adele Jergens and Wilton Graff, and their captors, especially Berry Kroeger, give unobtrusive but neat characterizations. Neat, too, is the word for this small but well-made Christmas package."[2]
In 2001, film critic Dennis Schwartz gave the film a mixed review stating the film was well acted, but called the film "pure Hollywood hokum."[3]
References
[edit]- ^ The Dark Past at IMDb.
- ^ The New York Times, film review, "William Holden Plays Gangster in The Dark Past, Columbia Film at Ambassador", December 23, 1948. Accessed: July 9, 2013.
- ^ Schwartz, Dennis. Ozus' World Movie Reviews, film review, April 16, 2001. Accessed: July 9, 2013.
External links
[edit]- The Dark Past at IMDb
- ‹The template AllMovie title is being considered for deletion.› The Dark Past at AllMovie
- The Dark Past at the TCM Movie Database
- The Dark Past at the AFI Catalog of Feature Films
- The Dark Past introduction on YouTube by Robert Osborne