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he passed away. changed "is" to "was"
 
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| native_name = {{nobold|{{lang|shn|ၸၢႆးသၢႆမၢဝ်း}}}}
| native_name = {{nobold|{{lang|shn|ၸၢႆးသၢႆမၢဝ်း}}}}
| birth_name =
| birth_name =
| birth_date = {{birth-date and age|1948}}
|birth_date={{Birth date|df=yes|1948|2|18}}
|death_date = {{death date and age|2024|07|17|1948|2|18|df=y}}
| birth_place = [[Muse, Myanmar|Muse]], [[Shan State]], [[Burma|Burma {{small|(Myanmar)}}]]
| birth_place = [[Muse, Myanmar|Muse]], [[Shan State]], [[Burma|Burma {{small|(Myanmar)}}]]
| death_date = 17.72024
| death_place = Yangon
| death_place = Myanmar
| genre = [[Pop rock]]
| genre = [[Pop rock]]
| occupation = {{hlist|Singer|songwriter}}
| occupation = {{hlist|Singer|songwriter}}
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}}
}}


'''[[Burmese honorifics|Sai]] Hsai Mao''' ({{lang-shn|ၸၢႆးသၢႆမၢဝ်း}}; born 1948 in [[Muse, Myanmar|Muse]], Burma), also known as '''Sai Saing Maw''' ({{lang-my|စိုင်းဆိုင်မောဝ်}}), is a distinguished Burmese singer and musician of [[Shan people|Shan]] descent.<ref name=":0">{{Cite journal |last=Jirattikorn |first=Amporn |date=2010 |title=Shan noises, Burmese sound: crafting selves through pop music |url=https://www.jstor.org/stable/23750954 |journal=South East Asia Research |volume=18 |issue=1 |pages=161–189 |issn=0967-828X}}</ref> The most prominent singer of Shan [[pop music]], he is known for his prolific [[Cover version|cover songs]] and is based in [[Thailand]], which is home to a large Shan community.<ref name=":0" /><ref name=":1">{{Cite journal |last=Ferguson |first=Jane |date=2016 |title=I Was Cool When My Country Wasn't: "Mao" and "Deng" Making Transnational Music in the Golden Triangle |url=https://researchprofiles.anu.edu.au/en/publications/i-was-cool-when-my-country-wasnt-mao-and-deng-making-transnationa |journal=Asian Music |volume=47 |issue=2 |pages=114–137 |doi=10.1353/amu.2016.0018}}</ref> Throughout his career, he has also released 10 [[Burmese language]] albums.<ref name=":0" />
'''[[Burmese honorifics|Sai]] Hsai Mao''' ({{lang-shn|ၸၢႆးသၢႆမၢဝ်း}}; born 1948 in [[Muse, Myanmar|Muse]], Burma), also known as '''Sai Saing Maw''' ({{lang-my|စိုင်းဆိုင်မောဝ်}}), was a distinguished Burmese singer and musician of [[Shan people|Shan]] descent.<ref name=":0">{{Cite journal |last=Jirattikorn |first=Amporn |date=2010 |title=Shan noises, Burmese sound: crafting selves through pop music |url=https://www.jstor.org/stable/23750954 |journal=South East Asia Research |volume=18 |issue=1 |pages=161–189 |issn=0967-828X}}</ref> The most prominent singer of Shan [[pop music]], he was known for his prolific [[Cover version|cover songs]] and was based in [[Thailand]], which is home to a large Shan community.<ref name=":0" /><ref name=":1">{{Cite journal |last=Ferguson |first=Jane |date=2016 |title=I Was Cool When My Country Wasn't: "Mao" and "Deng" Making Transnational Music in the Golden Triangle |url=https://researchprofiles.anu.edu.au/en/publications/i-was-cool-when-my-country-wasnt-mao-and-deng-making-transnationa |journal=Asian Music |volume=47 |issue=2 |pages=114–137 |doi=10.1353/amu.2016.0018}}</ref> Throughout his career, he has also released 10 [[Burmese language]] albums.<ref name=":0" />


Sai Hsai Mao gained popularity after 1968, when a Shan language program on [[Radio Thailand]] broadcast his music.<ref name=":0" /> From 1973 to 1976, he was associated with the [[Shan State Army|Shan State Army - East]].<ref name=":0" /> His most famous song, "[[Panglong Agreement|Lik Hom Mai Panglong]]" (Panglong Agreement), was composed by [[Sai Kham Leik]] in 1973.<ref name=":0" /><ref name=":1" />
Sai Hsai Mao gained popularity after 1968, when a Shan language program on [[Radio Thailand]] broadcast his music.<ref name=":0" /> From 1973 to 1976, he was associated with the [[Shan State Army|Shan State Army - East]].<ref name=":0" /> His most famous song, "[[Panglong Agreement|Lik Hom Mai Panglong]]" (Panglong Agreement), was composed by [[Sai Kham Leik]] in 1973.<ref name=":0" /><ref name=":1" />
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== References ==
== References ==
{{Reflist}}
{{Reflist}}
[[:shn:ၸၢႆးသၢႆမၢဝ်း|Bio of Sai Hsai Mao in Shan.]]


== External links ==
== External links ==
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[[Category:People from Shan State]]
[[Category:People from Shan State]]
[[Category:Burmese musicians]]
[[Category:Burmese musicians]]
[[Category:Living people]]
[[Category:2024 deaths]]

Latest revision as of 06:08, 21 July 2024

In this Burmese name, Sai is an honorific, not a given name.
Sai Hsai Mao
Sai Saing Maw
ၸၢႆးသၢႆမၢဝ်း
Background information
Born(1948-02-18)18 February 1948
Muse, Shan State, Burma (Myanmar)
Died17 July 2024(2024-07-17) (aged 76)
Yangon
GenresPop rock
Occupations
  • Singer
  • songwriter
Instruments
  • guitar
  • vocals

Sai Hsai Mao (Shan: ၸၢႆးသၢႆမၢဝ်း; born 1948 in Muse, Burma), also known as Sai Saing Maw (Burmese: စိုင်းဆိုင်မောဝ်), was a distinguished Burmese singer and musician of Shan descent.[1] The most prominent singer of Shan pop music, he was known for his prolific cover songs and was based in Thailand, which is home to a large Shan community.[1][2] Throughout his career, he has also released 10 Burmese language albums.[1]

Sai Hsai Mao gained popularity after 1968, when a Shan language program on Radio Thailand broadcast his music.[1] From 1973 to 1976, he was associated with the Shan State Army - East.[1] His most famous song, "Lik Hom Mai Panglong" (Panglong Agreement), was composed by Sai Kham Leik in 1973.[1][2]

Discography

[edit]
  • Kau Yon Pe Tang
  • Tender Cherry Leaf Songs (ချယ်ရီရွက်နုတေးများ)
  • Father's Son (အဖေ့ရဲ့သား)

References

[edit]
  1. ^ a b c d e f Jirattikorn, Amporn (2010). "Shan noises, Burmese sound: crafting selves through pop music". South East Asia Research. 18 (1): 161–189. ISSN 0967-828X.
  2. ^ a b Ferguson, Jane (2016). "I Was Cool When My Country Wasn't: "Mao" and "Deng" Making Transnational Music in the Golden Triangle". Asian Music. 47 (2): 114–137. doi:10.1353/amu.2016.0018.

Bio of Sai Hsai Mao in Shan.

[edit]
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